Showing 1126 items
matching older people
-
Stawell Historical Society Inc
Photograph, Weights and Measures ( former shire of Stawell)
Opening of Weights and Measures display in old court houseColour Photograph of four People two fare lef Male and Female, One Male Centre cutting ribbon, one female right -
Stawell Historical Society Inc
Photograph, Weights and Measures ( former shire of Stawell)
Weights and Measures Colour photograph of a large group of seated people in a room with display casesweights and measures, old court house -
Stawell Historical Society Inc
Photograph, Weights and Mesures
Colour photgraph of a group of Seated people at the opening of the Weights and Measures Displayweights and measures, old court house -
Stawell Historical Society Inc
Photograph, Old Adelaide Road - Roses Gap, 29/04/1997
... road sign. 1 Large group of people outside. Old Adelaide Road ...2 Colour Photographs; 1 Showing Old Adelaide road sign. 1 Large group of people outside.roses gap -
Stawell Historical Society Inc
Photograph, Baptist Church members at a Picnic c.1930s - 2 photos plus earlier photo
Baptist Church members Picnic Groups (3 photos) Probably Halls Gap. Group probably beside Baptist Church c. 1900sThree black & white photos depicting groups of people. Two are the same and one of older period. One photo is of 12 women seated in front of a stone building. The earlier photo in a circular frame is of 9 people in a group in front of a brick building.stawell -
Stawell Historical Society Inc
Photograph, Salvation Army Barracks in Main Street
Salvation Army Barracks Main Street Stawell. Weatherboard building part roof corrugated iron - remainder wooden shingles. Picket fence in foreground. Large group of people standing and seated on the footpath. The original Salvation Army Barracks is now at the rear of the present Citadel a red brick building. Stawell Corps was opened in the year 1884 in the month of May. The first meeting was conducted in a Church but afterwards the old market (area present Library) was secured for meetings. Captain Furbur and Lieutenant Quick were the first officers appointed. Photograph of a weatherboard building with a group of people standing and sitting in front of a picket fence. Part of the roof of the building is corrugated iron - remainder wooden shingles. The group of people standing and seated on the footpath, are a mixture of adults and children, some in uniforms, women in long dresses. Salvation army Barracks above the building door. Written in handwriting Stawell Barracks Mrs. R.J. Reeve.stawell religion -
Stawell Historical Society Inc
Book, Diane Western et al, Lost Schools of the Pyrenees - Previously Cat No 3625, 2009
contains information about old schools in the Pyrenees.Cardboard cover with b/w/ Photo of a large group of people outside in front of a timber building with trees behind.Title on brown background. " Lost schools of the Pyrenees"stawell education -
Stawell Historical Society Inc
Photograph, Pioneers’ Memorial on Big Hill -- 3 Photos
Three black and white photos of Pioneers Memorial Stawell. The larger of the 4 photos is a Post card and taken earlier than the other 3 photos as there is a plastic milk crate over the area where the direction indicator was later placed. This photo also has "Chapman photo Stawell" stamped on the print. Two of the smaller photos show the Pioneer Memorial at a distance with people standing between the memorial and a bus parked to the left of the photograph. One of these two photos has a white seat on the right side. The fourth photo has "Murray View No. 8 Pioneers' Memorial, Stawell Vic". printed on the photograph of the Pioneers' Memorial. Each of the these 3 smaller photos have the direction indicator under the dome.Three black and white photos of Pioneers Memorial Stawell. The larger of the 3 photos is a Post card taken earlier than the other 2 photos as there is a plastic milk crate over the area where the direction indicator was later placed. This photo also has "Chapman photo Stawell" stamped on the print. Two of the smaller photos show the Pioneers' Memorial at a distance with people standing between the memorial and a bus parked to the left in the photograph. One of these two photos has a white seat on the right side. Each of the 2 smaller photos have the direction indicator under the dome.Chapman Photo Stawell (right bottom corner). Post Card printed on the back and also a stamp "Stawell district - Pioneer's Memorial - written inside the stamp is "Every blade of grass that grows And mullock heap and tree, Speak of Old days, the Good days, And times that used to be"stawell -
Stawell Historical Society Inc
Book, Ruth Pickering, Glenorchy Uniting Church Compilied by Ruth Pickering, 1998
A Small book containing some memories of the People of the congregations of the Glenorchy Uniting Church. Churches of the Glenorchy Home Mission circuit.A Small book - Cream Cover. a Photograph of the Glenorchy Church on front cover. An older Photograph on back cover.Glenorchy Uniting Church. Some Memories of the people And the Churches of the Glenorchy Home Mission Circuit. Compiled by Ruth Pickering.stawell religion, uniting church -
Stawell Historical Society Inc
Photograph, Old Adelaide Road - Roses Gap, 29/04/1997
... road sign. 1 Large group of people outside. Old Adelaide Road ...2 Colour Photographs; 1 Showing Old Adelaide road sign. 1 Large group of people outside.roses gap -
Stawell Historical Society Inc
Photograph, Navarre Inn & Store from the Stawell Newspaper 1997
B/W copy from Stawell Newspaper 23/5/1997 of Hotel & Store with group of people at front. Owned by T BibbyThe Old Navarre Inn which burned down 105 years ago. Was alongside the general store. L - R: Richard (Dick) Bibby with horse; Septimus on Horse; Peter; Ann on horse; Joseph; Thomas & Elizabeth Bibby; Youngest daughter Ruth in front; Girl to right unidentified Not a Bibby.hotel -
Slovenian Association Melbourne
35th Anniversary badge, Slovenian Association Melbourne 35th Anniversary badge - Linden leaf, 1989
Slovenian Association Melbourne - 35th Anniversary badge in the shape of a Linden leaf, an old Slovenian symbolic tree. The linden tree is a tree of friendship, love and loyalty. During the period of the Slovenian national awakening and the Slovenian people's increasing national awareness, the linden tree became one of the symbols of the Slovenian nation.Slovensko društvo Melbourne 35 - 1954 - 1989 Slovenian Associationbadge, slovenian association melbourne, 35th anniversary, linden leaf -
Malmsbury Historical Society
Photograph (Item), "Boundy Family Tree With Photos, Framed", Malmsbury B/W Older Women Portrait, Malmsbury
People - Boundy Family Buildings - Birthday Villa Associated with - Boundy Family -
Malmsbury Historical Society
Photograph (Item), Old C Of E Sunday School, Malmsbury c1970
People - "Young, Betty" Buildings - "Malmsbury S/School, Drummond C Of E." Associated with - Anglican Church -
Malmsbury Historical Society
Photograph (Item), Old 2-Storey P.O. Mollison St., Malmsbury ca1970
People - "Young, Betty" Buildings - "Shops,Post Office" Associated with - "The Age,Escort Cigarettes" -
Malmsbury Historical Society
Photograph (Item), Old 2 Storey Post Office Mollison St Malmsbury, Malmsbury c1930s
People - "Ellis Family, Townsend Family" Buildings - "Post Office, Store" -
Malmsbury Historical Society
Photograph (Item), "Old Ellis' Coliban Flour Mill, Malmsbury C1910", Malmsbury c1910
People - "Ellis, Jack; Ellis, Max" Buildings - Coliban Flour Mill Associated with - Ellis' Coliban Flour Mill -
Malmsbury Historical Society
Photograph (Item), "Old Shop 61 Piper St Kyneton, Oldd Kimm Family Shop", Malmsbury 2010
People - James Kimm Or Ah Kim Buildings - Shop Piper Street Kyneton -
Malmsbury Historical Society
Photograph (Item), Old Stone Windmill At Windmill Farm Near Malmsbury, Malmsbury c1/1/1960
People - "Webster, J J" Buildings - Windmill Associated with - "Herald Sun, Herald Weekly Times" -
Malmsbury Historical Society
Photograph (Item), Old Two Storey Bank Of Nsw Malmsbury Ca913 By Ernest Boddy, Malmsbury ca1913
People - "Boddy, Ernest; Wilkinson, Helen" Buildings - Bank Associated with - Bank Of Nsw -
Malmsbury Historical Society
Photograph (Item), Mr W Walton Of Malmsbury Old Boys Association From Souvenir, Malmsbury ca1927
People - "Walton, Mr W" Associated with - Old Boys Association -
National Wool Museum
Functional object - Floorboards, 1994
Two short sections of flooring cut for distribution during Deakin Universities ‘Open Day’ in December 1994. This was during the conversion of Dalgety Wool Store to Deakin University’s Woolstore Campus. These small pieces of timber are part of Geelong’s history and were salvaged from the Dalgety Woolstores during the renovations. Hundred of meters of ironbark, red gum, pine and other timbers, some more than a century old, were reclaimed from the site and have been recycled as furniture and featured building materials for the woolstore campus. The old brick stores, located on a formerly neglected section of the Corio Bay shoreline, now house the administration and chancellery, architecture and building schools, information technology services, the student union, a cafeteria and, as the focal facility, a Great Hall seating 1500 people and acoustically tuned for symphony orchestras. The refit was developed from the existing grid of substantial timber columns and beams extending over 52,000 square metres. This framework was filled with lightweight panels to enclose workplaces and removed in some parts to establish courtyards, atriums and streets. The brick facades were redefined with new doors and double-glazed windows in proportion to original fenestration. Bright colours and industrial finishes identify the new insertions.Square sections of redgum lumber cut into floorboards. The sides of the lumber have a grove cut on one side and a matching section to fit within this groove on the other side. This has been done to ensure the floorboards have a tight and consistent fit with one another. The bottom of the lumber also has an additional grove running through the middle of the redgum. On top, one of the sections of lumber has three nail holes, which travel all the way through to the bottom of the wood.deakin university, dalgety wool store, red gum -
National Wool Museum
Print, Chris McClelland, Shearing the Rams – Tuppal Station, 210
Chris was invited to be artist in resident for the historic re-enactment of “Shearing the Rams” at the North Tuppal Station woolshed held on the 4th and 5th June 2010. The celebration attracted record crowds to witness the shearing of the station rams by 72 blade shearers. Over a single weekend in 2010, thousands of people queued for hours to see a piece of Australian history recreated at North Tuppal Station near Tocumwal, NSW. In 1900, Francis Faulkner invested a staggering £4000 to extend his shearing shed on Tuppal Station, making it the biggest in the country. Over the next decade more than three million sheep trod its pine boards and were shorn in its 72 stands. After years of drought and the Great Depression, the property fell into disrepair and the station was split up. When North Tuppal Station was sold to the Atkinson family in 1928, just five of the 72 stands were in operation. In 2010, Sport Shear Australia approached the Atkinson family about holding an event in the historic shearing shed to raise money for a team of Australian shearers to go to the world shearing title in Wales. An army of volunteers restored the T-shaped shed and yards and organised a weekend of events. Over two days, 6,000 sheep were shorn and all 72 stands of the restored North Tuppal shed were brought back to life. A total of 117 shearers shared the boards with 90 wool handlers who skirted 19 fleeces every minute. For a period on each day of this historic weekend, the machines were then silenced, and 72 shearers picked up their old blade shears to recreate past shearing methods. “When they fired up and got the blades out there was deathly silence on the board - you could hear a pin drop because normal shearing you have all the machines and it is quite noisy. Here you could just hear the click, like in the song Click Go the Shears Boys. People had tears in their eyes. It was quite an emotional thing to see that and very proud to be here.” George Falkiner, grandson of Francis FalkinerColoured framed print of shearing scene in the Tuppal station, Ferrrier’s wool press on the left-hand side and station on the top. Print in framed in a light-coloured wooden frame with white coloured matte.Under artwork - In 1891 Tuppal Station, a sum of 176,000 acres threshold, was bought by Mr Fiane Sadlies Falkines, Under the management of his eldest son F.B.S. Falkines, the 72 stand woolshed was build in 1900 and powered by a 16 horsepower steam engine. Sheep were pure Boonoke blood and the average numbers of sheep shorn over nineteen years to 1909 was 152,780. Around 7200 sheep could be shorn daily. The largest clip totalled 3326 baled of greasy and scoured wool and was sold in London. Bottom right corner - Chris McClelland 181/720 Shearing The Rams – Tuppal Station -
National Wool Museum
Sculpture - Bollard, Jan Mitchell, The Lost Bollards, 1999
Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1958
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Pure wool, cuddly and warm (boy asleep with lamb) New fashion colours…Old fashioned values…./Pure Wool quality for a lifetime of healthy warmth/Onkaparinga 100% Pure Wool Blankets/Best in Australia, Best in the World!blanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
Malmsbury Historical Society
Photograph (Item), "Parade At Malmsbury C1990, Old Cfa Shed", Malmsbury c1990
People - "Dettman, Val; Morgan, Bert?" Buildings - Cfa Shed Associated with - "Mhs, Cfa" -
Malmsbury Historical Society
Photograph (Item), B/W Alf Bates & Bert Morgan At Old Water Trough, Malmsbury ca1991
People - "Castle, R; Slimmon, B; Manktelow, D" Buildings - Water Trough Associated with - M.H.S.Leader Newspaper (Macedon Ranges) H/Week -
Malmsbury Historical Society
Photograph (Item), Patterson Street Malmsbury, Malmsbury ca1990
Buildings - "Old G/Store,House (Clark's Butchers)" People - "Brereton (Main), Mabel" -
Malmsbury Historical Society
Photograph (Item), Old Bedford Truck, Malmsbury ca1990
... -ranges Associated with - M.H.S. People - "Slimmon, Barb" Old ...Associated with - M.H.S. People - "Slimmon, Barb" -
Malmsbury Historical Society
Photograph (Item), Old Bedford Truck, Malmsbury ca1990
... -ranges Associated with - M.H.S. Buildings - Bedford Truck People ...Associated with - M.H.S. Buildings - Bedford Truck People - "Slimmon, Barb"