Stawell State School. 502 Printed Text: At any time we supply extra copies or enlargements or finish any person in a group seperately. Kindly describe Phot as fully as possible to faciliate finding of correct negative. All Communictions to Interstate Press Photo Service. Torrance Maclaren Neg. No Class 162 Flinders Street Melbourne. Note sign at bottom right.Reverse Stawell State School

Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong

Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double-sized mint and cream diamond blanketAn All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, godfrey hirst, diamond blanket

Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double-sized, pink and mint diamond blanket"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, godfrey hirst, diamond blanket, geelong

Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." King-sized, pink and mint diamond blanket, ribbon edgedName tag 'O'Malley' sewn above label/"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Union of Rutherglen Shire & Borough. Handwritten on back of photo: "Old Wesleyan Church used as Shire Office. R. Ready's house built on same site using materials from original building." (Note: R. Ready's house was built on site of Old Shire Office, not on Church site. Original Church still in use as Sout & Guide Hall. 1985-06-18)Copy of a photograph of Wesleyan Church used as temporary Shire Office during building of new office. Group portrait of Councillors in front of building."Union of Rutherglen Shire and Borough / Date of Union: December 15, 1920. Dissolution of Combined Councils: August 25, 1921. Rutherglen Shire Office. The Secretary Attends Monday & Friday 10am till 4pm" Front row (left to right) Ex. Cr. S.P. Gollings, Cr. R. Ready, Cr. E.E. Cock, Cr. J. Burch (Ex Mayor), Cr. C.H. Morris (Shire President), J. Hiskins (Ex President), Cr. R.J. Burrowes, Cr. D.B. Smith, Cr. P. Gullifer / Centre Row (left to right) Cr. H.G. Richards, Cr. W.H. Chambers, Cr. R.H. Berryman, Cr. R.J. Harvie, Cr. W.R. McRae, Cr. W.V. McDonald, Cr. C.L. Dobbin, Cr. R.A. McLaurin, Cr. P.M. Seymour, Cr. M.T. Graham, Cr. F. Fuge, Cr J. Milthorpe / Back Row (left to right) T. Trenen (Editor "Sun"), P. Lingford (Shire Engineer), W.C. Bayliss (Banker), A.H. Thompson (Shire Secretary, A.C. Carter (Inspector), N.F. Turnbull (Assistant Secretary)"rutherglen shire, rutherglen borough, s p gollings, r ready, e e cock, j burch, c h morris, j hiskins, r j burrowes, d b smith, p gullifer, h g richards, w h chambers, r h berryman, r j harvie, w r mcrae, w v mcdonald, c l dobbin, r a mclaurin, p m seymour, m t graham, f fuge, j milthorpe, t drenen, p lingford, w c bayliss, a h thompson, a c carter, n f turnbull

Union of Rutherglen Shire & Borough. Handwritten on back of photo: "Old Wesleyan Church used as Shire Office. R. Ready's house built on same site using materials from original building." (Note: R. Ready's house was built on site of Old Shire Office, not on Church site. Original Church still in use as Sout & Guide Hall. 1985-06-18)Original of a photograph of Wesleyan Church used as temporary Shire Office during building of new office. Group portrait of Councillors in front of building."Union of Rutherglen Shire and Borough / Date of Union: December 15, 1920. Dissolution of Combined Councils: August 25, 1921. Rutherglen Shire Office. The Secretary Attends Monday & Friday 10am till 4pm" Front row (left to right) Ex. Cr. S.P. Gollings, Cr. R. Ready, Cr. E.E. Cock, Cr. J. Burch (Ex Mayor), Cr. C.H. Morris (Shire President), J. Hiskins (Ex President), Cr. R.J. Burrowes, Cr. D.B. Smith, Cr. P. Gullifer / Centre Row (left to right) Cr. H.G. Richards, Cr. W.H. Chambers, Cr. R.H. Berryman, Cr. R.J. Harvie, Cr. W.R. McRae, Cr. W.V. McDonald, Cr. C.L. Dobbin, Cr. R.A. McLaurin, Cr. P.M. Seymour, Cr. M.T. Graham, Cr. F. Fuge, Cr J. Milthorpe / Back Row (left to right) T. Trenen (Editor "Sun"), P. Lingford (Shire Engineer), W.C. Bayliss (Banker), A.H. Thompson (Shire Secretary, A.C. Carter (Inspector), N.F. Turnbull (Assistant Secretary)"

Union of Rutherglen Shire & Borough. Handwritten on back of photo: "Old Wesleyan Church used as Shire Office. R. Ready's house built on same site using materials from original building." (Note: R. Ready's house was built on site of Old Shire Office, not on Church site. Original Church still in use as Sout & Guide Hall. 1985-06-18)Copy of a photograph of Wesleyan Church used as temporary Shire Office during building of new office. Group portrait of Councillors in front of building."Union of Rutherglen Shire and Borough / Date of Union: December 15, 1920. Dissolution of Combined Councils: August 25, 1921. Rutherglen Shire Office. The Secretary Attends Monday & Friday 10am till 4pm" Front row (left to right) Ex. Cr. S.P. Gollings, Cr. R. Ready, Cr. E.E. Cock, Cr. J. Burch (Ex Mayor), Cr. C.H. Morris (Shire President), J. Hiskins (Ex President), Cr. R.J. Burrowes, Cr. D.B. Smith, Cr. P. Gullifer / Centre Row (left to right) Cr. H.G. Richards, Cr. W.H. Chambers, Cr. R.H. Berryman, Cr. R.J. Harvie, Cr. W.R. McRae, Cr. W.V. McDonald, Cr. C.L. Dobbin, Cr. R.A. McLaurin, Cr. P.M. Seymour, Cr. M.T. Graham, Cr. F. Fuge, Cr J. Milthorpe / Back Row (left to right) T. Trenen (Editor "Sun"), P. Lingford (Shire Engineer), W.C. Bayliss (Banker), A.H. Thompson (Shire Secretary, A.C. Carter (Inspector), N.F. Turnbull (Assistant Secretary)"

This letter from Dr John Ritchie, General Editor of the Australian Dictionary of Biography informs Patricia Boyd Davies that Robin Boyd's biographical entry will be included in Volume 13 of the Australian Dictionary of Biography. It says that Geoffrey Serle is in possession of a draft of the entry. Note: Neil Clerehan, and not Geoffrey Serle, is the author of the entry first published in Australian Dictionary of Biography, Volume 13, 1993.One page letter plus seven page photocopy of the draft ADB entry for Robin Boyd in envelopePatricia Davies (formerly Boyd) has written on envelope 'Dr John Ritchie'

Wal Jack had an extensive range of correspondents throughout Australia and the world who often provided him with detailed drawings and notes on various tramway systems. Drawing shows the various lines both railways and tramways, crossing loops, locations and features of the Wanganui NZ tramway system in 1945. Drawn by an unknown person; has an initial in the bottom right hand corner.Yields information about Wal Jack's correspondents and their extensive work.Drawing - red and black ink, colour pencil on foolscap paper of Wanganui Tramways NZ 1945letters, wal jack, drawings, maps, wanganui nz

Wal Jack had an extensive range of correspondents throughout Australia and the world who often provided him with detailed drawings and notes on various tramway systems. This drawing shows the small battery-powered (four) tramcar system in Gisborne NZ. Shows the NZ rail line, rivers and the length of each route, and the dates of operation. Based on the handwriting, prepared by Wal Jack himself. Yields information about Wal Jack's extensive recording and research work.Drawing - black, red and blue ink or colour pencil on quarto size paper of the Gisborne NZ tramway system.tramways, wal jack, drawings, maps, tramcars, gisborne nz

Note from T.H. Kneen 13 February 1991, "Right hand tall tree is Californian Redwood. Over Pergola-Banksia Rose." On 19 November 1991, "Weatherboard construction of right rear of residence was modified/replaced to provide a bedroom for Mr. McLennan's family - he had 6 daughters. That room was later converted to a bathroom with three large storage cupboards." 2 copies black and white photograph. B91.17 and B91.18. View of various trees, shrubs and flowers. House on rise. On reverse "1913."trees, shrubs, flowers, californian redwood, mr. mclennan, principal's residence, principal's house, cordyline

Annual report providing overview of activities and achievements including: rollout of NDIS and MAC, farewell to Dr Kevin Murfitt and Nick Carter, movement of centres in Bendigo, Wollongong and Canberra, new centres in Epping and Townsville, extension of Indoor Mobility and Safety Training Centre at SEDA, ratification of Marrakesh Treaty, increase in taxi subsidy scheme in NSW, and advocacy of tactile marking on bank notes.1 volume with illustrations providing overview of organisational achievementsvision australia, corporation records, sophie weaver, scarlet weaver, saxon weaver, james norquay, chris page, ron hooton, andrew moffat, caroline lane, david steeds, olivia chan, debbie king, joshua campbell, sarah hocking, cameron hocking, archer hocking, hong mei qiao, lizzey d'sylva-clark, neslihan sari, barry watts, chloe ross, scarlett ross, mackenzie savva, jane britt, emily jacotine, june smith

Note by T.H. Kneen 24 June 1992, "Can identify Mr. Talbot Chief Veterinary Officer Department of Agriculture - bald headed gentleman seated towards right. Second from his right is Mrs. D. Kneen, Principal's wife. The N.U.P.B.A. Field Days were held annually. At that time the Egg-Laying Competition was under the administrative control of the School of Horticulture." .Black and white photograph. Large group of men, women and children gathered on the lawn in front of the Administration Building. Also see B91.269On reverse, "N.U.P.B.A. Field Day Feb 1953." (National Union of Poultry Breeders Association?)men, women, children, lawn, administration building, nupba, field day, 1953, national union of poultry breeders association, mr. talbot, chief veterinary officer, department of agriculture, principal's wife, egg-laying competition, school of horticulture, mrs d kneen

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Annual memorial service in memory of those who died in war service, including former minister Rev Andrew Gillison, MA, who served as Chaplain for overseas service in World War I and died at Gallipoli in 1915 while attempting to rescue a wounded soldier. Held on 20 August 1995. Contains background notes on the 2/14 and 14/32 Battalions.Multi paged pamphlet of cream coloured paper, printed in black on both sides. Illustration of the church on the front.14th battalion aif, 2/14th army battalion, st george's east st kilda uniting church, 14/32nd battalion

From left to right: Bill (Charles Meynell Pitt Withers), Kit (neighbour), Marge (Margery Pitt Withers), Dall (Emily Gladys Withers), Mods (Mary Pitt Withers) and Nan (Nancy Josephine Withers) Note Bill is proudly holding a copy of "The Boys Own Annual" [Nicknames and identification provided by Charles Witherers's son, John Withers, Sep 2024]On back of photo: "From left to right Bill, Kit, Marge, Dall?, Mods? and Nan About 1917" Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, 1917, kit, margery pitt withers, nancy josephine pitt withers, the boys own annual, charles meynell pitt withers, emily gladys withers

Colour postcard of W2 456 (City Route 31) crossing Brunswick Street in Victoria Parade. Card back has details of the photographer, Ray Marsh, the tram operated by the Public Transport Corporation, details of the tram and the publisher - Mary Jayne's Railroad Specialtiess Inc. Has an advertisement for the ABC News. Card notes that the tram was photographed prior to its withdrawal in April 1987Yields information about W2 456Postcard colour - W2 456 Victoria Parade - Photo Ray Marsh, c1987, divided back.trams, tramways, w2 class tram, tram 456, victoria parade, brunswick street, route 31

Article written by Ken Collie in Australasian post with three colour photos featuring an interview with Alfred (Alf) Twentyman owner of three cable cars in Northcote. Looks at the background history of the cable system, bell punches, its operations. Includes notes on his purchase of the cars. On the rear of page 13 is an article with a photo of Victoria's 6 O'clock swill in pubs or hotels.Yields information about the cable tram collection of Alf TwentymanNewspaper cutting - two pages from Australasian Post 5 Jan 1967 pages 12 to 14tramways, trams, cable trams, northcote, alf twentyman, preservation, hotels

This metal frame opens from the side to allow paper to be placed between the two pieces and held into place with a metal clasp on the side. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing hand written notes.1 japanned metal frame with elastic and beadsassociation for the blind, assistive devices

Photograph of No.43 without trolley poles being moved by No. 35 at Wendouree Depot 13-4-1956. Photo by Wal Jack, Negative T234. Note the "Belmont" destination. See item 9600 for a copy negative. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeYields information about bogie trams prior to entering service in Ballarat.Digital image from the Wal Jack Ballarat Album. On rear of photograph in ink "SEC Ballarat No. 43 without poles. No. 35 on rear, outside Wendouree depot 13-4-56" with W. Jack stamp in the top right hand corner and number "T234". trams, tramways, bogie trams, depot, wendouree parade, new trams, tram 43, tram 35

Note by T.H. Kneen 13 May1992, "The Burnley display was part of the Division of Agricultural Education's display covering Dookie, Longerenong and Burnley. Reference to Rural Training in 1957 would have been mainly to the on-farm training phase of the Rural Reconstruction Training Scheme. The Agricultural Collegians Association members had a meeting point at the exhibit. Burnley ex-students were not members of that association."Black and white photograph. Display mounted by Burnley Gardens School of Horticulture at the Royal Agricultural Show 1957. Incorporates photographs of College activities, horticultural information and a map of Victoria locating institutes offering rural training to ex-servicemen.On reverse, "Royal Show 1957."burnley gardens, school of horticulture, royal agricultural show, dookie college, rural training, rural reconstruction training scheme, the agricultural collegians association, horticulture, publicity, dept of agriculture education division, longerenong college

Postcard produced by the Valentine publishing company of Moorabool St Geelong looking south. Tram 17 is visible along with the part of another tram in the bottom left-hand corner. In the photo are Bright & Hitchcock, the T&G building, Gray & Murray, the Bank of NSW, Savoia Cafe, and Rockman's stores along with an advertisement for Berger paints. The rear of the card notes it is a genuine photograph.Yields information about the view of Moorabool St c1949Black and white Postcard undivided back, unused. On top right hand rear is "1949" in pencil.tramways, trams, geelong, moorabool st, tram 17

Black and white photograph of Ballarat tram 17 in the green and cream colour scheme and No. 32 in green and ivory colour scheme at the City terminus. Has the Ballarat Town Hall in the background. .1 - both trams in the view .2 - No. 17 only. Photo by Charles Craig possibly 1950 - No. 17 repainted June 1950, see Wal Jack's notes Reg item 5527.Yields information about trams 17 and 32 in 1950.Black and White photograph with plain back.trams, tramways, sturt st, city, colour schemes, livery, tram 17, tram 32

Form used when the passenger did not have money - Headed MMTB, with Address, passenger details, number, signature, identification, part to be returned and details. Each has been numbered. Printed on off-white paper. Pads of forms were provided to conductors. The instructions to the payee notes that their fare could be paid using postage stamps. See items 1303, 1841 and 224.Demonstrates a MMTB Unpaid fare form.Document or form - two parts with perforated strip, No 12068, form 3/242, April 1974. Two copies held.trams, tramways, mmtb, tickets, fares, conductors

The document titled "Moomba Festival 1996 Met Tram" provides an outline of the Moomba event, tram service provision, rosters for CSEs and Operational Officers, Operational Requirements and Event debrief. Has a program of events, altered service arrangements, and notes the stoppage of trams for 3 minutes during fireworks. Prepared by Malcolm Johnson, Co-ordinator CBD Services Feb. 1996.Yields information about tram operations during the 1996 Melbourne Moomba Festival.Document - 17 A4 photocopied pages, stapled in top left hand corner.moomba, the met, operations, events

Two issues of a short-lived newsletter issued by Yarra Trams in 2004, to its Tram Attendants, giving staff feedback, tram priority program (Clarendon St South Melbourne hook turns), Neil Mitchell 3AW, Revenue Protection, Luna Park, Essendon depot, Eastern Road Operations Centre, tickets, RMIT Bundoora RMIT Travel Pass and personal notes.Yields information about the tram attendants and revenue protection officers.Set of two four A4 page newsletters part colour.tramways, operations, newsletter, tram attendants, revenue protection, luna park, eroc

This photograph is undated but a black and white copy in the 'Linton School - Photos' file is dated "c.1905". Mr A. J. Horan was head teacher at this time and is probably the male teacher wearing a suit, RHS in second row from back. The inscription on the back of the photograph notes that at the time the photograph was taken, "attendance [was] about 250 pupils", although there are fewer pupils than this in the photograph.Black and white photograph, mounted on grey card, which shows a large group of children posed for a photograph outside the Linton State School building. Five teachers are in the second back row on the RHS. A few boys are perched on window ledges. Some names of pupils are inscribed on the back of the photograph, but it is not clear where they are in the photograph. Names are: Roy Wishart, Margaret Wishart, Eugene Sandow, Gladys Downing, Charlie Todd, Alex McBeath.On back, in black ink: "Linton state school / attendance about 250 pupils / Roy Wishart / Margaret Wishart / Eugene Sandow / Gladys Downing / Charlie Todd / Alex McBeath". "SURMAN" written in pencil or crayon across the other inscription.linton school pupils, roy wishart, margaret wishart, eugene sandow, gladys downing, charlie todd, alex mcbeath