Making trench art was a common way of passing time. Soldiers would use what was available to them. In this case a brass shellMade from brass 25Pdr shell. The has raised clovers and 1914 prominent around a systematically pitted surface. Previous attempts to polish the shell have left these pits white/green in colour. The top of the shell has been cut with triangles removed to leave a sharply serrated top. 1914ww1, trench art, wark vc club, regimental property

Pam with brown paper cover with black print"CPL Stewart AIF" on top left of front cover lregimental property, wark vc club, ww2

Pam, grey cover with black print Capt Bawesregimental property, wark vc club, ww2

Small Pam with red cover, title written in black on spine. some fading and water damage on cover. Book has 423 pages.wark vc club, inter war

Shield shaped plaque made of varnished wood with large silver metal Parachute regiment badge affixed to the front.allied forces, parachute regiment, infantry, plaque, wark vc club

Standard issue German bayonet 1939-1945Bayonet with blackened 250mm blade. Has wooden handel with 6 groves cut into each side, which fit between the screws. Blade is showing minor pitting and rust."7691"- blade right side "41ASW"-blade right side regimental property, bayonet, wark vc club, german, ww2

5/6 RVR draws its lineage from 58Bn Essendon RiflesSmall, black, metal machine with lever arm to push an impression of 58th Bn Essendon Rifles mark. The machine is decorated with gold filigrees and there is a thin red line around the base 58Bn badge on base of stamp press58th battalion, essendon, wark vc club

Training pamphlet issued by 3 Aust Corps during World War 2 24 Page training pamphlet in brown card cover with black print bound with two staples.regimental property, wark vc club, tactics, ww2

Used by Australian Soldiers whilst on leave after WW1.Reversible map made of paper. One side has a map of Britain and Ireland printed in colour, the other has a map of the London underground as well as several advertisements. there are small tears along the fold lines.wark vc club, regiment property

Presented to the CO and Ranks of 1RVR at the Grant of the Freedom of the City of Essendon 10 May 19705/6RVR is descended from 1RVRSilver serving tray with grape vine decorative borders and handles. The serving surface is engraved."Presented by His Worship the Mayor CR.N.M. CLARKE To The Commanding Officer and All Ranks of the First Battalion the Royal Victoria Regiment on the occasion of The Grant of the Freedom of the City of Essendon to the Regiment on the 10th May 1970"1rvr, essendon, wark vc club

Given to Australian soldiers over the Christmas new year period 1915.Gift tin made of brass coloured tin with black writing on it. 1915 - To the Australian Expeditionary Force from the Australian War Contingent Association London. Happy New Year to one and all.regimental property, wark vc club, ww1, christmas, 1915

Used to keep track of soldiers pay.Belonged to J.C. Bowes of 9 Pratt St Moonee Ponds. Three soldiers pay books 1916-1919 J.C Bowes 1.in canvas cover for use in in active sercice 2 with paper covers 1 envelope addressed to Mr J.C. Bowes 9 Pratt Street Moonee Ponds from District Accounts Office, 3rd Military District, Melbourneww1, paybook, engineers, wark vc club, regimental property

cameras were not common during the first world war. as such post cards of portraits and the damage of the battlefield were common.Collection of black and white post cards and photographs. 20 post cards are of the township of Villers Brettoneux after the German shelling. 2 are of Australian Soldiers. One of the photos is written on, otherwise the post cards are unmarked and in good condition." Stanley and I taken in London August 1916.ww1, souvineer, post card, wark vc club

This flag was carried by B Coy and flown over the company HQ at all locations occupied by BCoy, including Gallipoli, Ypres and PozieresThis flag is connected to one of the two battalions that 5/6RVR derives its name.Flag in wooden frame on brown backing. The flag is a 6th Bn AIF colour patch( purple over red rectangles) with a large "B" barely visible after paint has been washed off . The flag itself is H 440mm x W 750mm A small card with "6 Battalion Royal Victoria Regiment" and RVR Badge printed on it and a hand written inscription is mounted below the flag.This flag was carried by B Coy and flown over the company HQ at all locations occupied by BCoy, including Gallipoli, Ypres and Pozieres.6bn, aif, ww1, colour patch, wark vc club, flag

Fabric backed colour map, with card cover that folds into a small book. Scale one inch= one mile.military, survey, map, tasmania, ww2, wark vc club

'Menin Gate at midnight' was painted by Will Longstaff to commemorate those soldiers with no marked graves on the Western Front during the First World War; also known as 'Ghosts of Menin Gate'. Longstaff attended a ceremony dedicating the Menin Gate memorial to the soldiers of the British empire forces, just outside the town of Ypres, Belgium, on 24 July 1927. The memorial was dedicated to the 350,000 men of the British and Empire forces who had died in battles around Ypres, and bears the names of 55,000 men with no known grave, over 6,000 of whom were Australians. Longstaff was profoundly moved by what he witnessed and that night, unable to sleep, Longstaff returned to Menin Road and later claimed to have had a vision of spirits of the dead rising out of the soil around him. On returning to his studio in London he painted 'Menin Gate at midnight' in a single session. Today 'Menin Gate at midnight' has achieved the status of a national icon. The painting retains its ability to provoke an emotional response and to communicate the scale of the loss of life and the devastation of war. However as people now have a very different understanding of war, the painting serves a slightly different function. Whereas in the past people responded to the painting as it related to the loss of a loved one and their own personal grief, now the painting communicates the loss experienced by a whole generation. The vast number of those who were killed, and the immensity of the damage wrought during the First World War, requires that those who sacrificed their lives should not be forgotten. Longstaff used well-known motifs to trigger emotion. His scarlet poppies are flowers that could be found in the Flanders fields, but they also carry the traditional connotations of shed blood and remembrance; they represent a floral blanket covering the bloodied bodies of unknown soldiers; at the same time, like the paper poppies worn on Remembrance Day, they are a tribute from the living to the dead. The portrayal of the steel-helmeted soldiers rising from the cornfields extends the range of visual emblems used by Longstaff: the plentiful harvest; the harvest of men; the steel-helmeted crosses covering the graves of many soldiers; and the helmeted bayonets raised in cheer and victory.ww1, menin gate, wark vc club

Framed photograph of the Queen c.1950swark vc club, queen elizabeth ii

Private Greg Sher was killer in action 4 Jan 2009 in Uruzgan province. Prior to being posted to 1 Commando he was posted to 5/6 RVR.Portrait of former member of 5/6 RVR Large Colour Print Portrait Gregory Michael Sher Limited addition no 63/200 war on terror, support company, 5/6 rvr, greg sher, wark vc club