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Ballarat Heritage Services
Photograph, Vessel by Mark Reid, 1989
Mark Reid began potting in the early 1980s, working for a time in North Queensland. In 1985, he and his wife Robyn set up the Torvil Pottery at Buninyong near Ballarat in Victoria. In 1991, they relocated to a 10 acre property in nearby Magpie and set up the Ballarat Clayfire Gallery with a working studio, gallery and residence. In 2005, he Clayfire Gallery was located to Daylesford. Mark Reid signs his work with an incised 'Mark Reid' or 'MR'.mark reid, australia studio pottery, ceramics, torvil pottery, buninyong, magpie, clayfire gallery, ballarat clayfire gallery, daylesford -
Flagstaff Hill Maritime Museum and Village
Souvenir - Wood sample, Mr John Flett, c1885
This small piece of wood was cut from a rib of the wreck of the Enterprise in c1885 by Mr John Flett (1869 – 1944), whilst it was lying on the beach in Lady Bay, Warrnambool. Mr Flett was about 16 years old at the time and used the wood (with other pieces from the wreck) to make a picture frame. A newspaper report published in the Gippsland Gazette on Tuesday 16th July 1912 titled "An Interesting Relic" describes a picture frame being displayed in Mr. Flett's shop in Warragul which was of interest as it had been made from wood taken from the wreck of the Enterprise when it was lying on the beach at Lady Bay, Warrnambool. This was still in his possession in the 1930’s when Mr. Flett presented the small sample of wood to Mr. Henri Worland of the Warrnambool Museum and Art Gallery - along with a signed letter of ownership. A transcription of the letter is as follows - “Kalos” 12 Yendon Road Glen Huntly S.E.9 Dear Mr Warland, I am enclosing herewith a small piece of timber which, about 50 years ago, I cut from a rib of the old wreck which at that time was well known as the old “Enterprise”. I am prepared to sign a sworn statement that this is a piece of that wreck and has never been out of my possession since I cut it from the wreck. Since returning to the city I visited the museum and inspected the walking stick and small model of a boat, presented I think, by Mr Richie. I notice the different grain of the timber and would suggest that they are not Blue Gum, and the piece I am enclosing is definitely of that Tasmanian timber. Of course there may have been other imported timbers used and only the frame of the vessel made of the Blue Gum; I am not suggesting an error on the part of Mr Richie, who evidently knew the old wreck [in an?] earlier date than I did. The piece I am enclosing was incorporated in an old picture frame which I made 50 years ago, and although not used for many years has always been in my possession. With kind regards Yours faithfully J Flett (signature) P.S. I have other small pieces in a small photo frame which I may let you see some day, but not just now. Mr R. Christian will recognise the other frame when he sees it, as we were working together when it was made. J.F. There were several branches of Fletts living in Warrnambool in the mid to late 1800’s. They were all related and had emigrated from Stromness in the Orkney islands – arriving mostly in the 1850’s on different ships. John Flett’s mother was Jessie Isbister who arrived in Australia in 1852 with her family on board the Ticonderoga. Over 168 passengers died on the voyage including two of Jessie’s sisters and one of her brothers. Mrs Jessie Flett's obituary (titled "An Old Colonist") which appeared in the West Gippsland Gazette on Tuesday 8th September 1914 describes her early connections to Warnambool and the Ticonderoga. John Flett moved from Warrnambool to Birchip, Warragul and later went to Melbourne where he worked for the YMCA. During WW1, he worked at the Caulfield Military Hospital and volunteered for active service with the YMCA in France -caring for the welfare of the soldiers. After the war, he continued to work with the YMCA in a secretarial capacity. THE ENTERPRISE 1847-1850 The wooden, two-masted schooner Enterprise was built in New Zealand in 1847 and registered in Melbourne, Australia. The Enterprise carried a cargo of agricultural produce and other commodities for trade between the ports of the Colony. On September 14, 1850, the Enterprise was at anchor in Lady Bay under its Master, James Gardiner Caughtt, loaded with a cargo of wheat and potatoes. A strong south-easterly wind caused the vessel to drag on its only anchor and the rudder was lost. The gale force wind blew it sideways and it became grounded. A local aboriginal, Buckawall, braved the rough sea to take a line from the shore to the Enterprise. All five members of the crew were able to make it safely to land. The Enterprise was totally wrecked. The Enterprise wreck was in an area called Tramway Jetty in Lady Bay. Since then the area became the location of the Lady Bay Hotel and now, in 2019, it is in the grounds of the Deep Blue Apartments. In fact, with the constantly changing coastline through built-up sand, the wreck site is now apparently under the No 2 Caravan Park in Pertobe Road, perhaps 150 metres from the high tide. Its location was found by Ian McKiggan (leader of the various searches in the 1980s for the legendary Mahogany Ship). DIFFERENTIATING the New Zealand Schooner “Enterprise” from John Fawkner’s “Enterprize“ Dr. Murray Johns, Melbourne, says in his article The Mahogany Ship Story “… In fact, as I documented in 1985, the Warrnambool wreck was of an entirely different ship, also called Enterprize [with the spelling ‘Enterprise’], but built in New Zealand in 1847. Fawkner’s ship had already been sold to a Captain Sullivan in 1845 and was wrecked on the Richmond Pier in northern New South Wales early in 1847. “ - (further details are in NOTES: and FHMV documents) Mr Flett had assumed the timber was Tasmanian Gum as he thought it had come from the Enterprise which had been owned by Mr Fawkner and built in Tasmania but we now know the ship was built in New Zealand and the timber was most probably New Zealand Rimu.This piece of wood is significant for its association with the wreck of the schooner Enterprise, now on the Victorian Heritage List VHR S238, being a New Zealand built but Australian owned coastal trader. The wreck is also significant, by connection with the Enterprise, for its association with indigenous hero Buckawall who saved the lives of the five crew on board. The original owner of the wood (Mr John Flett) is significant as a member of one of Warrnambool’s pioneering families, which has contributed to the growth of the community in several ways over the years, living and working in the area.Small square piece of brown wood with a handwritten inscription on the back. The front is polished with a prominent grain and a shallow indentation along two sides. The back has the words "FLETT" and "ENTERPRISE" written in ink with a line separating them. The back is rough and has two indentations - possibly from a nail or tack. The wood sample is accompanied by a letter. Handwritten letter (two pages) of authenticity by Mr. John Flett to Mr. Worland (Manager of the Warrnambool Museum and Art Gallery). Transcribed below"FLETT" and "ENTERPRISE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, carpentry, enterprise, lady bay warrnambool, schooner enterprise, wreck of the enterprise 1850, buckawall, shipwreck relic, john flett, warrnambool museum and art gallery, flett relic, letter, flett letter, ticonderoga, henri worland -
Eltham District Historical Society Inc
Photograph, Pencil drawing from a sketch book by Walter Withers; Study of cows, 1971
Source: 1 Black & White print. National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of 10 x 13 cm printcow, sepp, shire of eltham pioneers photograph collection, walter withers -
Eltham District Historical Society Inc
Photograph, Pencil drawing from a sketch book by Walter Withers; Study of man with horse and plough, 1971
Source: 1 Black & White print. National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of 8 x 13 cm printhorse, plough, sepp, shire of eltham pioneers photograph collection, walter withers -
Eltham District Historical Society Inc
Photograph, Pencil drawing from a sketch book by Walter Withers; Harvesting study, 1971
Source: 1 Black & White print. National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of 8 x 13 cm printharvesting, sepp, shire of eltham pioneers photograph collection, walter withers -
Federation University Historical Collection
Photograph - CD-ROM, University School Of Business Awards, 2012
The School of Business Awards were held at the Art Gallery of Ballarat. A CD-Rom of jpg images depicting the 2012 University of Ballarat School of Business Awardsschool of business, paul foley, school of business awards, noel ronan, juie ronan, lovi bakshi, xinxin hong, stuart mckee, david greaves, sue jones, alexandra barras, steve levick, thomas adams, russell bray, jane remedio, david battersby, belinda jones, trevor jones, tiarna waight, kate woodhams, sian hendry, rodney jacobs, ide clinton, pat thomson, dale harris, hannah smith, benjamin kochskamper, ian clark, ebony fry, helen weadon, neale gribble -
Federation University Historical Collection
Book, Rivers of Gold: Rivers of Gold International Print Portfolio and Exchange 2017-2020: An Art-Science Collaborative Project, 2018
gold covered art catalogue.printmaking, veronica calarco, paul croft, stuart evans, david ferry, wuon gean ho, mary lloyd jones, alison lochhead, jude macklin, ian phillips, gini wade, james pasakos, jimmy pasakos, diana orinda burns, robyn gibson, anne langdon, jan palethorpe, penny peckham, catherine pilgrim, melissa proposch, jacqueline aust, al bell, pauline bellamy, kathy boyle, mark graver, toni hartill, kim lowe, prue macdougall, jenny rock, lynn taylor, julie barratt, blair coffey, carolyn craig, christopher hagen, domenica hoare, tim misely, jude roberts, glenny briggs, jenny sanzaro-nishimura, jennifer stuerzl -
Queen Victoria Women's Centre
Loyalty card, c. 1997
coffee loyalty card from the Queen Vic Gallery cafe. card. cream with purple ink. cafe, historic building -
Rutherglen Historical Society
Image
Black and white photograph of an oil painting by R. Ponsonby Staples, pasted onto cardboard.Caption stuck to back of photo: "England - v - Australia, 1884 | Oil painting by R. Ponsonby Staples (Collection National Gallery of British Sports and Pastimes) | Showing Lord's very much as it is today. On the right is Edward VII when Prince of Wales"cricket, lords cricket ground, edward prince of wales, painting, r ponsonby staples -
Eltham District Historical Society Inc
Photograph, Walter Withers, Pencil drawing from a sketch book by Walter Withers; figure study of man on horse with cow
Pencil drawing from a sketch book by Walter Withers. Held by the National Gallery of Victoria. Featured on p82 of "Pioneers and Painters". The figure study is reproduced in Wither's 'The Drover' (1912) held by Bendigo Art Gallery. The model was Mr W. J. Capewell, the Eltham Butcher.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Print (x2)horse, pioneers and painters, sepp, shire of eltham pioneers photograph collection, sketches, the drover 1912, w.j. capewell, walter withers, walter withers sketch -
Federation University Historical Collection
Booklet, Lauretta Zilles, Maladies, Medicos & Miracle Cures: A Guide to the History of Medicine in Castlemaine and District from 1851-c1950, 04/1991
This is a catalogue supporting an exhibition held at the Castlemaine Art Gallery and Historical Museum.Grey soft covered booklet printed to accompany am exhibiton held at Castlemaine and Historical Museum during Heritage Week. The book lists information on Castlemaine and district doctors, Castlemaine Hospital, Pharmacists, Herbalists, Dentists, Veterinary Surgeons, Opticians, Nurses, Midwives, Chiropody, Benevolent Asylum, Private Hospitals, Caslemaine Infant Welfare Centre, Homelea Herb Farmdoctors, castlemaine hospital, pharmacists, herbalists, dentists, veterinary surgeons, opticians, nurses, midwives, chiropody, benevolent asylum, private hospitals, homelea herb farm, castlemaine infant welfare centre, richard bunce, william fisher preshaw, john cheyne, henry barraclough, daniel o. preshaw, ching chin, raymond francis duggan, enpo hong, l. goon, shee shok, algernon cyril yandell, augustus courts yandell, myrtle lucinda yandel, daniel cohen, max pincus, s. aaron, mrs foletti, vaughan, mary ann passalaqua, guildford, mary an martinoja, beatrice thurlby, elizabeth spencer, lenna hopkins, rebecca baxter, avonsleigh, ballara, jonathan chapple, alice kenyon, health -
Federation University Historical Collection
Booklet, Museums Australia (Victoria), Collect, Conserve, Connect, 2012
non-fictionmuseums australia, amaga, australian museums and galleries association, ballarat school of mines, smb campus, conference, clare gervasoni, laura miles, jan croggon -
Phillip Island and District Historical Society Inc.
Photograph, Rurric & Fannie De La Haye and Family home, 1938
House was relocated to FINDLAY Street, Cowes. It later became an Art Gallery.Copy of a sepia photo of Rurric and Fannie De La Haye and two cats in front of their home.Cowes Apr. 1938 Rurric & Fannie At Cowes in front of house moved from French Island in 1926.de la haye family, findlay art gallery, rurric de la haye, fannie de la haye, houses, photographs -
Bendigo Historical Society Inc.
Photograph - RED RIBBON COLLECTION: PHOTOGRAPHS RED RIBBON AGITATION: 2001 RE-ENACTMENT, 2001
Twenty four colour photographs of Red Ribbon Re-enactment performed by members of the Bendigo Historical Society and students from Bendigo schools. Re-enactment started in Rosalind Park, near plaque commemorating the movement and proceeded through the Park to a point outside the Bendigo Art Gallery. Photos show various stages of the re-enactment and participants including Jim Evans, Norm Harris, Phyllis Harris.bendigo, history, red ribbon agitation -
South Gippsland Shire Council
Poster, Framed, New Energies
Framed colour poster titled: "new energies/Contemporary Artists of South Gippsland" 18-19 March 2000, Memorial Hall, Leongatha. Black card window mount set in green powder coated metal frame. features a photomontage of art and craft images with text headings which include: "ceramics, photography, sculpture, print, paint, furniture, advice, workshops, technology, galleries, exhibitions, and networking". -
Federation University Art Collection
Painting - Natural pigment on bark, Mawurndjul, John, 'Female Wayarra Spirit' by John Mawurndjul, 1995
Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan -
Eltham District Historical Society Inc
Document - Folder, Ray, Lisa
Lisa Grant, Greensborough artist, exhibited photographs at the Eltham Library Community Gallery in 2007. Contents Newspaper article: "Let's face it, faces can fascinate", Diamond Valley Leader, 27 June 2007. Lisa Grant's exhibition Photobooth at Eltham Library Community Gallery July 2007.Newspaper clippings, A4 photocopies, etclisa grant, eltham library community gallery, st andrews market -
Bairnsdale RSL Sub-Branch Inc.
Print Anzacs Landing at Gallipoli, Landing of the Anzacs 25 April 1915
Displayed in the Bruthen Shire office untill shire ammalgamation Localy historicaly significantPrint framed under glassPresented to the Shire of Tambo from the Bruthen Sub-Branch R.S.L.I.L.A. June 9th 1925 (RHS) Presented to the Australian Commonwealth Governement by Austin Taylor esq London (LHS) From the original picture by Charles Dixon now in the National Art Gallery Sydneyanzac, landing at anzac cove, 25th april 1915, shire of tambo, austin taylor esq london, charles dixon, national art gallery sydney -
Federation University Art Collection
Work on paper - Artwork - Printmaking, John Brack, 'Nude 3' (Also known as Nude in a Chair) by John Brack, 1982
John Brack (1920-1999) Born AustraliaFramed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon, from which this book has been bound. This work is from Rudy Koman's estate.john brack, nude, life drawing, available, chair -
Federation University Art Collection
Work on paper - Artwork - Printmaking, (Nude seated facing left with robe on second chair, on shag rug), by John Brack, c1982
Framed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon, from which this book has been bound. This work is from Rudy Koman's estate.john brack, printmaking, available -
Federation University Art Collection
Work on paper - Artwork, Nude 3 (Nude on Sofa and Persian rugs reclining away from viewer) by John Brack, c1982
Framed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon, from which this book has been bound. This work is from Rudy Koman's estate.john brack, printmaking -
Eltham District Historical Society Inc
Document - Property Binder, 573 Main Road, Eltham
Newspaper advertisement: Diamond Valley News, 27 May 1980, for Bimbadeen Gallery.main road, businesses, galleries, bimbadeen gallery, eltham (vic) -
Williamstown Historical Society Inc
Portraiture oil painting, "Morning Tea"
Painted by Enid Philip in 1922 at the National Gallery School, Melbourne for an overseas scholarship.Painting depicts elderly woman, two young women and girl sitting around a table having morning tea. On canvas, oil paint and wooden framesignature of artist Philip, Enid (1898-1984)morning tea painting enid philip national gallery school -
National Wool Museum
Book, Woollen or Worsted? An introduction to wool processing
"Woollen or Worsted? An introduction to wool processing" Bradford Art Galleries and Museums, 1983.wool processing woollen mills - history, bradford art galleries and museums, cloth - woollen, cloth - worsted, wool processing, woollen mills - history -
National Wool Museum
Drawing - Framed Illustration, Dennys Lascelles Austin & Co. Wool and Grain Warehouses Geelong, c.1913
Previously on display at the National Wool Museum on level 1 in Gallery 2 foyer.Framed illustration showing the external view of the Dennys Lascelles Austin & Co. wool and grain warehouse, including the Bow Truss Building. A car, horse drawn cart, people and a steam engine are shown on the street in the foreground.Front: DENNYS LASCELLES AUSTIN & CO. / WOOL & GRAIN BROKERS, GEELONG. / WOOL & GRAIN WAREHOUSES GEELONG. Back: NORMAN BURN / (LATE OF CHARITY'S) / Art Picture Framer / And / Repairer of Pianos & Organs / NOTE ADDRESS: / 15, JAMES STREET, GEELONG / (Opposite Davies Furntiture Warehouse).dennys lascelles wool store, austin, bow truss building, wool, geelong -
Federation University Art Collection
Painting on canvas, Martin, Margaret, 'Daffodil' by Margaret Martin
Margaret Martin ( -2013) Margaret Martin was a long-time stalwart of the Art Gallery of Ballarat Association, and a key figure in the Gallery Guides. She died in December 2013. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, margaret martin, available -
Nillumbik Shire Council
Ceramic, Vipoo Srivilasa, We Come In Peace III, 2017
Vipoo Srivilasa works predominantly in ceramics, creating unique contemporary porcelain sculptures, vessels and figures to transmit a universal message of cross-cultural experience. His works explore similarities between the cultures of homeland, Thailand and his adoptive home, Australia. His work is both a playful, and at times a political, blend of historical figurative and decorative art practices with contemporary culture. For more than 20 years, Vipoo has exhibited both internationally and throughout Australia, including Museum of Fine Arts, Boston; Saatchi Gallery, London; Ayala Museum, Philippines; Yingge Ceramics Museum, Taiwan; Nanjing Arts Institute, China and the National Gallery of Thailand. His work is held in national and international collections including the National Gallery of Australia, the Art Gallery of South Australia, GOMA, and the Craft Council, UK. -
Robin Boyd Foundation
Painting, Tony Woods, In the Studio Psychologically Challenged, 1968
This painting was purchased at an exhibition at Australian Galleries in 1968. It originally hung in Robin Boyd's office in East Melbourne, and was only brought to Walsh St after he died in 1971. The Australian Galleries was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. Two figures (one seemingly with three hands) partially hidden by an artist's easel.Woods '68 in lower right cornertony woods, purves, australian galleries, robin boyd, walsh st artwork, ohm2022, ohm2022_7 -
Eltham District Historical Society Inc
Photograph, Lower Plenty - "The Road to Lower Plenty" - painting by Walter Withers
Source: Geelong Art Gallery via Mr Alan Marshal, then via Shire of Eltham This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, montmorency, the road to lower plenty, walter withers -
St Kilda Historical Society
Photograph, Linden, 26 Acland St, St Kilda
Linden, 26 Acland Street with 'Art Gallery' sign. Plastic chairs stacked in foregroundMichaleis Moritz, colour photograph, unmountedsticker on back of photograph: Donald J.H. Taggart, 58 Glenhuntly Rd, Elwood 3184, Melbourne, Vic Australia Telephone (03) 9531 6127