This nut roll tin was used in a period before 1959(when plastic containers started being used). It was a period when "home" cooking(desserts and cakes) was the only method of having cakes and other pastry dishes in rural areas as there were no local shops. The utensils available for this home cooking had to be strong and reliable and low maintenance. This was a period of self sufficiency especially in semi remote rural areas. Sadly, the Willow Company no longer has a nut loaf tin among their many cooking tins. A cylindrical nut loaf tin with removable lids at each end. The metal body of the tin has tiny patterned indented squares with only two of the three clips to ensure the tin stays closed. The lids at each end add to this tightening. On the lids there is rusty difficult to read stamping for the Willow brand. The cooked cake can be easily removed when the two lids are taken off. This is a rare tin.Around the edges of each lid is stamped 'NUT LOAF TIN'. In the middle of each lid is a circular shape with 'Made in Australia' around the edge. Inside this is a diamond shape with 'WILLOW'. There is a tiny square shaped pattern indented all over the body of the tin.baking tins, kitchenware, baking, cooking

These gramophone needles were manufactured by The Gramophone Company Limited for use in gramophones that had an arm in which to insert a needle to play an old shellac record. The Gramophone Company was an early recording company based in the United Kingdom and was the parent organization for the His Master’s Voice label of recording devices. The company was founded in 1897 and merged in 1931 with another company to form E.M.I. (Electric and Musical Industries) but the name The Gramophone Company continued in Britain until the 1970s. Gramophones were a popular household item from the late 19th century until the mid 20th century when more sophisticated recording and playing devices were invented. These gramophone needles is of some interest as an example of entertainment devices of the past. It will be useful for display. .1This is a metal box with a lid containing an image of a dog and a phonograph (‘His Master’s Voice’) painted in white and brown on a dark blue background. Inside the tin are about 150 metal gramophone needles, most of them being a little rusted. The needles are covered with a sheet of brown paper with yellow printing. The tin itself is rusted and the printing is discoloured. There is a paper sticker on the back of the box with an early catalogue number (almost obliterated). .2 Small rectangular plastic container with picture of white polar bear with blue background. It contains approximately 30 needles which have red ends and silver points. .3 small plastic bag with a number of needles..1 Front of box: ‘His Master’s Voice, Extra Loud Tone’ Back of box: Approximately 200 English gramophone needles manufactured by The Gramophone Company Limited, Sydney, Australia’. Inside: ‘Use each point once only’ (printed twice). .2 50 semi- permanent needles on front of box. On bottom Made in Germany. gramophone needles, warrnambool, e.m.i., electric and musical industries

Manuscript titled "The Tramways of Ballarat", prepared by Keith Kings during 1964 based on the text in the last paragraph. Provides a short history of Ballarat, the construction and operation of the horse tram system, the take over and construction of the electric tramways by the Electric Supply Co. of Victoria, and operation of horse tram trailers. Includes the takeover by the SEC, replacement tramcars, Lydiard St Nth extension, exchange of cars with Bendigo, Geelong, attempts to close the system and operations during the mid 1960s.Yields information about the history of Ballarat Tramways written in 1964. Has a strong association with the author who prepared a larger work when the tram system closed in 1971.Manuscript titled - The Tramways of Ballarat - four foolscap typed pages, carbon copy.Has a number of corrections to the text.ballarat, trams, tramways, manuscript, history, horse trams, esco, sec, tramcars, ballarat tramways

The photograph shows a cable tram set with trailer No. 534 east bound in Bourke St on its way to Nicholson St passing the St. James Building at William Street. The conductor standing at the back of the grip car is in MMTB uniform with his ticket wallet in his left hand and bag visible. The grip man appears to be ringing his bell. There is a side advertisement for the "All Australian Exhibition". A reference to the exhibition is in The Argus of 3/11/1924 - see reference.Yields information cable trams in Bourke St and their crews.Photograph, black and white, plain backtrams, tramways, cable tram, bourke st, conductors, tram crews, william st, tram 534

Elaine Donnellon, the donor of the photograph is the daughter of Shelia's sister Matilda. Thomas Coughlan and Shelia Whelan were married 03-09-1947. Not highly significant but typical of a mid 20th century portrait taken in a photographer's studio. The style of the wedding finery is representitive of the fashion of the period.Studio Portrait on original mount. Thomas Coughlan bridegroom, dark double-breasted suit,orange-blossom buttonhole. Shelia Whelan bride, embossed satin bridal gown with train and leg-o-mutton sleeves,a lace insert at the neckline, finished with a dainty locket. An embroidered full lengh veil and ruched head-dress with orange-blossom is complimented by a floral trailer-bouquet and horseshoes. Portrait backdrop, curtain and chair. Bottom right-hand corner, hand written, "Mendilnohy/Melb."studio portrait, 1947, thomas coughlan, shelia whelan, orange blossom, embossed satin, wedding gown, double breasted suit, veil, trailer, bouquet

Studio portrait of Ted and Mary Molloy nee Cody. They were married at the Catholic Church Ballarat East, Victoria on the 06-09-1922. They honey-mooned in Tasmania.Studio Portrait. Ted Molloy bride-groom, dark single-breasted suit, orange-blossom buttonhole, waistcoat, white bow-tie-gloves, watch-chain. Mary Cody bride, Ankle-length gown with fine-lace overlay. Muslin veil attached with orange-blossom medium-heeled satin-shoes. A large bouquet of fresh daffodils, daisies, freesias, asparagus-fern and a trailer of ribbons. Backdrop: curtain and chair. studio portrait, orange blossom, wedding gown, veil, bouquet, single breasted suit, bride, bride groom

Set of 2 photographs taken by Carolyn Dean moving driving wheels out to Bungaree, after the delivery of scrubber tram No. 8, on 10/9/1999 1. Wheels loaded onto the trailer 2. Offloaded at Bungaree adjacent to house, with 9B truck. People in photos: Mark McKay, Alastair Reither, Stephen Butler, John Phillips, Simon Jenkins, Warren Doubleday, Alan Snowball, Darren Hutchesson, Anita Bagley.All have "10.9.99" and "Photo by Carolyn Dean" on rear.bungaree, wheels, storage

A flag or banner made for the centenary of Melbourne trams in 1985 by the Metropolitan Transit Authority to be used on the route number boxes on Melbourne W class trams. Made from a synthetic fabric, sewn on all four edges, with left hand edge made with a slot to fit a wooden pole. Features a cable tram - with a bogie cable trailer and Melbourne Z class tram, with the words "100 years of Trams" Two copies held.trams, tramways, melbourne, centenaries, flags, public transport

Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of an electric tram towing an ex Ballarat double deck horse tram as a trailer with the Fountain at Charing Cross in the background. In the background are the buildings on the south west corner of Charing Cross, featuring an advertisement for The Age. Copied by Keith Kings from The Bendigonian 19/9/1905. On rear in ink " SA778 Bendigo electric tram towing an ex Ballarat d/d horse tram, Charing Cross. Note:- Compound Xover at front of tram." Copied ex "The Bendigonian 19/9/1905."trams, tramways, bendigo, charing cross, horse trams, trailer

Depot list - book formed from 2 sheets, centre stapled with a single stapled titled "Melbourne tramcar to depot allocation during the year 1936 prior to the opening of Brunswick Depot" Published as a supplement to June 1968 issue. Prepared by B. Dwan from information supplied by R. G. Bishop. On the rear has a list of the number of grip cars and trailers at Clifton Hill, Collingwood, Nicholson St and South Melbourne.trams, tramways, preston workshops, lists, tramcars, lists, depots, depot allocation, brunswick, cable trams

Eleven page research report titled "The Melbourne, Brunswick & Coburg Tramways Trust", giving details of the formation of the trust, the routes it constructed, opening, extensions, proposals, description, power supplies, depot, rolling stock, tramcars, passenger numbers, financial results, tickets, sections and fares, extracts from the rules and regulations, instructions for crews, destination indicators, safe working, trailers and operations. Stapled in top left hand corner.trams, tramways, mbctt, coburg, brunswick, coburg depot, construction, operations

'EXPLORING/ GALLIPOLI - / AN AUSTRALIAN ARMY BATTLEFIELD GUIDE"Soft cover book. Soft cover - cardboard, blue, grey and black print on front, spine, back and front and back flaps of cover. Front and back illustrations - montage of grey with black and white photographs of soldiers and War Memorial. Back flap - illustrations in colour - maps. 136 pages, paper, cut, plain, semi gloss white, illustrated - colour and black and white photographs, diagrams, maps, illustrations.books, ww1, gallipoli, history

Refer to Dean. Cat 4575P Copper cigarette case. One end has a hinge assembly. The other end has a catch. On the front cover, two horizontal bands ending in a semi circular pattern. In the centre is a small rising sun badge with enamel inserts. In the blue section can be seen the phrase - "Australian Commonwealth Military Forces. Behind the crown in the Rising Sun, is red enamel. The whole surface is "dimpled" with a regular pattern.case, metal

Cape worn with the uniform of the nurses of the Australian Army Nursing Service during the World War 2 period. This cape is a crimson colour and was worn with the standard issue AANS winter uniform. The cape is worn over the uniform tunic and joined at the front by a hook and eye fastener. The cape has epaulettes on both shoulders with the insignia worn by an Army Lieutenant and has the standard semi circular "AUSTRALIA" insignia on each shoulder.

When this winter appeal badge was produced the Australian economy was in recession (financial down turn) and the ability of some of the unemployed sectors of the community required but could not purchase warm clothes. The Australian recessions of 1945 and 1961 left their mark on the economy and accounted for a long and slow recovery in the 1960's and 1970's. The Red Cross was one of a few benevolent agencies/organisations that provided those more affluent in society to donate money to these types of appeals for financial donations. the money collected was used in obtaining warm close for those in need.In the Kiewa Valley the lingering recessional consequences (high interest rates, slowdown in Australian manufacturing) had an effect upon those whose produce was consumed by large towns and cities. The manufacturing industries including textile and clothing industries were feeling the start of the invasion of cheaper imports. Unemployment was beginning to be an ongoing major political and social issue. The need for support for the financial strapped city and country towns was on the increase and this Red Cross Badge (Winter Appeal) was one of several appeals to help those financially disenfranchised families to overcome the severe clothing shortages in both country and city environments.This badge has an enamel front with red and blue lettering and the circumference is marked to represent a 'life ring, life buoy, life belt' which has all of the red lettering with in its boundary. The fastening mechanism is a "stick" pin made from mild steel (fashioned as a semi circular spring contained within the back rim of the badge. The "stick" protrudes beyond the badge allowing it to be fastened onto clothing.At the top of the badge and in red print "RED CROSS" and at the bottom "WINTER APPEAL" with a"1/-" (one shilling coin - modern equivalent to 10 cents). In the middle of the badge is printed a red cross and above that "HELP"societies, red cross appeals, apparel badges, numismatics badges

New Year Greeting card: Embossed card with 13 small dogs in pairs on snow of various colours and breeds in s semi circle'. Inscription: 'With all best Wishes for the New Year. Next page a snow scene light green in colour.. Third page is a poem. Hand written is To Matt from your loving sister Alice wishing a happy & prospers (sic) New Year. Box 625ephemera, mementoes, celebrations, happy new year greeting card.

black and white image: shows semi-circular pit, brick walls held up with metal uprights and braces. Brickwork appears to be very old. Two men standing on LH side of image, at bottom of pit, wearing hard hats, overalls. Bottom of pit has concrete floor ( new ? ) on LH side. On back of image: 30 May 1975. Unabkle to read writing : Wr, Y,C, ?bendigo, buildings, hospital, bendigo, hospital

Clothing. Square crocheted lace collar, in a floral design. Medallions, 2.3 cms square - 116 medallions. Each medallion has a flower at the centre, with a row of three dimensional ''petals''. A finely crocheted piece, with a semi-circular edging at the square neckline, and around the outer edge. 9 cms deep, one side has an opening but no fasteners are evident. May have been worn with opening front or back.costume accessories, female, square lace collar.

Wooden block of wood with five semi-circular recessions graduated in size. Also four elongated wooden rods with round handle at top and a round shaped bottom approximately matching the holes in the block. Further wooden rod with elongated neck widening at the top with hole in top and a small pointed wooden rod with a round top. A total of 8 pieces in the set. Used for decorating leather. See sample in NA2849handcrafts, leatherworking, trades

Semi circular sign with mild steel metal strap for use at tram stops and fixed around a pole. Painted on heavy metal sheet. Red band top and bottom, smaller band at top with words HAIL TRAM HERE in black paint on a white background. Used on Ballarat system until 9/1971. Has a black back. See original worksheet for sketch and dimensions. Two copies held.trams, tramways, ballarat trams, secv, street furniture, tram stops

Forty page book including paper covers titled "Destination Circular Quay" edited by Jack Richardson, in association with N.L. Chinn and R.L. Young and published by Traction Publications, Destination Series No. 3 in 1958. Briefly details the tramways in Sydney operated by the Department of Government Transport, details each class of passenger rolling stock, with photographs, experimental cars, trailers, specialist cars, works trams, trolley buses, tram car ferry, Moore Park junction arrangements, notes re the Sydney Harbour Bridge, a map of the network in the near CBD area of Sydney and on the rear cover, a map of Sydney. Provides information on the South Pacific Electric Railway (reference Australian Electric Transport Museum), and other publications of Traction Publications. See htd1307i2.pdf for a scan of the book. Includes many photographs. .1 - Book - 56 pages + card cover, printed on semi gloss paper, centre stapled, with two colour covers - as for above. Printed 1967. Has a map of the Sydney system on the inside or the rear cover. The rear cover has a list of publications of the publisher. See htd1307i2.pdf for a scan of the book.On the front cover in black ink "Ex ARHS Archives Vic"trams, tramways, sydney, nswgt, tramcars

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, cecil street

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, cecil street

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, cecil street, flo spicer

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, russell yeoman, matthew smith

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, opal smith, eileen gibbons, flo spicer

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, bruce ness

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, opal smith

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, sue law, garnet burges