Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.Softcoveraustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.Softcoveraustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.HardcoverState Lending Library of Victoria/withdrawnaustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.Softcoveraustralian architecture, architecture, australia, home, suburbs, robin boyd, walsh st library

Letter summarising main points of recent conversation with Robin Boyd - agreement to publish Robin Boyd's manuscript for "The Great, Great, Australian Dream" early in 1972 with some minor revisions, to be received in a fortnight. Attachment included (see item D336.2)Typewritten, quarto, 1 page.

It is thought that this daybed came from the Boyd's Camberwell house.Timber slatted bed (9 slats). 2 solid timber legs, the width of the bed. With mattresswalsh st furnishings, robin boyd

Short notice on Robin Boyd's death and funeral arrangements.S and date in blue pen.walsh st library

The interpretation centre at Tower Hill was designed by Robin Boyd. A number of colour photographs showing the Interpretation Centre at Tower Hill, and an number of emus.tower hill, volcano, robin boyd, emu

This a copy of a book review of Robin Boyd's 'Australia's Home'.Photocopy of an article. The last column has not copied correctly, as newspaper must have been crumpled.australia's home, walsh st library

HardcoverPrinted label on front page from Melbourne Grammar School, text in latin. Book was awarded to 'Robin Penleigh Boyd / in Middle V Form' for 'Second Prize' in 1932walsh st library

Boyd writes about his opinion on Le Corbusier's Chandigarh and compares the qualities between the newly built city with Canberra. While Boyd praises Le Corbusier's plan, he also comments on the contrast of the grand buildings (Secretariat, Parliament and High Court) situated among the poverty that is ever present, which ultimately affects the image of Chandigarh. This manuscript of Boyd's weekly newspaper column in 'The Australian' was published with the title 'The City of Sordid Splendor' on 28.06.1964. Original manuscript of an article published as 'The City of Sordid Splendor' in 'The Australian' 28.06.1964Typewritten, quarto, 5 pagescanberra, chandigarh, le corbusier, punjab, india, robin boyd, manuscript, ohm2022, ohm2022_16

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton turquoise, rust, charcoal, mustard, beige stripe with tassels along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton red, emerald green, mustard, white. Tassels and white stripes along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd

The letter is in response to Robin Boyd's request for help with work of the Melbourne University School of Architecture. It contains the opening address of Thomas Rowe, President of the Institute of Architects and information on the Institute of Architects NSW (not in Boyd's papers) and on the history of the establishment of The Royal Australian Institute of Architects. It also lists further information of office records at RAIA in Sydney, that Boyd can access on a visit. Mention is made that NSW has not got far with its Small Homes Service.Signed by Secretary of RAIA

Boyd article: ‘The Search for Pleasingness’, pp. 193- 205. Paper from proposed book by Robin Boyd to be titled: 'While Architecture Lasts' "‘The Search for Pleasingness’ later became a chapter title in The Australian Ugliness, and the text was included on p.181 - 193.architecture, 20th century, walsh st library

Project: Tower Hill State Game Reserve Natural History Centre drawn by Robin Boyd of Romberg & Boyd . Drawing no. 14. Water damaged copy of Drawing no 14 (item PL145.1), The bottom right hand corner is missing and paper sellotaped.Working Drawing, Dyeline

A copy of an extract of Robin Boyd's book 'The Great, Great Australian Dream', and a brief review, published in 'The Times' in Hamilton New Zealand It is accompanied by a letter dated 19 September 1972 from Andrew Fabinyi from Pergamon Press to Patricia Boyd.Photocopy of an article, with an original letter enclosed in an envelope.walsh st library

This second letter to Robin Boyd from Eliot Noyes, an American architect and industrial designer, is the second of two held by The Robin Boyd Foundation (see also D418). It thanks him for his good piece and also for his corrected first page.On letterhead Eliot Noyes & Architects, Architecture and Industrial design, 95 Main St, New Canaan, Connecticut.

Five pages numbered 1-4-6-7 and 8 handwritten in ink on lined paper. Personal recollections by Angus Kennedy of doctors, inquests, cemeteries, funerals etc. Incomplete as several pages are missing. Doctors mentioned in the document: Stuart, Hunt, Owens, Eadie, Hutchison, Smith, Hoyle, Maxwell, O'Donnel, Roche (Coroner), Cruikshonk, Cheyne, Atkinson, Hugh Boyd, Barnet, Betham. Typed transcription included.bendigo, hospital, bendigo doctors

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. During this time, the Boyds purchased this set of Revere kitchenware, which carries the prized "Process Patent" maker's mark on the thick copper bases. Mandie Boyd recalls: "I don’t remember a lot of cooking going on in them, if any, as they were a pain to clean but looked fabulous hanging on the wall absolutely gleaming. We would all check our hair and make up in them."A set of Revere Ware Saucepans and Frying Pans. A set of four Revere Ware copper clad, stainless steel saucepans with lids and black handles and hanging rings. A set of three Revere Ware copper clad, stainless steel pans with black handles and hanging rings. The largest flat one has no lid. Saucepans: largest 175mmx140mm, smallest 120mmx180mm. Frying Pans: largest 350mmx10mm, smallest 80mmx50mm.Revere Ware company engraving. Made under process patent #2363973. 'Revere Ware 1801' 'Patent # 22726091'revere, revereware, revere ware, cookware, walsh st kitchenware, robin boyd, ohm2022, ohm2022_10

The Flying Dogtor is a black and white cartoon series, consisting of line drawings, devised and written by Robin Boyd. He also created the initial drawings for all the characters. The Flying Dogtor series, consisting of 52 episodes, was devised and written by Robin Boyd between 1962-1964 (items D194-D241). They were produced by Crawford Productions and broadcast on Australian Television Network, which later became the Seven Network. Hector Crawford and Robin Boyd were friends.16mm black and white film with sound. Inside a circular metal canister with lid. Duration-5:31 Minutes the flying dogtor, hector crawford, crawfords, robin boyd

The Flying Dogtor is a black and white cartoon series, consisting of line drawings, devised and written by Robin Boyd. He also created the initial drawings for all the characters. The Flying Dogtor series, consisting of 52 episodes, was devised and written by Robin Boyd between 1962-1964 (items D194-D241). They were produced by Crawford Productions and broadcast on Australian Television Network, which later became the Seven Network. Hector Crawford and Robin Boyd were friends.16mm black and white film with sound. Inside a circular metal canister with lid. Duration-5:12 Minutes the flying dogtor, hector crawford, crawfords, robin boyd, ohm2022, ohm2022_5

The Flying Dogtor is a black and white cartoon series, consisting of line drawings, devised and written by Robin Boyd. He also created the initial drawings for all the characters. The Flying Dogtor series, consisting of 52 episodes, was devised and written by Robin Boyd between 1962-1964 (items D194-D241). They were produced by Crawford Productions and broadcast on Australian Television Network, which later became the Seven Network. Hector Crawford and Robin Boyd were friends. 16mm black and white film with sound. Inside a circular metal canister with lid. Duration-5:31 Minutes the flying dogtor, hector crawford, crawfords, robin boyd

This file contains two items. Two original photographs of Boyd Park, date unknown. An article from the CAULFIELD/ PORT PHILLIP LEADER on a massive swamp gum tree that was felled by heavy winds in Boyd Park, Murrumbeena, dated 03/08/2012.glen eira, glen eira environment group, smith colin, caine paul, boyd park, murrumbeena, parks, conservation of natural land and energy economics, reserves, bushland, gardens, resources, trees, plants

Boyd reflects on the increasing growth of apartments built in the urban fabric. The growing demand for flats also contributes to the increasing number of developers who, to Boyd's dismay follow the bare minimum in the Code of Buildings that ultimately contributes and affects the romantic visions of the Australian landscape.Original manuscript of an article titled 'The Flat Revolution' published in The Australian, 13.11.1964.Typewritten (c copy), quarto, 5 pagesflat building, developer, building code, urban living, robin boyd, manuscript