This knitting pattern book was published by the Lincoln Mills, Victoria and contains knitting patterns for mens garments.LINCOLN / BOOK No. 679 / Handknits / for / Outdoor / Sports / 6d MYER / FOR KNITTING BOOKSknitting handicrafts - history, lincoln mills (australia) limited, knitting, handicrafts - history

This knitting pattern book was published by Coats Patons and contains knitting patterns for womens knitted garments.PATONS / 549 / PRICE / CODE / G / lamelleknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

This pattern book was produced by the Villawood Textile Company, Sydney and contains a knitting pattern for a jumper and cap.Four page booklet with black and white printed text and graphics. The front cover features a colour image of a man and a woman both wearing knitted jumpers in yellow and black with matching knitted hats. The man is also wearing ski googles and the woman is holding ski poles.Front: [printed] L 361 / Villawool / KNITTED / in 12 and 8 PLY / SIZES 90 to 110 cm / 36 to 44 in.knitting handicrafts - history, villawood textile company, knitting, handicrafts - history, skiing, clothing, design, winter, fashion

This knitting pattern book was published by the Alexandria Mills, Sydney and contains knitting patterns for womens garments.Sun-glo / KNITTING BOOK / SERIES ONE HUNDRED AND ONE / 6d.knitting handicrafts - history, alexandria spinning mills pty ltd f.w. hughes pty ltd, knitting, handicrafts - history

An oval shaped amber coloured glass bowl . It has a handle on each side. The edges have a ridged pattern and the base has an oval petalled flower pattern. It is possibly "carnival glass".

This jardinière is one of many 19th and early 20th century items donated to Flagstaff Hill Maritime Village by the Giles Family. It would have been used to contain a pot plant or similar foliage to decorate a room. Donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles this item is associated with Warrnambool and the Giles Family history. Many items have been donated by the family and have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage that were donated by Vera and Aurelin Giles mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. It also represents typical furniture and household goods owned by settlers in the Warrnambool District in the late 19th and early 20th century. The Jardinière is a good example of late Victorian memorabilia that was to be found in many homes of the period.Plant container, brass & copper jardinière flower ornamental pattern with three short paw feet to base. Pressed floral pattern around sides with copper toning's with braised seam joins.Handwritten on white sticker on base $ 85 (Giles Collection)flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, emigrants from ireland, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods, brass jardinière, plant pot

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of birds and flowers in brown on a paler pink ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

Large rectangular linen tray cloth. Drawn thread work and hem stitching. Drawn thread in two patterns, both with woven patterns at each corner. All needlework hand done.manchester, table linen

This knitting pattern book was produced during 1939-45 by Patons and Baldwins' and contains knitting patterns for mens civilian and service garments. It also includes a number of patterns for convalescent and hospital coverings, including a splint coverKnitting Book (front cover) - Patons and Baldwins' Specialty Knitting Book no. 104, WWII. Knitting Book (back cover) - Patons and Baldwins' Specialty Knitting Book no. 104, WWII.PATONS & BALDWINS' / SPECIALTY / Knitting Book / No. 104 / 6D. / COMFORTS FOR / LAND, SEA, / AIR, AND / HOSPITAL USEknitting world war ii, patons and baldwins (australia) ltd, knitting, world war ii

This serving meat plate/platter dates to the 1914 to 1930's period in time. This was a period when fine bone china and crockery was imported from England or Europe (mainly Germany). It was highly regarded not only as good crockery but also a linkage to "mother" England and showed a that the family was "well to do". This plate has important relevance to the socio- economical "atmosphere" of rural life (Kiewa Valley) in the early 20th Century. The quality of good English merchandise and the "British best" attitude of the Australian psyche of this period, especially in rural regions, was strongly entrenched into the population. However after World War II this psyche changed drastically as European refugees from war torn Europe "invaded" the mainly "British" based cultural mores. This was the beginning of cultural diversity and rolled out onto multi-culturalism of the latter 20th Century. This large bone china oval shaped serving plate has a green floral pattern around the the base extending up the sides, similar to the "Brussels" pattern. The top edge is delineated with a swirling pattern emphasised with gold leaf. On the rim and detailing 15mm before the edge are oyster or scollop like bubbles in three rows.manufacturers stamp (dating manufacture 1914-1925) and numbered "36" domestic kitchen crockery, english crockery, serving plates and platters

This knitting pattern book was produced by the Alexandria Spinning Mills in Sydney and contains knitting patterns for womens garments.Sun-glo / Knitting / Book / DESIGN No. / 3527 / PAGE 3 / 6d / SERIES 104handicrafts - history knitting, alexandria spinning mills pty ltd, handicrafts - history, knitting

This knitting pattern leaflet was produced by Lincoln Mills and contains a pattern for a knitted vest for women in fair isle.LINCOLN / Model No. L1105 / PRICE 2D.handicrafts - history knitting - fair isle, lincoln mills (australia) limited, handicrafts - history, knitting - fair isle

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for baby clothes.Villawool / KNITTING BOOK / No. 64 / "PRIMROSE" See p. 8 / 1'6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by Madame Weigel Pty Ltd and contains knitting patterns for womens bedjackets.SERIES 8 / SIXTEEN / Lovely Bed-Jackets / and CAPES / PRICE / 8d / Published by / MADAME WEIGEL / Pty. Ltd. / DELIGHTFUL / DESIGNS / in / KNITTING / and / CROCHETknitting handicrafts - history, madame weigel pty ltd, knitting, handicrafts - history

This pattern book was produced by the Villawood Textile Company, Sydney and contains a knitting pattern for a childs jumper and jacket.L466 / Villawool / OR / carousel / KNITTED / in 8 PLY / SIZES 60 to 90 cm / 24 to 36 in. / 30cknitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Lincoln Mills, Victoria and contains knitting patterns for younger womens garments.LINCOLN / Latest Styles / IN / HAND KNITS / for / TEENERS / BOOK NO. 669 / 6D.knitting handicrafts - history, lincoln mills (australia) limited, knitting, handicrafts - history

This knitting pattern leaflet was published by Patons and Baldwins and contains knitting patterns for womens garments in larger sizes.Patons / KNITTING BOOK / NO. 230 / O.S. SIZES / "GLORIA" / See page 10 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for baby clothes.Villawool / KNITTING BOOK / No. 58 / "APPLEBLOSSOMS" See p. 8 / 1'6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens garments.Villawool / KNITTING BOOK / No. 59 / "MILDURA" See p. 7 / 1'6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens garments.Villawool / KNITTING BOOK / No. 60 / 1'6 / "SKYLINE" See p. 8knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens garments.Villawool / KNITTING BOOK / No. 61 / 1'6 / "BANDBOX" / See p. 4knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

Weaving samples folder: 3 "FANCY WOOLLEN COATING FABRIC" patterns with 3 patterned cloth samplesW.H. Clamp (ink) FANCY WOOLLEN COATING FABRICweaving textile industry textile design, weaving, textile industry, textile design

Phillip George was inspired by his trip to the Middle East and the Cronulla riots in 2005 when Lebanese Australians where targeted on a beach in Sydney. The full series consists of 30 surfboards which are all adorned with intricate Islamic vegetal and geometric designs. The range was called Inshallah, or God willing and was made by George in the hope of bridging the cultural divides between Australian Muslims and other Australians.Fibreglass and carbon fire surfboards with digital decals x 3. The Inshallah surfboard series employ designs from famous mosques, showcasing the vegetal and geometric patterns of traditional Islamic design.phillip george, islamic design, australian culture, australian art, surfboard

Owned by Mr Franz Streizel circa 1895.A travellers small brass inkwell in a square brown leather covered case or box. There is a brass inkwell under the lid with a tiny lever to open it.'Ink' is written in elaborate gold lettering on the lid of the leather case. The brass lid inside has a pattern embossed onto it.writing equipment, inkwells, ink pots

Manicure set: Two jars with lids and a bow pattern.One nail buffer with matching pattern. Small brush with matching pattern - all above are silver. Nail file, eyebrow tweezers, cuticle press have scroll pattern. All these items have silver handle. The seven items are enclosed in a velvet lined leather case.personal effects-toilet requisites, manicure

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Two-tone brown jumper with vertical ribbed pattern, raglan sleeves, ribbed collar and cuffs. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

A clear glass jar with a screw top metal lid. The lid has 19 holes in a circular pattern. The glass jar has a fluted pattern and on the front is a flat oval recess to take a label.Base - AGMcontainer glass shaker-jar australian-glass-manufacturers

Necktie of MTS member, used for more formal or representational occasions. Worn by Captain Keith Dann, MtS Hastings.From the personal Collection of Mrs Pat Dann a former member of the Central MtSV and later with her husband Captain Keith Dann supported and founded the Hastings branch of the Mission to Seamen in the late 20th C. Men's polyester fabric necktie, in dark blue, covered with subtle black flying angel insignia patterns, in various sizes, and two more prominent white smaller flying angel insignia patternsnecktie, flying angel, tie, pat dann, captain keith dann, hastings mission, mission to seafarers