Showing 3271 items
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Tatura Irrigation & Wartime Camps Museum
Folio, Dr Georges Morel's Report
Material obtained from Australian Archives.Black white bound folder containing printed archival matter, reports and newspaper articles in plastic sleeves.documents, reports -
Tatura Irrigation & Wartime Camps Museum
Folio, HMAS "Sydney". Search For, 1997
Material collected.|Some material donated by Commodore Bob Trotter OAM RAN (Ret'd), via Val SilverlockA4 two ring folder with printed material in plastic sleeves. Mostly photocopied newspaper and research material.HMAS Sydney - Search Forhmas sydney, hsk kormoran, commodore bob trotter -
Tatura Irrigation & Wartime Camps Museum
Document - Documents, Ludwig EICHBAUM
Certificate of Internment x 2; Deed poll; Certificate of Naturalization; Certificate of Discharge. Ludwig EICHBAUM was an refugee from England who was sent to Australia on HMT Dunera and interned in Hay NSW and then Tatura Victoria.5 documents in 4 plastic sleeves pertaining to Ludwig 00 (later known as Leslie Ernest EVERETT). certificate of internment, certificate of naturalization, certificate of discharge, deed poll, ludwig eichbaum, leslie ernest everett, hay internment camp, tatura internment camp, hmt dunera -
Nhill & District Historical Society Inc.
Clothing - 1938 Wedding dress of Clara Maud Field, 24 August 1938
Clare Maud Field married George Thomas Magrath, 24th August 19381938 cream wedding gown, long sleeves, small train, roulette trim on peter pan collarwedding dress, clare maud field, george thomas magrath, 1938, marriage, nhill -
Tatura Irrigation & Wartime Camps Museum
Document, History of Tatura Hot Bread
2 pages tell the history of Tatura Hot Bread, formerly Gibbs Bakery. The other sheet lists the previous owners of the shop.2 typed pages in a plastic sleeve; 1 hand written page of list of previous owners of the shop.History of Tatura Hot Breadtatura hot bread, gibbs bakery, jack gibb, bernard gibb, glenda alexander, jeff alexander, glenn alexander, george wells, sopha wells, olivia wells -
Tatura Irrigation & Wartime Camps Museum
Folio Wartimes Camps, German POW, C.2005
Material from the WW2 prisoner of war Camp 13 at Murchison, official reports, letters and memorabilia. Original material emanating from the time Camp 13 operated as a prisoner of war camp during WW2.Black two ring folder containing printed material, sketches and photos all contained in plastic sleeves. -
Tatura Irrigation & Wartime Camps Museum
A4 Display Book, Reginald Leslie EICKE
Contents include Enlistment papers, service and casualty form, attestation papers, war gratuity schedule papers, casualty form active service, statement of service and photograph of Reginald in uniform during WW1. Reginald signed up again for WW2 (V16077) was an internment camp guard with the 17 Australian Garrison Battalion.Blue A4 display book containing 6 plastic sleeves with enlistment information on Reginald Leslie Eicke.australian imperial forces, reginald leslie eicke, 17 australian garrison battalion -
Tatura Irrigation & Wartime Camps Museum
DVD (2 discs), Sea Power Centre - Australian Department of Defence, The History of the Royal Australian Navy, 2013
Vol 1 - Episode 1 1788 -1918 Genesis Episode 2 - In all Respects Ready Vol 2 - 1919 - 1945 - Episode 1 - Between two wars, Episode 2 - The world ablaze, Episode 3 - Banzai Volume 1 1778 - 1918 Volume 2 1919 - 1945 Plastic sleeves, with naval pictures on cover.australian navy -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1925
Muslin Blouse Embroidered in White. Elastic Waste. Hook & Eye front. Magyar Sleeves. Cotton Embroidery.stawell clothing material -
Brighton Historical Society
Dress, Wedding dress, 1942
Wedding dress worn by May Dunne who was married on 11 April 1942 at the Newtown Methodist Church in Aberdeen Street, Geelong. The lace was purchased with wartime coupons. The couple lived in Brighton and May was a member of the Brighton Historical Society when she donated the dress.Wedding dress of white lace. V-neckline, long fitted sleeves and train. Large bow at back.wedding dress, wwii, lace, wartime bride, 1940s -
Kew Historical Society Inc
Clothing - Brown Wool Coat & Dress, Merco Davron, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was donated to the Fashion Collection by Val Goldsworthy.Brown wool coat with large silver buttons and fur trim to neck and sleeves. Matching brown dress.Label: Merco Davronmerco davron, australian fashion - 1960s, melbourne fashion designers -
Kew Historical Society Inc
Clothing - Black Crepe de Chine Day Dress, 1922-24
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Elegant knee-length black crepe dress with long sleeves with black silk georgette over-layer.edith mary weir (nee betteridge), 84 princess street - kew, australian fashion, women's clothing, costumes, dresses -
Bendigo Military Museum
Accessory - CHEVRON STRIPES, RAAF, WW2
Item relates to Allan Frederick Goodall DFC, RAAF, refer Cat No 543.2 for his service details.Chevron stripes worn on uniform sleeve, four red in a "V" shape denoting years of overseas service.chevrons, raaf, service -
Bendigo Military Museum
Uniform - GREAT COAT, ARMY, c1943
UnknownCoat - Wool, Khaki, long sleeved, colour patch on each shoulder, metal "Australia" on each Epaulette.Colour Patch.uniform, great coat -
Port Melbourne Historical & Preservation Society
Equipment - Film negative holder, 1900s
Small film negative holder, cloth covered; index pages at front; tissue sleeves for holding negativessocial activities, photography -
The Ed Muirhead Physics Museum
Ring Transformer
Cast, assembled. Varnished. Accessories: paper label in plastic sleeve screwed to top. Surface finish: varnished. Paper label affixed to top of object: “Ring Transformer E2/Core Details/Cast Iron Ring/Mean Diameter 15.45cm/Thickness (along radius) 2.0cm/Breadth ([parallel- signified by two vertical lines] to axis) 0.509 cm/Winding Details Primary/Secondary” Damaged label adhered to upper face in back left corner: “Part[illegible]” -
Clunes Museum
Photograph
BLACK AND WHITE PHOTOGRAPH OF LADY DRESSED IN FINE SPOT LONG SLEEVED FROCK. STANDING BY WOODEN PEDESTAL.local history, photography, photographs, early citizens -
Mont De Lancey
Camisole
One square neck white cotton camisole with lace insertion at neck and sleeves. Has covered buttons.camisoles, underwear -
Mont De Lancey
Christening gown
Worn by family of late Mrs. W.J. SebireWhite infant's long Christening gown - eyelet linen with tucked panels. Puffed sleeves. Cotton Batiste.christening clothing, baby clothing -
Whitehorse Historical Society Inc.
Clothing - Bed jacket
Wearer, Ellen Kelly, aunt of Julie Jones, donorQuilted bed jacket, pink nylon; raglan sleeves; collar & front trimmed with nylon pleated trim.costume, female nightwear -
Whitehorse Historical Society Inc.
Clothing - Nightdress
White linen nightdress. Eyelet embroidery and button hole embroidery round neck and yolk. Short sleeves.costume, female nightwear -
Tatura Irrigation & Wartime Camps Museum
Sketch, Lowen Sketch of C G Porter, 2001(copy) original 1942
A sketch of C G Porter, quartermaster, in Tatura. Drawn by Fred Lowenstein (Fred Lowen)a black and white pencil sketch of "our quartermaster Porter in Tatura" contained in plastic sleeve in L folderF Lowen '42 C F Porter 22/3/42 Taturadunera, camp 2, fred lowen, fred lowenstein, c g porter, camp 2 quartermaster -
Flagstaff Hill Maritime Museum and Village
Clothing - Nightgown, Ca. 1910
Women's white cotton nightgown in simple design, long body and sleeves, with embroidered decoration. Ca. 1910flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, nightgown, nightdress, nightie, night dress, nightwear, sleepwear, clothing, fashion, 19th century, handmade clothing -
Whitehorse Historical Society Inc.
Clothing - Aqua doll's cardigan, 1970/1980's
Aqua doll's patterned cardigan with long sleeves and collar also has three pearly gold buttons.doll's cardigan, knitting, toys, wool -
Kew Historical Society Inc
Clothing - Cream Silk Taffeta & Lace Bridesmaid's Dress, Grace James, 1969-1975
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Full-length cream silk taffeta bridesmaid’s dress. Same colour lace on the upper bodice and sleeves. australian fashion, grace james collection, bridesmaid's dresses, grace james, fashion design, fashion -- 1970s -
National Wool Museum
Textile - Men's Coat, c1940s
Franco Liburti was wearing this coat when he farewelled his wife Assunta in Naples, Italy in 1957, the day she departed for Australia. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Men's coat featuring a charcoal herringbone weave, with three buttons down the front and on each sleeve cuff.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community, naples -
National Wool Museum
Textile - Children's Jumper, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Children’s moss green knitted jumper with a peter pan collar, centre back zip and raglan sleeves.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, Army, Ladies Uniform, 1981
Ladies Army Uniform - long sleeved green striped blouse and bottle green trousers with matching beltName Croxon Service No F 32 ubquniform -
Vision Australia
Education kit - Object, A. Francke, Stereoscopic charts for squinters [by] Dr. Emil Hegg
A set of 70 (incomplete as full set believed to be 85 cards) black and white and colour stereoscopic charts, divided into series Includes geometric, pictorial and photographic examples of charts and Schlechteres Auge test. An instructional leaflet is also included. These featured images thought to strengthen the eye muscles.1 rectangular fawn cardboard box sleeve which contains specially printed cards with pictures and text6th editionequipment, emil hegg -
Port Melbourne Historical & Preservation Society
Clothing - Nott Street Windcheater, Arthur Reed Photos, c.1980
Size 16 windcheater made for Nott Street Primary School.Navy blue long sleeved windcheater with Nott Street Primary School Port Melbourne printed on fronteducation - primary schools, state school 1427 nott street