Showing 1925 items
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Eltham District Historical Society Inc
Photograph, At Central Park, Eltham Festival, 11 November 1989, 11/11/1989
This was the finishing point for the parade. The Shire of Eltham Historical Society's parade float featured a gold mining theme - "The Eltham Goldrush" Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float -
Melton City Libraries
Programme, Melton Amateurs, c.1970
Mabel nee Abraham Rogers produced, wrote and acted for the “ Melton Amateurs” theatrical group established in 1950. The group performed Revues, Pantomimes, one and three act plays, Musical Comedy and Melodramas. In 1960 it lapsed for a time and from 1967 onwards more shows were successfully produced by Mabel. A creative producer and writer, audiences at the Melton Mechanics Institute enjoyed the performances of Gilbert and Sullivan and excerpts from the many Musicals of the era. She skillfully wrote scripts interweaving with songs and topical local dialogue successfully drawing out the talents of all the cast members. About “Melton Amateurs” and forerunners….. Melton people have always been Active in giving and enjoying Concerts and Amateur Theatricals presented by local talent. Wile is it not possible to mention everybody; names like George Gardiner, Stan Hardy, Jim Murchison, Rita Summers, Annie Riddell, Ethel MacPherson, Harold Bainbridge, Jack Mcguire, Greta Jongebloed, Mary Coburn, Elsie McCorkell, Linda Cameron, Marjorie Myers, Aggie Ross, Bob Butler, bring happy memories to older residents. Over the years, the names change, but the talent is always there, and freely used to give pleasure to others. the Caledonian Society was active about 1925. The Melton Competitions, 1937-37 were very successful and attracted much local and outside talent. The Melton Social and Dramatic Club was operative during the same years, and gave several shows. The first “Melton Amateurs” production was a Revue, in 1950. This was followed by other Reviews, Pantomimes, One-act and Three-act plays, and Musical Comedy. Do you remember Bessie, bob and Barrie Bardsley, and Shirley and Marie Jongebloed, Shirley Wallace, Bill Abraham, Joan Jenkins, Peg Arandt, Winifred Fraser and many other? "Comedy Tonight" prrogramme by the Melton Amateurslocal identities -
Melbourne Legacy
Photograph, Refreshments, 1996
Photos of Legacy Widows, volunteers and staff, preparing food for visitors to Legacy House. Legacy House was open Monday to Friday with many events scheduled for Widows to participate in such as Tuesday craft sessions, painting lessons, stamp sorting and a cup of tea was always available. From a Widows' Newsletter the lady on the far left is Sue Sargent a volunteer helper. The paid kitchen lady is Audrey, seen on far right in striped skirt. Some of the photos were featured in the April 1996 edition of The Answer newsletter, which mentions 'Audrey and her band of volunteer helpers serve refreshments at minimal cost to all Legacy ladies calling into the Clubrooms, Monday to Friday 10 - 3:30pm.' "Legacy house at two nine three A good place for a chat and a cup of tea Monday to Friday, week in and out Something for everyone, there is no doubt So don't be lonely, don't be shy Come to the city and give us a try!!"A record of the type of activities Legacy provided as a social outlet for widows. Colour photo of widows preparing food at Legacy HousePrinted on the back " -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Hat feathers x 8 c1910, c1910
Victorian and Edwardian ladies adorned their hats with various bird feathers. Although living conditions in Moorabbin Shire c1910, were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in craftwork, hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society C1910 Women in Moorabbin Shire followed the fashion from Europe and made their own clothes and accessories using their dressmaking, craftwork and design skills 8 x feathers of various sizes and colours for adorning a Lady's hat c 1910 a) Blue & b) White Ostrich, c) Black Cockerel, d) Black Emu Feathers. e) Brown stripped Coque Diamond Tail f) Pink dyed ostrich, g) Black duck, h) black fur clothing, millinery, hat feathers, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire,reed gladys, clark judy, dairy farms, fruit orchards, footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear, -
Eltham District Historical Society Inc
Photograph, Victorian Folk Music Club and Joh Ebeli (in beard), Eltham Festival Community Parade, 11 November 1989, 07/11/1987
The Shire of Eltham District Society's Parade float theme for 1989 was gold mining which, of course, was a most important aspect of our early history. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis MacDonald also arranged for the Victorian Folk Music Club to provide us with appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was in charge of the equipment on the float. The parade assembled in Youth Road and commenced at 10:30am.Colour photographeltham festival, shire of eltham historical society, main road, victorian folk music club, joh ebeli, 1989 -
Ballarat Heritage Services
Digital photograph, Sydney Opera House Concert Hall 2007
The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations. -
Ballarat Heritage Services
Digital photograph, Sydney Opera House Concert Hall 2007, interior
The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations. -
Ballarat Heritage Services
Digital photograph, Sydney Opera House Concert Hall 2007, New Year Eve's concert
The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations. -
Ballarat Heritage Services
Digital photograph, Sydney Opera House Concert Hall 2007, streamers
The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations. sydney opera house -
Ballarat Heritage Services
Photograph - Digital photograph, Sculptured Ice, New Year's Eve 2003, Sydney Opera House, 2003
The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations. Sculptured Ice, New Year's Eve 2003, Sydney Opera House.ice sculpture, sydney opera h -
Ballarat Heritage Services
Digital photograph, New Year's Eve Sydney 2003
The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations. -
Vision Australia
Functional object - Object, Apollo Brailler Mark II, 1979-2005
Designed by Nimoka (Nippon Moujin Youga Kaihatsu), it was produced between 1979-2005. A heavy Braille writer for its size, the Apollo provides a standard typewriter style albeit with the oblong keys sitting to the left hand side of the brailler. The design easily fits within a small musical instrument style case, and consists of a rectangular shaped structure made out of metal base with black coloured keys and a grey coloured soft plastic cover. Underneath a battery compartment (which powers a bell) is kept closed with a capped screw.Black and green metal object with covering boxApollo Brailler Mark-II (Serial number) 834400braille equipment, assistive devices -
Flagstaff Hill Maritime Museum and Village
Book - Religious Book, William Clowes & Sons, Limited, Hymns Ancient and Modern, bef. Sept 8th 1884
This book was a gift from Mrs. Cornish to her husband Nefiea, given to him on September 8th, 1884. It became part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria, and was used in services held there. The Church was operated by the Mission to Seamen organisation. The book is now part of Flagstaff Hill's St Nicholas Seamen’s Church collection. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This hymn book is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of this book to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. The brown leather-covered bound book has an embossed inscription on the spine and an impressed cross symbol on the front cover. It has red leaf pages (681 pages). The music and words were compiled and arranged by editor William Henry Monk, and published in London. This Revised and Enlarged edition was printed in London by William Clowes & Sons Ltd. The book's title is "Hymns Ancient and Modern". The inscription shows it was given as a gift in 1884. It has since been added to our St Nicholas Seamen's Church Collection. Spine: "HYMNS AND TUNES" Front cover: symbol [cross] Fly Page: "HYMNS ANCIENT AND MODERN FOR USE IN THE SERVICES OF THE CHURCH WITH ACCOMPANYING TUNES COMPILED AND ARRANGED UNDER THE MUSICAL EDITORSHIP OF WILLIAM HENRY MONK, PROFESSOR OF VOCAL MUSIC IN KING'S COLLEGE, LONDON." , "Revised and Enlarged Edition", "Young men and maidens, old men and children, praise the Name of the LORD" Inside cover in handwriting: "Nefrea (?d) Cornish from his wife, September 8th 1884"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, worship service, worship music, hymn book, music book, william clowes and sons, st nicholas seamen's church, london, hymns ancient and modern, revised and enlarged edition, 1884 -
Bendigo Historical Society Inc.
Document - VIKKI SPICER COLLECTION: BENDIGO OPERATIC SOCIETY PROGRAMME BOOKLET, 15th October, 1959
Black & White Document With Red & White Cove, Bendigo Operatic Society Theatre Programme Production 'Rose Marie' Venue: Capital Theatre Opening Night 15 th October 1959. For Seven Nights. Price 1/6. J.C. Williamson Theatres Ltd Norman Lee Production. ''Rose Marie'' Books & Lyrics Otto Harbach & Oscar Hammerstein II. Music Rudolph Friml & Herbert Strothart. Musical Director Mr Max O'Loghlen. Music Numbers Include: ''Vive la Canadienne'', ''Rose Marie,'' ''Indian Love Call,'' ''Over the Snow'','The Door of my Dreams.''Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/rose-marie -
Bendigo Historical Society Inc.
Award - GERMAN HERITAGE SOCIETY COLLECTION: EMBLEM OF THE LIEDERTAFEL
Gold framed item: silver brooch. Written in photo : Emblem of the Liedertafel. Of silver, these badges were proudly worn by members of Bendigo's Liedertafel from the 1960s. Consisting of all male voices, these choristers gathered, mainly at the Capitol theatre in View Street, to sing the Lieder ( German song ) The choir became very popular and were in great demand for functions, concerts and all types of musical entertainment. This particular item was donated by Mrs Townsend, Bendigo, and presented to the Society by F. Cusack in mid 1989. On front of frame brass plaque ' donated by the German Heritage Society Bendigo Inc 2013'clubs, music, estate of marie boldt -
Bendigo Historical Society Inc.
Document - CONCERT, BENDIGO MUSICAL SOCIETY, 23 Oct, 1913
Concert, Bendigo Musical Society. Wednesday, 23 Oct., 1913. Artists: Misses Bolt, Miss Elise Chamberlain, Miss Myrtle Knight, Miss Phyllis Hannaford, Miss Dagmar Levy, Mrs. Mueller, Misses Chamberlain, Hannaford, Macoboy, Mayberry, and Penfold, Beryl Leggo, Miss Dorothy Penfold, Miss Muriel Boldt, Agnes McNair, Phyllis Hannaford, Misses Levy and Leggo. Program has been folded in quarters, is discoloured and has brown spots. 4 small tears on the right where it has been folded, top and bottom ones are 3mm, center one is 15mm.program, music, bendigo musical society, concert, bendigo musical society. wednesday, 23 oct., 1913. artists: misses bolt, miss elise chamberlain, miss myrtle knight, miss phyllis hannaford, miss dagmar levy, mrs. mueller, misses chamberlain, hannaford, macoboy, mayberry, and penfold, beryl leggo, miss dorothy penfold, miss muriel boldt, agnes mcnair, phyllis hannaford, misses levy and leggo. -
Bendigo Historical Society Inc.
Document - HAMILTON COLLECTION: PHOTOS OF PERFORMERS, Early 1900s
Document. Half sheet of newspaper page with portrait photos of members of the ''Hawtrey Comedy Company, now touring W.A.''. ''Photos specially by CLARKE and SONS, Royal Studio, Hay Street''. Page has been torn in half. Four photos have top half missig. Printed in blue ink. Nine complete photos are named as: Miss Winifred Austin. Mr L. Monk. Mr Sydney Redgrave. Miss Elsie Austin. Mr David Cope - Musical Director. Mr Bert Leighton. Mr C P Hammond. Miss Laura Nicholls. Mr St. Clair Bayfield.performing arts, elocution, photos of performers. -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: PIANO CERTIFICATE
Large cream, brown, green and beige certificate awarded to Miss M Foster for Piano Solo (under 14) at the Austral Literary and Debating Society's Seventh Annual Musical, Elocutionary, and Literary Competitions. Bendigo, 1903. Certificate has 2 angels at the top, 1 with a harp and the other writing. At each side and at the bottom are ladies dressed in robes. There is decorative scroll work and leaves at the top & bottom. Certificate is signed by E. S. Cahill, President and Frederic A King, Hon. Sec. On the mounting board is a label: D. G. Coope & Son Fine Art Gallery Mitchell Street, Bendigo.document, certificate, music, foster & wilson collection, piano certificate, miss m foster, austral literary and debating society, e s cahill, frederic a king -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: VIOLIN CERTIFICATE
Large cream, beige and green certificate awarded to Miss M Foster for First Prize in the Violin Solo Open at the Austral Literary and Debating Society's Annual Musical, Elocutionary, and Literary Competitions. Bendigo, 1908. Certificate has angels at the top, one with a harp and one writing. There is a lady at each side and one at the bottom, all dressed in robes. There are decorations of leaf and scroll work designs. Certificate signed by M. ?, President and Thomas Byrne, General Secretary. On the back of the mounting cardboard is a label: D. G. Coope & Son Fine Art Gallery Mitchell Street Bendigo.document, certificate, music, foster & wilson collection, violin certificate, miss m foster, austral literary and debating society competitions bendigo 1908, thomas byrne -
Bendigo Historical Society Inc.
Book - HARRIS COLLECTION: DR LIVINGSTONE HIS LIFE AND ADVENTURES
Bitters / lamplough's pyretic saline /Thomas Smith and sons Established 1848 / collin's cordial cephalic snuff / Keatings insect powder Keatings cough lozenges. Inside is a Musical clipping which gives a current date of 27.5.1850 The book may be dated 1856 - 'One of the last great facts recorded among the memorabilia of the year 1856 ….Floral patterned cloth - covered book Circa late 1800's ? ''DR LIVINGSTONE - HIS LIFE AND ADVENTURES'' (BELONGING TO G D HARRIS - AXEDALE 62 pages.the front and back covers contain adverts on pink coloured paperperson, individual, harris -
Orbost & District Historical Society
boomerang
Inspected by Joanna Freslov, archaeologist 2/6/2008. Hunting boomerangs were used by the Australian Aboriginals, mainly for injuring or killing animals or enemies. Hunting boomerangs fly at high speed close to the ground and can easily kill a small animal or knock down a larger one. As well these boomerangs were used as hand-held weapons, as musical instruments and for sport. Some of the other uses were, religious ceremonies, digging, clearing fire sites, unearthing ants and lizards. Hunting boomerangs are normally made from the curving roots of trees. (ref. boomerangshack)The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. this item is an example of a hunting boomerang used by early Indigenous people in the Northern Territory.A hand carved hooked boomerang of a deep red wood. Possibly used for fighting.boomerang aboriginal hunting weapon -
Kew Historical Society Inc
Photograph - Marion Tilley in 'The Cingalee', 1953
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.A black and white photo of Marion Tilley in The Cingalee in 1953. She is dressed as a tea picker. Marion Tilley was wardrobe mistress of the Kew Light Opera Company in many later productions, however in the Cingalee, the wardrobe mistress was Ada Colton. "Marion Tilley", written in red and black ink on the base of the photo. Her role as a 'tea picker' is written in the scrapbook under the photo.marion tilley, kew light opera company, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, Marion Tilley in The Maid of the Mountains, 1956
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of Marion Tilley, one of the 'Fisher Folk' in the production. Marion Tilley was the creator of the scrapbook from which the photo is drawn. Here she stands at the end of the performance with a bouquet of flowers.marion tilley, kew light opera company, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, Goodnight Vienna!, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Joan Hutchinson, playing Cilli, an errand girl in a flower shop, in the Kew Light Opera Company's performance of Goodnight Vienna! in 1957. The theatre programme for the production notes that: "Joan Hutchinson (Cilli) made her first appearance with the Company as "Vittoria" in "The Maid of the Mountains" and was an instant success. Before coming to us she had played in "Alaya" by the Australian composer, Edith Harrhy, and now as "Cilli" has the opportunity of creating another successful memorable part."Inscribed beside the photo in the scrapbook by Marion Tilley: "Joan Hutchinson".performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, Goodnight Vienna!, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members, probably taken during a curtain call, in a performance of Goodnight Vienna! by The Kew Light Opera Company in 1957. Inscribed beside the photo in the scrapbook by Marion Tilley: "Joan Hutchinson".performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, A Country Girl, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of Nancy Ball and Stan Wilson in the Kew Light Opera Company's production of A Country Girl by Lionel Monckton. The production was performed in the Kew Recreation Hall in June 1957. Stan Wilson played 'Geoffrey Challoner' while Nancy Ball played ' Marjorie Joy'. Inscribed underneath the photo in the scrapbook by Marion Tilley: "Nancy Ball. Stan Wilson."performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, A Country Girl, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of two members of the cast and chorus ladies in a performance of Lionel Monckton's A Country Girl by the Kew Light Opera Company in 1957. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, A Country Girl, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of a performance of A Country Girl by The Kew Light Opera Company in 1957. The performance at which this photo was shot took place in The Alexandra Gardens, Melbourne. Inscribed underneath the photo in the scrapbook by Marion Tilley: "X me. Alexandra Gardens." [The 'me' referred to in the photo is the woman with her back to the camera at left.]performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Eltham District Historical Society Inc
Photograph, Joh Ebeli, Jack Hodson, Opal Smith and Bruce Ness, Eltham Festival Community Parade, 11 November, 1989, 11/11/1989
[from a contemporary report:] The Shire of Eltham District Society's Parade float theme for 1989 was gold mining which, of course, was a most important aspect of our early history. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis MacDonald also arranged for the Victorian Folk Music Club to provide us with appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson, was in charge of the equipment on the float. The parade assembled in Youth Road and commenced at 10:30am.Colour photograph1989, bruce ness, central park, eltham festival, jack hodson, opal smith, shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Jock Read, Eltham Festival Community Parade, 11 November 1989, 11/11/1989
[from a contemporary report:] The Shire of Eltham District Society's Parade float theme for 1989 was gold mining which, of course, was a most important aspect of our early history. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis MacDonald also arranged for the Victorian Folk Music Club to provide us with appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson, was in charge of the equipment on the float. The parade assembled in Youth Road and commenced at 10:30am.Colour photographeltham festival, shire of eltham historical society, 1989, main road, jock read