Bendigo Advertiser "The way we were" from Saturday, February 19, 2005. Workers: staff at the Bendigo Ordnance factory take time out for a photograph.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Friday, March 18, 2005. Hard day's work: women work at the Ordnance Factory. Date unknown.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Friday, April 8, 2005. Lunchtime: a group of workmen having their lunch at the Ordnance Factory. Date unknownnewspaper, bendigo advertiser, the way we were

Of Maryanne Coutts' exhibition at the Ballarat Fine Art Gallery Maryanne Coutts wrote: 'The same old story' is a curious phrase. As usual I can't tell you exactly in words what the story is,simply that I hope that this body of work evokes characters and implies the actions and interactions that engender a story. For me the story if seeking itself, trying to understand what about itself is repeatable yet malleable, rememberable yet changeable. The Triumph of Gutenberg' celebrates the seemingly ordinary by manifold ways that information is transferred and transformed. It arises from a fascination with the way a thought evolves from one idea to the next, often repeating itself, but sometime making leaps and in the dark mutating. Famed for introducing movable type and the printing press to Europe in 1450, Gutenberg enabled the mass production of books. He has consequently become a symbol for the power of the dissemination of knowledge. Vehicles for repeatability, like printing, are myriad and range from specific codes, such as DNA, to more ephemeral language systems like visual and narrative. Stories are my favourite vessels of memory, of recording. It seems that a story can have certain characteristics that allow it to be recognised as a particular story, indeed, that allow it to be repeated withing different narrations, different readings. As a visual storyteller, I have been curious about how much can change while the story remains the same, Within this visual exploration of what I consider to be a consistent story, conveyed through different media, scales, shapes, and styles, I have allowed mutations, which I hope will illuminate the repetition. In some ways this work is a direct response to Poussin's 'The Triumph of Pan', whose arrangement of figures approaches a kind of formal abstraction. As I worked through the drawing, painting and print that are in this exhibition, I have looked increasingly to more recent interpreters of that tradition like Beckmann, Layered, then, withing this story are other stories, other histories. In a metaphoric sense repeatability and mutability characterize both how the work came into being and how, being something more than paper, canvas and pigment, it can travel audiences' neural pathways as both memories of sights seen, as new thoughts ans/or as old thoughts and memories now mutated. Maryanne Coutts, January 2003.Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is presented on four linen canvases. It is a very large work showing a person working in an office. Donated under the Australian Government's Philanthropic Programme, 2005art, artwork, maryanne coutts, coutts, work, alumni, office, gutenberg

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 294 Cotham Road, Kew by Margaret Picken.294 COTHAM RD., KEW / MARG. PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 294 cotham road - kew (vic.)

Pigment inkjet print (diptych)Signed and dated 'Sophia Szilagyi 2005' lower right under printed image. Titled 'Where Shadows Lie' centred under printed image. Edition 35/40, numbered lower left corner under printed image.

Watsonia Library is a branch of Yarra Plenty Regional Library Service (YPRL). Photographs from the opening of the 2005 refurbishment of the library showing Jenny Macklin MP and Councillor Jenny Mulholland. Colour photographsyarra plenty regional library, yprl, watsonia library, jenny macklin, jenny mulholland

Photograph of PTE. Alfred Claude Westray. VX52881. Army Ordnance Corps . Mounted in picture frame with - 39-45 Star, Africa Star, Pacific Star, Defence Medal, War Medal 39-45, Australian Service Medal 45-75, Service Medal with Bar. 2005 60th Anniversary of the End of WW II Service to Australia Medal. Medals were mounted in 2005 and 2007.

Historical essay and timeline of the Women’s Art Register, including Vision Statement, Chronology, Publications, Associations, Overview of the unique Women’s Art Register including significant events and actions.Display copy of the softcover promotional booklet published by Women’s Art Register in 2005, with essay by Juliette Peers and design by Josephine Fagan. Contents: About the Women’s Art Register; Vision Statement, Pulications, Liasons and Associations, How to use the Women’s Art Register, Advocacy and Leading Issues, Chronology, Short HIstory of the Women’s Art Register, Membership Form, Resources and KitsThe word Corrections is handwritten on the cover.

Pamphlet - A4 full colour printed on white paper, titled "Case Study Yarra Trams" with sub-title "the day the trams turned green" about the installation of environmental friendly installations at East Preston Depot, solar panels, part of the Green Depot project, May 2005. Published by Energy Conservation Systems. Water saving systems etc. Two copies held.trams, tramways, yarra trams, east preston depot

This item won the Deputy Vice Chancellor's Acquisition Award in 2005. It is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A red, blue and green abstract paintingart, artwork, o'shannessy-dowling, available, pauline o'shannessy-dowling, abstract

The Peterson family were early settlers in Moorabbin Shire and established a market garden in East Boundary Road East Bentleigh. Vic Peterson - waistcoat, with Dick Marriott seated - ( brother in -law ), 2 unknown men and 7year old Geoff Peterson - Poliomyelitis as a baby- sitting in front with his walking sticks. The crop is cabbages that would be harvested and sent to the Melbourne markets.The early settlers like the Petersons and Marriotts, in the Parish of Moorabbin County of Bourke after Henry Dendy's Special Survey Brighton 1841, established market gardens, fruit & flower gardens, poultry & dairy farms, vineyards as well as shop businesses, blacksmiths, chemists, nursing homes and schools & Churches.Black & White photograph of Vic Peterson and 3 men & boy on his market garden in East Boundary Road East Bentleigh c1925 re-digitised 2005back ; handwritten information unsignedwagons, vulcan trucks, draught horses,, peterson vic, marriott dick, cabbage crops, vegetable crops, poliomyelitis epidemics 20thc , elster creek, plateways moorabbin shire, smith j l; smith mary ann, stanley helen, smith vic, smith harry redvers, chaff cutter, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards

Bendigo Advertiser ''The way we were'' from Friday, June 3, 2005. Mystery: the details of this picture, perhaps taken at St Aiden's Orphanage, remain a mystery.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Thursday, February 10, 2005. Hard at work: female workers get the job done at the Bedigo Ordnance Factory.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Friday, March 4, 2005. Yesterday school children: the students and staff of Newbridge Primary school, photographed in 1968.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Tuesday, March 2, 2005. Mechanics: workers are hard at it at the Bendigo Ordnance Factory. The people and date of the photo are unknown.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Thursday, March 31, 2005. Swimming hole: the blue dam swimming hole in Quarry Hill in the early 1930snewspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Wednesday, April 27, 2005. Intriguing: this picture of the Bendigo Flee was discovered in a box tucked away in a Bendigo shed.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Tuesday, May 3, 2005. School days: the grade 5 at Long Gully school No. 2120 taken in 1919.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Saturday, January 8, 2005. Reunited: a World War II welcome home, possibly Eaglehawk. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Stake holder Consultauion - Bendigo Creek Sewer. February 4 2005. City of Gretaer Bendigo. Includes photographs of intended pathway through the Bendigo Creek.

Reminscences of Jeff Prentice who attended Eltham Primary School, 1946-1952 (2005). Jeff's reminscences were published in newsletter no. 173. Folder also includes correpsondence and copy of published newsletter10 Pages HG Booklet 60harry gilham collection, reminscences, eltham primary school

1993, 1994, 1995, 1996, 1997, 1998 inc photos in separate folder, 1999, 2000, 2001, 2002, 2003, 2004 (3 copies), 2005 (4 copies), 2006, 2007, 2009 (4 copies), 2011 (2 copies)Various sized Programs for Graduation ceremonies. Years held: 1993 Graduation Ceremony – Program 1994 Graduation Ceremony – Program 1995 Graduation Ceremony – Program 1996 Graduation Ceremony – Program X 2 1997 Graduation Ceremony – Program 1998 Graduation Ceremony – Photo Album 1998 Graduation Ceremony – Program 1999 Graduation Ceremony – Program 2000 Graduation Ceremony – Program 2001 Graduation Ceremony – Program 2002 Graduation Ceremony – Program 2003 Graduation Ceremony - Program 2004 Graduation Ceremony – Program X 3 2005 Graduation Ceremony – Program X 4; Parking information card; and Admission pass 2006 Graduation Ceremony - Program 2007 Graduation Ceremony - Program 2009 Graduation Ceremony – Program X4 2011 Graduation Ceremony – Program X2 2012 Graduation Ceremony - ProgramX3 2012 Graduation Ceremony (Staff Edition) - ProgramX3 2013 Graduation Ceremony - ProgramX3northern metropolitan college of tafe, northern melbourne institute of tafe, graduation program, nmit

Picture of Sergeant HUNTER, Henry in uniform. WW2 VX118416 4th Battalion. Enlisted 5th November 1942 and discharged 11 September 1945 born in Bendigo but enlisted in Gin Gin WA Newspaper 2005. Gold metal frame with silver embossing and hard black cardboard backing. Glass cover over picture and photo of a soldier.Newspaper picture has caption “the war we were………..” written history of the soldier depicted on the photo.4th battalion, ww2, photograph hunter henry

This photograph was taken during the upgrade of the Bendigo Railway line at the Sunbury Station in 2005. The upgrade took twelve months to complete and during this time bus services replaced the trains for commuters along Bendigo line.A coloured photograph of the construction on the site of the Sunbury Railway Station. The old railway lines have been removed and the bluestone road over rail bridge can be seen with excavation equipment in front of it. Concrete sleepers which replaced the old sleepers are on the LHS of the photograph.railways, bendigo line, railway stations, bridges, bluestone bridges, sunbury railway station, george evans collection

Colour photograph of some of the BTM team during the 2005 Begonia Festival at Gardens Loop. Printed on a colour bubble jet printer on plain paper. Photographer unknown. Left to right - Andrew Mitchell, Carolyn Dean, Lindsay Richardson, Richard Gilbert, Roger Salen, Neil Lardner, Alastair Reither and John Shaw. Has date of photo as 10.3.2005. Photo taken alongside No. 671.btm, begonia festival, tram crews, tram 671

Black Boys Inn is in the market square of Aylsham, England. "Archaeological evidence shows that the site of the town has been occupied since prehistoric times. Aylsham is just over two miles (3 km) from a substantial Roman settlement at Brampton, linked to Venta Icenorum at Caistor St Edmund, south of Norwich, by a Roman road which can still be traced in places - that site was a bustling industrial centre with maritime links to the rest of the empire. Excavations in the 1970s provided evidence of several kilns, showing that this was an industrial centre, pottery and metal items being the main items manufactured. Aylsham is thought to have been founded around 500 AD by an Anglo Saxon thegn called Aegel, Aegel's Ham, meaning "Aegel's settlement". The town is mentioned in the Domesday Book of 1086 as Elesham and Ailesham, with a population of about 1,000. Until the 15th century, the linen and worsted industry was important here, as well as in North Walsham and Worstead and Aylsham webb or 'cloth of Aylsham' was supplied to the royal palaces of Edward II and III. John of Gaunt was lord of the manor from 1372 and Aylsham became the principal town of the Duchy of Lancaster. Although John of Gaunt probably never came to Aylsham, the townspeople enjoyed many privileges, including exemption from jury service outside the manor and from payment of certain taxes. The village sign depicts John of Gaunt. In 1519 Henry VIII granted a market on Saturdays and an annual fair to be held on 12 March, which was the eve of the feast of St Gregory the pope. Aylsham markets have always been an important feature of the town, and businesses developed to meet the needs of the town and the farming lands around it. Besides weekly markets there were cattle fairs twice a year and, in October, a hiring fair. The historic Black Boys Inn in the Market Place is one of Aylsham's oldest surviving buildings, and has been on the site since the 1650s, although the present frontage dates to between 1710 and 1720. There is a frieze of small black boys on the cornice and a good staircase and assembly room. The Black Boys was a stop for the post coach from Norwich to Cromer, had stabling for 40 horses, and employed three ostlers and four postboys. A thatched waterpump was built in 1911 at Carr's Corner in memory of John Soame by his uncle, a wealthy financier. An artesian well 170 feet (52 m) deep, its canopy is thatched in Norfolk reed. As with many of the other market towns in the county, the weaving of local cloth brought prosperity to the town in medieval times. Until the 15th century it was the manufacture of linen which was the more important, and Aylsham linens and Aylsham canvases were nationally known. From the 16th century linen manufacture declined and wool became more important, a situation that continued until the coming of the Industrial Revolution. Thereafter the principal trade of the town for the 19th century was grain and timber, together with the range of trades to be found in a town which supported local agriculture. Records show that Aylsham had markets and fairs, certainly from the 13th century. Such weekly and annual events were important for the trade that they brought. Annual horse fairs would bring many other traders to the town, and the weekly market would be the occasion for more local trade. The rights of the stallholders in the market place today date back to the rights established in medieval times." See wikipediaDigital photograph"Admiral Lord Nelson attended a dance at the Assembly rooms here on 15th December 1792 - 21st October 2005"aylsham, lord nelson, 1792, plaque