Blazer, cap and pin all worn by Neil Webb (1940py). Neil was Cox for the 1937 Head of the Lake regatta. Boys black wool blazer with red trim. Pocket embroidered with crossed oars under crest. Pocket top has rowing colours and embroidered croosed oars. School pin in lapel has crossed oars . Red school cap with crest about narrrow peak. Inside school cap crown sewn name label: 'Neil Webb' rowing

items issued to John Raymond Bruns VX88627, refer Cat No 5592 for his service history,.1) Corporal rank insignia, fabric "V" shaped, khaki colours. .2) Corporal rank insignia, two stripes sewn onto an arm band, all khaki colour variants, band has elastic piece on inside with metal buckle for adjustment around arm.uniforms, insignia, corporal, 2nd 38th

Red hard cover, blue patch on spine with title & author. Dust cover worn edges, damaged back, authors photo on back. Front red, brown, & mauve colours scene through barbed wire fence with Japanese flag on hut. 256 illustrated pages.On fly leaf: L Schillingbooks, military, history

The exhibition opened on Friday 27 November 1998 at 6.00pm. Work was exhibited in the studio spaces in the School of Arts (Visual Arts) building at Mt Helen Campus (incorrectly labelled as Mt Clear on this document). The opening speaker was Peter Stitt. Given dimensions, this was possibly an insert for a CD ROM (compact disc) of student work.10pp concertina fold brochure promoting opening of University of Ballarat, final year student art exhibition. Offset printed in 2 PMS colours (black and metallic blue). Features a photograph of graduating class, and a list of graduates and their study areas. Also a list of sponsors and prizes.ballarat university college, buc, ballarat college of advanced education, bcae, university of ballarat, ub, federation university, visual art, painting, multi-discipline, graphic design, print making, ceramics, drawing., mt helen campus

Promotion for graduating University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) students, 1999. Students listed: Jodie Grixti, Paul Mah, Taneale Hrymakowski, Wesley Towers, Oliver Wilson, Rebecca Carden, Kelly Tame, Paul Scanlon, Hjoerdis Boulter, Glenn Reynolds, Paul Beseler, Mariya Beale, Heath McCurdy, Meg Williams, Sally-ann McMahon, Leon Dwyer, Kate Sumner, Kerrie Still, Melanie Buckingham, Dean Tonkin. Each page features a varnish on white design and student name. Last page includes details and list of sponsors.Promotion for graduating University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) students, 1999. Cardboard CD case and booklet printed in three special colours (black, green and varnish). Refer also to item 29166.2 for screen captures from accompanying CD Rom.jodie grixti, paul mah, taneale hrymakowski, wesley towers, oliver wilson, rebecca carden, kelly tame, paul scanlon, hjoerdis boulter, glenn reynolds, paul beseler, mariya beale, heath mccurdy, meg williams, sally-ann mcmahon, leon dwyer, kate sumner, kerrie still, melanie buckingham, dean tonkin, university of ballarat, federation university, graphic design, multimedia

Model of the Era. Oil tanker built by Samsung Ship Building and Heavy Industries Company in South Korea. Completed January 1987. 1985 officially under ownership of Howard Smith Industries Pty Ltd, Melbourne with take over of R W Miller. 1996 transferred to Intercontinental Ship Management. Scrapping began at Alang January 2002. 54 880 gross tons Length overall: 229.732 m (758 ft) Beam (MLD): 46 m (151 ft) Depth (MLD): 19.2m (46 ft) Draught (design): 12.17 m Draught (Scantl): 13.6 mShip builder's model of the tanker Era IMO 8420218 built by Samsung Shipbuilding & Heavy Industries Co. - Moulded polyurethane hull painted in colours of black and maroon, the deck with detailed fittings, machinery and superstructure, presented within a perspex display case. Scale 1:200plaque at foot of model: "95,000 DWT CRUDE/ PRODUCT CARRIER/ PRINCIPAL DIMENSIONS/ LENGTH O.A 229.732M/ LENGTH B.P 220.000M/ Breadth (MLD.) 46.000M/ DEPTH (MLD.) 19.200 m/ DRAUGHT (DESIGN) 12.170 M/ DRAUGHT (SCANTL.) 13.600 M/ SHI SAMSUNG SHIPBUILDING &/ HEAVY INDUSTRIES CO., LTD./ SCALE OF MODEL 1:200" White pen written on base: "PWO 2666.4/ 110/97/S4" Label affixed to base: "104226" on model "ERA MELBOURNE/TUG/TUG/TUG/NO SMOKING/NO SMOKING/ ERA"

A beige coloured beauty case used by Gertrude Perry. The top four corners are dark brown as is part of the handle. the lining inside is in a square pattern of different brown colours. The bottom has a plastic cover and there are four pockets on the sides as one bigger pocket on the inside cover.cottage, miners, gertrude perry collection, photographs & memorabilia gertrude perry

Two china plates/saucers from Tennis sets. 1. White with floral motifs in various colours with gold decoration and gilding on edges. Nosegay Royal Albert Bone China England PEG No 39142 2. White with gilded motifs. Hand painted made in JapanNosegay Crown Royal Albert Bone China England Peg No 839142 & Hand painted made in Japandomestic equipment, table setting, plate

Golden Jubilee Anniversary of the Slovenian Association Melbourne was an unforgettable event for members, friends and visitors. The Slovenian hill at Research became alive with song, rainbow colours, dances, choir, poetry, sporting competitions, exhibitions, great food and drinks, children entertainment and many happy people.Slovenian Association Melbourne 2004 Golden Jubilee 50th Est. 1954badge, slovenian association melbourne, golden jubilee

Printed cotton button through dress in colours of red, pink, green on cream background. Seven pearl buttons down front. Kick pleat in hemline,round neckline,short sleeves with turn back cuffs, and matching buckle belt. Hidden pocket in side seam.Laurie McCarthycostume, female

Hand painted enamelled Chinese vase on stand. Features a floral design predominately in colours of white, blue, pink, green, black with gold trim and edging. The gold finish is especially a feature inside the vase neck. Black enamelled wood stand with labels on the base with price.

Brown wooden honour board with gold text in the shape of a rectangle with a protrusion at the top to accommodate for a large WHS logo and a title reading HOUSE CAPTAINS. Along the top of the main body or text is a row of painted metal plates in the school house colours above the names of the houses.HOUSE CAPTAINS 1955 (O) J. BELL, D. CICUTO (K) T. McHARRY S. HEBERLE (M) J. SONNEMANN, L. BRISBANE (W) W. STUDHAM, M, LA FONTAINE 1956 (O) E. JONES, J. PETTERSON (K) T.McHARRY, S. HEBERLE (M) J. SONNEMANN, L. BRISBANE (W) B. HOPPER, N. CLARK 1957 (O) A. CORNELIUS, M. MAUGER (K) A. KERRIS, L. BLOOM (M) D. GLASSENBURY, J. COLTHRUP, (W) R. JONES, J. SINCLAIR 1958 (O) A. CORNELIUS, J. PRATT (K) D. DE CHAN, D, SOUTHGATE ((M) B. WALKER, M. PETHYBRIDGE (W) G. SMITH, W. ROBERTS 1959 (O) L. FRY, J. EDDEY (K) G. WATSON, M. WHITE (M) P. BRUCE & G. McINTOSH, I. VINCENT (W) B. SUTTON, B. JOB 1960 (O) F. COBHAM, M. GROSSMAN (K) G. WATSON, M. WHITE (M) J. STONE, C. KNEEBONE (W) E. CORNELIUS, B. JOB 1961 (O) F. COBHAM, E. EDGAR (K) M. KEENAN, J WHITEHEAD (M) R. STONE, E. EVERON (W) R. GOWLING, J. MURPHY 1962 (O) R. BOYD, C. TIPPETT, (K) J. KOST, J. WHITEHEAD (M) R. STONE, N. KINIBURGH (W) G. DUNSTAN, V. CROSS 1963 (O) C. SQUIRE, C. TIPPETT (K) N. MARTIN, V. ROSENGREN (M) L. SULLIVAN, B. CROCKET (W) R. McCONSHIE, B. MUNCEY 1964 (O) G. ROSSER, C. NEWTH (K) J. ALLEN, R. ALEXANDER (M) P. BRYCE, J. DAVEY (W) G. WOOD, H. STEWART 1965 (O) L. WADLEY, J. SCHULTZ (K) K. WOLFEL, R. SIMMONDS (M) R. FERGUSON, M. HEMPHILL (W) I. MITCHELL, M. STEWART 1966 (O) D. SANGER, C. CUTLER (K) G. TERRY, A. ROBINSON (M) W. WOODS, J. CANAVAN (W) R. SOUTHERN, H. STEWART 1967 (O) G. WELCH, C. CUTLER (K) P. RICKARDS, C. TIPPETT (M) K. MURRAY, J. CANAVAN (W) R. GUMLEY, S. WORLAND 1968 (O) G. WELCH, V. FURS (K) W. McGREGOR, S. TOBIAS (M) D. TIMMINS, M. GEORGE (W) J. STOLARCZYK, B. DOBSON 1969 (O) R. STONE, V. FURS (K) W. Mc GREGOR, D. BAYLISS (M) G. McINTYRE, E. CONNORS (W) R. SYMONS, M. JACKEL 1970 (O) K. BROWN, V. DEWS (K) B. FISHER, D. BULTHUIS (M) G. McINTYRE, P. MEEK (W) H. FRY, P. O'TOOLE 1971 (O) B. COOK, S. BARRY (K) B. FISHER, M. RHODES (M) I. McCORMICK, J. HARBOUND (W) H. FRY, M. MITCHELL 1972 (O) B. COOK, V. RYAN (K) L. HARTWIG, F. CLUGG (M) I. McCORMICK, J. HARBOURD (W) J. DELLICASTELLI, J. PARRISH 1973 (O) N. BRAUMAN, R. SLOAN (K) R. LUMSDEN, V. WATKINS (M) D. GRIFFITH, J. ALDERIDGE (W) S. PEAKE, S. PHILLIPS 1974 1975 (O) R. MOORE, A. DUSTIN (K) C. DALEY, G. HARTWIG (M) G. VOSS, R. ALDERIDGE (W) J. CROXFORD, L. TOWNSEND 1976 1977(O) A. GILBERT, B. ALLEN (K) I. CESA, S. ANDERSON (M) G. VOSS, K. CHAPLIN (W) T. SEYMOUR, J. HILL 1978 (O) P. PATTERSON, B. ALLEN (K) l. MABIN, S. ANDERSON (M) T. SMITH, I. HULLEY (W) D. PROSSER, J. GIBB 1979 (O) P. RUNDELL, J. FRAZER (K) J. DOIG, S. TOOHEY (M) G. PRITCHARD, S. CAMPBELL (W) R. BURNS, J. HISKINS 1980 (O) B. SCHULTZ, A. McILROY (K) M. WILLIAMS, S. TOOHEY (M) G. DELL, H. TAYLOR (W) B. ANDERSON, C. SPINK 1981 (O) J. MONCRIEF. M. FRAZER, (K) P. JORDAN, V. WHINRAY (M) R. RUSSELL, M. HUME (W) A. ELWARD, H. KNOBEL

Entry ticket for a "A century of Progress, International Exposition Chicago", "Good for one admission to Fort Dearborn or Lama Temple" - No. E529376, 1933. Colours - orange, black, blue, (dark and light) and white. Rear - light green, Front - smooth finish. Rear - corrugated finish longitudinally.On rear in ink - "Ticket we used"trams, tramways, chicago, tickets, international exposition

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - Through Wind and Wave. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope.The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928. postcards, george and edith weir, river mersey, postcards -- england (uk), weir collection

Poster - printed on semi gloss paper in two colours advertising a "Save the St Kilda Trains" meeting to be held at the St Kilda Town Hall on 15 March (1986?). Has an image of the front of a Tait Train. See also Reg Item 2659 for related material.trams, tramways, railways, closure, port melbourne, st kilda, light rail

This was one of several games in a series which focused on Regional Cities within NSW and Victoria, Australia. Their main function was to promote regions and businesses within the cities featured in each game. The gameboard is a full colour representation of each city and the players competed with each other to race to targeted destinations on the gameboard. The first player to arrive at the targeted destination bought that property and received a destination card. The first player to purchase 10 destination cards and return home safely, won the game. Cards in the game featured local businesses and landmarks. This item is significant because it was an alternate way to market the Albury- Wodonga region in the 1980s.A board game including a coloured board featuring locations in Albury - Wodonga. The board has a green background with streets and buildings in various colours. The box is half in bright yellow and features an image of family playing the game. The rest of the box features 9 images of locations in the area.On the box: This is your City Albury - Wodonga Game Limited Edition FUN FOR ALL THE FAMILYalbury - wodonga game, leisure activities albury wodonga, albury-wodonga marketing

UnknownAbstract composition of 24 circles, evenly spaced across image. In orange, yellow, brown, green, blue and white, with each alternate circle taking on aspects of the colours beside it. Set in dark blue background. Mounted in dark green matt. In wooden frame with glass glazing.Front: (no inscriptions) Back: "Eclipse 3" Neville Touzeau $40 '72 Touzeau 276 (lower right)(blue pen) Touzeau (black felt pen) Flight IV 50 Touzeau (blue pen, scribbled out in blue felt pen)

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8142.1 - Olive green long wool/nylon blend socks without packaging. 8142.2 - Olive green long wool/nylon blend socks in packaging.8142.2 - On packaging- "Shoe size Kingsize11-14." "Wool Rich Blend." "HOLEPROOF HEROES" "Help put Australia back on its feet." On reverse of packaging- "If every Australian bought just two pairs of Holeproof Heroes we could help save our wool industry and put this country back on its feet." "Made in Australia." "CARE INSTRUCTIONS. warm machine wash. Wash and dry inside out. Wash dark colours separately. Do not bleach. Warm tumble dry. Dry without delay. 60% Wool 40% Nylon." Separate sticker label- "HOLEPROOF HEROES. Summer Winter Wool."1992 barcelona olympics, sport, athletes, fashion, design, uniform

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Challenge blankets, ElectracolourFirst Time Ever!/Clan Murray Challenge Blankets/Bring You New Colours Glowing like Early Morning Sunlight/Electracolour/from New Swiss Miracle Dyes/Still with the Super Luxury of Kitten-soft Double "Perma-Nap" Finishwool, blanket, blanket fever, challenge, advertisement, australian women's weekly

In this image a woman weaves two different colours of plastic cording into a interconnecting X shaped pattern. Weaving has often been done as a commercial skill taught by blind institutes, however machine woven materials and goods have now turned this skill into a recreational one.1 black and white photograph of woman weavingrecreation, weaving

These are likely graduating students of the University of Ballarat Diploma or Advanced Diploma of Graphic Design, as two staff members -- Alister Heighway and Peter Lambeth -- are included. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 35mm mounted slides featuring TAFE design students (and staff) with their faces pressed against glass or perspex.university of ballarat, federation university australia, design, graphic design, tafe, diploma, advanced diploma, smb

Both documents relate to Oliver Foster being rejected for Military Service on the grounds of Temporary medical unfitness, one for 1943 & one 1944. Refer Cat No 4783Document, A.A.Form mob.6, off white colours, “Medical Certificates of Temporary Unfitness”. .1) All print in black, typing in black, signed in black & stamped twice in purple. .2) All print in black, hand written in blue, signed in black & stamped twice in purple..1) “Oliver Foster, Tree Lopper Rosedale Rd St Ives”, signed, “O Foster & W Brown”. .2) “Oliver Foster, Tree Lopper Rosedale Rd St Ives”, signed, “ O Foster & B.T Frankel”documents, medical unfitness

Designer book promoting graduating Graphic Design class of 1997. Accompanied by a Compact Disc (CD Rom) of student work, refer item 29163.2 for screen captures from CD Rom. Lecturer, Helmut Stenzel.Graduation book to including works by third (final) year graphic design students, 1997. Perfect bound book, pages printed on satin coated in two colours (black and silver). 4pp card cover printed black and silver external, inside covers printed full colour.university of ballarat, federation university, graphic design, ben mangan, russell kerr, luke keys, travis prices, karen grinter, rosie busuttil, peter horvat, felix lee, karl chandler, matt bowman, adam laszczuk, narelle pietsch, natasha pietsch, jenny tyquin, helmut stenzel

Photograph of a white, flat roofed building with contrasting colours around the windows, doors and sides and also along the top of the building. A white picket fence runs from either side of the hotel and a main road is in the foreground. On the reverse in biro is written: Magazine Hotel, Eaglehawk, negative, Trembath.buildings, hotel, magazine hotel, magazine hotel , eaglehawk, trembath

Circular black patch with red writing. "Military Police" top, "Sherrif's Office" in vlue writing on blue background. Steer head (middle) surounded by M P in red. Military ribbons (various colours) AFV PRO UNIT - NUI DAT SVN in red writing at bottom.Military Police. AFV PRO UNIT - NUI Dat SVNinsignia, military police, nui dat svn

Gold coloured Medal with Eagle standing on a feathyer with wings at it's side Attached to a red ribbon with white, blue and yellow stripes. Bar ribbon in same colours x two. One in material and the other in metal. Enclosed in blue case Reverse of Medal Shield and laurel leavesBlue hard case "United States of Americamedal, united states of america