Ticket - printed on card - for the Zoo Horse Tram operated by the TMSV, with an image of the Zoo horse tram at the Royal Park gates, and the story of the tram on the rear along with conditions of travel. No. 7989. See Reg Item 5993 for a copy print of the original image.On rear in ink "My father took me on this tram - 1922" and "Edna Caddell Leckie"trams, tramways, tickets, tmsv, zoo tram, royal park

One of a set of eight small format postcardsBlack and white small format postcard taken from road, showing entrance, treed with signage above double gated driveway at Whiters Camp Park. Sign on fence at eastern side of gateway, Still Australia's Best. Lakes Entrance VictoriaEntrance to Whiters Camp Parkresort, tourism, recreation

Set of 7 photos of trams returning to the depot or in the depot at the time of a 48-hour strike by the SEC. Taken by A T Miles 27/11/1969. 1 - Tram 43 at depot junction returning to the depot 2 - Tram 34 at depot junction 3 - Tram 34 running into the depot with tram 21 alongside and two crew standing by the gate. 4 - Tram 17 crossing Wendouree Parade 5 - The depot gates are closed. 6 - All the trams are in - including 18 as the Santa tram, 35 and 21. 7 - All the doors are closed.Yields information about trams returning to the depot at the time of a 48 hour strike by the SEC in 1969.Photograph - black and white print with notes on rear - set of 7A T Miles stamp and location and date notes.tramways, trams, strike, sec depot, tram 43, industrial issues

Stawell Shire Hall built 1866, photo taken around c 1890s. The Shire Hall has a decorative gate and fence in front of the building. This photo is an enlargement of the post card in album 14, p26. Black & white enlarge photograph of the Stawell Shire Hall c 1890's. This photo is taken from the original post card in Album 14 page 26. The post card has an EMPIRE symbol on the back with a lion and kangaroo between them is a camera on a stand. The photo shows the Stawell Shire Hall with a decorative fence in front of the building and hedge behind the fence.Post Card with EMPIRE symbol on the back.stawell

Photograph of a women's sports team with their coach. Members of the team are Joy Gellately, Pat Nicholls, Johnny Barling (coach), Lottie Jones, Betty Flavell. Front: Dot Gates, Norma Jenkins, Joan Young.textile mills - sporting teams, sport

B&W photo of St Martins Anglican Church in its original location on (now) Belgrave-Hallam Rd, Belgrave South. The photo shows the street face of the building with dark-stained timbers. These were probably the original oiled weatherboards which were used in 1928. In front of the church is a wide wire gate and a smaller wired gate, and part of a fence can be seen on the right. There are shrubs planted against the church wall and a noticeboard is attached to the front wall of the sanctuary. The sign says 'St Martins Church of England' but the rest is illegible. Tall trees can be seen behind the building.

100 Won is a cream coloured bank note with brown and pale blue/grey printing on it. On the front side is a picture of the main gate of Gyeongbokgung Palace, 100 and other Korean writing also the number in brackets (128) in red ink On the reverse side it says The Bank of Korea and 100 and 100 won

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a white rendered brick house. Other features include two tall chimneys, sash windows, tiled roof and the word "GLOUCESTER" on the front of the house, in a well established garden. Part of a black metal-work gate is just visible in the foreground.GLOUCESTERmurrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, gloucester court, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, chimneys, house names, cast iron work, sash windows

2 workers and an excavator digging trenches, man on left has his foot on the bucket of a bobcat, background shows 2 large buildings, one cream? The other larger silver, double gate entrance to the larger building, old tyre on heap of rubble.Kodakperson, group, males

Letters ( 4 ) from Taylor, Buckland & Gates, 55 William Street, Melbourne, 14 August 1894, dealing with Sloan to the Tragowel Trust. Content deals with transfers to the trust, receipt of monies, compensation money. Connelly, Tatchell & Dunlop were acting for Sloan.business, legal, taylor, buckland & gates, connelly, tatchell & dunlop, sloan, tragowel trust

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991Missions to Seamen, black and white detail of iron gate from Mission grounds; view to southwest showing Swallow Street sign, outer beacon, edge of Beach Street bus stop and distant Willamstown. From album of photos mostly by Alison Kellymissions to seamen, built environment, beacons

Looking towards the Beacon and Beacon Road housing. Shows undeveloped paddocks between Beacon and the railway. Also West Gate Bridge is in the distance James LAURITZ print of Port Melbourne, laminated (one of 18). Copies of slides produced for Port Melbourne Councillocal government - city of port melbourne, built environment, james lauritz, beacon cove, beacons, engineering - bridges, west gate bridge

Red brick Church with large curved top three panelled windows with the blinds three quarters down. A finial is on the top of the roof. A chimney can been seen to the right side of the roof. In the foreground is a white picket fence with a double gate and a tree to the left.buildings, church, red brick, red brick church.

Black and White Photo of the Bendigo Benevolent Asylum, Now known as the Anne Caudle Centre, Photo is taken at the Main Entrance to the A.C.C., The Iron Fence and Gates are across the Centre of the photo. Markings on rear of photo are 'Bendigo Benevolent Asylum', 'Holterman Collection 1876'buildings, hospital, anne caudle centre, bendigo benevolent asylum, anne caudle centre

When this photo was taken "Holly Green" as it was called then was owned by the Webb family. It was originally called "Emu Bottom" when the Evans family owned the property and re-named "Emu Bottom" when Hedly Elliot acquired it in the 1960s.A mounted black and white photograph of "Holly Green". There is a picket fence with a stone wall entrance on either side of a cyclone gate in the foreground. The fountain is on the LHS and a flowerbed on the RHS. The homestead is beyond the lawn. The mount is buff coloured with an inscription underneath the photo in gothic script.HOLLY GREEN / VICTORIA'S OLDEST HOMESTEAD AT THE AGE OF 101 YEARS / SUNBURY, 1937holly green, emu bottom, fences, fountains, sunbury, evans, george, webb, harry, stringer, esme, elliot, hedley, oldest house, house names, 1930s, george evans collection

EARLY MINER'S COTTAGESEPIA PHOTOGRAPH OF WOODEN HOUSE IRON ROOF. BRICK CHIMNEY ON LEFT SIDE. SURROUNDED BY PICKET FENCE - STEPS LEADING UP TO GATE. GENTLEMAN STANDING AT BASE OF STEPS. FOREST ON RIGHT HAND SIDE. PHOTOGRAPH TAKEN BY J F COOMB WALHALLAlocal history, photographs, mining

Family home at 13 Bennett St Stawell of Mabel Annie Richardson. Weatherboard Home with front verandah, four posts two windows and front door with no 13 near it. Concrete path with wire gate and timber fence at front. Various shrubs, clothesline.

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Camberwell for the purpose of advertising 15 Donald St., Burwood in 1995. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for $190,00 in 1995 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 15 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway. There are two hole punches near the upper edge.15 Donald St., Burwood Margaret Picken - 95 Woodards - c'well whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Hocking Stuart Blackburn for the purpose of advertising 63 Vicki St., Forest Hill This property has be subdivided into two house since being sold in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 63 Vicki St., Forest Hill depicting a single story brick house with steps up the concealed doorway. On the left a driveway leads to a gated garage, on the right in the foreground is a front garden.63 Vicki St., Forest Hill Margaret Picken © 2002 Hocking Stuart B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill, real estate

The photograph is from the album of Ivy Child. The road featured called the 'Main Road' is what we know know as Mt Dandenong Tourist Road. It has been made but not tarred. The identity of the people is unknown. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing a stretch of road with two young boys and a girl standing in the middle. Behind them, standing on the edge of the road are two women and a man. Behind them is a wire and post fence with wooden gate and a shed. Bush is visible in the background.Handwritten below the photograph in the album: ALONG THE MAIN ROADivy child, main road, mt dandenong tourist road, tourist road, kalorama

Colour photograph of Ballarat No. 40 at the Lydiard St. Nth terminus, with the tram showing destination of Sebastopol. Tram has two roof advertisements, possibly SEC "Electric Cooking". Cemetery gates in background. Photo dated 6/11/1962. On Kodacolour paper."57Ed" in blue ink, date stamp 6 Nov 1962" in red ink.lydiard st. north, tram 40

Yields information about the appearance of tram No. 26 crossing the railway level crossing in Lydiard St Nth and the railway features at this location.Black and white photograph of Ballarat tram No. 26 crossing the Railway level crossing in Lydiard St Nth. The tram has the destination of Grey St Sebastopol. In the background is the railway level crossing gates, the goods shed and the signal gantry. Two copies held.On rear in ink (Lloyd's hand writing) - "Ballarat, Lydiard St railway crossing, 27-2-1954, ARHS neg."trams, tramways, lydiard st nth, railway crossing, grey st, tram 26

Black & white photograph, Bert Graham Collection, Mr. & Mrs. Tully at the Offical Opening of the Eastern Park Gates in May 1957.on the plaque reads; Erected to Honour the Services Rendered by Mr. & Mrs. J.P.Tully, May 1957. as mentioned on back, 9.6.1957 AHG..bendigo, clubs, eastern park

Court House Patrick Street with photo taken on angle Flanked by metal fence with stone base. Slate roof with ventilators chimneys. Parapet round roof on the single story. Arched windows and entrance. Three children sitting in Gateway.B/W Photgraph of a Substrantional Stone Building - Flanked by a metal Fence on a stoone base - Slate roof, with ventalators, Chimneys - Parapets on the single story Arhed windos and enterance. three young boys sitting in front of the gate, the one to the left is wearing a cap.stawell building, court house

Article about Nillumbik Cemetery prepared by Nillumbik Historical Society for the Yarra Plenty Regional Library's "Diamond Valley History Tour 2019". Describes the cemetery gates and lists prominent locals who are buried in the cemetery.Pamphlet, 3 pages, text and colour illus.diamond valley, yarra plenty regional library, nillumbik cemetery, nillumbik historical society

The portion of the church yard to the right of the entrance gate is reserved for the graves of Beale relatives and the headstones record much of the family's history. Tour of St Katherine's Anglican Church and cemetery, St Helena, 27 October 2014Born Digitalst katherine's church, st helena, cemetery, beale family

Two bearded gentlemen standing in front of weatherboard Home with Wooden Shingle Roof overgrown with ivy. A rough picket fence and gate in front with boy with straw boater hat sitting against it. Swalwell - Eastlake families.stawell

Note by T.H. Kneen 19 November 1991, "View of Principal's residence from vicinity of orchard gate - the three steps in altered form still exist (1991). Middle ground plantation of camellias still exists."Looking across garden area from the Orchard with path and shrubs to back of Principal's Residence in background. There are more steps than are extant now.On reverse, "1913." principal's residence, lynch design, camellias, principal's house, orchard, field station

‘Forest Gate’, first part built in 1890s, substantially enlarged prior to 1910. Now known as ‘White Lodge’, still stands today (1895) in Yarra Road, but parts have since been rebuilt and altered.

Statement of Significance Last updated on - January 5, 2010 REVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 What is significant? The c1950s Jelbart residence and the c1945 barn, the garden and the gate posts and the surrounding site to the extent of the title boundaries. How is it significant? The Jelbart house and barn are historically and architecturally significant to the Shire of Nillumbik. The garden and the gate posts are historically and aesthetically significant to the Shire of Nillumbik. Why is it significant? The Jelbart house and barn are historically significant because they are unusually large and because together they comprise one of the oldest groups of substantial mud brick buildings erected during the 20th century in the Shire of Eltham and foreshadow the large mud brick residences of the 1960s and 1970s for which the area is well known (Criteria A & B). The buildings are architecturally significant because their construction (using timber post framing and mud brick walling) is a characteristic feature of what became known as the 'Eltham style'- which was prevalent in the area during the mid and latter parts of the 20th century (Criteria D & A). The garden and the gate posts - The garden is historically significant because it is a remainder of a large holding of 200 acres associated with the house (Criterion A).The gate posts are historically and aesthetically significant because they were taken from a 19th-century Toorak mansion and because their removal and re-use illustrates the practice of recycling material from demolished buildings that was one of the characteristic features of 'Eltham-style' architecture (Criteria A, D & E).Roll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5arthur street, eltham, jelbart barn