Showing 2854 items
matching boxers-aboriginal
-
Federation University Historical Collection
Image, Shell Necklace, 1878
Line black and white image of an Aboriginal shell necklace.shell necklace, aboriginal, aborigine -
Federation University Historical Collection
Image - black and white, Fish Spearing on the Darling River
Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Black and white depiction of an Aboriginal man in a bark canoe. aborigine, aboriginal, bark canoe -
Victorian Aboriginal Corporation for Languages
Book, P W Schmidt, Die Personalpronomina in den australischen Sprachen, 1919
Language notes, in German P.W.Schmidt, on the development of the Aboriginal Languages.german text, australian languages, pronouns -
Whitehorse Historical Society Inc.
Document, Guidelines for the conduct of archaeological surveys, 1996
Guidelines prep. by VicRoads with particular reference to Aboriginal sites.Guidelines prep. by VicRoads with particular reference to Aboriginal sites.Guidelines prep. by VicRoads with particular reference to Aboriginal sites.aboriginal artefacts, archaeological sites -
Federation University Art Collection
Sculpture - Artwork, 'The More Bones the Better' by Yhonnie Scarce, 2016
Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: ABORIGINAL MAN AND BOY - TRADITIONAL IMPLEMENTS
Postcard of aboriginal man and boy with traditional implements. Made in Western Germany in perfect colour for John Englander and Co Pty Ltd, Melbourne. Aboriginal artist at work, Australia.basil miller, aborigines, postcards. -
Victorian Aboriginal Corporation for Languages
Book, Erich V Lassak et al, Australian medicinal plants, 2001
Outlines the Aboriginal use of native plants as well as how early European settlers learned from Aboriginal people about their medicinal value. Chapters arranged according to ailments and their treatment.Colour illustrations, colour photographsmedicinal plants, plant identification -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Department of Territories, Canberra, One People, 1961
Prepared under the authority of the minister for territories, with the co-operation of ministers responsible for Aboriginal welfare in the Australian states, primarily for the celebration of National Aboriginals day in Australia 14th July 1961aboriginals, government -
HMAS Cerberus Museum
Bell- H.M.C.S Protector
H.M.C.S Protector formerly a unit of the South Austalrian Colonial Forces present at the boxer rebellion 1900-01.Bell and CalpperProtector 1884. -
Orbost & District Historical Society
axe head
Inspected by Joonna Freslov, archaeologist 2.6.2008. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt which is able to withstand repeated impact, and is suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock.The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This axe head is an example of an early stone tool used by the Indigenous people of Eastern Australia.A handmade stone Aboriginal axe head. Finger grips are clear.axehead aboriginal tool stone-artefact -
Federation University Historical Collection
Image - black and white, Throwing a Boomerang
Digitised directly from 'The Native Races of the British Empire: Victoria' Black and white Image of an Aboriginal man about to throw a boomerang.aborigine, aboriginal, boomerang -
Federation University Historical Collection
Image - black and white, Throwing a Spear
Digitised directly from 'The Native Races of the British Empire: Victoria' Black and white Image of an Aboriginal man about to throw a boomerang.aborigine, aboriginal, boomerang -
Victorian Aboriginal Corporation for Languages
Book, Damian Amamoo, Teach ya, 2008
Produced to encourage young Aboriginal people to consider a career in teaching.colour illustrations, b&w illustrations, colour photographsaboriginal education, graphic novels, career planning, comic books, vocational guidance, aboriginal teacher recruitment -
Ballarat Heritage Services
Image - Black and White, A Native Canoe, c1903, c1903
A black and white image of a number of Aboriginal people in a bark canoe. aborigines, canoe, aboriginal -
Warrnambool RSL Sub Branch
Mixed media - Reg Saunders Display, Reg Saunders - His Story
Highlights the significant and often unheralded role of first nations people who served in Australia's wars.A large display of memorabilia connected to Reg Saunders, Australia's first Aboriginal Officer. Includes Aboriginal Flag,, Photographic images , Service Medals and Biographical details listed separately as 0355.2 etcA separate typed story of Private William Reginald Rawlings MM, killed in action in August 1918, is included in the display -
Victorian Aboriginal Corporation for Languages
Book, Bain Attwood et al, A life together, a life apart : a history of relations between Europeans and Aborigines, 1994
A history of several Aboriginal reserves, containing long transcribed narratives from those who lived there as well as letters and general information about Aboriginal-white relations in the early 20th century.B&w photographssevington, cummeragunja, moonahcullah, victorian history, new south wales history, race relations, racism, government relations, indigenous reserves, oral histories -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Lesson hits home, 03/08/2016
Boxer Danny Green spoke to players from Greensborough Junior Football Club about the Coward's Punch Campaign.News clipping, black text and colour image.danny green, greensborough junior football club, cowards punch campaign, greensborough football club -
Victorian Aboriginal Corporation for Languages
DVD, Michelle Mahrer, Urban clan : a portrait of the Page brothers and the Bangarra Dance Theatre, 1998
A documentary portrait of three brothers who together formed the creative core of the Bangarra Dance Theatre. The essence of the Page brothers' story captures an Aboriginal 'dreaming' of three spirits, a storyteller, a song man and a dancer, who through their collective art, build bridges within their own culture and between Aboriginal and non-Aboriginal people.DVDnunukul, munaldjali, yugambeh, south east queensland, stephen page, david page, russell page, bangarra dance theatre -
Federation University Historical Collection
Image, Natives of King George Sound
Ten profiles of Aboriginal people of King George Sound, Western Australiaaboriginal, aborigines, king george's sound, bookplate, carngham mechanics' institue -
Federation University Historical Collection
Image - black and white, Spear Fishing on the Daly River
Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Black and white depiction of an Aboriginal man spearing fish at the waters edge. aborigine, aboriginal, spear, fishing -
Federation University Historical Collection
Map, Australia Showing Position of Some Australian Tribes, c1945, c1945
Digitised directly from "The Australian Aborigines: How to understand them" by A.P. ElkinMap of Australia showing states, river system and some Aboriginal Tribes.aboriginal, aborigines, kurnai, worworung, wongaibon, wiradjuri, dieri, wakelbura, pittapitta, waramunga, binbinga, anula, mara, waral, mulluk, larakia, worora, djaru, karadjerri, kogara, wongaii, pankala, tabalde, buandie -
Federation University Historical Collection
Image - Black and White, George French Angus, Tattayarra Sneaking Emu, c1847, c1847
From 'Savage Life and scenes in Australia and New Zealand' by George French Angas.Black and white image of an Aboriginal man pointing a spear at two emus. george french angus, aborigines, aboriginal, emu, spears -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, 3rd Field Troop Royal Australian Engineers in Vietnam
History of 3rd Field Troop in Vietnam including 4 Aboriginal volunteersaustralia. army. royal australian engineers. field troop, 3, aboriginal australians - vietnam war -
Victorian Aboriginal Corporation for Languages
Book, Ian D Clark et al, An Indigenous history of Stonnington : a report to the City of Stonnington, 2006
This report presents the results of historical research into the Aboriginal history of the City of Stonnington.maps, colour illustrations, b&w illustrations, colour photographs, tableswoiwurrung, woi wurrung, boonwurrung, boon wurrung, derrimut, william thomas, stonnington, local history, victorian history -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Ingamells Rex, Australian Aboriginals Words, 1955
A mixed selection of Aboriginal words with English meanings and a regional key to their originaaboriginals -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Bulmer, 1920 c
Message on back to Mrs Roadknight from Rob and Judith BulmerBlack and white postcard of five Aboriginal children at Lake Tyers Victoriagenealogy -
Ballarat Heritage Services
Photograph - Colour photograph, Murnong, 18/10/2020
This Murnong was found near La Franchi's hutYellow native plant with yellow flower. The root was eaten by Aboriginal people. murnong, microseris sp., yam daisy, flora -
Port Fairy Historical Society Museum and Archives
Decorative object - Necklace
Aboriginal necklace made from snake backbones,, threaded on cotton. no catchlocal history, ethnographic material, dress and ornament, necklace, snake, aboriginal -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Bulmer, 1950 c
Black and white photograph of young Aboriginal couple Lake Tyers Victoriapeople, aboriginals -
Wodonga & District Historical Society Inc
Album - Ringer's River by Des Martin - Plate 9 - O'Day meets Elaine and Ruby
Resting in the shade above the river after he has brought his cattle over it, O'Day is disturbed by voices, and rolls over to discover Montieth's daughter Elaine, and her aboriginal companion, Ruby, enjoying themselves in the river. This first encounter with Elaine makes an impression on the young manager that is to last throughout his lifetime.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 9 Resting in the shade above the river after he has brought his cattle over it, O'Day is disturbed by voices, and rolls over to discover Montieth's daughter Elaine, and her aboriginal companion, Ruby, enjoying themselves in the river. This first encounter with Elaine makes an impression on the young manager that is to last throughout his lifetime. Geni Dynon as Ruby and Joan Lehmann as Elaine.des martin, many a mile, ringer's river, northeast victoria stories