Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three piece brown outfit comprising a long dress, a separate bodice and a belt of scarf. The outfit is made of a synthetic fabric. The long plain brown dress has been designed with a matching bodice that features a tan trim; the wide belt/scarf is striped. Brown silk purse with brass fittingsgrace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Black caftan decorated with aqua braid and matching capgrace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long plain red sleeveless dress made of a crepe like fabric. The dress has narrow strapped shoulders. Red, pink and black floral chiffon overlap. The chiffon overlap is a John Kaldor fabric.grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Multicoloured knitted long coat dress. The garment has a high round collar and full-length sleeves. It is buttoned at the front.grace james, women's clothing, dressmakers - surrey hills (vic), fashion design, fashion -- 1970s

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three-piece pink chiffon outfit, the outer sections of a different floral weave. The two outer sections are attached with buttons at the waist. The plain pink shift with a zip at the neck was created to wear underneathgrace james, women's clothing, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Multicoloured patchwork waisted dress featuring a full skirt.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long silk taffeta skirt made of patchwork silk pieces/panels with a matching silk scarf. The patchwork panels are in shades of pinks, purples and blues. The skirt is secured with clear plastic press-studs. A narrow internal border of lace is attached to the basque.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Bridesmaid frock. Full length pink crepe with (at bride's request) two floating back panels. 1973grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Full length, heavy cream crepe with tie belt and lace overcoat grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Portraits of James Partington cropped from family photograph. Charles Partington and family came to Melbourne in the 1857 and moved to Greensborough where they farmed along the Plenty River. Descendants still live in Greensborough. A pioneer Greensborough family.Digital copy of cropped sections of black and white studio photograph.james partington, charles partington

Grave of James Chapman (died 15/03/1875) and Susan Chapman (died 17/03/1895) in Plot# H6 Greensborough Cemetery. This grave has been repaired/restored by descendants of the family.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.james chapman, susan chapman, greensborough cemetery

Grave of Sarah Wiggins (died 1875), Edward Wiggins (died 13/07/1887), Frances Wiggins (died 1912) and James Wiggins (died 1916) in Plot# NM01/M02 Greensborough Cemetery.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.sarah wiggons, edward wiggins, frances wiggins, james wiggins, greensborough cemetery

Catalogue of lists of loom parts and a description sheet for the Northrop Automatic Worm Let Off Motion. "Sir James Farmer Norton & Co Ltd" - Noel P Hunt & Co Pty Ltd.Black hardcover loose leaf folder.textile machinery, noel p. hunt and co. pty ltd sir james farmer norton & co ltd british northrop loom co. limited, weaving looms, warping machinery

Marriage licence issued to James Bostock and Alicen Aitkin to be executed within a period of 3 months. It has been issued by the Bishop of Melbourne of the United Church of England and Ireland. It is signed by P Teulon Beamish who was arch Deacon in Warrnambool for many years. Three Bostock brothers married three the Aitkin sisters. James was the youngest of the Bostock family as his mother died in childbirth at his delivery. He had a keen interest in horses and worked for both Augustus and John .He died in 1919. Alice died in 1896 at the age of 53.This is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. This particular personal document shows a link between two influential families in the district at the time.Heavy cream paper with black printing and handwritten black ink inserts. Oval stamped seal in bottom right hand corner. No 2782 stamped in top right hand corner.warrnambool, bostock, aitkin, james bostock, alice aitkin, 1875,

Walter James Tame was born at Carngham in 1889, a son of John Burnham Tame and Sarah Tame née Shields. Walter married (1) Alice Hayward, in 1912, and (2) Ethel Isabel Seedsman, in 1967.Digital image of an original photograph of a partially bald man who is wearing glasses and a clerical collar.walter james tame

James Watkin (1805–86), Pioneer Missionary. James Watkin was born in Manchester in 1805. While still young he felt the call to preach and in 1830 was accepted as a candidate for the Wesleyan Ministry. In the same year he married Hannah Entwistle and they sailed with a missionary party to Tonga. The work of the mission was jeopardised by prolonged and involved struggles between Christian and non-Christian Tongan chiefs; Watkin faced alone the danger of tribal warfare, but the experience left him depressed and exhausted. On his removal with his family to Sydney in September 1837 he prayed for a return home to England. Instead, when John Jones offered a free passage for a missionary appointed to Waikouaiti, where Jones had a whaling station, Watkin was selected for the post and arrived there in May 1840. Here he established the first mission station in the South Island. Watkin found the whaling settlement of Waikouaiti a centre of violence, licentiousness, and drunken depravity. Thoroughly disliking the corrupted Maoris and convinced that they were doomed to extinction, and disgusted by the brutality and vices of his fellow Europeans, Watkin laboured without hope, in the bitterness of exile and with deepening depression and distress. In spite of an abhorrence for his situation he established schools at Waikouaiti and Matanaka, and stationed partly trained Maori teachers at Stewart Island and at Moeraki. He had a natural flair for languages, preached in Maori four months after his arrival, and compiled an elementary reading book to be printed in Ngai Tahu. In November 1840 Watkin was greatly disturbed by Bishop Pompallier's visit to Otago. When, however, this was followed by Anglican intrusion – for Bishop Selwyn visited Otago in January 1844 – Watkin thought of withdrawing his own Maori teachers and abandoning the field. Never reconciled to his position at Waikouaiti, Watkin was relieved by Charles Creed and in June 1844 he sailed for Wellington, leaving 227 church members in Otago. In 1855 Watkin settled in New South Wales, and was president of the National Methodist Conference at Adelaide in 1862. He retired in 1869 and died on 14 May 1886, at Ashfield, New South Wales. 'WATKIN, James', from An Encyclopaedia of New Zealand, edited by A. H. McLintock, originally published in 1966. Te Ara - the Encyclopedia of New Zealand URL: http://www.TeAra.govt.nz/en/1966/watkin-james (accessed 30 Apr 2018) B & W engraving from a photograph of the Rev. James Watkin.Revd. James Watkin, Australia Engraved by J. Cochran from a Photograph.

Grave of William James (Billy) Jolly (died 1/2/1945), William J Jolly (died 10/05/1997) and Adele Jolly (died 21/2/2009) in Plot# O8 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.william james jolly, billy jolly, adele jolly, greensborough cemetery

Last will and testament of James Black of Pilgrim Inn, Plenty Road, with probate documents, 1854. Preceded the unrelated Black family who leased and owned land in the Watsonia area in the late 19th and early 20th centuries.5 p. photocopies of Will and Bondjames black [plenty road]

Grave of William James (Billy) Jolly (died 1/2/1945), William J Jolly (died 10/05/1997) and Adele Jolly (died 21/2/2009) in Plot# O8 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.william james jolly, billy jolly, adele jolly, greensborough cemetery

Plaster marquette, mounted on small pedestal, of James Moore, second Catholic Bishop of Ballarat by sculptor Commons of Ballarat. Commons work is mainly evidenced in headstone work at cemeteries but this demonstrates his ability in modelling and sculpture.Dr Moore titled to front of base of bust and Commons to back.commons, james moore, bishop, ballarat, sculptor.

The Mighty Fighting Burns, a history of the Blackburn Football Club, was written by James Nicholas. The club was established in 1903.non-fictionThe Mighty Fighting Burns, a history of the Blackburn Football Club, was written by James Nicholas. The club was established in 1903.blackburn football club, nicholas james

Project: House for Mr and Mrs Robin Boyd, 290 Walsh Street South Yarra drawn by Robin Boyd of Robin Boyd, Grounds Romberg & Boyd.Working Drawing, Blueprint

Project: House for Mr and Mrs Robin Boyd, 290 Walsh Street South Yarra drawn by Robin Boyd of Robin Boyd, Grounds Romberg & Boyd.Working Drawing, Colour copy, very faded.

The Grave of James Black (died 20/07/1904), Elizabeth Black (died 27/07/1904), Mary Yeaman (died 23/04/1903) and George Yeaman (died 07/08/1924) , St Helena CemeterySt Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photographst helena cemetery, james black, elizabeth black, mary yeaman, george yeaman

St James Church, "Church of the Pioneers", was the first Church, first Anglican Church, and is the oldest building in Melbourne. The foundation stone was laid in 1839 by the Superintendent of the District of Bourke, Charles La Trobe, later Governor of the Colony of Victoria. The Church was opened in 1842 and the first Bishop Charles Perry was installed in the Cathedral in 1848 when its status changed to that of Cathedral. Its status changed back to that of a Parish church after 1891 when St Paul's Cathedral in Swanston Street was opened. St James is known as the "Church of the Pioneers" as it served as the place of worship, marriage, baptism and burial of many of the first families in the District of Bourke and the Colony of Victoria. St James Old Cathedral is of the most important historic value to the community of Victoria and to the Australian nation as the first Anglican Church founded within 4 years of the settlement of Melbourne. It represents and conserves the very earliest history of white settlement in Victoria and preserves the church associated history of the Pioneer families of Victoria in its collection of original records and artefacts. Late Neo-Georgian style stone church building with bluestone footings. Octagonal upper one storey bell tower housing eight bells supported by two storey square towers. Body of church has sloping roof and 4 stained glass ornamental windows on each of west and east sides with decorative sanctuary window to the north. Decorative Portico with columns on the north outside elevation. National Trust Commemorative plate on outside wall to right of east entry door.

This envelope was used to post a letter or other similar document from Bacchus Marsh in Victoria around November 1861 to a Mr James Henderson in Coldstream, Northumberland, England. The contents inside the envelope have been lost and the sender of the envelope is not known. Postal services in Bacchus Marsh can be traced back to at least 1847 when Henry James of Bacchus Marsh was appointed postmaster for Bacchus Marsh replacing the service previously conducted from Ballan. Henry James conducted this postal service from his residence. This service was still designated as the Ballan Post Office until September 1850 when its name was formally changed to the Bacchus Marsh Post Office. The envelope of 1861 addressed to Mr Henderson in England is therefore a fairly early documentary artifact from users of the Bacchus Marsh postal service. An envelope used for a letter in 1861. An address in Norththumberland, England is written on the front of the envelope. It also shows a postage stamp depicting Queen Victoria of Great Britain. The postage stamp is a sixpence stamp produced in the colony of Victoria in the 1850s and 1860s. On the reverse of the envelope are 3 circular shaped post office marks: 'Bacchus Marsh Victoria No.25 1861'; 'Melbourne 1 Z No.25 61'; and 'Coldstream JA22 62'.envelopes, postal services, bacchus marsh post office

This model of the Robin Boyd-designed Featherston house in Ivanhoe, Victoria commissioned by Grant and Mary Featherston (1967). This model was created for the House of Ideas exhibition, made by a University of Melbourne, Melbourne School of Design, Masters student.Model of Robin Boyd-designed Featherston house.robin boyd

This small booklet is the transcript of the annual McKay Memorial Oration, given at Murdock House, Wangaratta on the 21st November 1980 by Dr. James Hamlyn Willis D.Sc. - Retired Deputy Director of Royal Botanic Gardens South Yarra 21st November 1980.The subject of the Oration was "Baron Von Mueller and other Pioneer Botanists of the North East" (of Victoria). This included the Kiewa Valley and surrounding mountains.Small yellow booklet of 12 pagesName written on cover: C. Roper. Also: $1botanists, dr. james hamlyn willis, wangaratta oration 1980