CEMA Art Collection part of "A Community View" 150 years in Portland Screen print Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a group of people on Portland's foreshore. People are dressed in late 1800's dress and are watching the rotunda. The work is a photographic screenprint and colour has been added to areas of the photo. In particular, green for the grass, red for the rotunda, blues for the ocean and sky, and various colours for some of the clothing.Front: 34/8 Rotunda (lower left) Lucia Natale 84' (lower right) (pencil) Back: 28

This mug was made by Reinhold Merkelbach. Reinhold Merkelbach was founded in 1845 by Wilhelm Merkelbach, a descendent of a long line of German potters, and the company eventually took the name of his son Wilhelm Reinhold Merkelbach, who left school early to get involved with the family business. The company became a major name in German ceramics, especially in the Jugendstil style. The company produced a large number of collectable beer steins in the late 18th and early 19th centuries, including a number of so-called “character steins.” In 1882, the firm began producing art pottery, which at that time was enjoying a revival and new appreciation in Europe in general and in Germany in particular. Reinhold Merkelbach produced ceramic objects both with and without pewter hardware but rarely altered its manufacturing techniques. Many of its products were destined for use at pubs, bars, or breweries as well as in the homes of Germany’s beer-drinking populace. It had a retail location in Munich and also sold products through its factory warehouse. In 1971, half of the company’s ownership was sold to W. Goebel KG and the firm’s name changed officially to Merkelbach Manufaktur GmbH & Co. KG. Goebel ultimately purchased the other half of the business before members of the Merkelbach family, along with a handful of collectors and former staff members, repurchased the factory in 1988. In 2007, Judith Merkelbach Engelmann decided to close the firm; demand for ceramics had been decreasing and the next generation of the family had no interest in maintaining the business. Luckily, Reinhold Merkelbach transferred its moulds to Töpferei Girmscheid Höhr-Grenzhausen to ensure that its best-known pieces of Jugendstil art pottery and steins would continue to be available to interested consumers and collectors.This beer stein was made around the mid-20th century by a popular German maker. It fits in with the context of maritime village life. At this current time, there is no particular connection with people, places and events. The German beer stein is made from ceramic ironstone. It has a bell-shaped hinged pewter lid with a leaf-shaped thumb lever. The lid has a pattern stamped on it. The design on the mug includes a woman in bright colours, a man holding a musket, and buildings in mountain settings. There are inscriptions on the mug. Marked "Made in Germany" "RM" "4070" (underside of mug) "05" to the side of mug flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, beer stein, ceramic beer stein, reinhold merkelbach, drinking vessel

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacson was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press.A4 hand printed linocut on thin cream card in 3 colours; blue black, yellow, red. Depicts a pensive skeleton sitting on a small hill with a lowered flag with the initials SP, partly concealed by a giant yellow worm. The print also features the iconic fish skeleton logo. lino cut prints, skeletons, snuff puppets, puppetry, andy freer, melbourne museum of printing, footscray, michael isaacson

The case belonged to WW2 RAAF Pilot Francis (Frank) Robertson. The case was used to store his pilot equipment (goggles, flying hat) and set of uniforms. 1940's era leather overnight carry case. Belonged to RAAF pilot Frank Robertson. Leather hard mid brown coloured overnight carry case, brass keyholes, leather restraining straps on the inside of the lid. The internal material lining appears to be of strong cotton weave and is strped in colours of light tan, white and fawn. There is no identifying make or brand on the case. Unknown if it is military in issue. Nilww2 era raaf pilot frank robertson carry case, 1940's brown leather carry case

This card was sent to a student of the school in the 1950s. It was donated to the heritage collection along with another personal letter from Principal Molland, sent to the student when she was away from school, ill with measles. The card demonstrates the personal attention that students received from Mabel Molland and has historic significance and interpretive capacity in understanding the kind of leader and educator that Mabel Molland was. Small card with printed front, featuring a yellow circle in the centre with areas of red at the top and bottom. The image in the yellow circle consists of two birds on a lower tree branch and a further bird on an upper thin branch surrounded by blue flowers. Predominant colours are yellow, red, green and blue.Inside the card there is a message to a student. The message is signed M.M. Molland.

Three page typed copy of an article appeared in Engineering 1887 on Melbourne cable tramways construction. Carbon copy of typing on both sides of 1 sheet and 1 sheet of pink paper with hand drawn copy of a map in 4 colours. Image of document added 25/8/2013.trams, tramways, melbourne, cable trams, construction

Seat Fabric Samples in a cardboard folder - by Lo-Rib Transit for public transport and other uses. Has a photo of the interior of a bus. Has 9 different colours, with detailed specifications on the rear. Printed August 1986. Manufactured by Melded Fabrics of Dandenong, a unit of Nylex. Has contact details.trams, tramways, public transport, equipment, seats, fabric

A colourist’s scrapbook, possibly belonged to A. M. Collins. Scrapbook contains articles relating to colour and the human psyche, including articles relating to how men react to women wearing different colours, and studies into conditions such as synaesthesia. The scrapbook provides an interesting insight into a designer’s thoughts, inspiration and working life. Red bound book containing published, hand written and printed text. Contains some loose items. colour, design, colour theory, synaesthesia, inspiration, working life, scrapbook, wool, clothing, fashion

Purchased from Regimental funds in 1910 and presented by HE the Governor of WA Sir Gerald Strickland, KCMG, at a parade held on the Esplanade, Perth, 18 February 1911. Consecrated by the Right Reverend COL. Riley, DD, VD, Senior Chaplain of the Australian Commonwealth Military Forces. This colour was subsequently inherited by successor units to the 11th Australian Infantry Regiment (Perth Regiment), including 88th (Perth) Infantry, 11th Battalion (The Perth Regiment) and 11th/16th Battalion. The colour was handed over to the Perth City Council at a special parade of the 11th/16th Battalion held in Forrest Place on 2 June 1930, and was laid up in the Council Chambers in Murray Street. Together with the other historic colours handed over at the time, this colour later went into storage when Council moved premises in the early 1960's. Perth City Council had some restoration work carried out on these colours in 1975 and later had them on display in their display room at Council House, St Georges Terrace. They were subsequently placed in storage again. Following negotiations by the Army Museum of WA Perth City Council passed on these colours to the Museum in November 1993 Red George Cross on a white background with red and white fringe. In the centre the regimental badge in gold within a wreath of Western Australian kangaroo paw and banksia, surmounted by the Crown. Below the wreath is the Battle Honour "SOUTH AFRICA 1900-02". In the upper canton is the roman numeral "I" (Note:- The official Battle Honour for South Africa granted to 11th Australian Infantry Regiment under Military Order 123/1908 and subsequently published in the Australian Army List, was "South Africa 1899-1902") regimental colour, military heraldry, battle honour

DPCU (Disruptive Pattern Camouflage Uniform) Back pack cover. Desert colours - light to dark purple through to beige and brown. Cotton/ polyester fabric bag shaped with four sides and base. Top closure - elastic drawstring with plastic lock clip. Manufacturers stamp inside top of cover.Manufacturers information - black ink stamp. "^/ TRADE PARTNERS/ 8465-66-148-9923/ NOV 2006". uniform, army, work dress, dpcu

Certificate awarded to "MR K N BANNON" Keith Noel Bannon No. W3081 RAN Enlisted 16/1/45 aged 18 years Discharged 25/12/46 Rank Stoker 11 on HMAS Lachlan.Certificate - heavy paper, original document. Black print with Australian Coat of Arms on top and " AUSTRALIA REMEMBERS/ 1945-1995" emblem below print. Print on beige background with decorative edge and emblem in green and gold colours. Certificate signed by Prime Minister, Minister for Veteran Affairs and Federal member.On certificate "On the 50th Anniversary/ of the end of the Second World War/ a grateful nation expresses its thanks to Mr. K.N. Bannon/for contributing to the war effort/ and the coming of peace.certificate, ww2, framed item, 50th anniversary, k. n. bannon

This is one of a series of eighteen plaques which commemorated some of the winner of the Grand Annual Steeplechase which is held each year in Warrnambool. The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. Galleywood was owned by local people and trained by local trainer Jocka Baillie. Galleywood was a crowd favourite of the 1980's winning two Brierly Steeplechases and the Grand Annual in 1986. This famous local hero died at the age of 30 and is buried at the Warrnambool course and commemorated in the mounting yard. This series of plaques were painted by local artist Leslie Lamey. These items relate to a significant part of Warrnambool's sporting and social history..1 Painted white rectangular tin plaque with rolled edges with painting of jockeys silks and cap. The colours are green front with orange (faded) sleeves with blue band. The cap has pink lines. Six holes are around the edge. .2 Galvanised rectangular brass plate with engraved black text .1 Galleywood written twice on back of plaque. .2 Grand Annual Syndicate GALLEYWOOD. Winner of the Grand Annual Steeplechase 1986warrnambool, grand annual steeplechase, galleywood

small fawn coloured Receipt to David Harris from William Short, Sandhurst Academy of Arts School of painting in oil & water colours conducted by William Short M.V.A. Received Two pounds two shillings from David Harris for quarter ending 9.4.1886 (1886) - quarterly account (for tuition?).person, individual, david harris

Probably original Singer's Sewing Machines Stanford & Co sales advertising poster. Sales in 1875 249,852 machines. Green and red colours , Woman with sewing machine behind large S. 2,000,000 machines in use .150 First Prizes. Printed by Ben George, 47 Hatton Garden, London.commerce, advertising, sewing machines, singer sewing machine sales.

Black and White Photo of Tram No 19, No 19 Tram parked by a Peppercorn Tree, Destination Plate at top of tram reads 'Depot', Markings on back of Photo read 'Bendigo Electric Tramways 1935', '1935 One man- two man cars', 'S.E.C. Colours', stamped with 'Printed by Olivers Bendigo'photograph, tram, no. 19, bendigo tram, bendigo trams, bendigo tramways, trams, bendigo electric tramways

A hand painted paper scroll, which Berthold Irving Meier (Bert. I. Myer, or BIM - a well-known Commercial Artist in Melbourne) had made when a member of the team of set designers and scenery painters, for the 8th Employment Company's production of "Sergeant Snow White", which was performed at the Melbourne University Union Theatre, in April 1943! It was a Sergeant Doc K Sternberg production, the other set designers being L/Corporal Emil Wittenberg, Private Klaus Friedeberger and Private Friedrich (Fritz) Schoenbach. The show incorporated songs and music by Kurt Kohn (pseudonym Ray Martin), with Erich Liffmann cast as Prince Charming. The masks for the ballet "Ghosts of Europe" were designed by Private Erwin Fabian. Others in the cast included Corporal A P Schmitz (ballet soloist), Sergeant Sigismund Lohde, and Sergeant H Mayer. The Production was extremely well-received and was called "a colourful and tuneful revue ......... a fine achievement of writing and direction......scenery and stage décor ingenious and amusing." There were write-ups in both "The Age" and "The Argus" Melbourne newspapers at the time. The scroll was originally housed in a wooden box, with "windows", (since lost) so that when the scroll was wound though, each scene, and the accompanying description from the original programme, could be seen.Two long pieces of paper which originally would have been one and has been rolled into a scroll. The length of paper has been divided into two and then divided into approximately 12 sections. On the left in different colours is bits of information relating to the scene. On the right are different scenes from the play.bert i myer, bim, sergeant snow white, 8th employment company, melbourne university union theatre, doc k sternberg, f schoenbach, kurt kohn, erich liffmann, erwin fabian, a p schmitz, h mayer, kathleen whelan, tatura internment camps, berthold irving meier, klaus friedeberger, emil wittenberg, friedrich (fritz) schoenbach, sigismund lohde

A guide for Aboriginal community collaboration for school-based programs. Supporting the Aboriginal languages K-10 syllabus, this resource assists Aboriginal community participation in the teaching of Aboriginal languages in schools. Technical Details System requirements (PC): 64 Mb RAM; Windows 98; 800x600 screen; thousands of colours.CD-ROMmulticultural education, multilingualism

Framed decorative woollen rug with fringe. Features Chinese design with two birds, flowers and branches. Green, brown and white colours. Green and white border with white fringe. Brown timber frame with red felt backing. Carpet is fixed to backing with five silver pins across top and bottom.

Has a strong association with the BTM volunteers who worked on the repainting of W4 671 and yields information about its appearance.Colour photocopy of a colour photograph of BTM W4 671 in "City of Ballarat" colours at depot on 12/11/1995, just prior to completion of work on that day. Standing by tram are Alastair Reither, Paul Mong, Simon Jenkins, Len Millar and Darren Hutchesson. Record updated 21/9/2013.w4 class, btm, city of ballarat, livery

Photo of Ballarat No. 12 at the intersection of Sturt and Lydiard Sts., 21/3/59. Tram fitted with large reflective triangles and other reflective strips. Has Victoria St. destination. Old Commonwealth Bank building, MLC in background. Tram on opposite of road. Seats for passengers painted various colours'SEC Ballarat No. 12, Sturt St., 21-3-59, W.Jack photo' in blue inktramways, trams, sturt st, lydiard st, tram 12

Item in the collection re: "William Anthony (Bill) Theodore" DSM. Refer Cat No. 7926P for his service record.Painting - black, blue, grey, white, green colours, oil artists paint. Depicting - sea, sky with shimmering cross and two sailors caps floaing on the water. Painted on glass. Painting appears to be signed by artist with two capital letters "WG". Glass sheet used for painting and provides the frame.Artist signature "WG".framed accessories, painting, william theodore

Personal papers - 11 A4 sheets, titled "Melbourne Tram and bus tickets", sub-titled "Collection: Maxwell Hayes", c July 2006, to Richard Peck listing tickets on CD ROMs. Lists the ticket type, notes, sizes, colours and fares. Two copies, one with additional notes.trams, tramways, tickets, reports, melbourne, buses, trams, public transport

These slides were likely submitted to the Art Director’s Awards. They include an image of "Promotional Use Only" packaging, and slides of screen captures from the multimedia CD. See 29169. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 13 mounted 35mm slide transparencies in yellow box with frosted lid."Art Directors Awards" written in marker on containeruniversity of ballarat, federation university australia, graphic design, multimedia, packaging, higher education, bachelor

Although the slides are unnamed, one design features the name of Travis Price, placing these works around 1997 and the "Silverscreen" graduating year. Digital scans of photographic slide transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.9 mounted 35mm slides of student work.university of ballarat, federation university australia, graphic design, multimedia, packaging, higher education, bachelor

The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s hat created by Harbig of Melbourne with a large border of flowers and leaves in shades of green. The crown of the hat is swathed with pale green silk gauze.Label: Harbig. Melbourne, New York, Parismilliners -- harbig, women's clothing -- hats, floral hats

The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Rounded hat covered with ivory coloured silk, simulated flowers attached to a stiffened net. Label: Harbigmilliners -- melbourne (vic.) -- harbig, women's clothing -- hats, headwear