Showing 3528 items
matching male
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Canterbury History Group
Photograph - Street view of the mail boxes at Canterbury Post Office from the Maling Road side, Stuart Warmington, 1995
Coloured photograph of street view of the mail boxes at Canterbury Post Office from the Maling Road sidecanterbury, maling road, shops -
Canterbury History Group
Photograph - Street view of the Telephone Exchange next to Canterbury Post Office from Maling Road, Stuart Warmington, 1995
Coloured photograph of street view of the Telephone Exchange next to Canterbury Post Office from Maling Roadcanterbury, maling road, shops, public telephone boxes -
Canterbury History Group
Photograph - Street view of the shop No.117 Maling Road, Canterbury, Stuart Warmington, 1995
Coloured photograph of Street view of the shop No.117 Maling Road, Canterbury. The original entrance to the Canterbury Theatrecanterbury, maling road, shops, theatres -
Canterbury History Group
Photograph - Photograph of the bronze plaque for the Canterbury Road and Maling Road junction, Jan Pigot, 2004
Coloured photograph of the bronze plaque for the Canterbury Road and Maling Road junction. There are 2 copies of this photograph in the pocket.canterbury, maling road, shops, signs, plaques -
Canterbury History Group
Photograph - MMBW plan of station area c1910, c1910
Copy of the MMBW plan of the Canterbury Station area, shows a triangular section bounded by Canterbury and Maling Roadscanterbury, canterbury road, maling road, canterbury station, mmbw -
Canterbury History Group
Photograph - Bradshaw's Garage, 1969
Building Maling Service Station (Bradshaws), from east looking west. 1969. black and white photographcanterbury, maling road, d.h.bradshaw auto service pty ltd, petrol stations, fish shops -
Canterbury History Group
Photograph - Mr. Hel in his shop, Jan Pigot, 27/03/1993 12:00:00 AM
Coloured photograph of Mr. Hel, antique restorer, working in his furniture shop at 122 Maling Roadcanterbury, maling road, shops, hel family, tools -
Canterbury History Group
Photograph - Display board of jewellery made by Daniel Jenkins in shop No. 116 Maling Road, Jan Pigot, 27/03/1993 12:00:00 AM
View of display board of jewellery made by Daniel Jenkins for Milton's Jewellery shop No. 116 Maling Road.canterbury, maling road, shops, jewellery, jenkins> daniel -
Canterbury History Group
Photograph - Close up view of Wunderlite ceiling at No. 104 Maling Road, Jan Pigot, 27/03/1993 12:00:00 AM
Coloured photograph of a close up view of the pressed tin design on the Wunderlite ceiling at No. 104 Maling Road.canterbury, maling road, shops -
Canterbury History Group
Photograph - Grace D'Annibale, pharmacist in her pharmacy shop at No 94 Maling Road, Jan Pigot, 27/03/1993 12:00:00 AM
Coloured photograph of pharmacist, Grace D'Annibale with a motat and pestle at the counter of her pharmacy shop in Maling Roadcanterbury, maling road, shops, d'annibale family -
Canterbury History Group
Photograph - Corner view of shops south east facing shop at Maling Road and Bryson Street, Jan Pigot, 27/03/1993 12:00:00 AM
Coloured photograph of the south eastern facing corner of Maling Road and Bryson Street shops entitled The Blockcanterbury, maling road, shops, telegraph poles, victorian architecture, trees -
Clunes Museum
Photograph - CENTRAL C.L.BRITTEN GARAGE
BLACK AND WHITE PHOTOGRAPH OF PEOPLE STANDING IN THE STREET IN FRONT OF THE CENTRAL C.L. BRITTEN GARAGE IN FRASER STREET. A PETROL PUMP IN FRONT OF THE GARAGE. THE PHOTOGRAPH IS CA 1950ON BACK IN PENCIL: JUNE WATTS, GEORGE COON, NELLIE COON (YOUNG GIRL) MARLENE COON VALDA COON (WITH HEAD SCARF) UNKNOWN MALEjune watts, george coon, nellie coon, marlene coon, valda coon -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Kitchen Equipment, meat platter 'CETEM WARE', c1930
The Maling Pottery of Newcastle upon Tyne, England, was in production from 1762 to 1963. In its heyday it claimed to be the biggest pottery in the world. The first Maling pottery was established at North Hylton, near Sunderland, in 1762 by William Maling. William’s descendants who moved to the Newcastle area and built a succession of larger works. The last of these – the Ford B pottery – was begun in 1878 and occupied a 14 acre site... Maling’s stock in trade was everyday white ware – marmalade jars for Keillers and Coopers, crockery for railways, shipping lines and hotels, and a huge variety of domestic kitchenware. With a significant export trade in the 1920s they had showrooms in Australia, New Zealand and Denmark. Mary Ford, daughter of an Edinburgh glass manufacturer, married Christopher Maling. Christopher Thompson Maling’s initials form one of the company’s early factory marks – the letters CTM inscribed vertically inside a triangle. The Maling name (which had first appeared with the castle mark in the 1920s) and extended to the trade name “Cetem Ware” when the company adopted its well known trademark of a castle in the early years of this century. The “Cetem” name continued to be used into the 1930s. the Maling name continued to be used as a trademark until the factory finally closed in 1963 The outbreak of World War 11 in 1939 marked the beginning of a long decline. Many of the factory’s workers were called up for military service, and wartime restrictions prevented decorative ware being produced for the home market.A larger oval china platter with blue garland around the rim ‘ CETEM WARE’ EMPIRE c1930 On base ; CETEM WARE / over a Castle / EMPIRE / Rd No 519757 china, pottery, cetem ware, maling pottery co ltd., maling william, maling christopher thompson, ford mary, newcastle upon tyne uk, crockery, north hylton sunderland uk, moorabbin, bentleigh, market gardeners, early settlers, cheltenham, world war 11 1939-45, cooking -
Ararat & District Historical Society (operating the Langi Morgala Museum)
Photograph
Black and white photograph showing a group of children in front of an old building. An adult male is standing to the right of the group. Girls in the photo are wearing light coloured pinafores over dark, long dresses. Males are wearing suits and ties. The building is weatherboard and has two windows.Handwritten in blue ink on the rear of the photo is "This old building was in Ingor St (near High St) where the ESSO station now is. -
Bendigo Historical Society Inc.
Photograph - BENNETT'S ARCADE: BENDIGO, 1955
black and white photograph. Bendigo Arcade ( Bennetrt's Arcade ) south end looking south. 2 adult males centre foreground, small boy at left, girl at right wearing coat. 1 male carrying Gladstone bag. On back '55' Bendigo Arcade, A. DoneyA. Doneyplace, arcade, bendigo -
Kiewa Valley Historical Society
Pouch Tobacco, unknown, circa 1900s
These type of tobacco pouches were used mostly by the outdoor/outback type of male. They were a product of an earlier period in time when males in the outback were considered "red back" adventurers. This pouch is more of a statement than a useful tobacco pouch. It comes from a younger time in bush folk law when the outback appearances was in fashion and before the "new age" male emerged(circa early 1900s).This tobacco pouch was admired in the outback scene and spoke of adventure and "the wild". It was a time when travel in the outback was, in the top end of Australia especially, considered unsafe and "frontier" type adventure filled environment. It was a time when colloquially speaking 'men were men', in other words tough and resourceful, and could tackle anything. This attitude was more so in isolated country areas such as in the Kiewa Valley before "the sensitive new age" male evolved. The pouch presents the early presentation of the outback male as rugged, independent and resourceful. The Kiewa Valley and the tobacco fields, especially during the construction stages of the Hydro Electricity Scheme, was the right environment for such a display.This tobacco pouch is the bottom or main containment pouch for rubbed tobacco leaf to be smoked either as "roll your own" cigarettes or in a pipe. The pouch is of crocodile skin and is light brown on one side and darker brown on the other. The pocket is fashioned with the top section curved to allow fingers to remove the top cover, see KVHS 0059(2). The pocket has fine, but strong stitching holding the bottom and sides together. It is made of relatively medium thick hide and the crocodile markings are both outside and inside. See KVHS 00059(2) for insert pouchThe markings are crocodile in shape.loose tobacco, pipe smoking, rural smoking, red neck workers. -
Kiewa Valley Historical Society
Pouch Tobacco, unknown, mid 1900s
These type of tobacco pouches were used mostly by the outdoor/outback type of male. They were a product of an earlier period in time when males in the outback were considered "red back" adventurers. This pouch is more of a statement than a useful tobacco pouch. It comes from a younger time in bush folk law when the outback appearances was in fashion and before the "new age" male emerged(circa early 1900s).This tobacco pouch was admired in the outback scene and spoke of adventure and "the wild". It was a time when travel in the outback was, in the top end of Australia especially, considered unsafe and "frontier" type adventure filled environment. It was a time when colloquially speaking 'men were men', in other words tough and resourceful, and could tackle anything. This attitude was more so in isolated country areas such as in the Kiewa Valley before "the sensitive new age" male was evolved. The pouch presents the early presentation of the outback male as rugged, independent and resourceful. The Kiewa Valley and the tobacco fields, especially during the construction stages of the Hydro Electricity Scheme, was the right environment for such a display.This tobacco pouch is the bottom or main containment pouch for rubbed tobacco leaf to be smoked either as "roll you own" cigarettes or in a pipe. The pouch is of crocodile skin and is light brown on one side and darker brown on the other. The pocket is fashioned with the top section curved to allow fingers to remove the top cover, see KVHS 0059(2). The pocket has fine , but strong stitching holding the bottom and sides together. It is made of relatively medium thick hide and the crocodile markings are both outside and inside. See KVHS 00059(01) for main pouchCrocodile markings (not hand made)loose tobacco, pipe smoking, rural smoking, rural red neck workers., tobacco -
Stawell Historical Society Inc
Photograph, Gardiner Family -- Possibly
Portrait Two Males (possibly Gardiner Family)stawell -
Stawell Historical Society Inc
Photograph, Group of Males at the Stawell Town Hall 1940
Group of Males town hall Stawell 1940stawell -
Stawell Historical Society Inc
Photograph, Group of Males at Town Hall probably 1899
Group of Males at Town Hall probably 1899stawell -
Stawell Historical Society Inc
Photograph, Stawell Amateur Athletic Club Group of Named males
Amateur Athletic Club Group of Named malesstawell -
Stawell Historical Society Inc
Photograph, "Glisson" Family from Great Western
Glisson family Great Western. Portrait of male.stawell -
Stawell Historical Society Inc
Photograph, "Glisson" Family from Great Western
Glisson family Great Western. Portrait of male.stawell -
Stawell Historical Society Inc
Photograph, One female and three males -- Studio Portrait
Studio Portrait of One female and three males.stawell -
Kew Historical Society Inc
Booklet, Herbert Chambers, SP Bookie's Record Book, pre 1966
Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenn’th [sic] Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by Bailey as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.Small notebook, of which the cover is lost, including the names of male and female staff members at the Kew Mental Hospital, the amounts that they gambled and their winnings. It is presumed that the record was kept by Herbert Joseph Chambers, a member of staff between c.1945-70. The names in the book, including some of their aliases are arranged alphabetically. The prices are listed in pre-decimal currency, (i.e. before 1966). From the number of names listed in the book, it must have been a very extensive SP betting ring. herbert joseph chambers, kew mental hospital, gambling - kew (vic) -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: PHOTO'S
Newspaper photos, 2 on A3 sheet. Top photo Grade 5-6 1960. Four rows of students, male teacher on LH side. Bottom photo Rural 1, 1962, Three rows of students, male teacher behind. Images mounted on purple card, laminated.education, primary, golden square laurel st p.s. -
Orbost & District Historical Society
black and white photograph, 1912
This photograph is of Mr J.W. Lynn riding over the jumps. In the background ids the first motor car in Orbost - 19132. The first meeting to form an Agricultural society in Orbost was convened by the then Orbost Progress Association and held in the Mechanics Hall on Saturday, 10th October 1891. Its first show was held on 3rd March 1904...on a site alongside the Bonang Road where the present Golf Club stands. It is currently held at the Recreation Reserve at Newmerella. (Ref: In Times Gone By-Deborah Hall) Equestrian events have always been an integral part of the show. This item is associated with the Orbost Agricultural Society 's Annual Show which has been a major event in Orbost for over a century. Agricultural shows are an important part of cultural life in small country towns and the Orbost Show is an integral part of Orbost 's agricultural history. Horse riding as a recreational and sporting activity has always played a significant role in the social history of Orbost.A faded black /white photograph of a rider and horse jumping over a fence. People are watching. It appears to be a male rider.on front at bottom - " 1912 Orbost Show" on back - "1st motor car - G. Nixon, Orbost Show J. W. Lynn riding over jumps"equestrian orbost-show recreation -
Victoria Police Museum
Photograph (Graduation July 1941)
Gwendoline Mudford was born in Flemington on 11 April 1914 and was appointed to the Police Depot for training on 11 February 1941. Her Record of Conduct of Service describes her as being 5'5" tall and weighing 9st 10lb, with brown eyes, light brown hair and medium complexion. Despite showing great promise of being a successful police woman she was forced to resign on 3 September 1941 due to her impending marriage. Graduation class of July 1941 showing Gwendoline Mudford, centre, as the only woman amongst a group of male graduates'The Terrible Fifty Two Squad 1941 July 1941' (pencil under image)police women, mudford, gwendoline 9575, police woman, policewomen, policewoman -
Bright & District Historical Society operating the Bright Museum
Photograph, Wandiligong Band sepia, Wandiligong Band, 1929
Photograph taken at the time of the Back to Bright Celebrations 1929-1930. Unveiling of the Clock Tower in Mafeking Square,Bright, as a memorial to the fallen of the Boer War and World War 1. One of the tubas in the photograph is included in the Bright Historical Society collection.External photograph of the Wandiligong Brass Band. Backdrop of large tree. 22 male members with their instruments, no drums shown.Reverse of the photograph: Top Row J Stephens, A Simmonds L.Bennett F Matthews B Stephens N.Williams A.Smith/2nd. A Watters M Matthews S Stephens W Stephens G Chalwell B.Gribble R.Goldsworthy. R B Stephens/Front. W.Williams H Williams C.Williams T.Williams A.Williams L.Williams S.Smith/ Back to Bright. 1929 -1930 R Goldsworthy photograph, brass band, wandiligong, back to bright, 1929 1930, r goldsworthy, musical instruments -
Federation University Historical Collection
Equipment - Tripod, Surveying Instrument, early 1900s
Tripod with 3.5 cm male thread tiltable mount (to suit Level CS - 147, 4110.) Wooden legs.surveying, tripod