Bendigo Advertiser ''The way we were'' from Thursday, May 19, 2005. Hungry: this old photo shows the pie window at Gillies corner.newspaper, bendigo advertiser, the way we were

Black and White photo of a brick building that has been drawn and scribbled on. A pole is in front of a striped awning. The building is of Brick construction with several windows.buildings

Slide.Engine at the Virginia Crushing Battery. Large flywheel on LH side, machinery in front. Possibly stampers visible through window at rear of engine room.No. 39 printed on bottom of slide. Photographer's name covered by number.mine, gold, virginia machinery., bendigo mines-jack hattam collection.

Slide, Allan Budge Collection: Pairs & Terraces, House, Eaglehawk. A pair:Note that the verandahs have been extended below the gables to act as a shade for the windows.house, public, allan budge collection:, allan budge collection:

Born: Melbourne, Victoria, Australia 1848; Lived and worked: New Zealand 1866-1877, New Zealand, United Kingdom, United States 1892-1905; Papua New Guinea 1916 and 1918; Died: Macedon, Victoria, Australia 1922VictorianLedger Bequest, 1993Watercolour and gouache on paper depicting pink flowers and yellow butterflies in a sparse field. Gold brushed timber frame with off white window mountRecto: Signed "Ellis Rowan" in red watercolour in l.l.c of composition; Not dated; Not titledwatercolour, landscape, flowers, sky, clouds, trees, butterflies

St Augustines Church.church, religion, buildings, el dorado, eldorado

Gardens done by the prisoners at Camp 13.Black and white photograph of a pond with stones around the edge and two plymths and statue in centre. Background is two buildings, with windows open and some bushes.camp 13, camp 13 internees, camp 13 gardens

Rupert Boyd is a grandson of Robin and Patricia Boyd.Colour photographic print. Exterior Australian National Gallery Canberra, looking across water feature to lit interior. Sign on the windows 'The water gallery"On the back "Australian National Gallery, Canberra" photo by Rupert Boyd

Photograph is of Florence Iggsten & person believed to be her sister. Florence Iggsten had been a pupil at Rutherglen Common School, then a teacher at the school, and was one of the founding members of the Rutherglen Historical Society.Black and white photograph of two women, one seated, one standing, in front of the windows of an enclosed veranda.Florence Iggsten & person believed to be her sisterflorence iggsten, mavis iggsten, flo iggsten, ruth iggsten

Booklet - Rutherglen heritage walk : a self-guided tour of Rutherglen's Historic Streetscapes / by Rutherglen Wine Experience. 2009, p. 5 - states that the Red Boot Shop was "demolished sometime after WWII, and no trace remained until a wild storm uncovered the tiled entrance in the mid 2000's."Black and white photograph of the front of a café, with a central door flanked by two display windows. In tile, in front of the door, is the sign "The Red Boot Shop".On back of photo: "Ozone Café Main St Rutherglen | approx. April 1958 | purchased by Harold Hall March 1958 from McKinlays. | owners after H. Hall | McCarthy | Alan Zotti"main street rutherglen, red boot shop, ozone cafe, harold hall, alan zotti, mccarthy

Black and white photograph of one of the stained glass windows at Christ Church Anglican Church, Mitcham. The top panel shows a dove under a crown.christ church anglican church, mitcham stained glass window

Colour photo (series of 3 photos) of a possible stained glass window depicting a Kingfisher type of bird swooping down with outstretched wings to water.

detail of historic buildingBuninyong Uniting Church (1860, formerly Presbyterian) Learmonth St. front view from east, showing steeple and gothic arched windows and entrance.buninyong, church, presbyterian, uniting, learmonth st.

The Kew Baptist Church was originally located on the corner of Cotham Road and St John’s Parade. In 1922, work commenced on a new, larger church in Highbury Grove. The foundation stone of the new building was laid by Cr Ratten of the City of Kew on Saturday 14 October 1922, with the First Kew Scouts forming a guard of honor. A collection taken up at the laying of the foundation stone raised £454. The site and building cost approximately £6,000. The architects for this new red brick ‘semi-Gothic’ church were Messrs Gawler & Drummond. The interior of the church accommodated 500 parishioners. The seating sloped towards the pulpit with no columns obstructing the view of the worshippers. An item from an outstanding and diverse image collection, assembled by members of the Christian and Washfold families of Kew. This early photo of the Kew Baptist Church shows its original fence, built by Henry Clifford Washfold, the father of the donor.Faded sepia real photo Kodak postcard of the exterior of Kew Baptist Church in Highbury Grove. Image shows original fence and paintwork of windows."Dad built the fence"kew baptist church -- highbury grove, churches -- kew (vic.), baptist churches, christian-washfold collection

Colour photograph. Level four in the Victoria room facing north west looking towards the veranda, no glass in windows. Taken during the restoration inspection.building construction, historic buildings

A black and white photograph of a World War 1 soldier and another civilian waving. They are standing in a garden next to a building which has a wall of windows.

Duncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. Ge completed a Graduate Diploma od Education at the University of Melbourne in 2001. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two small portraits framed in red, first exhibited at 'Paul's Scarlette Bar', Ballarat Fine Art Gallery "Window" exhibition space in 2004art, artwork, lannan, duncan lannan, portrait, available

The photograph was included in an exhibition organised by the former Sunbury & District Heritage Association in March 2001. The red-brick Federation building for Sunbury State School No. 1002 in Macedon Street opened on 2nd May 1912. It replaced an earlier building that was on the same site. It originally had two classrooms and an office but as Sunbury's population began to grow another room was added. The school continued to function in Macedon Street until 1999 when it took occupancy of refurbished rooms at the former Industrial School in the Asylum Grounds at Jascksons Hill. The building in Macedon Street has been incorporated into the Sunbury and Cobar Community Health Centre. The red-brick Federation Style Sunbury building has served the educational needs of the Sunbury Community for 112 years as it is now an Educational facility for people with disabilities.A non-digital coloured photograph go a red-brick federation school building with cream trims around the windows and doors.Two trees are growing in the foreground.sunbury state school no. 1002, macedon street, education, schools

T. A. Prydderch Confectioner and S.G. Perry Hairdresser businesses Main Street between Town Hall and Church of England. Now Demolished. Mr. T.A. Prydderch the male with hands in pockets ran this business for many years. later to conduct the Egg Board. Mr. S. Perry conducted his hair dressing business for many years in Stawell. Mr. Parry is the tall gentleman with hands behind his back. The duplicate photo was donated by Meryl Bowers on 7.11.2012. 2012 Site - now occupied by Pyke's Cycles & Pets.Three black and white photographs of two business houses. Parapete fronts with advertising, wooden fronts with display windows. Included in photographic are three males.T.A. Prydderch. Sennitts Ice Cream Confectioner. S.G. Perry. Hairdresser. also written on the back of one of the photos is Stan Perry (Hairdresser) Lower Main St. Stawell above Church of England. from Meryl Bowers stawell businesses streetscape

This building was formerly the Methodist Church in Linton, built in 1913 to replace an earlier timber building, and used as a church until 1977. The building is now a private home.Colour photograph which shows a red brick building with a high gable. Steps lead to an entrance porch, which has a window in three sections.methodist church linton, 10 grantley street linton

Colour photograph showing stained glass window at the front of the former Nelson Bros. building in Sussex Street, Linton (now LDHS Resource Centre).nelson bros. funeral parlour, ldhs resource centre, stained glass windows, buildings

Three digital images of the former Bank of Australasia , 96 Bay Street, Port Melbourne. A sign in the window indicates this will be the future home of Shoes and the City.built environment - commercial, bay street, national bank of australasia, shoes and the city

Date made August 2000Colour photograph of St Brendans Catholic Church, showing gable roof and glass windows of main building with Cross and bell. Lakes Entrance Victoriabuildings, religion, room display

THE HOME OF THE MISSION TO SEAFARERS By 1907 the Mission to Seafarers Victoria had moved from providing its services aboard a floating vessel, the Emily, to three different bases in Melbourne locations: Williamstown, Port Melbourne and the North Bank of the Yarra - opening a central home in 1907, and finally at 717 Flinders Street in 1917. The Mission to Seafarers Victoria complex, includes the landmark domed gymnasium, which opened in 1920. The State heritage listed buildings of the Mission are considered architecturally significant urban examples of two distinct architectural styles: the external Spanish Mission Revival and the Arts and Crafts influence of the interior. This window, titled ‘Missions to Seamen’, was installed in 1980 and depicts a cargo ship, tug and lighthouse representing the working seaman, and is further supported by the Flying Angel emblem of the Mission to Seafarers ministry.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window depicting a ship and tugboat, two photographs of the Flinders Street building and seamen departing for a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: A photograph of the Mission to Seafarers complex on Flinders Street with horse drawn carts going by, taken in 1927 BELOW: Visiting seafarers gathered in front of the Mission entrance prior to a picnic on Boxing Day 1926reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, flying angel flag, tugboat, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, catherine mclay, arthouse

THE CHAPLAINCY Although fostered by the Anglican Church since 1906, the work of the Mission to Seafarers’ is inter- denominational and is not limited by the physical space of its buildings. When the old Melbourne wharves and their moorings were still in use, chaplains would also visit ships to look after the welfare of those who could not visit the Mission. Today, the Mission’s ‘Ship Visitors’ provide a similar service. The Flinders Street central complex was purpose built to meet with seafarers’ needs: “...the first thing a sailor would see before the traps and temptations of the city would be the Institute and its comfortable rooms.” (The Argus, ND). Today, the Mission continues to offer its comfortable, safe spaces and a friendly ear to seafarers, alongside other services that extend well beyond those traditionally offered - including TV, phone cards, and access to the internet. This window, titled ‘Light of the World’, was installed in 1935 in memory of a former ‘M.V. Manunda’ captain and represents chaplaincy support to the seafaring community.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. his frame is showcasing the memorial window to Captain Robert Sunter and a photograph of a chaplains conférence in the 1950s.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: Taken in the courtyard at Flinders Street in the early 1950s, this photo shows eighteen individuals, fifteen of whom are wearing white clerical collars, illutsrating the integral relationship between the Mission to Seafarers ministry and the Anglican Churchreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, captain robert sunter, chaplaincy, conference, mv manunda, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, catherine mclay, arthouse

THE HARBOUR LIGHTS GUILD The ‘Ladies Committee’ was formalised in 1906 to assist the chaplain with the social demands of the Mission, and was renamed the ‘Ladies Harbour Lights Guild’ the following year. According to former members, it operated with all proper decorum and with precise guidelines that restricted women from coming into contact with seafarers outside of Mission activities. With some 1,600 Victorian members during its early years, these volunteers gave their prayers, money, handiwork time and considerable energy in order to assist in providing for the welfare needs of visiting seafarers. The heritage chapel of St Peter, often referred to as the Mariners’ Chapel, features many examples of stained glass. Commemorating the service of Mercantile mariners, the funds to build the chapel were raised by the ladies of the Harbour Lights Guild. This window, titled ‘Faith’, was installed in 1933 to commemorate the devoted service of Miss Ethel Godfrey, a founding key member of the Ladies Harbour Lights Guild.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Ethel Godfrey, and two photographs of ladies from the Harbour Lights Guild.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: a member of the Harbour Lights Guild dancing with a Tongan man at a social event during the 1960s. BELOW: A group photo of the ladies of the Harbour Lights Guild in front of the stage at the Mission to Seafarers Victoriareflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, ethel augusta godfrey 1861-1935, lhlg, harbour lights guild, ladies harbour lights guild, dance, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, catherine mclay, arthouse