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Flagstaff Hill Maritime Museum and Village
Clamp
"C" Clamp wooden 305mm x 265mm x 60mm Handle length 430mm x 30mm flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Dandenong/Cranbourne RSL Sub Branch
Buttons etc. R A A F, Circa 1980
4 x large buttons. 4 x small tunic buttons. I x set of cufflinks.Tunic buttons (crown & wings insignia) gold coloured. Cufflinks School of Radio Laverton. Alloy Green insert. Black edge. -
Eltham District Historical Society Inc
Photograph, Grade 5, Eltham State School No. 209, c.1919
Photo: W. Edmends, 168 Donald St., Brunswick Written on the back in ink "Ernest Bunker" and also noted in pencil (H. Gilham hand?) "Fred Dudfield Head Teacher" PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 3, eltham primary school, eltham state school no. 209, class photo, 1919, w. edmends photographer -
Melbourne Legacy
Slide, Social Function at Legacy House, 1962
Colour slides x 2 of a function at Legacy House in 1962. The slides show the food laid out in the Level 2 function room. It shows that in the 1960s the walls were painted blue and pink. Was a social function for legatees and their wives. There are 11 slides that appear to be the same function. One mentions President Lobb so it was 1962. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a social function for Legatees and their wives.Colour slides x 2 of tables of food for a social function at Legacy House in the 1962, in a cardboard Agfacolor mount with blue and white stripes on the reverse.Handwritten '2' and '3' in pencil.legatee function, wives -
Port Melbourne Historical & Preservation Society
Book - Port Melbourne Council, Sanitary Inspectors Report Book, J L Cousland, Inspector et al, 1944 - 1955
Sanitary Inspector's Reports to Port Melbourne Council 1944-1955. Detailing testing and immunisation programmes, mass x-ray, vaccination for smallpox, cleansing station opened, poor conditions in emergency housing areas, Lands Dept neglect of Crown land, rubbish dumped in air raid shelters, advice sought re football and cricket played on streets, wood for pensionersLabel on spine illegible; 'Inspectors reports' inside covertransport - motor vehicles, local government - city of port melbourne, environmental issues, health - general health, business and traders, industry, nightsoil, built environment, fishermans bend, livestock, engineering - canals and drainage, james llewellyn cousland, b e w aitken, harley grover, dr merrilees, mr hepburn -
Eltham District Historical Society Inc
Photograph, A.W. Burman, Sarah Shillinglaw, c.1880
Possibly photographed shortly before marriage to Charles Edward Aldous in June 1880. Sarah is not wearing a ring in this image. (Duplicate copy in Album 2 (05664) Photographer: A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 Sarah’s hairstyle is late 1870s/early 1880s . The children could possibly be Sarah Ann Shillinglaw (1873-1878) and Caroline Shillinglaw (1876-1956) which would date the photo early 1878 or Caroline Shillinglaw (1876-1956) and William Shillinglaw (1877-1891) which would date the photo early 1879 as Sarah was pregnant with Elizabeth Ann Shillinglaw who was born Aug 1879.. Daughter Jane Shillinglaw (1876-1876) had died prior to the date of this image. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, 1880, sarah aldous (nee shillinglaw 1854-1925) -
Eltham District Historical Society Inc
Photograph, Stewart & Co, Sarah Aldous (nee Shillinglaw), c.1882
In this image Sarah appears young and has a wide wedding band on her left ring finger which dates it to after her marriage to Charles Aldous in June 1880. By the mid 1880s dresses were becoming more tailor made and form fitting. Hair in the 1880 was plainly dressed, close to the head, with a small bun in the early eighties, and a higher one from 1885 suggesting early 1880s for this image, shortly after her marriage. A duplicate image is located on page 27 of the album. Stewart & Co operated from 217 Bourke St., East from 1871 to 1876 and from 217-219 from 1877 to 1889. Other locations included 42, 284 and 286. Overall, they operated in Melbourne from 1871 through at least 1910 though Carte-de-Visite photos were superseded by 1890. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1871-1890, 1882, sarah aldous (nee shillinglaw 1854-1925), stewart & co photographers melbourne -
Eltham District Historical Society Inc
Photograph, The Photographic Society of Victoria, Thomas (Tom) Pearce, only surviving member of the crew of the Loch Ard, 1878
Special Carte-de-Visite produced by The Photographic Society of Victoria, Melbourne featuring the sole surviving crew member of the wreck of the ship, Loch Ard near Mutton Bird Island on the Shipwreck Coast of Victoria on June 1st, 1878. THE PHOTOGRAPHIC SOCIETY. (1878, October 12). The Age (Melbourne, Vic. : 1854 - 1954), p. 7. Retrieved December 4, 2022, from http://nla.gov.au/nla.news-article199353573 Back of photo is printed: The Photographic Society of Victoria, Melbourne. Registered None Genuine Unless With The Signatures Thus President and signature of A. Antony (?) Vice President and signature of E. Goulter Secretary and signature of Valentine Sharp Stamped in red W. H. COOPER 21 8 23 ROYAL ARCADE CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991 Inserted loose in album at same page is a 1931 artice from The Age about the wreck featuring the same image The Loch Ard Wreck, The Age, June 6, 1931, p8marg ball collection, 1878, loch ard (ship), shillinglaw family photo album 2, the photographic society of victoria, thomas "tom" r pearce -
Glenelg Shire Council Cultural Collection
Functional object - Squid Jigs, n.d
Four Squid jigs, each comprising of several hooks, 3 of which are attached to a central hollow cylinder. Identification numbers 7408 a - d Jigs measuring a) 18.5 x 6 x 6 b) 23 x 8.5 x 6 c) 24.5 x 9 x7 d) 10 x 8 x 8 -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - wedding group, at Aboriginal Station Lake Tyers Victoria, 1939 c
Also another black and white photograph of wedding party at door of St Johns church Lake Tyers Aboriginal Station number 04115.1 size 6 x 8.5 cmwedding group, named are Con Edwards Regena Harrison Laurie Moffatt at Aboriginal Station Lake Tyers Victoria. Also another black and white photograph of wedding party at door of St Johns church Lake Tyers Aboriginal Station number 04115.1 size 6 x 8.5 cmBlack and white laser copy photograph of wedding group, named are Con Edwards Regena Harrison Laurie Moffatt at Aboriginal Station Lake Tyers Victoria. Also 2 other black and white photographs of wedding party Lake Tyers Aboriginal Station number 04115.1 size 6 x 8.5 cm and 04115.2aboriginals, clothing, aboriginal history -
Ballarat Tramway Museum
Negative - Copy, Rose Stereograph Co, "The Town Hall and Sturt Street Ballarat Vic", - rear
Yields information about Ballarat 's trams in the 1930's and three street scene at the City Centre with the Town Hall in the background. Shows nature of the area with street lights and parked motor vehicles and a sign on the tram regarding prohibition and a vote on the banning of the sale of alcohol.Copy negative of a black and white photograph from Ray Pearson Collection, taken by Dave Macartney in 1975c of the intersection of Sturt and Lydiard St during the late 1920s. From the Rose series P1713, photograph of a postcard. Shows tram with a "Vote No" banner - about a local vote on prohibition in Ballarat? See Reg Item 5117 for another version and 8979 for the actual postcard. Image from the Ray Pearson album used to replace previous image 30/5/2020. Ray Pearson identified this as No. 6 in his album.trams, tramways, sturt st, prohibition, town hall -
The Ed Muirhead Physics Museum
MONROE
Electrical Keys: 10 x 10 x 20 -
Numurkah & District Historical Society
Projector and films
2 x projectors 3 bags x films -
Ballarat RSL Sub-Branch Inc.
Badges - 3x Plastic in container
This object relates to Walter Alfred CROMPTON. He was born on 18/01/1907 in Ballarat, VIC. Walter Alfred served in the RAAF (55568) enlisting on, 09/05/1942 in Ballarat, VIC before being discharged from duties with the AIR FORCE HQ (DPS) as a RAAF Non-Commissioned Corporal (CPL) on 18/10/1946. Walter Alfred CROMPTON was not a prisoner of war. His next of kin is Myra CROMPTON.2 x RAAF; 1 X Rising Sunsouvenirs, ballarat rsl, ballarat -
Hand Tool Preservation Association of Australia Inc
Toolbox
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.tool box, 970 x 670 x 670 -
Hand Tool Preservation Association of Australia Inc
Toolbox
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.tool box, 930 x 230 x 270 -
Hand Tool Preservation Association of Australia Inc
Toolbox
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.tool box, 930 x 250 x 260 -
Hand Tool Preservation Association of Australia Inc
Toolbox
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.tool box, 930 x 220 x 195 -
Hand Tool Preservation Association of Australia Inc
Toolbox
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.tool box, 890 x 220 x 390 -
Hand Tool Preservation Association of Australia Inc
Toolbox
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.tool box, 875 x 185 x 340 -
Hand Tool Preservation Association of Australia Inc
Toolbox
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.tool box, 820 x 215 x 195 -
Hand Tool Preservation Association of Australia Inc
Toolbox
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.tool box, 815 x 220 x 210 -
Bendigo Military Museum
Clothing - SASH/BELT, C.1930 - 45
centre section is double thickness with blue- rayed sun ; blue sections are decorated with gold coloured cotton french knots symbolizing the district shire where the owner lived. A Khaki coloured tiger faces inwards each end of center. Japanese characters in pink near center shashiko quilting on white rays.costume accessories - male, japan, handcrafts - sewing/ embroidery -
Flagstaff Hill Maritime Museum and Village
Instrument - Fob Watch
A fob watch is an instrument for measuring time. It is designed to hang from a chain that is attached to a wearer's waistband or waistcoat. The chain keeps the fob watch from being dropped or falling out of a pocket. A person possessing a fob watch or similar instrument in the 18th century would be viewed as someone in a good financial position and often a position of power or respect. It was a social statement as well as a useful object.Silver pocket watch and brass iron winder. Watch has Roman numerals on face and gold flower, floral and diamond shaped motif. Marked "0.800 x/5 115/15 39443" Picture of a bird, flying, griping a painter's pallet and brushes and another separate picture of a bird. There is also a floral pattern on the back of the watch. The winder has a number "6" or "9" on one face and a symbol similar to the "Star of David" on the other.Marked "0.800 x/5 115/15 39443" . The winder has a number "6" or "9" on one face and a symbol similar to the "Star of David" on the other.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pocket watch, watch, horology, time keeper, fashion accessory -
Bendigo Military Museum
Weapon - ORDNANCE, WW1 onwards
Armour piercing projectile, solid steel, cylindrical narrowing to a point on one end."S RH X 3558 O 11 A"arms - ordnance, metalcraft, armour -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Weapon - Bayonet for Owen, Slazenger, Bayonet for Owen Machine Carbine, 1944
Type of equipment used by the RegimentBayonet for Owen Machine Carbine, 25 cm blade, w/scabbardX CA SLAZ44 SLAZ Government arrowbayonet, owen -
Australian Queer Archives
Placard, 'When I grow up I want to marry whom ever I love'
Acquired at an Equal Love (Melbourne) rally in 2015.Finger painted rainbow on white card, with text inscribed in black marker.Verso: "painted by Will (age 3)", signed with an "X"marriage equality, marriage -
Flagstaff Hill Maritime Museum and Village
Tool - Smoothing Wood Plane Coffin Pattern, 18th to Early 19th Centuries
Being smaller than other bench planes, the coffin shaped smoothing plane is better able to work on smaller work pieces and around obstructions. Since the 1700s wooden smoothing planes have predominantly been 'coffin shaped' wider in the middle and slightly rounded making them more manoeuvrable. A vintage tool made by an unknown 18th or early 19th century woodworking tool maker. This item would have been made for individuals or cabinet makers that worked in wood and needed a tool that could produce a flat smooth finish to timber. These tools were used before routers and spindle moulders came into use in the late 19th and early 20th centuries before this time to produce either a decorative moulding or a smooth finish to furniture timber, door trims etc had to be accomplished using hand planing tools and in particular one of these types of planes. Traditionally wood planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding or had a flat blade use for achieving a flat and smooth finish to timber. The blade, or iron was likewise formed to the intended moulding profile or for smoothing and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding and flat bladed planes for a full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. These vintage planes are well sought after by collectors of antique tools due to their rarity. A significant tool from the 18th to early 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber furniture item. Wood smoothing plane known as a coffin plane due to it's shape, wood insert screwed on front of base. Stamped "MILLER". Inscribed "X" (probably the size)flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cabinet makers tools, woodworking tools, wood plane, smoothing plane, timber finishing, furniture manufacture -
Coal Creek Community Park & Museum
Phonograph Record, Down Texas Way / You Remember a Place Called "Home"
Phonograph record, black shellac, no cover. Green "Zonophone" label. The Twin record company. Side A: Down Texas Way, Side B: You Remember a Place Called Home. Sung by Mr Herbert Payne.Reference No. X - 3 - 42865. Serial No. 1827 -
Robin Boyd Foundation
Slide, Robin Boyd, 1958
Colour slide in a mount. Unknown people.Jan 58 (Handwritten) / 18 / x (Handwritten)