Showing 7419 items
matching paint
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Sunbury Family History and Heritage Society Inc.
Photograph, Bulla Primary School, 17th April 1992
The photograph was taken when children at Bulla Primary School enjoyed a Fun Day. On that day a variety of fun activities featured which included face painting.Two girls with painted faces are posing for the camera.bulla primary school, schoolfun days -
Geelong Gallery
Sculpture - Koan 65, DAVIS, John, 1994
Twigs, calico, bituminous paint, cotton thread -
Geelong Gallery
Decorative object - Pair of 'Hope and Patience' plates from the Duke of Clarence service, WORCESTER, 1790-92
Hand painted (en grisaille) and gilded porcelain -
Gippsland Art Gallery
Painting, Piggott, Owen, Dusk, 1966-67
Donated from the estate of the artist, 2016Pigments (I.C.I.), polymer paint and sand on boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Mixed Media, Piggott, Owen, Omega, 1969
Donated by the artist, 1970Sand, pigment, polymer paint, and glue on canvasgippsland, artwork, permanent collection -
Kew RSL
aircraft propeller, probably 1942
Avro Anson twin engine aeroplane was used by the RAAF in Australia prior & during WW2 as a trainerwooden propeller, metal leading edges, paintDRG No. LA 613c1 CHEETAH X; L.H.T.; d.7.33' p.6.96'; H.R. 1293 7; 2/42 -
Trafalgar Holden Museum
Functional object - Full case Cart Hames, Circa 1800"s
Used over horse collar to attach to cart Circa 1800'sImported and sold by Holden and FrostSteel black painted hames with bracket hook. STEEL 22 WOOD CO. MADE IN ENGLAND. Kangaroo imprinthames, equine, agriculture -
Trafalgar Holden Museum
Functional object - Full case cart Hames, Circa 1900
Used over leather horse collar to attach to cartImported and sold by Holden and FrostBlack painted cart hames with bracket hookSteel 14 made in Kangaroo imprint on hookhames, equine, agriculture, civilian -
Trafalgar Holden Museum
Weapon - Artillery round, Ca 1930
Display round to show troops how to load gun and be able to handle safelydisplay ammunition to suit GMH built Polson gunBrass cartridge casing with red painted bulletNOT REAL DISPLAY ONLY TRAFALGAR HOLDEN MUSEUMmilitary, polson, cartridge -
Parks Victoria - State Coal Mine - Wonthaggi
Tin, C 1920's
Used by Fred Oldaker in S.C.M to carry sticks of dynamiteRectangular tin, painted black with hinged lid -
Mont De Lancey
Egg and egg cup
Hand painted egg in brass egg cupeggs, decorated eggs, eggcups -
Federation University Bookplate Collection
Work on paper - Bookplate, EX LIBRIS Jess
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. Square palette with paint tube and three brushes.Signed beneath image in pencil Rhyll Plantbookplate, australian bookplate design awards, kieth wingrove trust, international bookplate design, ex libris -
Working Heritage Crown Land Collection
Functional object - Door lock
Door lock with the exterior portion painted cream. historic building, former royal mint -
Uniting Church Archives - Synod of Victoria
Banner
Thought to be from Footscray churches.Hand painted banner advertising a Christmas dance. "XMAS GALA DANCE & SOCIAL IN THIS HALL SAT. DEC. 15TH 8 pm Admission 1/6 Children 9D -
Warrnambool and District Historical Society Inc.
Plaque, Buxton, C 1990
This is one of a series of eighteen plaques which commemorated some of the winner of the Grand Annual Steeplechase which is held each year in Warrnambool. The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. Buxton was the winner in 1963. Local racing steward of 50 years experience, Mr Frank Beattie, ranks the performance of buxton as among the best. He won the Brierly steeplechase on the Tuesday of the 3 day race meeting and won the grand Annual two days later ridden by jockey Noel Cole. This series of plaques were painted by local artist Leslie Lamey and were originally in the members enclosure at the Warrnambool RacecourseThese items relate to a significant part of Warrnambool's sporting and social history..1 Painted white rectangular tin plaque with rolled edges with painting of jockeys silks and cap. The colours are green brown and yellow in opposing squares on the front with brown sleeves. The cap is yellow. Six holes are around the edge. .2 Galvanised rectangular brass plate with engraved black text .1 Buxton and Hoadsville in red and black texta on back of plaque. .2 Mr & Mrs K Bullock BUXTON Winner of the Grand Annual Steeplechase 1963.warrnambool, grand annual steeplechase, noel cole, buxton -
Flagstaff Hill Maritime Museum and Village
Equipment - Mannequin, J. A. Walker, before April 1874
THE MANNEQUIN The included wooden mannequin made by J.A. Walker of Melbourne has been very well used, as can be seen from the pin marks and split and torn fabric in areas where pins would have been used many times. The painted wood of the bodice is wearing away. The top of the neck is very rough in the centre, indicating that it possibly had a knob, handle or even a head shape on top. The mannequin could have been used for storing and cleaning of the evening outfit and even in the process of making it. It is made to match the measurements of the outfit beautifully and would be close in measurement to Mrs. Isabella Mitchell. Isabella’s sister-in-law Eliza Russell made her own wedding dress and perhaps she or Isabella herself made the evening outfit using the mannequin for fittings. The mannequin is significant as its size gives an image of the shape of the evening outfit’s owner. It is also significant as an example of the process and skills to create garments of fashion during the period, with many people making their own garments. The mannequin is also an example of an item manufactured in Melbourne in colonial times. This wooden display mannequin is from neck to floor length. It has a round pedestal. The mannequin’s bodice has been painted black. It is padded then covered in black fabric. The maker of the mannequin was J.A. Walker of Melbourne. It dates to the mid-late 19th century.Mannequin maker’s fabric label “J.A. WALKER / MANUFACTURER / MELBOURNE”mannequin wooden, mannequin made in melbourne, dressmaker’s mannequin, 19th century mannequin, dress form, display mannequin, custom made mannequin, dressmaker’s dummy, andique mannequin, clothing display, j.a. walker manufacturer melbourne, j.a. walker mannequin manufacturer, evening outfit -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, Kodak, Tatura Museum, 1988
Photograph of Museum after restoration. Painted and iron work painted and replaced.Colour photograph of Tatura Museum after restoration. Exterior. 1988on back: Tatura Museum tatura museum -
Melbourne Legacy
Photograph, Intermediate Legacy Conference, Adelaide, Easter 1948, After Easter, 1948
Landscape photo with delegates, senior observers, and visitors gathered at the Intermediate Legacy Conference in Adelaide, held at Easter in 1948. Encased in a glass frame with wood (painted black) lining the edge. From TROVE: Chronicle (Adelaide, SA : 1895 - 1954), Thursday 1 April 1948, page 8 Legacy Conference In Adelaide Addressing delegates from all States at a convention of Intermediate Legacy Clubs last week, His Excellency the Governor (Sir Willoughby Norrie), who was accompanied by Lady Norrie, said that Adelaide regarded it as a privilege to be chosen as the venue of the first of what might become a series of annual conferences on the general policy of Intermediate Legacy of Australia. His Excellency stressed that the objects of Intermediate Legacy were to foster the spirit of comradeship, self-sacrifice and service, and to establish a high standard of citizenship and a spirit of responsibility in national development. 'Anything to do with Legacy has the strongest support of Lady Norrie and myself,' continued the Governor. 'Membership of Intermediate Legacy is open to the children of deceased servicemen who have passed the age of 16. There is no upper limit, although in 1945 a Senior Intermediate Club was formed in Adelaide for men returned from the services, or who, ineligible for service, had attained the age of 25. 'A record of an intermediate Legacy Conference in 1948. Junior Legatees who had achieved the age of 16 were forming intermediate clubs to further Legacy's work.Landscape photo with delegates, senior observers, and visitors gathered at the Intermediate Legacy Conference in Adelaide, held at Easter in 1948. Encased in a glass frame with wood (painted black) lining the edge. INTERMEDIATE LEGACY CONFERENCE ADELAIDE - EASTER, 1948 DELEGATES - SENIOR OBSERVERS - VISITORS List of names: Back Row: F. Holliday (Melbourne), R. Gammon (Geelong), M. Mead (Adelaide), S. Deverell (Adelaide), B. Rostron (Adelaide), G. Dodd (Sydney), A. Gale (Adelaide), C. J. Merefield (Brisbane), P. Phillips (Adelaide), V. Poulson (Brisbane), P. Lynch (Adelaide), D. Lapthorne (Adelaide). Second Row: R. Cumming (Melbourne), G. Bremmer (Adelaide), F. Bruce (Adelaide), M. Stevenson (Adelaide), R. A. Rowe (Hobart), H. H. Kirkwood (Adelaide), E. F. Marshall (Adelaide), E. B. Hill (Newcastle), K. Bremner (Adelaide), C. Lee (Perth), D. Lynch (Adelaide), K. Trevaskis (Geelong). Third Row: R. Wood (Adelaide), W. McDougall (Adelaide), H. B. Murn (Hobart), M. Thiselton (Adelaide), T. Rowatt (Brisbane), B. Fennel (Secretary, Adelaide), J. D. Harvey (Chairman, Adelaide), J. Murray (Sydney), V. Hawkesworth (Adelaide), L. Rolls (Melbourne), J. Yeates (Sydney), J. Byrne (Adelaide), J. Crouch (Brisbane). Front Row: G. Mead (Adelaide), R. White (Adelaide), E. Brown (Melbourne), A. Lawson (Melbourne), J. Raymond (Adelaide) Bottom of page: Frank Boase, Adelaide Back of Frame is as follows: CONROY MOFFAT PTY. LTD. PICTURE FRAMER 23 MCKILLOP STREET Tel. MU - MELBconference, ilc, delegates -
Bendigo Military Museum
Memorabilia - EMBLEM, EMBROIDED, c.1940
Embroidered & painted article with Australian Military Rising Sun emblem at top. Gold thread stitching with coloured paint infills all on black velvet material.Below Rising Sun: "AUSTRALIAN COMMONEALTH MILITARY FORCES, AIF PALESTINE 1940"embroidery, memorabilia, palestine -
Glenelg Shire Council Cultural Collection
Accessory - Brooch, 1930s
Belonged to Florence Dellar (Mrs. George), 59 Henty Street, Portland.Ceramic dye with gold safety pin catch. Hand painted with a view of harbour painted on yellowish sky. 2 Piers. Bathing Baths. Pine trees. -
Glenelg Shire Council Cultural Collection
Weapon - Harpoon, n.d
City of Portland Collection 19/4/2000|Kurtze MuseumIron utensil featuring shaft with V shaped section on one end and solid cone-shaped section on the other end. Painted with glossy black paint.whaling, weapon, harpoon -
Glenelg Shire Council Cultural Collection
Weapon - Harpoon, n.d
City of Portland Collection|Kurtze Museum|19/4/2000Iron utensil featuring shaft with V shaped section on one end and solid cone shaped section on the other end. Painted with glossy black paint. -
Glenelg Shire Council Cultural Collection
Tool - Harpoon, n.d
City of Portland Collection|Kurtze Museum|19/4/2000Iron utensil featuring shaft with V shaped section on one end and soldi cone shaped section on the other end. Painted with glossy black paint. -
Glenelg Shire Council Cultural Collection
Tool - Harpoon, 1850-1859
City of Portland Collection|Kurtze MuseumIron utensil featuring shaft with V shaped section on one end and soldi cone shaped section on the other end. Painted with glossy black paint. -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, 1970s
Fishing lure. Pale, synthetic fibres, covering shank of hook. Oval shaped lead 'head', painted white, one red and black painted 'eye'.fishing, travel, lure, recreation, sport -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil, Five Ducks on a Lake, 6 November 1946
Hubert Sturzenhofecker was a German Lutheran Missionary from New Guinea, interned in Camp 3. After the war he returned to Germany.Picture of a lake, trees in the background, 5 ducks swimming on the lake. Painted on 3 ply wood & mounted in a brown wooden frame. Painted by Hubert Sturzenhofecker.Meinem Freundeww2, camp 3, illustrations, oil, hubert sturzenhofecker -
Tatura Irrigation & Wartime Camps Museum
Paint set
Used by internees at Camp 3Small black tin, oblong, hinged watercolour set with 3 boys on lid. 12 separate watercolour and paint pigments inside with 2 paint brushes.paint set, watercolours, camp 3, tatura, ww2, school, equipment, illustrations, watercolour -
Clunes Museum
Functional object - SCALES
RED PAINT OVER YELLOW PAINT. WOODEN BLOCK PLACED UNDER BALANCE ARM TO HOLD STABLE. SMALL PIECE BROKEN FROM 1 DISH.local history, commerce, shop equipment -
Whitehorse Historical Society Inc.
Functional object - Lamp
Kerosene lamp with glass chimney and brass coloured reflector painted gold. Base and back painted green and made from Solvol tin with 'Solvol' stamped onlighting, kerosene & oil -
Numurkah & District Historical Society
Post Box
Red painted, homemade post box. Slanted top. Slot in front for posting letters. Door at the front for retrieving letters. Red paint is faded, chippedpost box, letters, mail