A biography of the life of Norma Madeline WATTERS plus a transcript of the eulogy delivered at her funeral. Includes pictures of Norma as a schoolgirl, teenager & in her later years. Norma grew up in Port Melbourne in the 1930's and went on to work in various clerical positions in the firms of Rootes, Austral Silk and Cotton Mills Pty Ltd, The Myer Emporium, W.E. Bassett & Associates, The Metropolitan Gas Company, Hardware Co. of Australia, Gill Glass and The Phosphate Co-operative Company of Australia Ltd.education - secondary schools, norma madeline watters, rootes/chrysler

Ill, p.224.non-fictionA pictorial archive of abandoned world war two weaponrymilitary archeology, military equipment - abandoned

Ill, maps, p.240.non-fictionThe story of Australian Army support operations during the Vietnam conflict.royal australian army service corps, vietnam war - 1961-1975 - australian participation

Bib, ill, p.429.Haunting and poignant, this collection of portraits from renowned Melbourne artist, George Petrou portrays a spirit like no other — the Anzac spirit. Australians from all walks of life have served our great nation with gallantry and sacrifice — ordinary people who displayed mateship, resilience and devotion to duty. The Art of Sacrifice captures the spirit of service in a fitting tribute to all Anzacs of every generation. Using images of the past and the stories of today, the artist travels Australia and overseas to connect the past and the present in a unique, powerful and evocative collection of outstanding portraits. The Art of Sacrifice is a stunning contribution to the understanding and commemoration of all those who have served our great country.australia - military - personal narratives, soldiers - australia - pictorial works

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

A collection of articles written about the Italian-Australians who served in Vietnamitalians-australians, italian ausralian institute research centre, vietnam, charles (carmelo) di noto, dino de marchi, ivo sist, rosario (ross) lagana, ennio morello, antonino (tony) parrello, emmanuele john (ned) pannuzzo, vincenzo (vince) pezzano, vincent john (vince) restuccia, davide (david) guerino florian, aldo (rocky) andrea matteo maria gerzina, paul frank beraldo, francesco (frank) martino, guido bensi, nicola gaetano (nick john) cassano, salvatore (sam) vecchio, anthony (tony) magnanini, joseph john (joe) valvo, phillip john (phil) vitale, anthony (tony) arena, ennio torresan, peitro bevilacqua, ettore (arthur) savino

A look into the CMF and National Service story of twin brother Nasho's and an insight into the role of an Artillery Head Quarters Battery during the last months of Australia's Vietnam War.vietnam war - 1961-1975 - soldiers - australian, 1961 - 1975 - veterans - australia - biography, vietnam war, personal narratives - australian, conscription, artillery head quarters battery

Aussie Diggers supporting the Combat Force in Vietnam.Aussie Diggers supporting the Combat Force in the Vietnam War.royal australian army service corps, vietnam

From the battlefields of Korea, Malaya and Vietnam to the struggle for veterans' welfare, Keith Payne has never shied away from a fight.soldiers - australia - biography, payne, keith vc, military history - (australia, vietnam, s. korea)

Vietnam ANZACS is a history recognisin the contribution of our ANZAC battalions during the Vietnam War.vietnam war - 1961-1975 - soldiers - australian, personal narratives - australian, australian, 1961-1975 - participation - new zealand, anzac, nui dat, phuoc tuy province

australian artist, first nations artist, female artist, wonder woman, suzie quattro, sport spice, dolly parton, beyonce, catwoman, tina turner, david hasselhoff, painting, indigenous

textile, lgbtqui, australian artist, queer, political, applique, quilt, quilting, banner, activist, activism, bunny, john howard, saddam hussein, george pell, pope, religion, pooh, bart simpson, car, truck, ribbon

Purchased through the Horsham Art Gallery Trust Fund, 2022inkjet photograph on plywood

Purchased through the Horsham Art Gallery Trust Fund, 2022inkjet photograph on plywood

Author Margot Warnett grew up on a Dairy farm just outside TaturaA4 size paperback book with predominantly blue sky and an illustration of two girls standing on a wire farm gate. One girls has a purple check dress on, black gum boots and holding a white rabbit. The other girls has a blue dress, gum boots and holding a black duck. A white and brown horse, a calf, a sheep and farm dog and a lizard are also in the picture. The two girls are also pictured on the back cover.Written by Margot Warnett Illustrated by Julie Haysomwarnett, book, children, meg and peg, dairy farm

Printed research paper, 5 pages, single sidednon-fictionFamily history of Mary Ann/ Marianne Maggs nee Hardridge (Nurse Polly Maggs) in Doncaster and Mitcham/Ringwood during early 1900's.maggs family, maggs harriet, maggs james, maggs marianne, maggs mary, maggs nurse, hardridge, hardidge, midwifery act 1901

Single page printed, A4 on green papernon-fictionOverview of Ferdinand Zerbe's family history including referenceszerbe ferdinand, zerbe gladys, zerbe cliff

non-fictionA property in Forest Hill has been purchased and equipped to house 20 city kindergarten children.kindergarten, forest hill

Colour photograph of a poppet head at Sovereign Hillsovereign hill, poppet head

Colour photographs of plaques commemorating the opening of the Great Ocean Road, 2020great ocean road, plaque, apollo bay, david mclaren

During the Covid19 Pandemic lockdowns resulted in empty roads. Colour photographs of plaques commemorating the opening of the Great Ocean Road, 2020great ocean road, plaque, apollo bay, david mclaren, pandemic, covid19

The farm known as Brookside.brookside, farm

The Brookside Private Reformatory for Protestant Girls was established on 29 December 1887 by Mrs W. T. Rowe. It was initially established at Glenfine, and soon moved to more extensive premises in the town of Cape Clear, near Scarsdale. The establishement of private reformatories had been made possible by The Juvenile Offenders' Act 1887 , which was assented to only weeks before the opening of Brookside. The Mintaro Reformatory Home for Girls at Monegeetta, Lancefield was established in 1903 by the Methodist Home Mission Department to take the girls from the Brookside Reformatory at Cape Clear when it closed in 1903. Brookside Homestead taken from the public roadway.brookside, farm, homestead