Showing 13621 items matching "design"
-
Red Cliffs Military Museum
Framed Photo, Barclay Memorial Sculpture, 1965 (exact)
Heather McClumpha is now Mrs. Newton HuntA framed photo of a Memorial Sculpture to honour Nathaniel Barclay, which is located in Barclay Square, Red Cliffs. The sculpture was designed by Heather McClumpha, a student of Red Cliffs High School 1965. The phot is in an ornate scrolled (scrolling made from plaster of paris) frame which is slightly damaged.Top: The Barclay Memorial/ Barclay Square. Under photo: To honour Cr. Nathaniel Barclay, DCM, MLA, J.P.,/ Designed by Heather McClumpha,/ a student of Red Cliffs High School, 1965.ww1, ww11, nathaniel, barclay, dcm, j p, mla -
Orbost & District Historical Society
fruit stand, 1932 - 1960's
Australian metalware manufacturer, Phoenix Pty Ltd, made this electroplated nickel silverfruit stand as part of its new 'Imperial' range of tableware. The simple, geometric design is representative of the Art Deco style This simple design with the geometric pattern is representative of the Art Deco style that spread through Australia in the inter-war period and was common in both local and imported electroplated wares. A silver plated fruit stand in an art deco design. The bowl has cut out rectangular designs around its edge.On base - letter H inside a circle Imperial EPNS A Phoenix producttableware fruit-stand phoenix epns domestic -
Glenelg Shire Council Cultural Collection
Souvenir - Spoon, n.d
Spoon, boxed, plain metal, silver coloured, round enamelled badge, 'tree with sky behind'.Back: 'OPAL DESIGN AUSTRALIA' - impressed -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Spoon, n.d
Spoon, plain, metal, silver coloured, round enamelled badge, coloured, showing headland, Cape Bridgewater, Vic.Back: 'OPAL DESIGN AUSTRALIA' - impressedsouvenir of portland, cape bridgewater, teaspoon -
Bright & District Historical Society operating the Bright Museum
Parasol
Pink and cream with black stripes. Cotton. Carved cane and wooden handleBurnt and painted floral design on handleparasol, sunshade, ladies accessories -
Flagstaff Hill Maritime Museum and Village
Functional object - Fire Box, Late 19th to early 20th century
Item used in the late Victorian to early Edwardian period as an insert into a house fireplace allowing the burning of coal or wood as fuel to heat a home.An item that is significant as it gives an insight into daily domestic life in the home regards heating.Fire box insert & tray black metal Embossed design to casting at back of box flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Functional object - Lantern Glass, Nier Feuerhand, 1933
The Feuerhand lantern works were established in Beierfeld in the Saxon Ore Mountains. Called Erzgebirge in German or Krušné hory in Czech, is a mountain range in the south of Saxony in Germany known for its craftwork. Lantern production began in the area by Hermann Nier who ran a plumber's workshop around the 1870s and made lanterns, amongst other things. In the town of Beierfeld, also well-known for its metalworking were the brothers Hermann and Ernst Nier who founded a modern production centre for hurricane lanterns manufacture in 1893. Five years after the foundation, the company Frankonia (Albert Frank metalware) bought up the production site and the brothers Nier became production managers. Owing to differences with Frankonia, Hermann Nier finally started its hurricane lantern factory "Hermann Nier Feuerhandwerk" in 1902. In the same year, he applied for a patent for the manufacturing of lanterns using the stamping and folding techniques with tinning by hot-dipping and without hand-soldering. In 1914 the trademark "Feuerhand" was registered for all products as a utility model of the German Reich in German: "Deutsches Reichs-Gebrauchsmuster" (DRGM) and in 1920 the round Feuerhand emblem was added to the brand. Finally, in 1926 the patents, as well as the trademark "Firehand", were also registered in the USA. The manufacture of the well-known small hurricane lanterns the “Baby Series” complete with fireproof borosilicate glass from the Firma Schott firm from Jena started in 1933. Between 1918 and 1938 Nier Feuerhand became the biggest producer of hurricane lanterns in the world. Production continued until 1990.A significant item that demonstrates from its fabrication a manufacturing process that was far in advance of its time and that influenced the production of lanterns from many other manufactures around the world. These types of lanterns made by Feuerhand around the early 20th century are now sought after by collectors.Small round lantern replacement glass called "Feuerhand" Superbaby Model. Design No 58162.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, hurricane lamp glass replacement, glass, hurricane lamp, feuerhand lantern, jena glass works -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, miniature oval hand mirror, c1900
Celluloids are a class of compounds created from nitrocellulose and camphor, with added dyes and other agents. Generally considered the first thermoplastic, it was first created as Parkesine in 1856 and as Xylonite in 1869, before being registered as Celluloid in 1870. Celluloid is easily moulded and shaped, and it was first widely used as an ivory replacement. The main use was in movie and photography film industries, which used only celluloid films prior to acetate films that were introduced in the 1950s. Celluloid is highly flammable, difficult and expensive to produce and no longer widely used, although its most common uses today are in table tennis balls, musical instruments and guitar picks. Celluloid was useful for creating cheaper jewellery, jewellery boxes, hair accessories and many items that would earlier have been manufactured from ivory, horn or other expensive animal products. It was often referred to as "Ivorine" or "French Ivory". It was also used for dressing table sets, dolls, picture frames, charms, hat pins, buttons, buckles, stringed instrument parts, accordions, fountain pens, cutlery handles and kitchen items. The main disadvantage the material had was that it was flammable.. It was soon overtaken by Bakelite.A miniature, oval, Ivorine hand mirror with floral engraving on back. An accoutrement for use in a lady's Evening bag c19thCFloral design engraving on back of mirrormoorabbin, brighton, early settlers, pioneers, cheltenham, craft work, mirors, ivorine, evening bags, celluloids, bakelite, plastics, -
Flagstaff Hill Maritime Museum and Village
Functional object - Lantern Glass, Nier Feuerhand, 1933
The Feuerhand lantern works were established in Beierfeld in the Saxon Ore Mountains. Called Erzgebirge in German or Krušné hory in Czech, is a mountain range in the south of Saxony in Germany known for its craftwork. Lantern production began in the area by Hermann Nier who ran a plumber's workshop around the 1870s and made lanterns, amongst other things. In the town of Beierfeld, also well-known for its metalworking were the brothers Hermann and Ernst Nier who founded a modern production centre for hurricane lanterns manufacture in 1893. Five years after the foundation, the company Frankonia (Albert Frank metalware) bought up the production site and the brothers Nier became production managers. Owing to differences with Frankonia, Hermann Nier finally started its hurricane lantern factory "Hermann Nier Feuerhandwerk" in 1902. In the same year, he applied for a patent for the manufacturing of lanterns using the stamping and folding techniques with tinning by hot-dipping and without hand-soldering. In 1914 the trademark "Feuerhand" was registered for all products as a utility model of the German Reich in German: "Deutsches Reichs-Gebrauchsmuster" (DRGM) and in 1920 the round Feuerhand emblem was added to the brand. Finally, in 1926 the patents, as well as the trademark "Firehand", were also registered in the USA. The manufacture of the well-known small hurricane lanterns the “Baby Series” complete with fireproof borosilicate glass from the Firma Schott firm from Jena started in 1933. Between 1918 and 1938 Nier Feuerhand became the biggest producer of hurricane lanterns in the world. Production continued until 1990.A significant item that demonstrates from its fabrication a manufacturing process that was far in advance of its time and that influenced the production of lanterns from many other manufactures around the world. These types of lanterns made by Feuerhand around the early 20th century are now sought after by collectors.Small round lantern replacement glass called "Feuerhand" Superbaby Model. Design No 58162.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, hurricane lamp glass replacement, glass, hurricane lamp, feuerhand lantern, jena glass works -
Coal Creek Community Park & Museum
Flasks
Flasks seemed to have gin in them at some point of their time one has a lid on it and the other has its lid missingLanoma Gin Design RD.NO. 13016 -
Stanley Athenaeum & Public Room
Functional object - Lamp, Aladdin Hanging Lamp in parts
Lamp hanger nickel plated with 2xframes to hold shade, 1xextension fitting to fit to ceiling, 1xbrass burner with new wick.no marking. Patented design 1920-1950 -
Stanley Athenaeum & Public Room
Functional object - Lamp, Aladdin Hanging Lamp in parts
Lamp hanger nickel plated with 2xframes to hold shade, 1xextension fitting to fit to ceiling, 1xbrass burner with new wick.no marking. Patented design 1920-1950 -
National Vietnam Veterans Museum (NVVM)
Memorabilia - Belt buckle
Oval shaped Pewtor buckle. Vietnam Veteran on top of dagger in middle with lightening bolts, bamboo and service bar (yellow, green and red)4360 Designed in USA. Made in Mexicobelt buckle, vietnam veterans -
Moorabbin Air Museum
Drawing (item) - CAC Tool Standards Machine Capacity Book No. 2
Aircraft Factory Tool Design Dept. -
Clunes Museum
Functional object - GLASS CRUET SET
.1 PEPPER POT .2 VINEGAR JAR DESIGN ETCHED ON GLASS AROUND CENTRElocal history, domestic items, cruet set -
Otway Districts Historical Society
Book, Norman Houghton, Games at the "Ditch"
Games at the "Ditch": centenary history of Beech Forest's Ditchley Park sports ground. Norman Houghton. Soft cover. ii, 31p., illus. March 2011. Publisher: Norman Houghton. Design: Kelly McKiernan Printer: Officeworks -
Ballarat Diocesan Historical Commission
Illuminated Address, Illuminated Address 1909 to Bishop Higgins from clergy on arrival hometo Ballarat from Rome
Designed and Illuminated by J.H. Cunningham, Melbourne. -
Working Heritage Crown Land Collection
Decorative object - Wallpaper, Horticultural Hall wallpaper
Sample of wallpaper from the "west wall" of Horticultural Hall.Sample section of wallpaper from Horticultural Hall. Flora design with red and yellow flowers wallpaper, horticultural hall -
National Wool Museum
Card, Design
A Brintons carpet design card printed the same month that the Fellmongers Road factory closed down. Acquired on the closure of the factory.W7201.1 W7201.2 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.D6679 Brintons PTY - Boardroom QUALITY: Sp Ax - 12bu LOOM WIDTH: 200cm STRAIGHT LENGTH REPEAT: 467 ROWS CARD WIDTH AND MATCH: 276 ENDS STRAIGHT MATCH Design ID: D6679 Design Size: 3ft 3.43in by 3ft 2.92in Ends*Rows: 276*467 Quality: 7*12 per inch Match: 233 row dropbrintons australia pty ltd brintons pty ltd (geelong) brintons ltd (uk), carpet -
Flagstaff Hill Maritime Museum and Village
Tool - Smoothing Plane, Mid to Late 19th Century
A smoothing plane is typically used after the work piece has been flattened and trued by the other bench planes, such as the jack, fore, and joiner planes. Smoothing planes can also be used to remove marks left by woodworking machinery. When used effectively alongside other bench planes, the smoothing plane should only need a handful of passes removing shavings as fine as 0.002 inches (0.051 mm) or less. The work piece is then ready to be finished, or can be further refined with a card scraper or sandpaper. The smoothing plane is usually held with both hands, and used in a similar manner to the other bench planes. Though designed for smoothing, a smoothing plane can be used as an 'all-round' bench tool and for rougher work depending on how it is set up. Being smaller than other bench planes, the smoothing plane is better able to work on smaller work pieces and around obstructions. Since the 1700s wooden smoothing planes have predominantly been 'coffin shaped' wider in the middle and slightly rounded making them more maneuverable. It has also been claimed that the coffin design exposes more end grain, enabling the plane to better adjust to changes in humidity. John Moseley & Son: Records indicate that before 1834, the firm is listed at number 16 New Street, London and according to an 1862 advertisement the shop had been established in New Street since 1730, The Sun insurance records from the time show that John Moseley was the possessor of a horse mill in the yard of his premises, which means that some kind of manufacturing was taking place, as the mill would have provided power to run a saw or perhaps a grinding wheel so the probability is that he did not just sell tools, he made them as well. John Moseley died in 1828 and his will he names his four sons: John, Thomas, William and Richard. To complicate matters he also had brothers with the same first names; brothers Richard (of Piccadilly) and William (of Peckham Rye) are named as two of the executors. Brother Thomas is not mentioned in this will, but became a minister and was one of the executors of brother Richard’s estate when he died in 1856. From John’s will, we also learn that, although the shop was in New Street, he resided in Lympstone, Devon. The family must have had a house in that county for quite some time as both sons Richard and William are baptised in Devon, although John and Thomas were baptised in London. In the 1841 and 1851 census records, we just find William in New Street, but in 1861 both William and Richard are listed there as toolmakers. That Richard was staying overnight at New Street was probably just accidental as in 1851 and 1871, we find him with his wife Jane and children in Clapham and Lambeth respectively. In 1851 Richard is listed as “assistant clerk cutlery warehouse” and in 1871 as “retired plane maker and cutler”. Although the actual place of work is not stated, one may assume he worked in the family business. 1862 is a year full of changes for the firm. In that year, William had a new property built at 27 Bedford Street. In the catalogue for the 1862 International Exhibition, 54 Broad Street (later 54-55 Broad Street) is listed for the first time, which may very well coincide with the split of the business into a retail and a wholesale branch. Around the same time, they must have moved from New Street to 17 & 18 King Street because their manufacturing premises had been pulled down to form the New Street from Cranbourne Street to King Street. In January 1865, William died and Richard continued the business. In 1867, the partnership he had with his son Walker and Thomas Elis Hooker, is dissolved. Richard continued tool making at King Street and Bedford Street. Richard retired somewhere between 1867 and 1871, but the business continued. The business is taken over by W M Marples & Sons and tools continued to be made in London until 1904 when manufacturing relocated to Sheffield. A vintage tool made by a well documented company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a smooth finish to timber. The tool was used when timber items needed to have a smooth finish these types of planes were used in conjunction with profiled planes that provided a decorative finish. A significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Smoothing Plane coffin design Maker J Moseley & Son London & 2 1/4"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, moulding plane, plane, j heath, moseley -
RMIT Design Archives
Posters, The Hardware Club, 1983
The Hardware Club was established in the 1980s in Hardware House, Hardware Lane Melbourne by Andrew Maine, Jules Taylor and Paul Jackson, who all worked together at 3RRR. Artists, fashion designers, and musicians all flocked to the Club in the 1980s. It was the place to experiment with fashion and dance to dawn at a time when may venues closed early. Hardware Houses rooms were perfectly suited for the purpose, its polished wooden floorboards ideal for a dance floor,mezzanine floor for spectators, and crucially the Club had two bars and a 24 hour licence. Initially the trio from 3RRR took over the club on Friday nights only , and then other nights followed. In 1983 graphic Designer Robert Pearce was commissioned to design this poster for The Hardware Club. According to Jules Taylor it was inspired by "subways of New York with a touch of Berlin and Film Noir ..." Ann Carewdesign, graphic design, australian fashion -
Greensborough Historical Society
Domestic object - Meat platter, F.G. & Co, Doulton Burslem 'Wattle' Meat Platter, 1892
This was manufactured by Doulton at their Burslem factory at Stoke-On-Trent in England and imported by Feldheim Gotthelf & Co who were hardware merchants and importers in Sydney. The registered design number 188386 dates the item to 1892. The platter features an Australian theme showing Australian native flowers in 'Wattle' pattern. White rectangular platter. It has a slightly wavy edge with the brown 'wattle' design bordering around the outside of the platter.Marked DOULTON BURSLEM, ENGLAND WATTLE Rg No 188386. Below this is F C & Co. SYDNEY domestic items, platter -
Kew Historical Society Inc
Clothing - Hand-Embroidered Cotton Apron, 1945-1955
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Rectangular white cotton apron, hand embroidered with a design of a basket of flowers. The apron may be created from a Semco pattern.clothing - women's, aprons, protective wear, fashion design, fashion -- 1940s -
National Wool Museum
Book, Carpet Sample, Petite Fleur III
A sales book for the design range Petite Fleur III acquired when Brintons' Fellmonger Road factory closed.W7193 W7193_2 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.Brintons Fine Carpets Finest Australian Woven Carpets Petite Fleur III Davis Residence o/n 38806 1/10392 Please Ruturn to Design Studiofurnishing, brintons australia pty ltd brintons pty ltd (geelong) brintons ltd (uk), sales, samples -
Ballarat Heritage Services
Ceramic - Photograph - Colour, Ceramics Decorated by Bill Onus, c1955
William (Bill) ONUS (15 November 1906-1968) Born Cummeragunja Aboriginal Reserve, Murray River, New South Wales Clan: Wiradjuri William Townsend (Bill) Onus was a shearer, actor and activist who revived the Australian Aboriginese League in Melbourne in 1946. He retired from politics in to start the Aboriginal Enterprises workship in Belgrave with his brother Eric. They produced boomerangs, woomeras, fabrics and greeting cards imprinted with Aboriginal motifs. He ran the business from his small factory and shop at Belgrave in the Dandenong Ranges. To promote his wares Bill Onus toured widely in Victoria and beyond as a travelling showman, giving demonstrations of boomerang-throwing, which he advocated as a national sport. (ADB) Bill Onus adopted similar imagery to that which appeared in mass-produced indigenised design; however, he used such works to draw attention to his political work with the ‘Committee for Aboriginal Citizen Rights’ and the ‘Australian Aborigines League.’ William McLintock (Lin) Onus is the son of Bill Onus. Ceramic form decorated with Aboriginal design by Bill Onus.aboriginal, bill onus, aboriginal enterprise novelties, ceramics -
Ballarat Heritage Services
Photograph - Photograph - Colour, 'Wirrin' by Bill Onus
William (Bill) ONUS (15 November 1906-1968) Born Cummeragunja Aboriginal Reserve, Murray River, New South Wales Clan: Wiradjuri William Townsend (Bill) Onus was a shearer, actor and activist who revived the Australian Aboriginese League in Melbourne in 1946. He retired from politics in to start the Aboriginal Enterprises workship in Belgrave with his brother Eric. They produced boomerangs, woomeras, fabrics and greeting cards imprinted with Aboriginal motifs. He ran the business from his small factory and shop at Belgrave in the Dandenong Ranges. To promote his wares Bill Onus toured widely in Victoria and beyond as a travelling showman, giving demonstrations of boomerang-throwing, which he advocated as a national sport. (ADB) Bill Onus adopted similar imagery to that which appeared in mass-produced indigenised design; however, he used such works to draw attention to his political work with the ‘Committee for Aboriginal Citizen Rights’ and the ‘Australian Aborigines League.’ William McLintock (Lin) Onus is the son of Bill Onus. Wooden plate decorated with Aboriginal design by Bill Onus.Stamped on back "Made in Australia Bill Onus"aboriginal, bill onus, aboriginal enterprise novelties, ceramics -
Whitehorse Historical Society Inc.
Article, Green Designs Test the Best
.The Burwood East brickworks site.The Burwood East brickworks site. This site was at the centre of a global design competition to create the world's greenest retail centre with a prize of $30,000 won by the entrant Difference is Living..The Burwood East brickworks site. brickworks, burwood east -
Port Melbourne Historical & Preservation Society
Document - Visual, presentation rough, Recycling sign, Pat Grainger, 1993
Design was commissioned by Council and resourced by both Council and Coles Supermarket to encourage participation in new recycling scheme. The finished 2 m x 140 cm sign, executed by council signwriter Bob Smith to Pat Grainger's design, featured the actual items to be recycled (bottles, cans, newspapers etc) and was displayed in the supermarket for a year.Designer's presentation rough for approval by Port Melbourne Council and Coles Supermarket of design for large 3D sign explaining household items to recycle under new environmental program, 1993environment, business and traders - grocers and supermarkets, local government - city of port melbourne, bob smith, coles supermarket, pat grainger -
Kew Historical Society Inc
Footwear - Pair of Silver Leather Shoes, Charles Jourdan, 1970s
The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of silver leather women’s shoes with two glass studded buttons at the front. The shoes were designed by Charles Jourdan of Paris expressly for Georges, Collins Street, Melbourne women's shoes, footwear, charles jourdan -- designer -- paris -
Vision Australia
Leisure object - Object, Playing cards with moon type, 1920-1958
A 52 playing card set with moon type designed by the leading firm of playing card manufacturers in England during this period - Thomas de la Rue & Company. Playing cards with red, black and white design with moon type at top left-hand and bottom right-hand corners in orange metal hinged box. recreation, games