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Kew Historical Society Inc
Painting - Section of mural from the ballroom of 'Ordsall' [Southesk], Cotham Road, Cullis Hill & Co, 1882
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This triangular piece of the fresco is of a cherub's face.Label: 'This is from the "Southesk" ballroom 14-7-70'ordsall, southesk, cullis hill & co. -
Kew Historical Society Inc
Painting - Section of mural from the ballroom of 'Ordsall' [Southesk], Cotham Road, Cullis Hill & Co, 1882
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This roughly square piece of the plasterwork shows a woman's head. Given the size of the face, it is believed that this section of the fresco represents one of the four 'geographic depictions of the earth including the seasons, night and morning'.Label: 'This is from the Southesk Ballroom 14-7-70'cullis hill & co., fresco, ordsall, southesk -
Kew Historical Society Inc
Painting - Section of mural from the Drawingroom of 'Ordsall' [Southesk], Cotham Road, Cullis Hill & Co, 1882
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.A fragment of the painted domed ceiling of the drawingroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This rectangular fragment of painted plaster is a small section of the rectangular frieze of neo-gothic scenes that were a feature of the drawingroom ceiling. The fragment differs from those remaining from the ballroom in that it includes a section of gold leaf.Label: 'This is from "Southesk" drawing room'ordsall, southesk, cullis hill & co., halfey, john -
Kew Historical Society Inc
Photograph, J E Barnes, John Marshall, Mayor [of Kew] 1872-3, c.1906
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of John Marshall, Mayor of Kew 1872-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Marshall / Mayor 1872-3marshall, john, mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, J E Barnes, John F. McCrae, Mayor [of Kew] 1910-11, 1910
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. John F. McCrae, Mayor of Kew 1910-11. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "John F. McCrae, Mayor 1910-11" [Photographer] "J.E. Barnes / Kew"mayors of kew (vic), cr. john f. mccrae, australian photographers - josiah earl barnes, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, John S. Weir, Mayor [of Kew] 1912-13, ca. 1913
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. John S. Weir, Mayor of Kew 1912-13. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "John S. Weir, Mayor 1912-13" [Photographer] "J.E. Barnes / Kew"mayors of kew (vic), australian photographers - josiah earl barnes, ct. john s. weir, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Cr. Walter John Hambly, Mayor [of Kew] 1948-49, 1948
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. Walter John Hambly, Mayor of Kew 1948-49. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. Walter John Hambly / Mayor 1948-49 Stuart Tompkins Photomayors of kew (vic), cr. walter john hambly, australian photographers - stuart tompkins, kew (vic.) — municipal collection -
Kew Historical Society Inc
Document - Bookmark, Deaprtment of Health Victoria, Calendar Bookmark : A useful reminder of the annual Free Chest X-Ray Service, 1955-56
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A Calendar bookmark for 1955 and 1956 published by the Department of Health and the City of Kew. The rear of the bookmark lists the locations of the x-rays (Kew Recreation Hall; St Hilary's Church Hall; North Kew Willsmere Service Station) and the dates when they will take place.health, x-ray, chest xray, bookmark -
Kew Historical Society Inc
Programme, Baptist Union of Victoria, Great Baptist Rally, 1938
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A programme of service for the Great Baptist Rally held in the Melbourne Town Hall on 12 October 1938great baptist rally, baptist union of victoria, religious rallies -- melbourne (vic.) -
Kew Historical Society Inc
Work on paper, Joy Stewart, [Black Hall] Sackville Street, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & ink sketch on paper of 'Black Hall' (now part of Preshil) in Sackville Street, Kew by the artist Joy Stewart. Inscription: "Sackville Street, Kew". Signed lower right: "JStewart". black hall, preshil, sackville street (kew), joy stewart -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, Goodnight Vienna!, 1956
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members in The Kew Light Opera Company's Australian premiere of Goodnight Vienna!, performed during the 1957 Moomba Festival in the Alexandra Gardens and also in the Kew Recreation Hall. Goodnight Vienna! was composed by George Posford with additional lyrics by H. V. Purcell. The lyrics were by Holt Marvell who had written the book on which the musical was based. Goodnight Vienna! was produced and directed for The Kew Light Opera Company by Lance Nicholls with musical direction by John Trotter. The scenery and lighting was designed by James L. Alexander, while the costumes were by Ada Colton.Marion Tilley has written underneath the photograph: "In Alexandra Gardens. Moomba Festival"performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria, alexandra gardens - melbourne -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, A Country Girl, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of (L. to R.) Marion Smith, Maureen Lynch, Denise Lynch, and Marion Tilley in a performance of A Country Girl by Lionel Monckton. The performance was produced and directed by Graeme Cust with musical direction by John Trotter. The sets for the production in the Kew Recreation Hall were sourced from Melbourne Little Theatre, will the costumes came from the Princess Theatre. During this production, Marion Tilley acted as wardrobe mistress as well as being a member of the 'Chorus Ladies'. Inscribed underneath the photo in the scrapbook by Marion Tilley: "Marion Smith, Maureen Lynch, Denise Lynch. Me, Marion Tilley".marion tilley, kew light opera company, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, The Geisha, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members in Sidney Jones' The Geisha by the "Q" Theatre Guild in 1957. The performance in the Kew Recreation Hall was produced by Beatrice Oakley with musical direction by John Trotter. The Kew Philharmonic provided the music during this series of performances. The scenery was constructed by the Company, while the costumes were sourced from the Princess Theatre.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The Geisha / by Sidney Jones, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of female cast members in Sidney Jones' The Geisha by The "Q" Theatre Guild in 1957. The performance in the Kew Recreation Hall was produced by Beatrice Oakley with musical direction by John Trotter. The Kew Philharmonic provided the music during this series of performances. The scenery was constructed by the Company, while the costumes were sourced from the Princess Theatre. An annotation in the scrapbook identifies the following cast members from left: Rita Mandelbaum - Komurasaki San (Little Violet), Sally Wolters - O Kiku San (Chrysanthemum) , Val Breen - leading lady - O Mimosa San (Chief Geisha), Pat Stewart (O Kinkoto San (Golden Harp), Marion Smith - O Hana San (Blossom). Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Rita Mandelbaum, Sally Wolters, Val Breen - leading lady, Pat Stewart, Marion Smith"performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Jeanette Rayment in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes. Jeanette Rayment performed the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the name of "Jeannette Rayment" underneath the photograph.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Whitehorse Historical Society Inc.
Document, Concert and ball, 1889
Program of performance in the Ringwood Hall, Friday November 8th 1889.Program of performance in the Ringwood Hall, Friday November 8th 1889. Proceeds to the Benevolent Fund of St John's Branch No. 175 Mitcham, of the Australasian Catholic Benefit Society (photocopy)Program of performance in the Ringwood Hall, Friday November 8th 1889. concerts, hibernian australasian catholic benefit society -
Whitehorse Historical Society Inc.
Document, Grand Celebrity Concert, 1946
Souvenir programme for Grand Celebrity Concert and declaration of result of Popular Girl Competition, Town Hall Box Hill, 2nd July 1946.Souvenir programme for Grand Celebrity Concert and declaration of result of Popular Girl Competition, Town Hall Box Hill, 2nd July 1946.Souvenir programme for Grand Celebrity Concert and declaration of result of Popular Girl Competition, Town Hall Box Hill, 2nd July 1946.johns, frances, cruse, audrey, fankhauser, joan, gepp, nancy, sell, marjorie -
Ringwood and District Historical Society
Newspaper, reports from two local newspapers on Mayor for a Day school project - Norwood High School, Ringwood, Victoria. July, 1961
Third form students from Norwood High School drew up their own agenda and resolutions after attending a Ringwood City Council meeting. Young council officials included Martin Brennan (Junior Mayor), Donald Hare. Peter Silver, Peter Marjason, John Jeavons, Ann Fletcher, Judy Brown, Sue Malcolm, Robert Bryant, Andrew Peters, Ted Jennings, Martin Toone, Jennifer Hall, Jim Badger, Janet Brown, Bill Barton, Lynette Woodhouse, and Robert Dewar. -
Ringwood and District Historical Society
Administrative record - Rate Books, Borough of Ringwood Valuation & Rate Cards for 1944-49 (Assessments 3198-3202), March 2012
Originally stored at Ringwood Council offices, then taken to PROV.Only source of ratepayers in the Borough of RingwoodDigital imagesBarkly Street, Ringwood. For Constance & William Hall, William Hancock (Allman's Estate), Lilian Gawith, James McDonald & John & Beryl Albert. -
Federation University Historical Collection
Booklet, Ballarat College of Advanced Education Annual Report, 1978
The following new buildings were completed: Physical Education Complex Union Building (later named the Albert Coates Complex) The Education building (T Building ) was nearing completion and would be the largest single building on the Mount Helen Campus. A government grant and college funds, (the proceeds of the Ballarat School of Mines Centenary Appeal, were earmarked for the construction of the Art Building and Great Hall (later know as 1870 Founders Theatre) A4 black covered booklet - The Ballarat College of Advanced Education Annual Reportballarat college of advanced education, annual report, m.b. john, college logo, ian gordon, arthur nicholson, physical education complex, art building, great hall, 1870 founders theatre, art acquisition committee, computer centre, medical services, student residences, union building, partridge report, post-secondary education commission, david alexander, e.j. tippett, peter fryar, lindsay hillman, george pell, john vernon, norman baggaley, barry fitzgerald, derek woolley, robert morell, e.j. barker, peter sargeant, w.j. hitchens, henry moritz, ian hemingway, pat hope, e.r, henzen, frank hurley, ken clements, geoff hendy, debra garton, paramedical, awards, victorian institute of colleges -
Federation University Historical Collection
Poster, Ballarat School of Mines Staff Photos, c1988
Laminated black and white photographic portraits of Ballarat School of Mines staff members.xballarat school of mines, ian aitken, anne wood, roger macfarlane, des cooper, malcolm vallance, mal vallance, lyn pitt, floss stephenson, shane everard, lily saylor, linda bland, lyndall cooper, don doulton, julie baulch, peter gunn, malcolm gaunt, steven medelson, jan reeves, trevor slater, tracey cummins, ray martland, ann kerr, kieran jones, mandy rhook, john gibson, iam pym, patti mcnulty, janice shepherd, lindy hamill, bob feary, philip dixon, ron lucas, glen mcgregor, gordon whitefield, david fithall, bill bridges, doug symons, keith howlett, bernie stevens, norm howard, ray barnes, peter kelly, garry christie, paul clarke, robert munt, shaun tope, james mddonald, graeme tyrell, bruce wallis, tracey coleman, bradley rae, phillippe theatre, don lawless, bill whittle, geoff nicholls, maureen carli, keith boast, fiona watson, sonia davis, manfred hacker, ian robinson, jeff fletcher, angela murray, angela smith, lyn peucker, rosemary moorhouse, keith hankin, judy mills, brian webber, jan o'toole, veronica black, fleur haller, lorelli huggins, karen cook, len wilson, bruce staley, lynne beaumont, dzintra crocker, faye hunt, leonie hines, sally smith, jenny leviston, heather durant, barrie firth, john van dreven grant curnow, ron sutton, lynne schepis, pam merrett, fran harrison -
Federation University Historical Collection
Minute Book, Minute Book 1 of the Eureka Stockade Memorial Park Committee
Brown hard covered book with red tape spine. Handwriiten minutes.F.-Penhalluriack, A.-J.-Pittard, Helen-McKay, D.-Bernardi, Tozer, Gingell, Lugg, R.-McGregor, Eureka-Stockade, J.-S.-Edwards, J.-Davies, J.-S.-Edwards, Eureka-Stockade, Eureka, Eureka-sports, A.-Cant, E.-G.-Pearce, C.-Jones, W.-Feary, J.-R.-Hams, W.-Pool, W.-Hayes, Rotunda, B.-Dolphin, J.-Elsworth, J.-Elsworth, H.-J.-Ham, J.-Lepp, Ballarat-Fire-Brigade, Ballarat-Pipe-Band, W.-F.-TuckerF.-Micklejohn, athletics, H.-McKinnon, A.-Levy, publican's-booth, Eureka-Carnival, J.-Davies, Ballarat-Lodge, Pathes-Pictures, H.Kisler, J.-Splatt, J.-Ellis, J.-Baxter, J,-Chatham, Our-Own-Little-Rebellion, D.-C.-McGrath, A.-N.-A., O'Dea, Meiklejohn, Eureka-Anniversary, W.-A.-Dalton. Alfred-Pittard, Eureka-Pottery-Works, Railway, Britnell, Easter-Fair, William-Carey, J.-Hill, McIvor, C.-E.-Webster, Loney, G.-William, Ttruswell, Dellaca, A.-Cochrane, F.-Britnell, Robert-Brown, W.-Hughes,Tonks, A.-Anglin, G.-Tait, Tom-mason, Hall-Skillion, Eureka-Stockade-Improvement-and-Progress-Association, Union-Jack, A.-J.-Fisken, members-list, J.-Tozer, Robert-Smith, M.-Guthrie, F.-Odgers, A.-Penhalluriack, Schroeder, John-barnes, H.-Hillier, A.-A.-O'Dea, S.-McIvoer, K.-Kisler, eureka stockade memorial park association, eureka stockade -
Federation University Historical Collection
Report, Grampians Puma
The study into the Grampians Puma was undertaken by John A. Henry to settle the question of the existence of a puma population in the mountains. People who believe they have sighted a puma, or have sighted other evidence, were interviewed. The study also looked into records relating to the potential of USA army personal leaving a mascot in the grampians. Also see cat no 14012 - Pumas in the Grampians Mountains: A compelling Case?: An up-dated Report of the Deakin Puma StudyWhite A4 pages laser printed pages related to a study conducted on the possibility of a Grampians Puma (Felis concolor) populations. Australian Animal Foklore Collectionaustralian animal folklore collection, john a henry, john henry, maurice hornocker, grampians, geranium springs, puma, felis concor, mt bepcha, scats, us army, peter morris, hans brunner, mt gambier, raaf, ernst wieher, ellis tucker, halls gap, peter dryden, geoff riddle, snow astbury, robert hiatt, tom schubert, trevor clark, dick saligari, ted saligari, terry zerbst, brian warren, gary middleton, barry henderson, morrie lawson, bill hower, michael harrison, ray kerris, robert east, terry rethus, dougal shilcock, garth rees, ilka rees, harry shrive, ellis tucker, american airmen, mascot, billywing range, sandy mackirdy, mark johnson, john morris, des paulson, feral cat, roses gap, paula odare, gaye beveridge, donald macarthur, karen jeffery, plaster casts, terry rethus, tom schubert, victoria valley, mt talbot, fox, john spencer, ivan bother, neal bother, evan macklay, harry shrive, bill hower, michael harrsion, norma harrison, ellis tucker, gary middleton, barry henderson, joy potter, les becker, john ryan, cam anderson, richardson, shirley farrant, adinsall, max xharles, margaret hurley, linda crawford, don anderson, paddy hynes, barry bell, neal boethe, mark johnson, victoria point, david hamilton, wally smith, mythical, myth, folklore -
Federation University Historical Collection
Programme, Programme for the Official Opening of the Mt Helen Campus, 10/1970
The first building at the Mt Helen Campus was opened in October 1970. Students first starting using the campus in the same year. The programme includes the following historical information: "On 26th October, 1870, Sir Redmond Barry officially opened the first venture into formal technical education in Australia - the Ballarat School of Mines. Over the preceding year a small group of Ballarat citizens interested in mining had conceived and brought into being the idea of creating such a school. They leased a derelict Court House next to the Ballarat Gaol in Lydiard St., at a nominal rental for15 years, and started classes with 4 students and an honorary lecturer. The School developed its courses beyond the initially intended range of studies related to mining, increased in enrolments, took over neighbouring properties and buildings and developed three levels of education - tertiary, trade and secondary. From the latter part of the 19th Century, even though remaining under the control of its own autonomous Council, it developed close links with the State Education Department. From the earliest times the School achieved widespread recognition and a particularly high reputation, and its graduates spread across Australia and the world. For several years it was affiliated with Melbourne University. In the last decade its scope has been further broadened by the introduction of new tertiary courses. During 1965 the State Government created the Victoria Institute of Colleges - a non-teaching body empowered to award degrees and directed towards the task of co-ordinating and developing tertiary education in Victorian in institutions other than universities. the tertiary division of the School became affiliated with the V.I.C. at the end of that same year. Subsequently the Council of the School decided that, whilst retaining for the whole establishment the time honoured title - The School of Mines and Industries, Ballarat - it should more distinctly sub-title the three divisions. the tertiary division then became known as the Ballarat Institute of Advanced Education. On receipt of substantial Commonwealth-State Grants, made to it as a college of advanced education, the Council was enabled at the start of 1967, to purchase for the Institute the 20 acre campus at Mt Helen. A master plan has been produced to develop this beautiful and spacious site as a tertiary institution enrolling, in due course, some 3000 full time students. the first sod was turned, to initiate this development, by the then Governor General of Australia, The Right Honourable Lord Casey, on 19th October, 1967. The first building group, now completed and occupied, has involved an expenditure approaching $1,000,000. It contains the departments of Mechanical, Civil and Mining Engineering, Metallurgy and Geology. it also contains the Computer Centre, a temporary Library and temporary student amenities. Over the next two years a further four buildings, costing about $2,500,000, will be erected, and a further major portion of the Institute will move to Mt Helen. these buildings, in addition to one for direct teaching work, will include a Library, a Union and the first stage of a Hall of Residence."White, folded, paper programme printed on the occasion of the official opening of the Ballarat Institute of Advanced Education (BIAE) Mount Helen Campus on the occasion of the centenary of the Ballarat School of Minesuniversity of ballarat, ballarat school of mines, biae, mount helen, mt helen campus, mb john, jack barker, e.j. barker, rolly parfenovics, parfenovics, nigel bown, campus. victorian institute of colleges, m.b. john -
Federation University Historical Collection
Annual Report, Ballarat School of Mines Annual Report, 1970
The Ballarat School of Mines was founded in 1970 and was the first institution of formal technical education in Australia. 1970 marked the centenary of the School and that of technical Education in Australia. A centenary commitee was established to plan activities and projecty sot celebrate the occasion. These included five centenary lectures fro secondary school students, a film of the School to be made and shown on National Television, a centenary medallion centenary posters, a dinner for local organisations with Council and staff as hosts, an historical notebook on the school, a plaque mounted to mark the site of the original school, opening of the Mt Helen Campus, Relocating the Old SMB battery ot mt Helen, student reunion, Art display of present and former students, Mt Helen Open Days and distribution of car stickers. A Centenary Appeal was established to finance a Great Hall and Sports Centre at the Mt Helen Campus. The Appeal President was Cr W.J.C. North. The materials testing laboratory secured and retained registration by the National Association of Testing Authorities for a range of tests on concrete and metals. The student accommodation at Mt Helen 23 Page report (with supplementary finances) in a soft cover showing a picture of the Former Ballarat Circuit Courthouse which was used as the first building of the Ballarat School of Mines. The report includes a page of stamps produced to commemorate the centenary of Technical Education in Australia through the Ballarat School of Mines. The report was presented by Council President Morgan Bevan John. The report includes information on the new campus for the Tertiary Division at Mt Helen, including information on the buildings being constructed by local builders. The site plan was developed by G.J. Harrison and L.H. Vernon and Associates. The following staff resigned: E.R. McGrath (deceased), E.W. Ryan, I.L. Hunter. The following new appointments were made: R.l. Martin, G.K. Tampi, T.F. Norwood, K.M. Llewellyn, M.J. Evans, J.F. Clark, K.G. Millar, B.R. Rollins, L.G. Shome, C.I. Dowling, M.H. Pitfield, G.M. Pearson, J.P. Murray, J.R. Thyer. Page 10 lists diplomas awarded and page 11 lists scholarships and prizes including the Ballarat has Company Scholarship, the Josephine Brelaz Scholarship, The Frank Pinkerton Scholarship, The Mica Smith/Serjeant/Ironworkers Scholarship, Martha Pinkerton Scholarship, Ballarat City Council Scholarship, Junior Art Scholarship, C.R.A. Scholarship, B.H.P. Scholarship, S.E.C. Scholarship, Alexander Rushal Scholarship, Russell and Shirley Evans Scholarship. The R.W. Richards Medal for 1969 was awarded to Peter Hensley. A new I.C.L. 1901A computer and associated equipment was purchased for the Computer Centre. Page 15 has information on the Victorian Institute of Colleges (VIC). Governor of Victoria, Sir Rohan Delacombe, with VIC's Dr Philip Law visited the Ballarat School of Mines and inspected both the old and new facilities. ballarat school of mines, m.b. john, centenary, anniversary -
Federation University Historical Collection
Booklet, Ballarat School of Mines Prospectus A: Science and Engineering, 1935
W.H. Middleton, School Council President F. Barrow, School Council Vice-President D. Maxwell, School Council Vice-President L. Lederman, School Council Honorary Treasurer Council members: William Baragwanath, J.C. Bush, A.J. Darling, E. Hall, R.W. Hill, N.C. Heathcote, H.N. Hornabrook, M.W.B. John, M. Martin, A.W. Nicholson, D. Ronaldson, A.S. Rusden, J. Smail, G. Stone. Brown soft covered book of 28 pages. Includes the school council , teaching staff, facts about the Ballarat School of Mines, General regulations, diploma courses, certificate courses, regulations of the tutorial board, students' clubs, list of Ballarat School of Mines Associationsballarat school of mines, ballarat school of mines associates, student clubs, student association, william baragwanath, j.c. bush, a.j. darling, e. hall, r.w. hill, n.c. heathcote, h.n. hornabrook, m.w.b. john, m. martin, a.w. nicholson, d. ronaldson, a.s. rusden, j. smail, g. stone, student association, w.h. middleton, f. barrow, d. maxwell, f.e. ferguson, j.m. barker, j.b. robinson, a.f. heseltine, j.r. pound, hubert r. murphy, g. cornell, richard w. richards, hector yates, l. finch, e.j.a. mcconnon, s.j. chambers, t.r. gordon, w.h. goldsmith, d.e. mullins, s. parker, john m. sutherland, l.j. hillman, m. mctaggart, h. darby, j. hewitt, w.g. coates, j. lockhead, v.h. dorron