Square wooden plaque anodised plastic inscription panel. Badge of the Royal British Legion.To Ringwood RSL from Evanstown and Gilfath Goch R.B.L. Branch 1986

Golden Square Primary School house pennant. Green with yellow house name and motif.education, primary, golden square laurel st p.s.

Golden Square Secondary College ''Indiator'' Year Book 2002. Technology and Nature Themebendigo, education, golden square secondary history, 258, y86

Golden Square Secondary College ''Indicator'' Year Book 1991. Green Cover With Palms On It.bendigo, education, golden square secondary history, 258, y86

Golden Square Secondary College Yellow & Green Covered Year Book ''Indicator'' 1987.bendigo, education, golden square secondary history, 258, y86

Golden Square Secondary College History Year Book ''Indicator'' 1980 Green Cover.bendigo, education, golden square secondary history, 258, y86

POLLY WOODSIDEsquare rigged sailing ship drawing

CHANCELLOR COLLECTION: GOLDEN SQUARE METHODIST CHURCH Group of people out the front of the church.bendigo, history, churches

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'.Full length floral crepe evening dress with squared neck and short puffed sleeves.australian fashion - 1930s, women's clothing, evening dresses

Square white cotton embroidered supper cloth with pink hollyhocks and grass with blue crosses.supper cloths, houshold textiles

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.7 square headed iron nails collected from Reno before its demolition. In envelope marked with the name Joy Stewartreno, nails, samuel cocking

Medium length hatpin with round resin head, aligned pattern of square and pyramid shapes.costume accessories, hat accessories, hat pin, faceted

Frederick John Ambler was an upholsterer. Married Beatrice Annie Martin in 1897. Fred was born in Essex, UK in 1873. The Amblers has a large family: Gordon Frederick William (1898-1910); Malcolm George (1900-1965); Daisy May (1904-1904); Leon Verde (1904-1904); Garnet Leslie (1904-1904); Ruby Isobel (1906-2004); Hector Leon (1909-1994); Sylvia Beatrice (1912 - ); Daisy May (1914-2009); Ronald Edward (1915-1990); Jean Mavis (1918-2001) plus Dorothy (dates not known). Residence: 1900-1914: 59 Sunbury Crescent; 1914-1950): 362 Canterbury Road (residence and workshop) in the Hansen's Terrace. Fred died at home (362 Canterbury Road) on 27 December 1947. He is buried in Box Hill Cemetery - M-201-0035 along with his wife. Beatrice's parents lived at 18 Lorne Parade, Surrey Hills. Small black and white square portrait of Fred and Annie Ambler against a paling fence."ANNIE & FRED/ AMBLER/ D. CARLSON / 1/80 WATTS ST/ BOX HILL NTH / 898 3621" Also stamped with "2241" plus "ALPHA / PHOTO SERVICES/ BOX HILL"frederick john ambler, 362 canterbury road, 59 sunbury crescent, mrs beatrice annie ambler, miss beatrice annie martin, fred ambler, box hill cemetery

Square bronze plaque depicting a male nude sowing seeds in a landscape with fence posts. Inscribed on reverse: (Ls) 'Matcham Skipper Montsalvat'matcham skipper, plaque, bronze, male nude, sower

The travel pass was used by Melbourne and Metropolitan Tramways Board to ascertain that the bearer was indeed a blind person and entitled to free travel. This example was numbered 1641 and was issued in the name of Mr N.L. Walker. It outlines that the Pass is issued on the condition that the holder opens and shows same to the Conductor on each trip whether requested to do so or not.1 near square travel pass with pale green cloth cover and black text On the rear is the symbol of the MMTBmelbourne and metropolitan tramways board, association for the blind

Versabraille system is a self-contained braille information system for use with audio cassettes for reading and writing braille. The controls include an eject button, variable audio speed and volume sliders, braille control keys for writing, editing, and audio record/playback, a 20-character braille display with text advance bar, text backup key, text access keys for chapters, pages, paragraphs or words, a place indicator, an "add new chapter" key, and a pair of buttons with unknown function. The unit takes ordinary audio cassette tapes. On the back is a 24-contact IB/P connector, a pair of connectors of unknown function, and a power connector for the included 120V power adapter. Light brown coloured plastic square object with brown covering box and transformer with cord Versa Braille system Tele Sensory Systemsbraille equipment, equipment

White embroidered and crocheted table runner, with open square weave, and closed weave edging.table runners

Collection of 97 corroded nails with a rectangular head and square shaft that narrows to a blunt tip.archaeology, historic building, former royal mint

Collection of 198 corroded nails with rectangular heads and square shafts that narrow to a blunt tip.archaeology, historic building, former royal mint

Collection of 410 corroded nails with rectangular heads and square shafts that narrow to a blunt tip.archaeology, historic building, former royal mint

Collection of 6 corroded nails with a rose head and a square shaft narrowing to a blunt tip.archaeology, historic building, former royal mint

Colour photographs Golden Square Primary School Staff 2008. All teachers are named.education, primary, golden sqaure primary school staff

The second version of the Versabraille system, which appeared in 1987, reflected the change from cassette to floppy disks and an enhanced method to produce 128 standard ASCII characters. Light brown coloured plastic square object with brown covering box and transformer with cord TSIbraille equipment, assistive devices

Bendigo Advertiser ''The way we were'' from 2000. Settlement: an 1875 photo of the New Chum Reef looking towards Golden Square. The Golden Square Methodist church can be seen in the centre. Photo courtesy Bendigo Historical Society.newspaper, bendigo advertiser, the way we were

Voting registers, or electoral rolls, are a census of those who were eligible to vote. They are valuable because a country-wide census was not taken until 1911. Early electoral rolls give an individual name, residence, status of property occupation/ownership, and the rate value of the property. Electoral rolls are arranged by electoral district and subdistrict. Name, Address, Occupation and gender for thirteen subdivisions (Bendigo, Carisbrook, Castlemaine, Eaglehawk, Elmore, Golden Square, Heathcote, Maldon, Marong, Maryborough, Raywood, Sandhurst East & Strathfieldsaye). Electoral rolls were published by each state during election years..Electoral Roll for the Commonwealth Division of Bendigo, State Assembly District of Bendigo, and State Electoral Province of Bendigo for 1952 (made up to 8th September 1952). Includes Name, Address, Occupation and gender for thirteen subdivisions (Bendigo, Carisbrook, Castlemaine, Eaglehawk, Elmore, Golden Square, Heathcote, Maldon, Marong, Maryborough, Raywood, Sandhurst East & Strathfieldsaye). Assembled and bound with string, and a red light-card cover.Stamped on cover as owned by Harold Curnow, Accountant and Auditor, Colonial mutual Building, View Street, Bendigo.electoral rolls, voting in bendigo

The photograph shows the Melbourne City Square, though titled "Civic Square" taken from the Regent Theatre looking northwest. Shows an early version of the square and four trams. The square has undergone many changes since it was first built in 1968 - see reference. Postcard published by Nu-color-vue - card No. ML97Yields information about an early layout of the Melbourne City SquarePostcard - serrated edges, full colour, divided back.melbourne, postcard, nu-color-vue, swanston st, collins st, city square, civic square, trams, tramways, mmtb, w3 class, sw6 class

Postcard size colour photograph'Written on back of photograph" Construction of Target Square shopping centre, Ringwood. circa 1960's View from New Street

Postcard size colour photograph'Written on back of photograph" Construction of Target Square shopping centre, Ringwood. circa 1960's View from New Street

This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity and expansion in foundries and demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggest they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. A summary of the LOCH ARD cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’ does not mention any crucibles, implying that they were not part of a larger consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six are of the same size from a visual appraisal. The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417A No. 6 size Morgan’s graphite crucible (i.e. 6kgs capacity). The crucible rises in a slight curve from a smaller flat base up to a wider top with a (chipped) pouring lip. It was recovered from the wreck of the LOCH ARD. The artefact is largely accretion free despite its long period of submersion at the wreck site. It has a number of visible maker’s markings which identify the manufacturer and the smelting capacity of the pot. The graphite crucible is in fair and stable condition. The number “6” which is framed in a square. The letters “THE PATENT PLUMBAGO CRUCIBLE COMPANY” and “BATTERSEA WORKS COMPANY”. Below rim "... GNS"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, graphite crucible, plumbago crucible, morgan's crucible company, loch ard, crucible, fluxing pot