Friends of Burnley Gardens thank you for helping to support the historic Burnley Gardensfriends of burnley gardens, publicity

Pale blue cover with red lettering, b/w photograph of houses on a hill non-fictionThe early life of 4 grand historical homes in Port Fairy/Belfast. seaview, talara, cooinda, loongana, teresa murphy, powling, suter, powell, margaret emily brown, dilmond john howes, ian wood, lloyd rutledge

This item has been in use since WW2 and has been a critical tool of the Royal Australian Engineers and others in that time.Given the wide range of uses of various gauges of wire to 'hold things together', and to repair maintain equipment, the wire cutter is of high significance as an important tool for a wide range of Service personnel but in particular, for engineers.Iron wire cutter, suitable to cut up to a heavy gauge wire. The item unfolds for usage and folds up when resting.D of D with small indecipherable markings.vietnam, vietnam war, engineers, tools, equipment

A magnet used in a direct marketing campaign in 2021 to encourage people to consider donating money to Legacy. Rectangular magnet with Melbourne Legacy logo and 'I love supporting veterans' families'.fundraising, supporters

1. "Two Charged." pp. 1-2, April 16, 2002. 2. "Council steps up security." pp.1-2, April 18, 2002. 3. "Sentenced." pp.1-2, October 23, 2002. Statue vandalism had become a matter of serious concern3 articles in colourNonejohn garner collection, garner, dr, vandalism, statues, protection, sentence, ballarat botanical gardens, council, ballarat, gardens, courier

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This Classic Lighthorse bear is different to the previous special edition Lighthorse bear and was a limited edition in 2020/22. The Light Horse Brigades were mounted infantry made up of mostly young men from the country. They were experts at rough-riding from their lives in the bush and could navigate terrain easily for long periods with little food or water. Sometimes special editions of the bears were produced. In 2021 the price was increased to $20 per bear.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a Lighthorse uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This special edition WW2 land army bear was released in 2019. The Women's Land Army (WLA) was a British civilian group created during World War II to replace the men called up for the military. Over 80,000 women served working on farms, in sawmills, and in forestry. They became know as Land Girls and Lumber Jills. Please note the archive does not have a copy of this bear but is recorded here to complete the series.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a female WW2 Land Army uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear

Part of our history on display These mementos were collected by Jock Sturrock’s wife Betty on their trips around the world to yacht clubs and sailing events. This collection has been lovingly preserved by Betty’s bother Doug Jones, his wife Elaine and their daughters Michelle and Claudia, who have donated it to Royal Brighton Yacht Club for members to enjoy. The donors were thanked with a lunch at the club, hosted by three members of General Committee

VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat

VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat

VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat

VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat

VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat

VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfphotos of Lydiard St Stop Ausnet Rallyadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat

187 pages : illustrations, maps, portraits, facsimilesnon-fictionCanterbury: A History covers the history of the suburb of Canterbury, Victoria from its Aboriginal history as part of the country of the Wurundjeri people to its completed development as a middle-class suburb by the late 1950s. The book had been a labour of love by esteemed historian, Don Gibb, for many years. Don’s sudden death in late 2017 left the manuscript uncompleted. The Canterbury History Group and the Royal Historical Society of Victoria, together with Don’s family, were determined to see Don’s book completed and published. Jill Barnard contributed the final two chapters dealing with the inter war and post-World War II decades.canterbury, canterbury history, residential development, maling road, gibb> don

Ngaya is a cut and paste, collage, punked-up look at my Country. It’s a country with conflicting narratives which the film explores through found footage and animation. It looks at Country from an insider-outsider perspective, someone who at once belongs to the Country but who has never lived on Country for any extended time, and has viewed it from Naarm for the past twenty years. I want people to think about the snow country away from being a holiday destination to be exploited, to think about the first people of the snow and fragility of Country. australian first nations art, video, ngarigo, animation, identity, country

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

Muralpublic art, mural, australian art

non-fictionA4 History of the Findlay Familyfindlay family, heatherdale reserve, canterbury road ringwood east no. 27, findlay wilma

This artwork is a story of life over coming darkness. Rebirth and renewal. As a Bunurong person this story means a lot to my people, this represents community past, present and future and the struggles we have had to overcome to become the people we are today in the world we are today. Kobi Summers is a young emerging Aboriginal Artist, who is a Proud Bunurong Man living in Melbourne. He specialises in Digital Art, Contemporary aboriginal Canvas Art, Mural Art and Clothing Art.australian first nations art, bunurong, cultural story

non-fictionAn article about a buggy being moved from the barn to the orcharding shed at the Schwerkolt Cottage & Museum Complex on 11/05/2022buggies, carriages and coaches, schwerkolt cottage & museum complex, graham margaret

Black and white photograph of Ballarat tram No.42 at the Sebastopol terminus c1965. Photograph has large white light patch in front of the photograph. Tram showing destination of Lydiard St. North, white on black prior to replacement with black on white blinds and has a Briquette roof ad.trams, tramways, sebastopol, albert st., tram 42

Carmel Welsh Church is located at 365 Albert Street, Sebastopol and is the only identified Welsh Presbyterian church surviving in Victoria,. It was built in 1865-6 to the design of Henry Richards Caselli, and of distinctive architectural character combining round arched windows of almost a Renaissance character, mediaevalising buttresses, and extremely chunky gable eaves of a domestic character, including square finials and raking brackets. It was established in 1861, the members and adherents were predominantly Welsh, the Welsh language was spoken freely and there were regular services in Welsh.Digital photograph of ta stained glass window in the Carmel Welsh church, Sebastopol.In memory of the Welsh Miners who from the darkness of the mines brought the light of Christ to Carmelcarmel welsh church, sebastopol, church, henry richards caselli, welsh, stained glass, miners

index, ill, maps, p.270.non-fictionA history of turning disused railway lines into rail trails for walkers and bicycles.railroads - victoria - history, rail trails - victoria - history

index, ills, maps, p.337.A detailed comparison of the Melbourne and Sydney electric suburban railways.suburban railways - sydney, suburban railways - melbourne

Newspaper clipping from The Argus, titled "Latest Model Tramcar" with a photo of VR No. 43 entering service after being built at Newport Workshops. Cutting not dated, sometime April 1922.trams, tramways, victorian railways, st kilda brighton, newport workshops, new trams, tram 43