Decline in population of Whitehorse highest of any municipality in Australia in 1994-95 and ninth greatest decline between 1976 and 1995.coopers and lybrand, city of whitehorse, ganly, justin, oscar, geoff, population

Book: 'TENNIS BEGINS AT FORTY'. Softcover. First published 1976. First paperback edition 1978. Materials: Ink, Papertennis

Khaki slouch hat - belonged to Dennis Moffatt.headgear, 1976, army

Shell and dummy wooden projectile 105mm Cannon for Abrams Tankammunition, 1976, army

GP bootsuniform, 1976, army

Jumper Khaki Woollenuniform, 1976, army

Framed letter from the City of Wangaratta to the Wangaratta Fire Brigade for their centenary. Stamped with the cities 'common seal' and Signed by the Mayor, Councillor and Town Clerkcity of wangaratta, brigade centenary, 1976

East end of Railway Road Blackburn August 1996.Railway Road East end Blackburnrailway road, blackburn, 1976

Colour print of W3 class tram No. 661 at the intersection of Victoria St and Brunswick St, being transported from Malvern Depot to Preston Workshops. This tram was acquired by the Museum in 1976 - see reference. Has the Salvation Army Training building in the background. Photographer unknown, date early 1976.Yields information about transporting W3 class tram 661 to Preston Workshops for on-sale to the BTPS.Colour print - on plain papertramcars, tram 661, victoria parade, btps, w3 class

Grade 4, 1976. Please contact [email protected] to request access to this record.1970s

Grade 4, 1976. Please contact [email protected] to request access to this record.class photograph, 1970s

Grade 5, 1976. Please contact [email protected] to request access to this record.class photograph, 1970s

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

A4 size photocopy of a photograph and accompanying text of an article that appeared in The Courier, Ballarat about the return of tram No. 39 from Lismore to Ballarat by the BTPS. No date on item, about March or April 1976 as appealing for space to store the tram and giving dimensions of the spaced needed for storage. Photo of tram accompanying item is of No. 12 with destination of Sebastopol. The April 1976 issue of Fares Please! gives the proposed move date as 8 and 9 May 1976. Society contact was Barry McCandlish. Not known who made photocopy or when.trams, tramways, lismore, btps, temporary storage, acquisitions

Anzac Day 1976 Michael McCarthy notes that " we as members of the 1st Port Melbourne Cubs/Scouts/Venturers used to participate in the Anzac Day parade every year and I think this pic was one of quite a few taken to be used for a newspaper article" Pier Hotel is in backgroundarmed services, celebrations fetes and exhibitions, societies clubs unions and other organisations, built environment, michael mccarthy, scouts, cubs, venturers, anzac parade, pier hotel

Camp shirt for Paul Reeves and his brother|1st Heatherdale Scout Group in the 70'sOne maroon sleeveless scout jacket (camp shirt) gold fringe around neckline and armholes. Many badges sown on both front and back from Australia and overseas. Yellow flag shape on back West Australian Contingent 1976 -77 11th Australian Jamboree Melbourne.Many badgescostume, male ceremonial, numismatics, badges

Newspaper clipping from The Courier, Ballarat titled Tram No. 40 was the last to run"18/9/1976, about the proposals of the BTPS to celebrate the closure of the Ballarat system in 1971. The Society proposed to operate No. 40 all day. Gives a brief history of the tram, the Ballarat system and the BTPS.btps, closure, celebrations, anniversary

Auburn Heights Tennis Club > Kew Heights Sports Club > MCC Kew Sports Club > Kew Historical SocietyAdministrative recordProvenance orderAuburn Heights Tennis Club - Bound Record of Meetings 1976-1979auburn heights recreation club - barkers road - kew (vic), auburn heights tennis club - barkers road - kew (vic) - minute booksauburn heights recreation club - barkers road - kew (vic), auburn heights tennis club - barkers road - kew (vic) - minute books

The ensignette was a vest pocket camera. The Ensignette was one of the very characteristic camera types of Houghtons Ltd., London. This strut folding roll film camera of Houghton's "Ensign – British made" brand was an ingenious construction, a real vest pocket item when folded. One of the round framed impressions on its front plate says that it was based on patent 28464 of the year 1907. The Swedish engineer Magnus Neill had designed this first British all-metal camera of which ten of thousands were made. The camera was launched before Christmas 1909. It was ordered by distributors all over the world, for example by G. Gennert. (Ref: camerapedia) The Ensignette was very popular because it was one of the first practical, compact cameras at an affordable price to the average man. A miniature bellows, roll film, camera - Ensignette No. 2. It is black metal with folding bellows. On the front is an aperture control knob. There is a window at the back for the film number.Flag with Union Jack Ensignphotography ensignette camera

Watercolour of Harbour Sceneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

hlg, reunion, sadie wilson

Grave of Percy E Judkins (died 12/09/1938) in Plot# Q13 Greensborough Cemetery. Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.percy e judkins, greensborough cemetery

Photograph Calender Print Possibly New Guinea WW2 Soldiers walking through mudphoto