Framed watercolour featuring a landscape painted by Adriene Dietrich. Silver metal frame with white card window mount. Painted predominately in shades of blues, brown and greys.

A sign that originally hung near the Comradeship room where Legatees met regularly.Comradeship meetings were very important to the Legatees. Legatees supported each other by coming together for various events throughout the year. Yellow hand painted board with rounded edges and black text. Four holes through board. Top section is painted in gloss, lower section in low sheen.comradeship, legatee event

14" diameter hand-cranked Fly wheel turning through gears, with twin 4" diameter rollers, knife cleaner. Painted green on a red painted base."Original Model Patent"knife cleaners

CEMA Art CollectionThe painting depicts the shoreline of a beach with green foliage in the background. Various shades of sand make up the foreground, with a black object in the centre edge of the foreground. To the right of the sand is the blue ocean with the white wash of a broken wave seperating the sand from the water. The background features foliage in various shades of green which meets a blue/purple sky. The work has a painted white wooden frame with material mount and exposed canvas.Front: I.G. HILL 1967 (black painted, lower right corner) Back: White chalk:- ARTIST (underlined) MISS I.G.HILL 42 BOWEN ST. CAMBERWELL(underlined) Price $63 IRENE HILL "BEACH AT DUTTON WAY" (1967) (typed label) Yellow Sticker: 1967 -cema, portland artists society

Set of three black and white photographs of tram SW2 436 being made ready for painting and then by spray painting at an outside area at Preston Workshops, during the 1950's.Each photo has the MMTB photo stamp and reference No. P25/1/105 in ink on the rear.trams, preston workshops, paint, sw2 class, tram 436, tramways

Black and white photograph of on end of cable saloon trailer No. 1 with the "Richmond" destination prominent and other details of the end of the tramcar. Photo possibly taken after the repainting of the tram. Photo from the Collection of the Department of Infrastructure now with the Public Records Office - image number H552. Note: this photo is now out of copyright and was not an original VR photograph, but one copied from another source and collected as their Heritage series.Has Department of Infrastructure copy right stamp on rear and number "H 552" in ink on rear and "1-6"trams, tramways, cable trams, trailers, paint, tram 1

Painting of Lara RSL in 2018. Building erected in June 1864. Used by the Shire of Corio from 1874 to 1937. The Lara RSL sub branch had their first official meeting in the building on 11/4/1949.Water Coloured Painting in Wooden FrameRear of Painting - Donated by Karen and Rob Dick. Painted by Karen Dick March 2018lara rsl buiding watercolour karen dick 2018

The boat in the painting belonged to a seafarer, my Uncle Bill who used it to fish from when on shore leave.This weathered boat is a familiar image to many who walk the shorelines and ponder the question, "I wonder who the owner is?" Maritime art, Marine artpainting of the prow of a wooden boat fully mounted and with black mitred frame and glazed with perspex. Cord hanger sealed backing with labelsArtist signature at lower right corner facing in white paint uc : "BERNIE AYRE"artwork, 2013, berni ayreart, artwork-paintings, maritime art prize, anl, boat

This painting was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This painting is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The painting is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this painting to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Painting, oil on board, behind glass framed with wood. Portrait of a child dressed in white, kneeling in prayer, within a dark room. The artist, P Butcher, titled the picture "The Infant Samuel". This object is part of the St Nicholas Seamen's Church Collection. Painted at centre bottom edge "THE INFANT SAMUEL.", and right bottom edge "B. BUTCHER"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, painting, oil painting, religious painting, infant samuel, p butcher

Born: Dorchester, Dorset, England 1856; Arrived Melbourne 1869; Died: Kallista, Victoria, Australia 1931Heidelberg SchoolLedger Gift, 1978Rural landscape with dirt road. Copper coloured timber frame.Recto: Signed "Tom Roberts. 24." in white paint l.l.c of composition; Not dated; Not titledlandscape, trees, bush, road, hill, forest; australian art

Born: Fitzroy, Victoria, Australia 1865; Died: 1915ImpressionismLedger Gift, 1993Rural landscape with fence and buildings in the distance. Gold gesso on decorative wood moulding frame.Recto: Signed "E. Phillips Fox" in black paint l.l.c of composition; Not dated; Not titledlandscape, buildings, rural, hills, fence, australian art

Born: Westbury, Wiltshire, England 1890; Arrived: Melbourne, Victoria, Australia 1893; Died: Warragul, Victoria, Australia 1923InterwarGift of Mrs E.E. Ledger, 1975Beachscape with rocks, trees, water, piers, buildings, sky and sailing boat. Gold wood moulding with fabric and gold insert frame.Recto: Signed and dated "Penleigh Boyd / 21" inscribed in paint l.l.c of composition; Not titledpainting, beachscape, boats, building, trees, rocks, marine, australian art

Small oval glass ash-tray with a centre picture of Lake Mulwala and the bridge to Yarrawonga taken from Cypress Gardens, Mulwala NSW"Lakeside Yarrawonga", VIC Cypress Gardens painted on the side of boat can also be read.

2 photographs of caterpillers on plant. On reverse of both, "Ac. Saliqua Painted apple moth larvae Jan. 16. 1926."caterpillers, plants, moths, larvae, pests

CEMA Art Collection Previously located in History HousePortrait of Queen Victoria depicting her torso and head. She looks to her right and is shown in an almost profile view. Dressed in black with a white collar, she wears a blue and white band in her hair. She wears a small gold earring, black choker with gold locket and a brooch with a man's portrait. The work has a gilded frame with some decoration and exposed canvas.Front: J.A.BRIGGS Queen Victoria, 1838-1901 Back: Painted by J A Briggs 1897queen victoria, 1800s, portrait, portrait painting, female, female portrait

Notice at cemetery 1889Wooden notice board, painted, black border, cream background, with raised black writing, stating rules of conduct of visitors to cemetery funerals. Signed by F. Hickox, Secretary, 1889. Metal angle brackets, painted black, situated top and bottom, year painted on bottom bracket."Notice is hereby given that visitors at funerals are not allowed to crowd around graves to the exclusion of mourners and friends of the deceased. This regulation will be strickly enforced by the Sexton. By Order of the trustees, Fred P. Hickox, Secretary, Janry 15th 1889"clunes cemetery, noticeboard

An hand-pushed, tricyclical line marker, with a paint chamber and conveyor wheel, distributing paint to the application wheel situated behind the chamber. Across a circular metal panel - situated between the stems connecting the chamber to the wooden handle - is the inscription: THE GEM. Materials: Wood, Metal, Lacquer, Painttennis

.Run Number pressed metal plate with corners trimmed and rounded, two slotted holes, painted with a yellow background and the letter "K" and number "80" painted in black, to give a Run Number Plate for Kew Depot. Painted with the same detail on either side of the plate. Appears to be unused.trams, tramways, mmtb, kew depot, timetables

Dust cover is a painted illustration of the characters from the book.fictionAfter World War III, Australia is the only remaining haven for mankind. However, wind currents carrying lingering radiation all but condemn those on the continent to the same fate suffered by the rest of the world. When the survivors receive a strange signal from San Diego, Cmdr. Dwight Towers must undertake a mission with Lt. Peter Holmes to see if there is hope for humanity -- leaving behind Moira and Mary, the women they love.science fiction, end of the world, australia

Used for darning clothing such as socks. This is a small one, possibly used for children's clothing.Small darning mushroom, turned wood, painted fawndarning mushrooms, darners

Used to store meat and other perishables, often with wetted cloth covers to keep contents cool where refrigeration was not available.Grey painted ventilated meat safe with centre shelfmeat safes, food safes

Used in laundering clothing etc. The corrugated section used to remove ingrained dirt by rubbingWooden washboard, corrugated both sides, painted greenwashboards, laundry, laundry equipment

Part of model ship made of wood with gold paint Prince of Wales

Orange lifesaver with 'Cerbrus' painted on top and 'MB7307' on the bottomCertificate of Approval No. 1050/ FAIRWAY. R-No. 7617 (Other writing is obscured).

MedievalismMedieval type illumination framed in wood painted blueBotton left corner: Charles Terry, Printer, 183 and 184, High Holborn, London, W.C. Bottom right corner: Sunday School Union, 56, Old Baily, London.illumination, religion, artwork, artwork-paintings, sunday school union, old bailey, london, charles terry