Porcelain ware with elaborate decoration and delicate colourings, made originally at Dresden in Germany. Part of collection of Dresden China from the collection of Misses Eva, Olive Sebire and Mrs. Annette Lord (nee Sebire). Purchased by the family in Heidelberg from 1952.Dresden China - Musical couple male and female. Separate figures. Man standing. Lady seated. Pink and white.china, figures, human figures

Black and white photograph. Male student on the tractor carrying spraying machinery, female student spraying fruit tree.student, spraying machinery, spraying, fruit trees, tractor, orchard, students working outside

Smiling male in centre left holding a small box of spoons with female on centre right handing them to him.

George Harold Merrett married Dorothy Lorna James at Christ church Horsham 14/8/1954. wedding gown and accessories were donated by family members.Worn by groomsmanOne pair male grey gloves size 6 featuring black press clip and 3 darts on front.costume accessories, glove accessories

These type of tobacco pouches were used mostly by the outdoor/outback type of male. They were a product of an earlier period in time when males in the outback were considered "red back" adventurers. This pouch is more of a statement than a useful tobacco pouch. It comes from a younger time in bush folk law when the outback appearances was in fashion and before the "new age" male emerged(circa early 1900s).This tobacco pouch was admired in the outback scene and spoke of adventure and "the wild". It was a time when travel in the outback was, in the top end of Australia especially, considered unsafe and "frontier" type adventure filled environment. It was a time when colloquially speaking 'men were men', in other words tough and resourceful, and could tackle anything. This attitude was more so in isolated country areas such as in the Kiewa Valley before "the sensitive new age" male evolved. The pouch presents the early presentation of the outback male as rugged, independent and resourceful. The Kiewa Valley and the tobacco fields, especially during the construction stages of the Hydro Electricity Scheme, was the right environment for such a display.This tobacco pouch is the bottom or main containment pouch for rubbed tobacco leaf to be smoked either as "roll your own" cigarettes or in a pipe. The pouch is of crocodile skin and is light brown on one side and darker brown on the other. The pocket is fashioned with the top section curved to allow fingers to remove the top cover, see KVHS 0059(2). The pocket has fine, but strong stitching holding the bottom and sides together. It is made of relatively medium thick hide and the crocodile markings are both outside and inside. See KVHS 00059(2) for insert pouchThe markings are crocodile in shape.loose tobacco, pipe smoking, rural smoking, red neck workers.

These type of tobacco pouches were used mostly by the outdoor/outback type of male. They were a product of an earlier period in time when males in the outback were considered "red back" adventurers. This pouch is more of a statement than a useful tobacco pouch. It comes from a younger time in bush folk law when the outback appearances was in fashion and before the "new age" male emerged(circa early 1900s).This tobacco pouch was admired in the outback scene and spoke of adventure and "the wild". It was a time when travel in the outback was, in the top end of Australia especially, considered unsafe and "frontier" type adventure filled environment. It was a time when colloquially speaking 'men were men', in other words tough and resourceful, and could tackle anything. This attitude was more so in isolated country areas such as in the Kiewa Valley before "the sensitive new age" male was evolved. The pouch presents the early presentation of the outback male as rugged, independent and resourceful. The Kiewa Valley and the tobacco fields, especially during the construction stages of the Hydro Electricity Scheme, was the right environment for such a display.This tobacco pouch is the bottom or main containment pouch for rubbed tobacco leaf to be smoked either as "roll you own" cigarettes or in a pipe. The pouch is of crocodile skin and is light brown on one side and darker brown on the other. The pocket is fashioned with the top section curved to allow fingers to remove the top cover, see KVHS 0059(2). The pocket has fine , but strong stitching holding the bottom and sides together. It is made of relatively medium thick hide and the crocodile markings are both outside and inside. See KVHS 00059(01) for main pouchCrocodile markings (not hand made)loose tobacco, pipe smoking, rural smoking, rural red neck workers., tobacco

Portrait Two Males (possibly Gardiner Family)stawell

Glisson family Great Western. Portrait of male.stawell

Glisson family Great Western. Portrait of male.stawell

This is a three part wooden tool with a screw in barrel cleaning brush. 1. End piece turned handle, slightly larger diameter than shaft, it has a brass female screw socket at one end. 2. Wooden rod, at one end is a female brass screw socket and a male screw adaptor. 3. Wooden rod. At the end is a male screw adapter. At the other end is a turned and reduced brass female socket. 4. The cleaning brush with brass male screw adapter.weapon cleaning tool, tool

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Superb Lyrebird is primarily grey/brown. It has shorter tail feathers than the male, which are dark and light brown, and vary in size. The bird's wings, chest and belly are a lighter grey/brown, and there are hints of yellow-white in the edges of the feathers and through the bird's chest. The bird has strong legs and a small beak. This specimen stands upon a wooden platform.37a. / Lyrebird / See Catalogue, page [illegible] /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

Photocopied photo of a male laying in a hospital bed and a second male in a suit and tie, sitting beside the bed. Another hospital bed is visible in the background. Over the patient in the bed are the following printed words: Jack Allen and Joe Davis the Goldfields Consolidated Hero .... (rest is unreadable). Taken at the Bendigo Hospitalperson, group, hospital patient, jack allen, joe davis, goldfields consolidated

Worn by male & female flight attendants 1999 - 2001Navy-blue wool-felt wide-brimmed hostess hat. Navy grosgrain ribbon trim bordered with yellow piping. Decorative tuck on front of trim & twist detail on back. Dent in crown. Black grosgrain sweatband. White maker's label with black print - "Weiss Australia". Faded blue biro with owner's initials (possibly SAR?or SPR?). 15mm round white label under sweatband with black upper-case lettering "SEP".White maker's label with black print "Weiss Australia". Faded blue biro with owner's initials (possibly SAR? or SPR?). 15mm round white sticker under sweatband with black upper-case lettering "SEP"flight attendants, stewardess / steward, navy blue fedora, yellow piping, 1999 - 2001, wool felt, weiss australia

1999 to 2001 worn by male and female flight attendants.DNavy Blue wool-felt wide brimmed hostess hat. Fedora style. Navy grosgrain ribbon trim bordered with yellow piping. Decorative tuck on front of trim and twist detail on back. Dent in crown. Black grosgrain sweatband. 15mm White label with WEISS Australia. Faded name ALISON (?) on manufacturers label. White label with WEISS Australia. uniform, hat, hostess, stewardess, flight attendants, navy blue, steward, weiss, wool felt

School Group Stawell High School (Male Students)stawell education

A male and female hold candles in the Carols by Candlelight audienceB/W photograph of two people at Carols by CandlelightBA7485carols by candlelight, fundraising

Sepia photograph of two men with their bicycles in front of a weatherboard house. Both men are wearing suits, one is wearing a cap and the other a hat. There is low picket fence with two strands of barb wire along the top in front of the house. The house has a bull nose veranda and iron lace work along the veranda. Photo is mounted on white cardboard which has a blue, white & black marbled back.photograph, portrait, males, foster & wilson collection, photograph

Item in the collection re Allan Goodall DFC, RAAF, refer Cat No 543.2 for his service details. Allan can be seen in the rear row 5th from the right.Photograph showing a large group of Service personal male and female in front of a building, Bride and Groom plus Minister in front.photographs, weddings