A property illustration by Margret Picken Commissioned by the real estate agency Woodards Camberwell for the purpose of advertising 15 Donald St., Burwood in 1995. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for $190,00 in 1995 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 15 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway. There are two hole punches near the upper edge.15 Donald St., Burwood Margaret Picken - 95 Woodards - c'well whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Hocking Stuart Blackburn for the purpose of advertising 63 Vicki St., Forest Hill This property has be subdivided into two house since being sold in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 63 Vicki St., Forest Hill depicting a single story brick house with steps up the concealed doorway. On the left a driveway leads to a gated garage, on the right in the foreground is a front garden.63 Vicki St., Forest Hill Margaret Picken © 2002 Hocking Stuart B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill, real estate

The photograph is from the album of Ivy Child. The road featured called the 'Main Road' is what we know know as Mt Dandenong Tourist Road. It has been made but not tarred. The identity of the people is unknown. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing a stretch of road with two young boys and a girl standing in the middle. Behind them, standing on the edge of the road are two women and a man. Behind them is a wire and post fence with wooden gate and a shed. Bush is visible in the background.Handwritten below the photograph in the album: ALONG THE MAIN ROADivy child, main road, mt dandenong tourist road, tourist road, kalorama

Colour photograph of Ballarat No. 40 at the Lydiard St. Nth terminus, with the tram showing destination of Sebastopol. Tram has two roof advertisements, possibly SEC "Electric Cooking". Cemetery gates in background. Photo dated 6/11/1962. On Kodacolour paper."57Ed" in blue ink, date stamp 6 Nov 1962" in red ink.lydiard st. north, tram 40

Yields information about the appearance of tram No. 26 crossing the railway level crossing in Lydiard St Nth and the railway features at this location.Black and white photograph of Ballarat tram No. 26 crossing the Railway level crossing in Lydiard St Nth. The tram has the destination of Grey St Sebastopol. In the background is the railway level crossing gates, the goods shed and the signal gantry. Two copies held.On rear in ink (Lloyd's hand writing) - "Ballarat, Lydiard St railway crossing, 27-2-1954, ARHS neg."trams, tramways, lydiard st nth, railway crossing, grey st, tram 26

Black & white photograph, Bert Graham Collection, Mr. & Mrs. Tully at the Offical Opening of the Eastern Park Gates in May 1957.on the plaque reads; Erected to Honour the Services Rendered by Mr. & Mrs. J.P.Tully, May 1957. as mentioned on back, 9.6.1957 AHG..bendigo, clubs, eastern park

Court House Patrick Street with photo taken on angle Flanked by metal fence with stone base. Slate roof with ventilators chimneys. Parapet round roof on the single story. Arched windows and entrance. Three children sitting in Gateway.B/W Photgraph of a Substrantional Stone Building - Flanked by a metal Fence on a stoone base - Slate roof, with ventalators, Chimneys - Parapets on the single story Arhed windos and enterance. three young boys sitting in front of the gate, the one to the left is wearing a cap.stawell building, court house

Article about Nillumbik Cemetery prepared by Nillumbik Historical Society for the Yarra Plenty Regional Library's "Diamond Valley History Tour 2019". Describes the cemetery gates and lists prominent locals who are buried in the cemetery.Pamphlet, 3 pages, text and colour illus.diamond valley, yarra plenty regional library, nillumbik cemetery, nillumbik historical society

The portion of the church yard to the right of the entrance gate is reserved for the graves of Beale relatives and the headstones record much of the family's history. Tour of St Katherine's Anglican Church and cemetery, St Helena, 27 October 2014Born Digitalst katherine's church, st helena, cemetery, beale family

Two bearded gentlemen standing in front of weatherboard Home with Wooden Shingle Roof overgrown with ivy. A rough picket fence and gate in front with boy with straw boater hat sitting against it. Swalwell - Eastlake families.stawell

Note by T.H. Kneen 19 November 1991, "View of Principal's residence from vicinity of orchard gate - the three steps in altered form still exist (1991). Middle ground plantation of camellias still exists."Looking across garden area from the Orchard with path and shrubs to back of Principal's Residence in background. There are more steps than are extant now.On reverse, "1913." principal's residence, lynch design, camellias, principal's house, orchard, field station

Statement of Significance Last updated on - January 5, 2010 REVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 What is significant? The c1950s Jelbart residence and the c1945 barn, the garden and the gate posts and the surrounding site to the extent of the title boundaries. How is it significant? The Jelbart house and barn are historically and architecturally significant to the Shire of Nillumbik. The garden and the gate posts are historically and aesthetically significant to the Shire of Nillumbik. Why is it significant? The Jelbart house and barn are historically significant because they are unusually large and because together they comprise one of the oldest groups of substantial mud brick buildings erected during the 20th century in the Shire of Eltham and foreshadow the large mud brick residences of the 1960s and 1970s for which the area is well known (Criteria A & B). The buildings are architecturally significant because their construction (using timber post framing and mud brick walling) is a characteristic feature of what became known as the 'Eltham style'- which was prevalent in the area during the mid and latter parts of the 20th century (Criteria D & A). The garden and the gate posts - The garden is historically significant because it is a remainder of a large holding of 200 acres associated with the house (Criterion A).The gate posts are historically and aesthetically significant because they were taken from a 19th-century Toorak mansion and because their removal and re-use illustrates the practice of recycling material from demolished buildings that was one of the characteristic features of 'Eltham-style' architecture (Criteria A, D & E).Roll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5arthur street, eltham, jelbart barn

Details the instructions for moving trams within depots, speed must not exceed 4 mph, safety, danger signs, wash bay gates, and shunting over points. Signed H J Smith, Running Sheds Engineer. Yields information about the instructions about driving trams within depots.Foolscap duplicated sheet detailing instructions about driving trams in depots. Dated 7-12-1960tramcars, tramways, mmtb, depots, safety, speed, running sheds

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of unpainted variegated brown brick house with an arched porch, tiled roof, striped awnings, sash windows and low unpainted matching brick fence in the foreground with "33" on the brick pillar beside the driveway next to a low black cast iron gate. murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, striped awnings, sash windows, brick walls, metal letterboxes, cast iron work

A small book titled ' Hints and Helps for Home Nursing and Hygiene.' By E. MacDowel Cosgrave. Revised 1908. London : The St. John Ambulance Association, St. John's Gate, Clerkenwell, E.C. 177 pgs. (ill). Nursing notes written in grey lead in book.E. MacDowell Cosgrovemedical, the st. john ambulance association, medicine, health, care, hygiene, medical, sciences, nursing, biology, book, books

Fragmented Bendigo Timber Co Cnr Williamson And Mollison Tph 218 Statement No 704 dated 1st April 1952. Various hardware items including cyclone gates amounting to £35/8/0 issued to Mr R Mitchell Kennewell St Bendigo.organisation, industry, sale of equipment, bendigo timber co cnr williamson st and mollison st. mr r mitchell. 1952 cost of hardware.

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in December 1939 and includes Ted Jenkins - the son of the owner of Churchill Island.black and white photograph with white border showing a man in a wheelchair and a baby being held by a woman standing to the right of the man. The group are in front of a metal gate, looking to their back right. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, ted jenkins

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched, rendered widows with later additions such as exterior drain pipe and gate.villa alba museum, conservation photographs, victorian architecture, cement render, windows

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 45 Nicholson St., Nunawading. This property is listed as having sold for $372,000 in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story weatherboard house. On the right is a driveway leading to a connected carport, and curving around in front of the house. On the left is a front garden in the foreground, and a gated fence to the backyard.45 Nicholson St., Nunawading Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Yields information about Ballarat's trams in Lydiard St North and the railway level crossing.Agfa blue/white mount, colour slide of a bogie tram 36 crossing the Lydiard St North level crossing northbound. Has the railway gates in the view. Moody's Provincial Hotel, Hoyts and Reid's Coffee Palace are in the view. Shows the track arrangement at this location."5-4-69" in ink.tramways, trams, lydiard st north, railway station, level crossings, tram 36

Yields information about trams at the Lydiard St North terminus and the cemetery gates.Agfa blue/white mount, colour slide of tram 33? at the Lydiard St North, terminus, taken through the cemetery gates with a number of passengers, mostly women having alighted or waiting to board. Appears to be two other trams as well given the trolley poles. "11-4-71" in ink.tramways, trams, lydiard st north, cemetery, tram 26, tram 33

Colour print of Ballarat No. 17, at the TMSV's Bylands gate with Len Millar observing the trolley pole. Tram has the destination of Sebastopol and touch up red paint on the drivers front dash panel. Photo early 1990's? Photographer unknown. On Kodak paper.tmsv, bylands, tram 17

Colour photograph. Taken at BRIT Small piece of paper attached to bottom of photo reads: Analytical Lab. 1968 Lois Fenton almost standing on the secret cellar where the flour bombs were hidden, Gary Gately far right. Photo by John Adeney.John Adeneybendigo, institutions, brit

Colour photograph of front entrance gate, with 2 column stone like pillars either side, and driveway to Fortuna Villa property, a sign to the right hand side of entrance reads ' Army Headquarers Survey Regiment' along with 2 smaller lines of writing underneath.

One of a series of photographs, taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, his family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines, railways and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Dandenong Office.The image is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.Digital copy of an original oval mounted photograph depicting workers regrading the Camberwell Railway line following the demolition of the original Camberwell Railway Station. The level crossing gates at Burke Road can be seen in the distance. Named buildings include The Assembly Hall at right.Verso: "1915 / Regrading Camberwell railway line, near Burke Road / Taken by E.J.Dower."theme -- connecting victorians by transport and communications, theme - camberwell railway station, theme - travelling by train

Black and white photo of the exterior of the Cohuna Butter Factory. In the foreground are fences and double wooden gates. The factory has a truck parked in front of it. To the left is a large chimney. In front are three tanks on high stands and a long stack of fire wood. Name written on the back.sciences, bill ashman collection - correspondence, cohuna butter factory

Black and white photocopy of photo. Image shows square mesh steel fence around perimeter of Williams United shaft, two gates in front to allow entry to shaft area. Concrete pad surrounds shaft area. Ring-lock security fence in background.On back in pencil: Williams United prior to cappingwestern mining corporation, goldmining, capping, shaft, mining regulations, williams united shaft

The building in the photograph was the first Sunbury State School No.1002. Prior to the school being built, lessons were conducted in the Presbyterian Church. After parents organised a petition in 1869 for the school to be housed in a proper building and a committee of management was formed, work on a new school building commenced. The old building had many structural deficiencies and the red brick building was built on the same site in 1911. A non-digital black and white photograph of an austere looking rendered building with a flagpole attached to a small portico at the entrance of the building. The roof is corrugated iron and has two air vents and two chimneys on it. There is a picket fence with a gate across the front and a tree is growing in the front.sunbury state school no. 1002., macedon street, stawell street

Rectangular medical chart made from printed and coated paper laid on white fabric (?cotton) and showing the upper part of the human body, with skeleton, organs and blood circulation. The chart is attached to two wooden batons with small metal tacks. The top baton is moulded while the lower baton is circular in cross-section. Both batons are stained black. There are two screwed metal eyelets attached to the upper baton used for hanging the chart. A short length of red cotton tape is attached to the mid point of the upper baton with a metal tack and is used for securing the chart when it is rolled up. There is the remnant of a printed paper label adhered on the reverse side of the chart at the top edge, but unable to read the writing.The artists name (J. Teck) is printed at the bottom LHS of the chart . The logo of the St John's Ambulance Association is printed on the RHS of the lower edge of the chart, along with the words 'St JOHN'S GATE, LONDON, E.C.1'medical chart, blood circulation