Black and white photo shows the front of the Rutherglen State School No. 522 with women in long dresses and big hats. Probably for the opening of the school. The colour photograph is a post card reproduction of a painting "The Sabbath Hat" from Henry John Dobson, R.S.W. (1858-1928)Two postcards pasted onto either side of a piece of green cardboard, probably cut from an album. One photo is a black and white photograph. One is a colour reproduction of a painting.At bottom of black and white photograph: "State School, Rutherglen" On the top left corner of the colour photograph: "A Happy New Year" At bottom right corner of the colour photograph: "The Sabbath Hat" rutherglen state school, school buildings, sabbath hat painting, henry john dobson

Dixie has a foldable metal handle. The lid fits snugly over Dixie.

This item was captured by H.Q. Coy, 2/14 Battalion at Balikpapan, Borneo 1945, probably by Tom Aldrick (given the inscription on the leather case). Tom Aldrick has donated other items taken from captured Japanese soldiers to the Dandenong-Cranbourne RSL.Black adjustable binoculars with brown leather strap and brown leather case with buckle strap. Case has blue/grey velvet lining and a leather belt strap. Clasp is missing. There is a Japanese inscription inside the case lid in black ink. Three Japanese characters are depicted. Adjacent to the right eyepiece there are also Japanese characters that have been inscribed into the surface with a sharp implement. Beige label adhered to front of case with "ALDRICK" handwritten in ink.binoculars, japanese binoculars, balikpapan, borneo, 1945

UnknownBlue bullet with brass casing10-MF-88 on blue part of the bullet

Nil2 X penny coins, 1 x 1948 and 1 x 1962, 1 x coin from the Perth Mint. Originally owned by Norman Taylor (WWII Veteran).Nil.

Black Cloth with Gold letteringRA Artillery ( Royal Australian Artillery )

The photograph shows a picture of Evans Street Sunbury taken from the T intersection at Macedon Street and looking south. When the photograph was taken it was one of Sunbury's main residential areas. Since the 1980s the houses in the image have been demolished and replaced with commercial development.- Over the years Evans Street has undergone much change from being a residential strip to being the main commercial hub in Sunbury.– An enlarged photograph of a streetscape with a row of trees growing along the footpath and a number of weatherboard Victorian style double fronted cottages. Both the roadway and footpath are not surfaced and the gutter is lined with stone pavers.sunbury

This doyley holder was used by Mrs N Bellingham.Typical household item from the period, representative of handcrafted items.Blue doyley holder, consisting of two circular pieces of card covered in suede-like fabric on the outside, and blue satin-like fabric on the inside. One side has large red suede-like fabric bird holding a small sign in its beak on it, and the other has four red flowers of similar material around the rim. There are two thin pink ribbons on the inside of the piece with flowers. On sign in bird's mouth: "D. Ouleys [?]"household, doyley, doiley, handcraft, mrs n. bellingham, mordialloc

Postcard showing the rock walled base of the Observatory and Trig Point on Mt Dandenong on the RHS and a roofed picnic shelter on the LHS. There are 6 men seated or standing on the rock base.Front of postcard: Observatory, Mount Dandenong. On back of postcard: Mason, Firth & McCutcheon, Printers, Melbourne.mt dandenong, mt dandenong observatory, trig point, mason, firth & mccutcheon

Studio photograph of Mary Dorey (1883-1918). The photograph, mounted on thick cardboard was taken by Stewart & Co. 284 - 286 Bourke Street, Melbourne.Handwritten on back: Mary Dorey

Postcard with title RAIL SPLITTERS printed on the front showing three men and a boy at a large, sawn tree. They all have implements used for cutting and sawing. There is a long gun leaning on the front of the felled tree. The postcard was written by Fred Dorey and sent to his sister Mary.in 1905.POSTCARD MT. DANDENONG SERIES Handwritten in black ink on back: Miss M Dorey 35 Smith Street Fitzroy Mt Dandenong 22.10.05 Dear Mary Write & let us know if you know this photo. Mrs Grant is getting a big boarding house up and Mrs Keys is going put up a new house hoping you are well I remain Your truly Fred fred dorey, mary dorey, tree, rail splitters, wood chop

Postcard showing "The Rock' at Olinda with a man standing at centre top. It appears to be #2 in a series and is titled The Rock, OLINDA. L.A. Bach PHOTO 2. The postcard has been sent from Mary Dorey to her sister Alice Dorey. "The Rock" is located adjacent to the old Olinda Golf Course.Handwritten on reverse in black ink. Miss A Dorey 10 Princes St Fitzroy This is the rock at Olinda I have told you about I think it is taken very well the first they have ever taken off it If you send up some money I will get you a set of the postcards they are all lovely love to Auntie May Fred and all the family they have not the snowflakes yet: of course this is only a miniature size of it Yours lovingly Mary. Handwritten at a later date in blue ink: The Rock Olindathe rock, olinda, fred dorey, alice dorey, mary dorey, postcard, l.a.bach

Kodak postcard sent to Alice Dorey. The forest scene shows tree ferns to the RHS with a track with steps edged with timber winding upwards on the LHS.Handwritten on reverse of card: No 4 Dear Alice Just a couple of cards hoping this finds you all well I took Dad away I am sending you a programme of the sports at Sth Sassy would you get it put up at the Post Officealice dorey, olinda, tree ferns, forest

Postcard photograph showing a tree fern gully. The title on the front is Gully "Hospice" Olinda. The Hospice was a guest house built in 1904 by Joseph Gutmann in the Main Street of Olinda. The Dorey Family ran The Hospice from 1908 - 1911. The Hospice burned down in 1924. The reverse of the postcard contains a small section of a letter that must be continued elsewhere. It is addressed to Miss Iris Dorey.Handwritten in black ink on reverse: Miss Iris Dorey "The Hospice" Olinda .....address as I wish to send him a photo of the group at the Gully. We had a lovely ride to the station on Monday. The hot weather is just coming on now &it is very trying at work. I think you were taken with the dog but your........the hospice, guest house, guesthouse, iris dorey, olinda, joseph gutmann, tree ferns, fern gully

Home of Harry Child in foreground built on the southern boundary of his father's (Francis Matthew Child) allotment. Black and white photograph showing the home of Harry Child. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.The eastern face of Mt Dandenong from F.M. Childs selection Cnr allotment D.francis matthew child, mt dandenong, harry child

Joseph Henry Abbott founded the business in 1853 with a store that supplied everyday essential items to those seeking their fortune on the goldfields. The timing and choice of store ensured that he would become a prominent part of the Bendigo business scene. Abbott's next venture was to establish the New Times Boot Market & Factory in Pall Mall, Sandhurst. In 1867, his wife took over running the shop which was located next to the Bendigo Arcade near Williamson Street. In 1876, the leather business of T Baulderstone was purchased, and operations were further expanded later by the acquisition of the Edinburgh Tannery at Sheepwash Creek, and The Edinburgh Leather & Grindery warehouse in Bull Street, Sandhurst. In 1889, Joseph Abbott passed all interests in the business to his son, who shared the same name, in partnership with an adopted son, Richard Hartley Smith Abbott. The business continued trading under the name J H Abbott & Co.Hard covered Ledger Petty Cash Bookhistory, bendigo, abbott collection

Bifold catalogue for plants and seeds for The Northern Seed Supply Co. Bendigocatalogue, seeds, northern seed supply co.

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Eleven Photos of Bendigo from Glass Plate Negatives, Campaspe River at Axedale, Axe Creek, Lake Weroona, White Hills Botanical Gardens, Conseratory Gardens, Bendigo Fernery. Slides are ex Bartlett Brother Bendigo. history, bendigo, bendigo conservatory gardens, campaspe river axedale, axe creek victoria, lake weroona bendigo, white hills botanical gardens bendigo, bartlett brothers bendigo, rosalind park bendigo

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Photos from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at one of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Nine Photos of vehicles from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Seven Photos of vehicles from Glass Plate Negatives. Slides are ex Bartlett Brother Bendigo, photographers. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princess Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

The embroidered initials may be those of Caterina Lamaro or Caterina Lopez who married Favaloro brothers - hence the change of initials to CF. refer 11408.112a and 112bAn ivory coloured large linen bedspread with an 11cm deep crochet lace scalloped trim and a 9cm wide crochet lace band insert 7cm from bottom edge which expands into a triangular shape 32cms deep in the two corners. The embroidered initials CF are centered above the lace insert and are adorned with floral embroidery.favaloro, crochet lace, embroidery

The embroidered initials may be those of Caterina Lamaro or Caterina Lopez, who married Favaloro brothers.An ivory coloured large linen bedspread with a border finished at 12cm with .4cm drawn threadwork. There is embroidery in a floral pattern to a depth of 62cm in the corners and Initials in the centre, CL?. Two pillow shams 100x79cm with matching embroidery in cream thread and a border finished at 5cm with drawn threadwork accompany the bedspread. The embroidery on the shams also contains the initials CL?favaloro, embroidery

FavaloroA length of cream coloured linen fabric.favaloro, fabric

LYDIA CHANCELLOR COLLECTION: SMALL BIBLE, NEW TESTAMENT The new testament. Printed: Oxford: Printed at the University Press for the British and Foreign Bible society. In pencil: Jessie Anderson, Bright Street Eaglehawk Writing in ink: Agnes ???bendigo, history

LYDIA CHANCELLOR COLLECTION: Small Size Book 'Hubert Lee' or 'How a Boy may do good' Small book, cover colour is royal blue with a gold motive in the centre with the title of the book. Pages are gold leaf. London Routledge and Co. 2 Farrington Stree. Printed by Woodfall and Kinder Angel Court, Skinner Street. Inscribed inside the cover: 'Special reward for Scripture Exercises. Presented to George W Hunter (???) at ther Wesleyan Sunday School Raywood Apr 2 / 15 ??? Sup.bendigo, history

LYDIA CHANCELLOR COLLECTION: Group of people in park, two rows. Two women in the front row are holding up a banner with Bendigonian Socity written on it. Ink stamp on rear: B.Seppard Photographer 3 Marcaret Street Canterburybendigo, history

LYDIA CHANCELLOR COLLECTION: PHOTOS OF THE SACRED HEART CATHEDRAL, ST PAULS AND ST ANDREWS, BENDIGO Early coloured photos of the churchesbendigo, history, churches