A group of approximately 45 men and a dog photographed outside what is believed to be either Kerferd or Allen's brewery in Beechworth.Black and white rectangular photograph printed on photographic paper unmountedReverse: [Agfa wordmarks: diamond-shaped watermarks for Agfa photographic paper] Brewery Kerferd's? / 1997.2638 / 2639 / beechworth brewery, beechworth, kerferd, hon. george briscoe kerferd, fred allen brewery, anglo-australian brewery company

Two men place large paper packages on to a pallet, with another pallet load of packages to the right of the image. In the background, four workers sit - two of them working on making the paper packages.1 B/W photographroyal victorian institute for the blind

These paper cups were given to patrons of the The Star of the West Hotel Cnr, Bank and Sackville Streets during the time A.E.Spence was proprietess.waxed paper disposable cup, manufactured for Star of The West Hotel: White waxed paper with coloured letteringWith the compliments of the Star of The West Hotel Port Fairy "There are several good reasons for drinking, and one has just entered my head, if a man cannot drink when he's living, how the hell can he drink when he's dead. A.E.Spence. Proprietress Phone 12local history, domestic items, food & drink consumption, a.e.spence

A brown paper bag that was from The Christmas Shop in Marysville.A brown paper bag that was from The Christmas Shop in Marysville. This shop was not a Christmas Shop during the rest of the year; it was only open as a Christmas shop from October to January. For the rest of the year it was a ski hire shop. The building, along with most of the town, was destroyed in the 2009 Black Saturday bushfires.marysville, victoria, the christmas shop of marysville, photograph, 2009 black saturday bushfires

During his service, Jack McIntyre sent this letter of well wishes to Lola Robinson, who resided in Fitzroy, Victoria.Piece of white paper with three objects taped/glued to it: a small bunch of heather, an envelope, and a letter. There is also a separate piece of paper taped to the top that has typed words. Letter: With Best Wishes for / A Happy Birthday / Jack / 1917 Envelope: In Active Service / To Miss Lola Robinson / Highbury / 184 Holden Street / Nth Fitzroy / Victoria / Australia (side): BATTALION PAPER Piece of paper at top: Heather from Scotland / WW 1.ww1, world war one, war correspondence

A photo of President Sullivan at Brighton Grammar Junior School presenting a boy, Troy Robinson, with a plaque with the Legacy torch emblem alongside the Junior School Master, Mr Peter Toms. L/ Sullivan is also seen speaking at a school assembly and standing by a tree that had been planted in honour of Legatee Tom Bell in 1989 (see item 01538). The label explains the link to Brighton Grammar Junior School was fostered by the late L/ Tom Bell, although not a past pupil he endeared himself to the school that on his death shortly after the 1989 badge appeal the students planted a tree in his honour at a special memorial service. For many years the boys from Brighton Grammar Junior School raised money from the sale of Legacy badges and the President would present them with a plaque of appreciation. Between 1991and 1995 the boys have raised in excess of $16,000. Photos were in a scrapbook of photos spanning 1983 to 1991. A record of Brighton Grammar School fundraising for Legacy.Colour photo x 4 of boys at Brighton Grammar with President Sullivan and a pink paper label.Typed on the pink paper label explained the link to the tree planted to honour Tom Bell.fundraising, john sullivan, brighton grammar

This hook is part of a rope machine.Hook from a rope-making machine, with nut and bolt endingflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, hook, rope machine, ropework, rope-making machine

Example of early carpentry toolsWooden clamp operated with two wooden screws; for cabinet making. #cabinetmaker, #carpenter, #clamp, #woodenscrews

imported for the use on horse bridles and other equipment for civilian agriculture and military during 19th and 20th centuriesimported and sold by Holden and Frost55 mm diameter brass ring used in harness makingnilequine, military, agriculture, civillian, circa 1910, horse ring

Issue no 807 - 828 of The School Paper Feb 1970 - 11 Editions issued for Victorian State School students by Education Department of Victoria .Issued by the Education Department of Victoria, printed A. C. Brooks, Government Printer, MelbourneMagazines distributed by the Education Department of Victoria to State School Children.METEOR / The School Paper / February 1971 to December 1971 Education Dept of Victoria Signed Amanda Cook education, victoria, australian history, victorian education department

This book presents a rich picture of a nation in the making. The negative aspects of Australian immigration are not glossed over and it looks at the terrible consequences for the Aboriginal people, the nineteenth century Chinese experience and the migrant hostel riots of 1952, among its many other topics. Michael Dugan lived locally in Surrey Hills. This book was commissioned by/for: Australian Institute of Multicultural Affairs.The book has a place in this collection by virtue of Michael Dugan having been a local resident.This book presents a rich picture of a nation in the making. The negative aspects of Austaralian immigration are not glossed over and it looks at the terrible consequences for the Aboriginal people, the nineteenth century Chinese experience and the migrant hostel riots of 1952, among its many other topics.Surrey Hills History(mr) michael dugan, (mr) josef szwarc, immigration, social interaction, social life and customs, ethnic communties, multiculturalism, history - australia

Conference paper comparing the natural Australian landscape with the influence of English landscape traditions.Photocopy of transcript of conference paper, 15 pages.plenty river, plenty valley, flora, landscapes

16mm colour film with no sound - the second B&W workprint not digitised. 13 min 24 sec. Begins with the flag raising ceremony at Somers Camp and then moves to Westernport Airfield where the boys are seen going for flights in Cessnas whilst others learn archery and play volleyball. Moves on to beach activities and dinghy sailing supervised by Legatees. Back at Somers there is a comic performance of Goldilocks in front of a large audience of younger Junior Legatees and the supervising Legatees, which ends with a bearded Goldilocks being taken away in a police car. A service in the bush chapel is then shown before we see the older boys throwing one of their number off a jetty. A volleyball game completes the film. There is no indication of date, but the clothes seem to be 1960s/70s. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.Depicts the work done by Legacy volunteers in helping Legacy families of the time. Volunteer groups such as Legacy supported those in need at a time when government assistance was much less than it is today.Two 16mm black and white films. One film is wrapped in brown paper. Under the wrapping the film is enclosed in a plasic wrap.Canister - patterned Agfa _ Gefaert Fine Grain. / Key No. 170627_02 'Not to be screened under any circumstances! Only to be handled by an expert with the approprate facilities for handling this type of film' on the brown wrapping paper, probably to keep a good copy.somers camp, camp

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Reverse: CHILTERN ? / (SAME (illegible), SAME PAPER + COLOURS AS CHILTERN PHARMACY / BOTH MAY HAVE BEEN 1981 WHEN IN YACKANDANDAH? / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Miniature copies of old-style rice bales are fashioned of reed (and tied with the same material) to serve as packages for sweets from the city of Saidaiji, near Okayama City. The material is appropriate, for Okayama is famous as a source of reed for making the floor mats called tatami. The handsome label, made of dyed paper, is fastened to the package with mizuhiki, the cords traditionally tied around ceremonial gifts. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

"War Veterans From Wedderburn and District". "Saluting Their Service".Hardcover book with dust cover. Cover - cardboard, with adhered gloss paper finish. White colour print on front, spine and back. Ilustrated in colour, front collection of photographs of memorial scenes, back portraits. Dust cover - paper, with duplicate print and illustrations as hardcover. Cover flaps - white print on green background. 412 pages, Cut, plain, semi gloss white paper. Illustrated in black and white. Photographs of portraits, medals and battle scenes. Front end paper - handwritten donation inscription.Front end paper - handwritten in black ink pen. "To Bendigo Military Museum/ Regards/ G. Arnott".books, biographies, military history, wedderburn

These verses are handwritten and this suggests they originated locally but they were published in a Melbourne paper in 1874 and the writer is unknown.The verses refer to the cricket match in Warrnambool in January 1874 when a team of 22 players representing the Western District played the touring All-England Eleven captained by William Gilbert Grace, the famous English cricketer. The match in Warrnambool, one of 15 matches played in Australia, was won easily by the English team after one and a half days in a scheduled three day match but W.G.Grace did not star, making only 18 runs in the first innings and not required to bat in the second innings. Frank Allan of Allansford,who played for Victoria and Australia and was later called 'the bowler of the century.' took 6 for 28 in the first innings. Grace made a bad impression in Warrnambool with his brusque and insolent tone, refusing to attend the local Ball put on for the English team because the 'professional' players would be in attendance. The poem echoes the lack of goodwill and condescension shown in Warrnambool by Grace and refers to 'the greatest bat in all the world' making only 18 and sends a message to the English team - 'Don't quarrel and don't blow!'This poem is of considerable interest because it shows the ill-feeling in Warrnambool engendered by the attitude taken by W.G.Grace when his English Eleven was playing in Warrnambool in January in 1874. It is a reminder also of one of the 19th century highlights in Warrnambool's sporting history.These are two sheets of blue paper with 15 stanzas of poetry in black handwriting. The paper has ruled red lines and probably came from a ledger. It is torn at the edges in places where it has been folded.all england cricket team in warrnambool 1874, w.g.grace in warrnambool

Stationery - The Met - Metropolitan Transit Authority of Victoria. White paper item used for external mail, the brown paper item used for internal mail. Two of them have the first The Met logo printed on them and the full organisation name and one without the logo. The small envelope notes the "Tram and Bus Division"A stationary that is associated with a now-dissolved corporate body which existed in the 1980s. Set of three large envelopes - printed with or without The Met logo - white and brown paper and one small envelope printed on white paper with a sealable flap.tramways, stationery, the met, metropolitan transit authority, envelopes

Details the experiences of members of the Australian Women's Army Service during WWII. Green buckram hardcover with dust jacket. Book has title in gold on spine. Dust cover is green with black and white image of women leaning out of windows. 193 cut edged plain paper pages, with illustrations.On front end paper "Francis W Dean BEM"books, military history

The Council of School Activities dealt with matters pertaining to student welfare, including extra curricular activities such as the brass band. This volume contains a revised (1944) constitution for the council.Details the activities within the school, including those teachers who were involved.Black exercise book with brown paper spine binding. Front cover is loose. Some loose documents are interleaved.Hand written on brown paper spine: "Annual Satff Meetings". Most entries are handwritten.collingwood technical school, cts, council of school activities, school council, council minutes, nmit,

Andy Tylee had been Dux of DookieBlack and white photograph. Group staff photograph standing and squatting in front of the Administration Building . Names on paper catalogue.On reverse, "Photo taken on occasion of Andy Tylee's farewell on 26.2.53." Names on paper catalogue.andy tylee, farewell party, staff, dux

Colour Photograph. Men under portable gazebo. Sausage making. Back of photo reads: Bullboar sausage making at Nariel ff. Ron Lewis John Williams Peter Ellis Wayne Blandford.photo, group, male

Letter written on Aust. Force Vietnam headed paper to family from a soldier in 8RAR.Four page letter on Aust. Force Vietnam paper. "Dear De & Dennis" dated Wednesday 14th. Blue ink handwritten message on paper headed as above.Aust. Force Vietnam/Airmail/Addressed to Mr. & Mrs. D. Williams W.A. 8rar, maschette, letter & envelope, aust. force vietnam, w.a., 5716538

9 members attended the minister's breakfast celebrating the sesquintennial of the M&HB Railway & Pier, and others joined them at noon to see the "Making Tracks" exhibition. Both exhibition and the book "Welcome & Farewell" were launched at the breakfast, and also plaques for Station Pier, PMR Station & Flinders Street Station. Ref items 1947.01-.13 for presentation material. 1946 for book launched at this event.Set of 24 photos taken at 'Making Tracks' exhibition launch breakfast at Station Pier celebrating 150th anniversay of Pier & railway (12-09-2004). Includes: .01: Launch of "Farewell & Welcome" with Transport Minister Peter Batchelor and Jill Barnard with Sonia Jennings. .02: Jill Barnard presenting the book to PMH&PS Secretary Pat Grainger. .03 & .04: RHSV launch of 'Making Tracks'. .05 & .06: Meyer Eidelson & Pat Grainger at exhibition. .07: Norah Howard & Lois Daley at exhibition. .08: Norah Howard & Pat Grainger. .09-.24: Exhibition details.transport - railways, celebrations fetes and exhibitions, arts and entertainment - literature, barnard, jill, jennings, sonia, norah howard, meyer eidelson, pat grainger, batchelor, peter

Bottle containing embrocation for use on horsesAs imported and sold by Holden and Frost Ca1900Rectangular glass bottle with open neck inscription moulded on back, paper label on frontElliman's Embrocation moulded in Glass, Paper label on front Elliman's Embrocation showing running man and price equine, medicine, embrocation