This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Villawood Textile Company of Sydney and contains knitting patterns for womens garments. The photographs were taken at an artists studio (Studio 183, Edgecliffe, NSW) by Clive Kane, a photographer with the Max Dupain Studio.BOOK 94 / LADY'S DESIGNS IN / 5 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history, villawood textile company, kane, mr clive, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.BOOK 89 / LADY'S DESIGNS IN / 5 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments. The photographs were taken inside Villawoods own knitting mill, in the dye house, the spinning department and the winding and knot detecting rooms.BOOK 90 / LADY'S DESIGNS IN / 8 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history textile mills, villawood textile company, knitting, handicrafts - history, textile mills

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments. The photographs were taken inside Villawoods own knitting mill, in the dye house, the spinning department and the winding and knot detecting rooms. The mill manager, Stanley Harrison, can be seen on the back cover.BOOK 91 / LADY'S DESIGNS IN / 12 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history textile mills, villawood textile company, knitting, handicrafts - history, textile mills

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.BOOK 93 / LADY'S DESIGNS IN / 8 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

The Kew railway was opened in 1887, and diverged from the main (Box Hill–Lilydale) line about half-way between Hawthorn and Glenferrie. From the point of divergence the line was slightly less than one mile long, and it had only one intermediate station — Barker. There were four road over-bridges and two level crossings, including one over the busy Barkers Road. The line supported a passenger and goods service, and was electrified in December 1922, at the same time as the main line to Box Hill. There were a number of peak hour services which ran from Flinders Street station (Melbourne) to Kew, but in 1938 all but one of these were diverted to the Ashburton line, where traffic was growing. This had an adverse effect on Kew traffic, as passengers from Kew needed to cross over a footbridge at Hawthorn to change trains, and the main line trains were usually already crowded by the time they reached Hawthorn. At about the same time the off-peak trains were replaced by road buses. In 1952 all passenger trains were withdrawn, but the road bus service continued for many years. Goods trains were finally withdrawn in 1957, and the railway was dismantled in 1958-59. (Source: Frank Stamford, 'The Hawthorn - Kew Railway')Small black and white snapshot of a train leaving Kew Station with the Xavier Chapel on the hill in the background, hence the ironic title provided by the photographer. The photograph, one of 12, is part of a larger album of newspaper clippings, timetables, tickets and photos relating to the Kew Railway Line, taken and compiled by Lachlan Richardson, while a resident of Kew. The album dates from the 1950s. The album is part of a larger subject file on the Kew Line, compiled over time by members of the Kew Historical Society."Farewell to 'Our Lady of Fatima'. Xavier College 22/4/51"kew railway line, transport -- railways -- kew (vic.), kew branch line, xavier college, kew railway station

A black and white photograph of a lady and man standing near a tennis court. The man is wearing a striped sports jacket and the lady is holding a tennis racket. People in the background are playing tennis.

Maori Miss won the Linda 2 Year Old Hcp at Melbourne Showgrounds on the 4 May 1963, followed by Lady Chesty and Pampean. Maori Miss owned by Mrs R McD Healy, was trained and driven by G Gath. Maori Miss raced from 1963 (2yo) through to 1967 (6yo). Career: 20 wins 12 seconds 10 thirds 63 starts. Refer to Identifier 15.190 (Media) for Full Career Performance Record.Two colour photographs, one small one large in a white frame. At the top: Linda 2 Year Old Hcp/ Melbourne / 4-5-63 / Returning to Scale At the bottom: Left corner: Distance 9 1/2 furls / Mile rate 2 -14 4/5 Centre: Maori Miss 1st (Grand Monarch - Yendarra) / Lady Chesty 2nd / Pampean 3rd Right corner: Owner Mrs R McD Healy / Trainer - Driver G Gathhorses, race, winner, driver, trainer, owner, 1963, maori miss, melbourne, showgrounds, g gath, mrs r mcd healy, lady chesty, pampean, george gath, r healy, r mcd healy, ric healy

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Mrs Jackobsen with Lady Brooks holding baby daughter.local history, photographs, new warley hospital opening, john jenner, mrs jackobsen, lady brooks, mrs jackobsen's baby daughter

Colour photograph of Our Lady's viewed from the car parkmain road, eltham, churches, shops, catholic church, our ladys church

The early settlers were self reliant and made their own clothes. This collar shows the dressmaking and craftwork skills of the womenA lady's white cotton hand crocheted detachable dress collarclothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, crochetwork

A lady's, grey, evening bag with a drawstring and decorated with beads and sequins.presonal effects, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, ormond, dressmaking, craftwork,

As make-up became more mainstream and women were increasingly active outside the home, compacts became more popular. A 'bakelite' cylindrical, lady's compact with face powder c 1930 CASHMERE/ BOUQUET / FACE POWDER/ BY/ COLGATE/ company logomoorabbin, brighton, early settlers, pioneers, cheltenham, colgate, cashmere bouquet powder, cosmetics

Shoe stretchers can expand the width and the length of shoes. Shoes can shrink, feet can swell and bunions, corns or other foot imperfections can make the shoes hurt.. Shoe stretchers work best for suede, leather, and other natural materials. A pair of lady's wooden shoe stretchers, decorated with pink laceboots, shoes, footwear, bootmakers, leatherworkers, early settlers, pioneers, market gardeners, moorabbin, bentleigh, cheltemham, shoe stretchers,

The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these families This heavy, black, Cable silk jacket is and example of the dressmaking skills and craftwork of the women of the pioneer families. The Blackburn family were early settlers in Moorabbin Shire. A lady’s, heavy, black, long sleeved , Cable silk jacket .clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, blackburn nance, craftwork

The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these families This fine voile,lady's camisole with embroidery and pink ribbon is an example of the dressmaking skills and craftwork of the women of the pioneer families. The Risstrom family were early settlers in Moorabbin Shire.A lady's, fine, voile camisole with embroidery and pink ribbon insert.clothing, pioneers, dressmaking, market gardeners, early settlers, craftwork, moorabbin brighton, risstrom lorna

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around VictoriaPhotograph of 'H.M.S LADY NELSON' gilded on stern of a replica shipcatalogue number written on reverse in pencil electronically stamped on obverse '9 9'99'photograph, churchill island, cape nelson

Coolie doll of Vietnamese lady in national dress and coolie hatvietnamese, doll, coolie

BLACK AND WHITE OVAL SHAPED PHOTOGRAPH OF DARK HAIRED LADYPRESENTED..................UNREADABLE SINCERELY, LOVE NELL. DONATED TO HISTORICAL SOCIETYlocal history, photography, photograph, local personalities

UNKNOWN LADY SITTING ON SIDE OF FOUNTAIN IN QUEEN'S PARK GARDENlocal history, photography, photographs, queen's park garden

From Chapman Family AlbumLady on chair holding onto table with tree setting in background.Jessie Mc Innes Oley/Uley

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Warmth without weight' Sheep with lady wearing blue nightclothesWarmth without weight/Laconia Blankets/100% Pure Lamb's Wool /Make Goodnight a Certainty blanket, blanket fever, wool, laconia, advertisement, australian women's weekly

Lady's stole of Indian Silver c 1900 on Black Netcostume accessories, female

A coloured photograph showing a lady using a sickle to harvest lavender.tools, farm implement, lavender

Colour photograph of the historic Suggan Buggan School with lady in foregroundhistoric buildings, schools

Photograph of Legacy widows gathered around a table upon which one widow is dancing barefoot. It is probably a widows club meeting. Widows would meet regularly and it was an important social outlet for them. The newspaper article appeared in The Age on 3 March 1989. The caption explains that at a Legacy Widows' singalong Mrs Peg Garrett (69) showed she hadn't slowed down and 'led the singalong with an exuberance that was the envy of the the other guests.'A record that Legacy provided social gatherings for the benefit of Legacy widows.Black and white photo of a lady on a table and a photocopy of a newspaper article.Newspaper article is titled 'Move over, Minnelli, another star is born.'widows, activities

Photos of Rita Davidson, a Legacy widow selling badges on Swanston Street, Melbourne for Badge Week in September. It appears to be 2001 due to the film number. A record of fundraising for Badge Week.Colour photo x 3 of a lady selling Legacy badges.00526.1 printing on the back "