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![Painting - Artwork, [Well]](/media/collectors/530576742162ef0fa09a2288/items/58ff1a3bd0ce2f1864fd2575/item-media/58ff1a56d0ce2f1864fd2eaf/item-fit-380x285.jpg)
Federation University Art CollectionPainting - Artwork, [Well]
Framed painting of a well.artwork, well, horsham campus art collection -
![Painting - Artwork - Painting, [Pink Flowers]](/media/collectors/530576742162ef0fa09a2288/items/58ff1b26d0ce32186466ff18/item-media/58ff1b74d0ce321864670fc8/item-fit-380x285.jpg)
Federation University Art CollectionPainting - Artwork - Painting, [Pink Flowers]
If you can provide information on this artist or artwork please use the link below.Painting of pink flowerspainting, flora, flowers, horsham campus art collection, multz -
Federation University Art CollectionPainting, Richard Lowe, Peppers I, 1977
Moonyean McNEILAGE (1935- ) Born Melbourne A watercolour painter, printmaker (lithographer) and freelance book illustrator who worked with ArthurBoyd at Murumbeena between 1955 and 1958.Framed painting of capsicums.LL Peppers Dr I LR Moonyean McNeilage 77peppers, capsicum, vegetables, moonyean mcneilage -
Federation University Art CollectionPainting, [Abstract]
An abstract painting on canvas.horsham student collection, abstract, available -
Pyrenees Shire CouncilPainting, Philip Adams, Scrubby Fields, c2011
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culturelandscape painting with collageSigned: ADAMS (lower right) Verso: SCRUBY FIELDS PHILIP ADAMS COLLAGE, ACRYLIC, OIL Verso (affixed): Beaufort Agricultural Society 136th Annual Show 20 November 2011 Pyrenees Shire 25th Annual Acquisitive Art Award Awarded to: Philip Adams Value: $750 -
Pyrenees Shire Councilpainting, Barbara Safstrom, Beaufort - from the College by Barbara Safstrom, 1988
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture townscape painting in watercolourSigned: Barbara Safstrom (lower left) Verso: BARBARA SAFSTROM 'LAYTON' LINTON 3360 WATERCOLOUR $400 -
Pyrenees Shire Councilpainting, Sue Jarvis, Hillside Winter by Sue Jarvis, 1991
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of a homestead"signed: JARVIS (lower left) verso (affixed): HILLSIDE, Winter (Beaufort) 1991 Sue Jarvis, Artist Ripponshire Art Award 1991" -
Pyrenees Shire Councilpainting, Melville Robinson, Pyrenees Landscape by Melville Robinson, 1998
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture acrylic painting of landscapeSigned: Melville R (lower right) -
Pyrenees Shire Councilpainting, Afternoon Lake Goldsmith by John Burrack, 1884
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture landscape with water painting "signed: John Burrack '84 (lower left) verso: Afternoon Lake Goldsmith John Burrack Mernda '84" -
Pyrenees Shire Councilpainting, Market Day by Brian Magree
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of the Beaufort Marketsigned: B Magree (lower right) inscribed: MARKET DAY (lower centre) -
Pyrenees Shire Councilpainting, Heather Featherson, Hay Bales and view of the Grampians by Heather Featherson, 2005
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a hay fieldsigned: HDF (lower right) -
Pyrenees Shire Councilpainting, Sue Jarvis, Old Farm Chute Victoria (near Beaufort) by Sue Jarvis, 1997
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a country scenesigned: JARVIS (lower right) -
Pyrenees Shire Councilpainting, Philip Adams, Kata Tjuta in Morning Light by Philip Adams, 2001
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of Kata TjutaSigned: Adams (lower left) -
Pyrenees Shire Councilpainting, Philip Adams, Tree Fern and Trunks by Philip Adams, 1993
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a bush sceneSigned: Adams (lower left) -
Pyrenees Shire Councilpainting, Maggie Barnes-Oaks, Longest Lunch by Maggie Barnes-Oaks
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of people at a tableVerso: Longest lunch Maggie Barnes-Oaks 'Maggie M' -
Pyrenees Shire Councilpainting, Nick Dridan, Evening Bush, 2018
significant to the Pyrenees Shire and Lexton communitypainting of trees in landscape signed lower right: DRIDAN 18 -
Bass Coast Shire Council - Robert Smith CollectionArtwork, other - Players of Roebourne Reserve 1980's, John Murray Wilson
Mixed media painting Inscriptions explanation on reverse -
Merri-bek City CouncilPainting - Oil on linen, Kirrily Hammond, Lygon Street South, Brunswick East, 2012
Framed oil paintingSigned on verso -
Federation University Art CollectionPainting - Artwork, 'Seated Figure' by J.S. Jarvis
Framed painting of a nudeartist, artwork, jarvis, nude, j.s. jarvis, aavailable -
Warrnambool and District Historical Society Inc.Ledger, Alex Black Painter & Decorator 1908-1918, Circa 1908
Alexander Black was a painter and decorator who operated a business in Timor St below Swinton’s. This ledger shows the items typically sold by the painting and decorating trade as well as names of local people and businesses such as T Redford, PJ McGennan, Smith Bakery, Sheldrick Brewery, and Co, Mr. Plowright and Victorian Railways and Gas works.This ledger provides a snapshot of daily life in the early 1900’s and documents the type of work completed by tradesman and their associated costs. It lists a number of people and organizations which are of historical interest to Warrnambool and district.Long thin rectangular ledger book. Worn dark aqua cardboard cover with black binding. Handwritten entries occupy three quarters of the ledger with line drawn through each entry. The entries relate to goods sold. Year written at top of page and dated in left hand column. warrnambool, warrnambool painters and decorators, black painters warrnambool, -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)Vehicle - Diesel Electric Rail Motor (DERM), Victorian Railways, 63RM, November 1930
Victorian Railways Diesel Electric Rail Motor 63RMVictorian Railways livery as per 1934 painting diagramvictorian railways, diesel electric, rail motor -
Latrobe Regional GalleryPainting, COLVILLE, George b. 1887 Aberdeen, Scotland. d. 1970 Melbourne, Untitled Landscape, Not dated
Oil on canvas Signed 'Geo. Colville' lower right corner of painting. -
Dandenong/Cranbourne RSL Sub Branch
Large wooden framed poster
Large wooden framed poster.The " Long Journey Home". From a painting by Adrian Rigby. -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting, Oil, Centaur, 1945
Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father, the seller's grandfather was Dr. Bruno Koenig, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Oil painting, depicting mythological scene. Female figure (unclothed), holding a red cloth/ garment trailing behind her. Centaur / faun? walking beside her. Outdoor scene. Trees, mountains & cloudy blue sky visible in background. Sandy coloured soil. Painted on reverse of old "Choice Tea" box.(On back): 1945 Tatura; ... remember ..... and us, Cesare and Maria Vagarini; On back, on sticker: Va(r)garini, Tatura Internment Camp, 1945 "Choice Tea" stencilled on back, part of original box material.tatura, camp 3, cesare vagarini, camp 3 artwork, victorian internment camps, doctor bruno koenig -
Orbost & District Historical SocietyPaintings
This painting has aesthetic significance and shows the skill and craftmanship of the early settler families.Two oil paintings on rectangular-shaped tin. Tin is curled at ends. Paintings are of trees on a river bank.paintings oil tin -
National Vietnam Veterans Museum (NVVM)Painting, Dr Dorothy Angel OAM
An Original painting of Dorothy Angel in the foreground of the painting. In the background there is a patient lying on a bed with five people nearby.Dr Dorothy (Dot) Angel OAM (Order Of Australian Medal) was a young nursing sister who volunteered to serve on one of the Australian Civilian Surgical Teams sent to South Vietnam by the Australian Government from 1964 - 1972. These teams dealt with the Vietnamese casualities of the war itself, but their services were also albe to bolster a very depleted general health care system in the provincial hospitals. Dot served on an Alfrred Hospital team sent to Bien Hoa in 1967painting, vietnam lest we forget, order of australia, nurses - vietnam, bien hoa -
Numurkah & District Historical Society
Painting - Painting of a Numurkah Residence
Painting from a photograph of the residence of Felix Heaphy, 20 Saxton St, Numurkah. Painting by W Pettigrove -
Stawell Historical Society IncPhotograph, Mr Frederick John Cato Studio Portrait -- 2 Photos -- 1 B & W & 1 Coloured
Black and white portrait of Frederick John Cato seated holding folded papers. The coloured photo is an A4 print of a painting of Fred Cato in the Canberra National Portrait Gallery. In both photos Frederick is seated and dressed in a suit, vest and tie. Frederick John Cato (1858 -1935) was a grocer, part of the Moran & Cato chain of some years ago. He was born in Stawell and went to 502 (Stawell State School) for many years eventually becoming an assistant teacher. He resigned in 1887 to go teaching in new Zealand. Frederick was a generous man and Cato prizes were presented to pupils attending 502. Stawell benefited in many ways from his generosity. Cato Park was named in his honor. Two photographs of Frederick John Cato. One a black and white photo the other an A4 print of a painting of Fred Cato in the National Portrait Gallery in Canberra.Fred Cato-Photo in National Portrait Gallery-Canberra c. Early 1930sstawell -
Nillumbik Shire CouncilPainting: Melinda Harper, 'Untitled'
This work was completed during Harper's Laughing Waters residency at Boomerang House, 2001. The Laughing Waters Artist in Residence Program was run by Nillumbik Shire Council (in partnership with Parks Victoria) 2001-2015. "My painting is about colour and form, and their relationship. I am interested in what one colour does to another colour, the weight of a colour and the feeling of a colour. Colour is very complex; I am looking and responding to what I see and what interests me." Melinda Harper in Artist Profile journal article by Melissa Pesa, 2015.The painting is representative of Harper's artistic practice and the vivid colours and abstraction particular to her work. Small-medium sized oil painting of vivid, bold, coloured shapes arranged in a kaleidoscope pattern. There is an array of colours each placed in proximity to each other to create a vibrant, lively atmosphere. Anna Schwartz sticker on back of canvas. harper, untitled, 2002, contemporary, laughing waters, boomerang, abstract -
Buda Historic Home & Garden CastlemainePhotograph, Leviny Silver Standing Cup, c1863
The Silver Standing Cup was made by Ernest Leviny c1860 and presented to Mr Charles Abraham Saint, editor of the Mount Alexander Mail newspaper, by the town's citizens on his departure from Castlemaine on 31 December 1863. Mount Alexander Mail report; 23 January 1864. This substantial silver centrepiece was the second masterpiece created by Ernest Leviny around 1859. It is decorated with highly detailed cast figures, fine embossing and chasing. This work of Australian Colonial significance reflects Leviny's rich European artistic background which he successfully merged with new Australian motifs, which epitomise the great wealth, ambition and pride at that time in the emerging, young Colony of Victoria.Semi matt surface albumen print mounted on cream coloured card with border around image drawn in pencil. Albumen photograph of Silver Standing Cup (Eperne). Elaborate silver cup, with lid highly decorated with cast figures, etc.Handwritten in pencil under image: I.1 'Photo Davies & Co' I.r 'Melbourneernest leviny, silver, silversmithing, cup, london exhibition 1862, mount alexander mail, william davies, photograph, charles a. saint
