These seven photographs were taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio c1970s. The two units took turns each year to host the event and on this occasion was held at the RAAF School of Radio, Laverton. The day competition usually comprised basketball, cross country, golf, sailing, squash, softball, tennis, touch football, rifle shooting, tug-of-war and volleyball. The “big bone” trophy comprising a large bone from a beast housed inside a wooden framed glass case, was awarded to the winner of the day competition. The evening competition often included darts, carpet bowls, hookey, quoits and billiards/snooker. The “little bone” (a mounted chicken bone) was the consolation trophy awarded to the winner of the evening competition. The 3-hour bus trip for the visiting unit on their return was typically very raucous. The history of the Bones Day competition is best described in the booklet titled - Bones of Contention Souvenir Program. 1965. Refer to Item 6267.These seven photographs were taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio at Laverton, Victoria c1970s. The photographs are on 35mm negative film. They are part of the Army Survey Regiment’s Collection. The photographic negatives were scanned at 96 dpi. There are additional photos taken at the time that have not been scanned. .1) - Photo, black & white, c1970s, L to R: Unknown, Heather Slater and unidentified RAAF personnel. .2) & .3) - Photo, black & white, c1970s, Bill Friswell playing snooker. .4) & .5) - Photo, black & white, c1970s, Bus trip back to Bendigo. Gordon Lowery, unidentified personnel. .6) - Photo, black & white, c1970s, Bus trip back to Bendigo. L to R: Peter Tieman (asleep), Phil Batchelder (Batchelor?), background Bill Friswell (at rear), Steve Gloster, Gordon Lowery (standing), Graham Bradtke, Andy Covington, Greg Towne, TJ Wicker, Roger Pearson (asleep), unidentified personnel. .7) - Photo, black & white, c1970s, Bus trip back to Bendigo. L to R: Peter Tieman (asleep), Phil Batchelder (Batchelor?), background Bill Friswell (at rear), Gordon Lowery (standing), Graham Bradtke, Greg Towne, TJ Wicker, Roger Pearson (asleep), unidentified personnel.1P to .7P – No personnel are identified.royal australian survey corps, army svy regt, rasvy, army survey regiment, raaf school of radio, asr, bones day

These seven photographs were taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio at Laverton in 1967. The two units took turns each year to host the event. The day competition usually comprised basketball, cricket, cross country, golf, sailing, squash, softball, tennis, touch football, rifle shooting, tug-of-war and volleyball. The “big bone” trophy comprising a large bone from a beast housed inside a wooden framed glass case, was awarded to the winner of the day competition. The evening competition often included darts, carpet bowls, hookey, quoits and billiards/snooker. The “little bone” (a mounted chicken bone) was the consolation trophy awarded to the winner of the evening competition. The 3-hour bus trip for the visiting unit on their return was typically very raucous. The history of the Bones Day competition is best described in the booklet titled - Bones of Contention Souvenir Program. 1965. Refer to Item 6267.These seven photographs were taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio at Laverton in 1967. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The black and white photographs were scanned at 300 dpi. .1) - Photo, black & white, 1967, Golf. ASR Team Back row L to R: Graeme Jeffers, CO LTCOL John Nolan, unidentified, Ace Evans. Front row L to R: unidentified (x2), Stan Vote. .2) - Photo, black & white, 1967, ASR Rifle Shooting Team Back row L to R: Ian ‘Lofty’ Turner, unidentified, Daryl Hockings CSM, Geoff Haynes, unidentified (x2). Front row L to R: unidentified (x2), unidentified UK exchange officer. .3) - Photo, black & white, 1967, ASR Tennis Team L to R: unidentified, Kalen Sargeant, unidentified, Marj Knight. .4) - Photo, black & white, 1967, ASR Squash Team – Back row L to R: unidentified (x2), Bob Williams, unidentified. Front row L to R: L.D. Clayden, Loretta Hall. .5) - Photo, black & white, 1967, ASR Cricket Team: Unidentified personnel. .6) - Photo, black & white, 1967, ASR Basketball Team Back row L to R: unidentified (x2), Gordon Lowery. Front row L to R: unidentified, John McCulloch, Ken ‘Sluggo’ Slater. .7) - Photo, black & white, 1967, ASR Tug-of-War Team Back row unidentified (x4), Tom Pattison, unidentified (x2). Front row L to R: unidentified, Ken ‘Sluggo’ Slater, unidentified (x3)..1P to .7P –No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna

These two photographs were taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio at Laverton on the 10th of November 1977. The two units took turns each year to host the event. The day competition usually comprised basketball, cricket, cross country, golf, sailing, squash, softball, tennis, touch football, rifle shooting, tug-of-war and volleyball. The “big bone” trophy comprising a large bone from a beast housed inside a wooden framed glass case, was awarded to the winner of the day competition. The evening competition often included darts, carpet bowls, hookey, quoits and billiards/snooker. The “little bone” (a mounted chicken bone) was the consolation trophy awarded to the winner of the evening competition. The 3-hour bus trip for the visiting unit on their return was typically very raucous. The history of the Bones Day competition is best described in the booklet titled - Bones of Contention Souvenir Program. 1965. Refer to Item 6267.These two photographs were taken at Bones Day, an annual sports competition between the Army Survey Regiment and the RAAF School of Radio at Laverton on the 10th of November 1977. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The black and white photographs were scanned at 300 dpi. .1) - Photo, black & white, 1977, ASR Golf Team Back row L to R: Alf Behr, Graeme Jeffers, Lloyd Binion, unidentified. Front row L to R: Ian Marner, Peter Warwick, Roy Morgan. .2) - Photo, black & white, 1977, ASR Squash Team Back row L to R: unidentified (x4), Rob John, Dennis Puniard. Middle row L to R: Kerry Brown, unidentified, Tony Spurling, unidentified. Front row L to R: Terry Danger, unidentified (x2), Lynn Johnson, unidentified..1P to .2P –No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna

Clothing. Very large, deep, linen lace collar.- Brussells Bobbin lace. Six large ''tear-drop'' shapes - 8cm long, enclose a delicate floral design. Thirteen daisy like flowers are spaced around the outer edge, along with leaves and smaller flowers. The long neck - edge is edged with a leaf - like design lace. This collar may have been worn over an evening gown with a deep back neckline.costume accessories, female, large lace collar

Demonstrates the use of the trams in the city area of Ballarat, late 1950's and their use.Black and white photograph of Ballarat 17, loading passengers at the intersection of Sturt and Lydiard St, City, late in a summer evening. Tram has the destination of Gregory St. Many passengers are or waiting to boarding. Has the Post Office in the background and Robert Burns statue. Note most of the passengers are women. Photographer unknown - see history of object. See Keith Kings, The Bendigo Tramways, re the fitting of reflective tape in 1956, page 59.In the rear in pencil - "Ballarat"trams, tramways, city, sturt st, lydiard st, tram 17

Part of a collection of objects relating to the service of Lieutenant Russell Jones, 13th Battalion. The collection gives an interesting insight into the social life of a young officer during and immediately following the end of the war. Regimental No 3350 later Lieutenant Russel Norman Jones was a 20 year old linotype operator when he enlisted in the 13th Battalion AIF 6 August 1915. He had 4 years cadet service and two years CMF prior to enlistment. He was wounded in action on two occasions and returned to Australia in September 1919 on SS Suevic. Example of community support for men serving overseas in World War 1 (1914-1918). Letter from Neutral Bay Parents' & Citizens' Association dated October 1917 to 3350 Corporal R N Jones D Company 13th Battalion AIF advising him that a parcel has been forwarded to London to be delivered to him for Xmas. The parcel was one of 100 sent by the Association following a successful fund raising "Entertainment & Gift Evening". Attached to the letter is an envelope addressed to Corporal Jones with a one penny postage stamp affixed.jones russell n, neutral bay parents' & citizens' association

Newspaper Clipping - from a newspaper titled "Off the Rails" about the derailment of tram 750, running a route 82, Moonee Ponds at Rosamond Road, Maidstone the previous evening. Cutting undated and source not known. Notes derailment was due to stones packed into the track. Photo has the Emergency Crew truck rerailing the tram. C1960. Though to be early 1960's as there are advertisements on the front of the tram. See image i2 for a photo of the tramcar record of the era.trams, tramways, derailments, accidents, rosamond rd, route 82, tram 750, w5 class

Compact Diskette with video, clear plastic case, titled "PMTT 100 year celebrations". Produced by Trevor Triplow, 20/5/2010. Features Bendigo Trusts, trams 84 and 44. Running time 82 mins. Includes sequences on testing the trams at Preston. leaving, arcing overhead, High St Northcote, Spring St Melbourne, Hawthorn Bridge and depot. Glenferrie Road, Malvern depot, the opening speeches and return to the depot in the evening.See image for DVD diskette notations.trams, tramways, pmtt, centenaries, malvern, preston workshops, bendigo, tram 84, tram 44

Eltham Gateway, 860 Main Road, Eltham Situated on a large block of approximately 1,442 sq metres, it was last sold for $1.4 million 30 Oct. 2016. The premises had been left in an abandoned state for some time and on the evening of 6 July 2021 it was attended by the CFA and 8 emergency vehicles due to a fire. Breathing apparatus was required due to hazardous smoke conditions. The building was reportedly demolished by August 2021.Tomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway

Eltham Gateway, 860 Main Road, Eltham Situated on a large block of approximately 1,442 sq metres, it was last sold for $1.4 million 30 Oct. 2016. The premises had been left in an abandoned state for some time and on the evening of 6 July 2021 it was attended by the CFA and 8 emergency vehicles due to a fire. Breathing apparatus was required due to hazardous smoke conditions. The building was reportedly demolished by August 2021.Tomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway

Clarendon PLC celebrated its 125th anniversary on 11-12 September 1993. Events included a dinner on Saturday evening at the Balanada Room, Main Road, Ballarat, a Sunday morning service in the College Chapel, Sturt Street campus and an informal luncheon in Watson Hall, Mair Street campus. These bowls were hand made by Susan Gillett (Hoskins) CPLC 1966 as gifts provided to old collegians attending the event. Three hand painted fire-kilned pottery bowls with blue and yellow decoration to border and base of bowlPainted inside bowl: C.P.L.C. 125 YEARS Inscribed on base: SUSANclarendon-presbyterian-ladies-college, 1993, 125th anniversary

Invitation/ticket and program for a screening of Sound Films made available by the Department of Information, held at St Kilda Town Hall on 12 November 1941. The films were of events in Tobruk, Bardia, Greece, Syria and Britain. Also during the evening, musical performances were provided by Amelia Scarce, J Alexander Browne, and City Organist Arnold Colman. Admission was free but donations were sought for the St Kilda Patriotic Society.Grey coloured card, folded and perforated at the fold and printed in bluecity of st kilda, wwii fund-raising, st kilda patriotic society, amelia scarce, j alexander browne, arnold colman

Pomonal Methodist Church with group of people standing out the front of the building. Photograph taken on the day the church was opened in 1935. Financial aid from the Methodes Church enabled a building to be erected using voluntary labour. The first service was held by the Methodes' on Sunday Dec. 1st. 1935. Conducted by Rev. N. G. Graham of Stawell and the evening service by Rev. G. Fisher of Ararat. This building now used by United Church.Black and white photo of a building with a large group of people kneeling & standing to the right of the building. stawell religion

Promotional poster for September 1985 Legacy Week 'A Legacy Night to Remember' concert at Melbourne Concert Hall on September 2, 1985. Photos on poster include: Australian Jazz Band, Barry Crocker, Simon Gallaher, Rolf Harris, Anne & Johnny Hawker's Band, Colleen Hewett, Jackie Love, Paul Martelle, 3rd Military District 'Redcoats'. Special guest compere - Daryl Somers. Photos of the evening are at 01412.Example of publicity material for major Legacy fundraising event during Legacy Week.White paper with blue, black and red printing, promoting a concert being held for Legacy.legacy promotion, fundraising, gala performance, concert

A group of card used to identify tomatoes. From photos of a legatee event it appears the cards were used as part of a competition at a comradeship evening. See the photos of 00489 which are of Legatees at an event holding these cards with many different types of tomatoes on the table. The event appears connected to SPC and examining different types of tomatoes. One man is dressed in a tomato costume. Names and date unknown. It could be a fundraising opportunity in conjunction with SPC.A record of social gathering of legatees with possible fundraising aspects.Thin white cardboard with various coloured borders. Eight different titles, hand written in black ink, printed in various script types. Eight different titles printed in black ink in various script. Best Cluster, Grand Champion Tomato, Biggest Tomato, Littlest Tomato, Best Decorated Tomato, Squarest Tomato, Supreme Champion, Non Tomato, most Perculiar Shaped Tomato.legatee event, comradeship

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This garment was created by Margeaux (Melbourne) which specialised in the production of "high-class cocktail and evening wear" (The Age, 17 March 1956).Knee length short sleeved grey silk and grey tulle cocktail dress with an attached outer covering of patterned lace of a lighter grey colour. The garment has the label of ‘Margeaux Regd. Imported fabric’. There is a zip at the back. There is some discoloration (due to sun damage?) to the lace at the shoulders. australian fashion - 1950s, margaux of melbourne, cocktail dresses, women's clothing

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long mauve dress of a heavy crepe like fabric incorporating floral embroidery.grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1960s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Floral jersey with matching cape and small coin pursefashion and textiles collection - kew historical society, grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three piece brown outfit comprising a long dress, a separate bodice and a belt of scarf. The outfit is made of a synthetic fabric. The long plain brown dress has been designed with a matching bodice that features a tan trim; the wide belt/scarf is striped. Brown silk purse with brass fittingsgrace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Black caftan decorated with aqua braid and matching capgrace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long plain red sleeveless dress made of a crepe like fabric. The dress has narrow strapped shoulders. Red, pink and black floral chiffon overlap. The chiffon overlap is a John Kaldor fabric.grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Multicoloured knitted long coat dress. The garment has a high round collar and full-length sleeves. It is buttoned at the front.grace james, women's clothing, dressmakers - surrey hills (vic), fashion design, fashion -- 1970s

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three-piece pink chiffon outfit, the outer sections of a different floral weave. The two outer sections are attached with buttons at the waist. The plain pink shift with a zip at the neck was created to wear underneathgrace james, women's clothing, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Multicoloured patchwork waisted dress featuring a full skirt.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long silk taffeta skirt made of patchwork silk pieces/panels with a matching silk scarf. The patchwork panels are in shades of pinks, purples and blues. The skirt is secured with clear plastic press-studs. A narrow internal border of lace is attached to the basque.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Knitted dress Long-sleeved pink, knitted wool dress with a high round neck created by the dressmaker Grace James for her daughter Ceri Spain in 1988. Acquired in 2006 Grace James Collectiongrace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

Murray Comrie Collection. Following the Armistice at the conclusion of the First World War, the residents of Tarnagulla, Newbridge, Arnold's Bridge (Arnold), Murphy's Creek and Woodstock gathered for a Peace Picnic celebration at Newbridge in July 1919. The traction engine of Calder Bros. was used to convey the Tarnagulla contingent to Newbridge on five wagons. A huge bonfire was lit at night. The picnic was declared an unqualified success, and the Tarnagulla participants returned to town at 7.30pm that evening.Monochrome photograph depicting children from Tarnagulla School on wagons pulled by Don Calder's steam traction engine, going to a Peace Celebration in 1919. Copy of an older original, Copy probably made in 1980s-90s. There were four wagons crammed with children, followed by a fifth wagon with the Tarnagulla Brass Band at full volume. The convoy travelled direct to Newbridge to the picnic ground, then home via Llanelly where they were cheered on by the Llanelly schoolchildren and residents. tarnagulla, war, military, ww1, first world war, peace, commemoration, community celebrations, school, children, calder, transport

This edition includes a report on the Progress Association's April 1971 meeting, Councillors' report, Roads report "The Age", 3/4/71, Creative playground for school, Community isolation, Personal news, The Plenty River, Thoughts on an evening stroll. Rostrum Club planned for Greensborough, Supplement to "Community News". No. 2/71. Greenhills' panorama #2. p. 10-11. A digital copy of the Newsletter is available from Greensborough Historical Society.Newsletter, 18 p., illus. greenhills and north greensborough progress association, greenhills

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Hand-woven woollen jacket with white bands interspersed with diamond patterned bands in shades of green and pink. The kneck and a band down the front uses the dark pink wool. There is a matching belt.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), woven jumpers

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Striped hand-knotted woollen cardigan in bands of different widths and colours. The front and waistband of the cardigan are knitted in black wool.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), knitted cardigans