List of WWI volunteers from Korumburra South and districtOne of the few remaining historic items from Korumburra South.Honour roll of cardboard mounted photographs with painted text, glazed and in a brown wooden frame. 1914 1918. Honour Roll. In Honour of the Volunteers of Korumburra South and District. A. Brown, C. Dawes, E. Jones, S. Whitworth, F. Hastings, G. Dawes, C. Dawes, L. Dobson, T. Morgan, A. Hastings, H. Wentworth, A. Le Maitre, J. Garrett, G. Dawes, D. Friday, A. Garrett, G. Ramage.korumburra south, wwi, honour roll

This particular specimen was recovered from the Lal Lal Coal and Iron Mine in Victoria, 19km from Ballarat. Brown Coal was discovered here in 1857, just alongside the Geelong to Ballarat Railway line. This discovery of lignite (brown coal) was the first in Victoria, which would bring important benefits to the region and state, both of which had previously been reliant on coal imports. In the 1860s, iron ore was found just 5km from Lal Lal, and the area was converted into an Iron Ore Mine. The Lal Lal Iron Mining Company took over operations in 1874, who then peaked iron production in 1884. This mine continued operations until June 1884, when the blast furnace was extinguished and never recommenced. The blast furnace at Lal Lal is considered one of the most important and highly significant sites ion early industrial history in Australia, as it is the only remaining best furnace from the nineteenth century in the Southern Hemisphere. The furnace ruins are 17 metres high, and are clearly visible today on Iron Mine Road, Lal Lal, near the Bungal Dam. This specimen of Lignite (brown coal) is significant, as it was mined from the area where brown coal was first discovered in Victoria, leading to an important and controversial future of the mining and use of brown coal in this State. The Victorian Heritage Database has listed the Lal Lal Coal Mine with local significance, with their Statement of Significance stating: "The Lal Lal coal mine is historically significant as the site of the first discovery of lignite (brown coal) in Victoria, and one that promised important benefits to regional and state industries that were reliant on coal imports at the time. The significance of the stie is reduced by the poor state of preservation of the coal mining and processing fabric". This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized light-weight, soft and combustable sedimentary rock specimen, that is dark brown in colour. The specimen has jagged edges, as though parts of the rock have crumbled away. Brown coal, or Lignite, is formed naturally from compressed peat, and is typically found in natural basins. The stages to the formation of coal ('coalification') begin with plant material and wood, which will decay if it is not subjected to deep burial or heating, and turn into Peat. Peat, when sufficiently compressed naturally, will turn into Brown Coal (Lignite), and finally into Black Coal (sub-bituminous, bituminous and anthracite). Each successive stage has a higher energy content and lower water content. It is brownish-black in colour. Brown Coal has a high moisture content, between 50 and 75 percent, and a low carbon content. Some Brown Coals may be stratified, with layers of plant matter, which means little coalification has occurred beyond the peat natural processing stage. When Brown Coal is submerged in dilute nitric acid or boiling potassium hydroxide solution, it reacts to produce a reddish solution, of which higher-ranked coals do not. When brown coal is pulverised and burned in boilers, the steam is used to drive turbines, which generates electricity. It is the lowest rank of coal, as when burned, it creates a relatively low heat content, which in turn does not create a great output of steam. burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, brown coal, brown coal specimen, lignite, lal lal, lal lal coal mine, lal lal iron mine, ballarat, blast furnace

The New Holland Honeyeater can be found throughout southern Australia, from about Brisbane, Queensland to just north of Perth, Western Australia. They are native to Australia and are named after Australia's first name (new Holland). This specimen is mounted correctly but looks different to the typical images of this bird because it is a younger New Holland Honeyeater and is; therefore, brown in colour instead of the typical black. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Young New Holland Honeyeater is brown in colouring and has grey glass eyes (like this one) while adults are black and white with white eyes. Both have a large yellow wing patch and yellow sides on the tail. It has a small white ear patch, a thin white whisker at the base of the bill. This honeyeater is an active bird, and rarely sits still long enough to give an extended view. Sexes are similar in looks, but females are slightly smaller in size.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, new holland honeyeater, brown, black, yellow, australia, new holland

This painting of the “La Bella” is associated with Flagstaff Hill’s collection of artefacts from the wreck of the “La Bella”. It was painted around the 1980s by maritime artist Philip J. Gray. Some 15 – 17 ships are believed to have sunk in Lady Bay, but only two have been discovered on the seafloor; the “La Bella” and the “Edinburgh Castle”. Both wrecks are popular diving sites and are preserved as significant historical marine and marine archaeological sites. The Kosnar Picture Framing and Mirrors Shop identified the "GRAY 3135, Y04/111" as their job number for the framing and said that the label "ANOTHER KOSNAR FEATURE" was last used before about 1990. About artist Philip J. Gray “Philip is one of Australia’s leading maritime artists and his meticulous research and social commentary paintings of ships, such as, the Loch Ard and Schomberg form an important part of Warrnambool’s Flagstaff Hill Maritime Museum.” [Dr Marion Manifold, Artist and Art Historian, 2014] Philip James Gray was born in London but has lived most of his life in Australia. He graduated from a London school of art as an illustrator, specialising in technical and scientific illustration as well as other commercial and applied art. He was also a student for a time of Fyffe Christie - British figurative artist, mural painter and humanitarian – who had a great influence on his career. Philip has always worked as a professional artist and illustrator. Many publications on maritime history have featured his work. His paintings have been released and sold all over the world as limited edition prints. The State Library of Victoria’s ‘Latrobe Collection’ holds two of his paintings. His street painting of ‘The Ashes Contest’ decorates the brick wall of Old Bakery Laneway in Sunbury and a Sunbury café owner commissioned him to paint the ‘Sunbury Pop Festival’ as a remembrance of local history. Philip has been an active member of the Sunbury Art Society in Victoria for several years, serving on the committee for some of that time and being involved in exhibitions. He enjoys helping new artists and sharing his skills and experience. About the “La Bella” The wreck of the La Bella lies at the bottom of the Warrnambool Harbour in Lady Bay. Some 15 ships are believed to have been wrecked there but only two have been discovered on the sea floor; the La Bella and the Edinburgh Castle. Both wrecks are popular diving sites and are preserved as significant historical marine and marine archaeological sites. The story of the final voyage of the La Bella is summarised as follows … The ship from which the sailors were rescued was the three-masted, iron and steel barquentine the La Bella, built in Norway in 1893. She was one of two iron and steel ships by Johan Smith, the company being one of the leading shipping families in Tvedestrand, Norway. She was significant to Norwegian shipping, being one of only 27 iron and steel ships ever built in Norway. La Bella was registered in New Zealand and engaged from 1902 in inter-colonial trading of timber in the pacific, between New Zealand and Australia and was often in Port Phillip Bay, Victoria. On 5th October 1905 the twelve year old La Bella left Lyttleton, New Zealand carrying a cargo of timber bound for Warrnambool, Australia . She was manned by a crew of twelve: the Master, (Captain Mylius, previously 1st Mate of La Bella, appointed Captain to La Bella on 6th February 1903) 2 Mates, Cook, six able seamen, one ordinary seaman and a boy. Bad weather en-route caused her to shelter at Burnie on Tasmania's North West coast. On November 10th, the 37th day of her journey, La Bella approached Warrnambool. Captain Mylius steered her towards Lady Bay Channel in heavy south-west seas and evening mist. He ordered the helmsman to steer for the light. As the ship came round, a tremendous sea struck her on the port quarter, causing her to breach broadside in a north-westerly direction into breakers. The helm was brought round twice more, but each time heavy seas broke over her, the third time throwing the La Bella on to a submerged reef in Lady Bay now known as La Bella Reef (about 100 yards from the Warrnambool breakwater). The sea was so rough that it even wrenched a one-and-a-half ton anchor from its fastenings and into the sea. As Captain Mylius headed to the steel wheelhouse, intending to send up a rocket flare, a huge sea slammed the steel door into him (resulting in massive bruising front and back) Despite his injuries he still managed to set off a blue light, which he held up in his hands. La Bella’s lifeboats were filled with sea water and broke up on their chocks. The blue light was the first indication to people on shore that there was a ship in distress. The Harbour Master, Captain Roe (who lived in the Harbour Master’s House opposite Flagstaff Hill), organised a group of volunteers to crew the lifeboat because the trained crew was unavailable; the crewmen were working on a steamer in Port Fairy at the time. He then poured oil onto the water to try and smooth the sea. At around 11pm three of the crew took shelter in the steel forecastle but the sea crashed into it and broke it up. While the rest of the crew and onlookers watched helplessly in the moonlight the bodies were washed away into the sea, never to be seen again. Some of the crew lashed themselves to the weather rail to keep from being washed away. Watson, the ordinary seaman, became tangled in the rigging lines and was too weak to move, so the 2nd Mate, Robertson, put a line onto him so that he wouldn’t wash off. Around 11pm three of the crew were unconscious from exhaustion. The situation on La Bella was becoming dangerous. The 2nd Mate moved to the ‘house’ and soon afterwards the ship slipped in the heavy sea. The lashings of the 1st Mate and the ‘boy’ Denham had kept them safe until about 2am when they were washed overboard; no one was able to help. One by one, the exhausted crew were being washed overboard, too weak to hold on any longer. During the night the La Bella had broken into two and the deckhouse ran out towards the sea. Two more men drowned when trying to reach the lifeboat. By sunrise the only survivors of the twelve were the Master, 2nd Mate and three seamen. Early in the morning Captain Roe used the rocket apparatus on shore to try and shoot a line to the ship for a safer rescue but each attempt fell short of the target. Several attempts were made by the lifeboat to rescue the stricken sailors, but the rough conditions made this difficult for the boat to get close enough to the ship and the lifeboat had to return to shore. During a final attempt to reach the ship Captain Mylius ordered his men to jump into the sea. Leonard Robertson, 2nd mate, jumped and swam towards the lifeboat, taking hold of the boat hook offered to him. Oscar Rosenholme managed to reach the boat floating on a piece of timber from the ship’s load and a third survivor, Noake, also made the boat. Along with the lifeboat rescue crew, 25 year old William Ferrier rowed his small dingy through the heavy seas and managed to rescue the Captain, whom he landed on the breakwater. Ferrier then returned to the ship to attempt a final rescue, losing his oars and rowlocks into the high sea. Using just a spare paddle he skulled towards the La Bella, reaching her stern in time to cut loose the lone surviving sailor, Payne, from the lashing that held him to the ship; the terrified sailor dropped from the ship and into the dingy. Shortly after the last man was rescued, the La Bella was lifted by a huge wave and crashed back down on the reef; she broke up and sank. The ordeal had lasted ten hours. The survivors were taken to the nearby Bay View Hotel and gratefully received warm food and clothing, medical attention and a place to sleep. In the following days an unidentified body of a young person was washed ashore; it was either Watson or Denham. The body was buried in the Warrnambool cemetery with an appropriate gravestone and inscription. William Ferrier became a national hero as news of the daring rescue spread. In recognition of his bravery in the two daring rescues he was awarded the Silver Medal for Bravery by the Royal Humane Society and was honoured in the letter from the Prime Minister and the Parliament of the Commonwealth, telegrams and a cheque for £20 from the Governor General, over £150 subscribed by the public, including Warrnambool and district and readers of The Argus, and a gold medal from the Glenelg Dinghy Club of South Australia. Ferrier’s rescue efforts are one of the most heroic in Victoria’s shipwreck history. (William Ferrier’s son, Frank, received a similar award almost fifty years later, when he helped rescue four members of the crew on the yacht Merlan, after it ran on to a reef near the Point Lonsdale Lighthouse. ) The wreck of La Bella now lies on her port side in 13 metres of sheltered water inside the reef she struck. The bow section is relatively intact and part of the stern has drifted north-easterly towards the mouth of the Hopkins River. The reef the La Bella struck now bears its name. Those five rescued from the La Bella were Captain George Mylius, Leonard Robertson (2nd Mate, 21 years old), R. Payne, Oscar Rosenholme and Jack Noake. Those seven who lost their lives were Mr Coulson (1st mate), Charles Jackman (cook) Gustave Johnson, Pierre Johann and Robert Gent (all able seamen), Harry Watson (ordinary seaman) and Jack Denham (ship’s boy). Captain Mylius was found guilty of careless navigation; he had sailed into the bay without the services of a pilot. His Master Certificate was suspended for twelve months. Later he was also charged with manslaughter of one of the crew who had died when the La Bella was wrecked, but found not guilty. The event’s adverse publicity and damage to his career took a toll on his health and he died of a heart attack six months after the wreck; he was only thirty-seven. His body was buried in the Melbourne General Cemetery. The La Bella was “the best documented of all sailing ships owned in New Zealand”. Her record books, ship logs, correspondence and supporting papers are still available. At the time of the tragedy she was owned by Messers David C.Turnbull and Co. of Timaru, New Zealand timber merchants and shipping agents, who had purchased her on 13th December 1901. A detailed account of the last journey of La Bella can be read in “Leonard Robertson, the Whangaroa & La Bella” written by Jack Churchouse, published in 1982 by Millwood Press Ltd, Wellington, NZ.This painting of the La Bella by Philip J. Gray is part of the La Bella Collection and is significant at both a local and state level. Its connection to the La Bella shipwreck and the rescue of five survivors highlights the dangers of Victoria’s Shipwreck Coast. The painting connects with other objects and artefacts associated with the wreck of the La Bella. This painting is significant because of its association with the sailing ship “La Bella” . the “La Bella” is of local and state and national significance. It is one of the only two shipwrecks discovered in Lady Bay, Warrnambool, out of the 15-17 shipwrecks in the bay. Large framed painting of the three masted barquentine "La Bella" fully rigged. Painted by Phillip J Gray. A fine printed line squares off the painting. Beneath painting and line is a gold plate with black copper plate designating "La Bella" is encased in glass, surrounded by a silver-metal frame. Yellow and brown paper label is adhered to back of painting. Picture framed by Kosnar in Melbourne."The La Bella" on gold plaque Logo of "K" inside a brown square. "GRAY 3135, Y04/111", "ANOTHER KOSNAR FEATURE" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, la bella, artist phillip j gray, maritime painting, lady bay warrnambool

This item was used in the care and maintenance of leather harness and saddlesImported and retailed by Holden and frost Ca 1900Circular yellow tin with inscribed lidS & H Harris's saddle paste for Saddles Brown harness and ll kinds of Brown leather followed by instructions for useleather, paste, cleaner

This photo was taken in Penshurst in 1903 which shows the late David Brown, late of Colerain Balmoral and his son, Albert, now residing at Gritjurk, transporting a load of sixty bales of wool from “Yat Nat Estate” near Balmoral to Port Fairy —a distance of 108 miles.Black and white photograph from a newspaper article with a large wool laden wagon with 14 bullocks yoked up The above photo was taken in Penshurst in 1903 which shows the late David Brown, late of Colerain Balmoral and his son, Albert, now residing at Gritjurk, transporting a load of sixty bales of wool from “Yat Nat Estate” near Balmoral to Port Fairy —a distance of 108 miles.transport, rail, road, bullocks, wagon, carrier, penshurst, balmoral, albert brown, david brown, wool bales, yat nat estate, gritjurk

Names recorded in early LDHS "Index to Photographs" substantially match names recorded in ink across photograph. Combined list as follows: Back row: S. Robinson, -?- (possibly R. Preston), A. Bolte, A. Chasey, J. Pye, J. Walker, S. Chasey, J. Hyatt, H. Megee, J. Stapleton, A. Pyke. Second row: M. Rowe, E. Pyke, A. Brown, M. Pye, I. Hyatt, A. Chasey, L. Sandow, A. Megee, L. Chasey, D. Cornish, L. Woodford. Third row: G. Pettersen, E. Walker, R. Cornish, L. Fletcher, I. Brown, L. Bass, I. Armstrong, D.(M?) Wearne, M. Allan, I. Nicol, C. Megee. Front row: R. Allan, S. Mark, F. Donaldson, S. Morgan, W. Bass, R. Jennings, C. Murrell, F. Wishart, W. Megee, F. Megee.Linton school photograph grades 1-4, sign in front of students dated 20-6-1923. Brown cardboard surround. Names of pupils recorded in ink on the mount.linton state school no. 880, s. robinson, r. preston?, a. bolte, a. chasey, j. pye, j. walker, s. chasey, j. hyatt, h. megee, j. stapleton, a. pyke, m. rowe, e. pyke, a. brown, m. pye, i. hyatt, a. chasey, l. sandow, a. megee, l. chasey, d. cornish, l. woodford, g. pettersen, e. walker, r. cornish, l. fletcher, i. brown, l. bass, i. armstrong, m. allan, i. nicol, c. megee, r. allan, s. mark, f. donaldson, s. morgan, w. bass, r. jennings, c. murrell, f. wishart, w. megee, f. megee, d. (or m?) wearne

The topic of the notes is 'Dumping'. Dumping is the placing on the ground of stocks over and above those normally held. The term 'dumping' usually applies to combat zones. Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record.Cream coloured foolscap sized manila folder containing pages of notes in black type. Title and name of author on front cover. Each is printed on brown dymo tape. Pages secured to folder with an adjustable metal fastener.On front cover in brown dymo tape: “BRIEF FOR 3 DIV STAFF OFFICERS COURSE, 3 MAR 73” On bottom RH corner of cover in dymo tape: “CAPT. K. J. HERDMAN”.dumping, training notes, kevin john herdman

Card is part of collection of items donated by the Grigg family to LDHS after the death of Marie Grigg.Small Christmas card given to members of Linton Brownie Pack in 1930 by 'Brown Owl' L? Nicol. Card depicts a girl in Brownie uniform, sitting next to a very large owl which is winking at her.Inside the card, on line for name, handwritten: "Brownie Maree" Printed message: "With all Good Wishes for Christmas and the New Year / from" On line for name, handwritten: "L? Nicol / Brown Owl / Xmas 1930".christmas cards, brownies, girl guide movement, marie grigg legacy, christmas cards, l? nicol [brown owl]

This is a short study of Princess Elizabeth and Lieutenant Philip Mountbatten, written expressly to coincide with their wedding. It tells some of the stories behind the Royal romance as well as sketching the personalities and characters of the young Royal couple. The book probably belonged to Mary Gilbert, a prominent member of the Orbost community - a teacher and historian who was the first curator of the Orbost Museum. This book is a useful reference tool.A 64 pp dark blue hardback book with gold print on the cover - ELIZABETH and PHILIP and underneath a gold line - LOUIS WULFF, M.V.O. It contains b/w photographs and stories of Princess Elizabeth and Lieutenant Philip Mountbatten. It is authored by Louis Wulff, M. V. O.Inside front cover - in brown pencil - Gilbertsroyal-family princess-elizabeth gilbert-mary

147081 William Charles Atkinson. Enlisted 9/2/1944 aged 18. Discharged 21/2/1946 with rank LEADING AIRCRAFTSMAN in 7th AIRCRAFT DEPOT.1. Jacket - cotton, khaki, black plastic buttons, long sleeved, embroidered insignia on upper sleeves. 2. Belts - cotton, khaki, black buckle.Propeller embroidered in brown thread on upper sleeves.uniform, raaf

One of a collection of 7 photographs of Amygdales polished by Dr G Baker CSRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story". Black & White photograph of an Amygdale Stone."Brown chiefly. Magnified about 3 diam"phillip island, amygdale stone, dr g baker, joshua w gliddon

Triangular pennant, laminated. Red felt with yellow printing. Inscription in black.B3 GRADE / 1987 - 88 / YENDON BROWNbuninyong tennis association, yendon tennis club, premiers

Signed, l.l., brown oil "P. Borgmann"

l.l., brown oil "Penleigh Boyd/22"painting, australian artist, landscape, cow, cattle, gumtree, rocks

contains information about old schools in the Pyrenees.Cardboard cover with b/w/ Photo of a large group of people outside in front of a timber building with trees behind.Title on brown background. " Lost schools of the Pyrenees"stawell education

Parlett's store was situated in Audley Street opposite the wheat silos. Ada Parlett, W. T. Parlett's neice is a concert pianistPhotograph of Parlett's Store, Rutherglen with Mr W.J. Parlett and Mr Bob Ready standing outside store, black and white, mounted on a thick beige card.On reverse of mount: "Brown Plains Road / Rutherglen"parletts store, w j parlett, bob ready, audley street, brown plains road

small sheet of film 1863 WHALEN J TO 1864 BROWN Mbirth, family, register

small sheet of film 1864 BROWN M TO 1864 DOWN Mbirth, family, register

Joan O'Shea collection. Buff coloured book issued by Mines Department Melbourne. Victoria Australia 1936. Information contained within refers to History, Recent developments and future Prospects, Geology, Lines of Reef for the Bendigo area, information regarding tonnage of gold and values of same at that time. The index at the rear of the book lists all of the mines in the Bendigo area.Geo. Brown, Secretary for Mines, Mines Departmentmining, business, mines department

Hulbert Harrington Warner 1842 -1923 made his fortune from sales of patent medicine.Glass medicinal bottle'Warners Safe Cure' imprinted on brown bottle.bottles

Diamond-shaped, cream-coloured card with gold lettering. Small piece of blue ribbon threaded through hole at top of card. Ticket is for the Old Lintonians' Association 53rd reunion, and has the date "Saturday, 11th March 1966". The ticket appears to have been misprinted, as the 53rd reunion was actually held on March 11, 1967. (See notice for the 53rd reunion, registration number 1995.) Ticket has "Roy Brown" handwritten in ink on name line.Text: " OLD LINTONIANS' / ASSOCIATION / 53rd Re-union / Saturday, 11th March, 1966 / MEMBER'S TICKET / NAME Roy Brown. "old lintonians association, events, reunions, roy brown

Invitation card for the private opening of the Wattle Path Palais & Cafe, on the Esplanade, St Kilda, on 30 October 1923. The event was written up in The Argus newspaper the next day as follows: WATTLE PATH PALAIS OPENED. Five thousand persons were present at the "private opening" last night of the Wattle Path Palais and Cafe, St Kilda esplanade. The mayor of St Kilda (Councillor Allan) welcomed the guests on behalf of the management. The floor, 190ft. x 90ft, is claimed to be the largest specially constructed for dancing in Australia. There was much to admire in the colour tones, which blended brown, blue, and gold harmoniously, while soft lighting effects came from old gold georgette and crepe-de-chene lamp shades. A good band was provided. Sixty-five loges are available for parties of dancers. A feature of the building is the open-air pagoda, in which free band concerts are to be given on Sundays.White card, discoloured with age, printed in brown with teal profile in background.wattle path palais & cafe, palais de danse

Photograph of the Victorian Football Tramway Association, Brighton - Glen Huntly team at its match against Clifton Hill on 17/5/1933. Includes 18 players with other men in the background. The team members are named: Back row, left to right – R? Haughton, ? Carter, J Swallwell, L Mitchell, J Cosson, N Capp, T Barber, W Eccles Centre row, left to right – J Brown, Huston, Chandler, J Loftus, J Lawley (vice captain), N Boucher Front row, left to right – G Slade, J Richards (captain), W J Sheldon, H Bird Clifton Hill won the match, 14.18.102 to 2.5.17 – Brighton’s goal kickers were Slade and Chandler. Best players on the Brighton side were Haughton, Slade, Loftus, Richards, Barber and Bird. See item 7056 for a Life Membership Certificate presented to Mr Boucher in 1947.Demonstrates a photograph of a VFTA football team.Black and White photograph mounted onto a sheet of embossed brown cardboard.Handwritten details on rear in ink.sports, vfta, football, n c boucher