Brass belt buckle depicting a nude female with two dogs contained within a circleNonematcham skipper, belt buckle, bronze, jewellery, diana and the hounds

Female white Port Fairy Bowl's Hat with navy band and silver and blue badge.Headband - Navy blue with 4 air holes and "Port Fairy" embroidered in white Badge - LBA VICTORIA with foliagejanwilley, bowls, port fairy, bowling club

Three of the Telephonists at the telephone exchange in the Post office building in Sackville Street.Black and white photograph of two males and a female gathered around the telephone exchange deskTELE EX PF 1927_0001telephones, telephonists, port fairy, telephone exchange, equipment

Note by T.H. Kneen and E.B. Littlejohn 04.03.1992, who believe it was probably taken c.1940-1941. "Student with foot on spade could be (J.M.) Pixie Scott" (1941).Black and white photograph. A group of mostly female students crowded around the entrance to the Pavilionstudents, pavilion, j.m. pixie scott, 1941, inside classes

Marnoo – Fellowship Class 1898 Marnoo October. Back row: left to Right: H. Newall, Phemie McKinnon, C. Newall, Barb McLennan, Mal Maconachie, Glencioss?, J. Aitkin, Duncan McLennan, Margaret Maconachie, Mal McLennan, May McLennan. Back row (Middle row): Lottie Newall, Ellen Aitkin, Ellen Newall, Liz Maconachie, Miss Allen, Barb McLennan, Liz McLennan, Jane Maconachie, Ag Newall. Front row: Mary McKinnon, Lily McLennan, Jess McLennan (Blaikie?), Nellie McKinnon.Black & white group photo of 24 people consisting of males & females formally dressed. Marnoo Fellowship Class 1898. Marnoo October. Back row: left to Right: H. Newall, Phemie McKinnon, C. Newall, Barb McLennan, Mal Maconachie, Glencioss?, J. Aitkin, Duncan McLennan, Margaret Maconachie, Mal McLennan, May McLennan. Back row: Lottie Newall, Ellen Aitkin, Ellen Newall, Liz Maconachie, Miss Allen, Barb McLennan, Liz McLennan, Jane Maconachie, Ag Newall. Front row: Mary McKinnon, Lily McLennan, Jess McLennan (Blaikie?), Nellie McKinnon.stawell

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Black and white photograph. 5 female students standing under or on top of the "Langwarrin" sign.On reverse, "An excursion to Langwarrin 1929."female students, langwarrin, excursion, carine williams (née wettenhall), 1991, centenary, 1929

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Sepia photograph. A group of 12 female and 2 male students seated and standing on the lawn.On reverse, "The Seniors in 1929."female students, students, carine williams (née wettenhall), 1991, centenary, 1929, 1929 year group

(a) Donated by Carine Williams (nee Wettenhall) in 1991 for the Centenary Year. (b) Donated by Pat McVickar in 1991 for the Centenary Year.2 copies sepia photographs. 2 female students cutting sapling trees with secateurs. (a) On reverse, "Pat McVickar and-Mathews hard at it 1929." (b) On reverse, "Pat McV & Mathews, Pat McVickar O. Mathews graduated 1930."female students, sapling trees, secateurs, carine williams (née wettenhall), 1991, centenary, pat mcvickar, 1929, o matthews, students working outside

Chelsea State School was built on Argyle Avenue and officially opened on 27 January 1915.Sepia photo of Grades 3 and 4 with two female teachers at Chelsea State School.chelsea, education, chelsea primary school, school, chelsea state school, grade 3, grade 4

A family photo of Stathi and Kassiani Raftopoulos with daughters Leah and Rena and granddaughters. Pictured seated Kassiani and Stathi Raftopoulos. Standing left to right: Casey Koutsounis, Rena Varigos, Leah Koutsounis, Cassandra Varigos, Kathy Koutsounis, Margarita VarigosA coloured family photograph at a restaurant. The couple is seated and the younger females are standing behind them. families, daughterts, granddaughters

Black and white photograph"Written on back of photograph" Ringwood Mayoral Ball - 1954 Country dancing - Male and female dancers. Ken & Laurel Simms.

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Regent Parrot has two separate populations separated by the Nullarbor Plain: one in the Mallee regions of eastern Australia, and the other in the Wheatbelt region of southern Western Australia. Though the populations are widely separated, the birds of each region do not appear especially different, one being a little duller than the other. There are, however, other differences between the two populations, especially in how they have fared: eastern populations are endangered, while the western population is thought to be increasing. The Regent Parrot eats seeds of grasses and plants and cereal crops, especially wheat. It also eats buds and flowers, insect larvae, psyllids and lerps. It forages in pairs or small parties, usually on the ground, but also in the canopy of trees or in spilled grain on the ground. The Regent parrot is endangered in NSW and Vulnerable in VIC This Particular specimen has been mounted correctly.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A slim parrot with a long, dusky tapering tail and back-swept wings. It is mostly yellow, with blue-black wings and tail. There is a prominent yellow shoulder patch and red patches in the wings. The bill is deep pink. It is mounted on a thin wooden branch that is attached to a wooden mount with the scientific name located Label: T.L. 430MM / W.S. 540MM / WT. 200GMS / SEX [female symbol] Mount: Polytelis / Anthopeplus / Regent Parrot taxidermy mount, regent parrot, taxidermy, animalia, burke museum, bird, parrot

The Olive-Backed Oriole are very common birds for northern and eastern Australia, as well as New Guinea. Similar to the Yellow Oriole, this species is more versatile yet less distinctive in colouring. The streaked underparts and red bill and eyes are easy identification features of this bird. Both sexes look very similar, with female colouring being slightly duller than males. This species frequents open forests and woodlands, and can tolerate dry climates. Most of this species breeds from September to January during the tropical wet season in northern Australia, but some are known to migrate south to breed in the summer. This species eats mainly native fruit, berries, and insects. This specimen is a good example of this species, but the colouring is very dull compared to living birds. This specimen has one red eye, which is a good example of a distinctive feature of this species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Olive-Backed Oriole has a faint olive-green head and back, and a faint red-tinged beak. Its body is cream coloured with brown streaks. It has one red eye. This specimen appears to be immature and/or female, as it has a pale pill and a duller-olive green back, with streaks quite high up on it's chin, which is indicative of an immature female of this species. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 52a / Australian Oriole / See catalogue page 17. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, oriole, olive-backed oriole, yellow oriole, australian birds

The Satin Flycatcher is a small and energetic bird commonly found along the east coast of Australia from far northern Queensland to Tasmania. They are also located in south-eastern South Australia and New Guinea. These birds prefer to reside in tall forests and are fond of wetter habitats like forested gullies but not rainforests. These birds are dimorphic, meaning male and females have distinct forms. The male Satin Flycatcher is blue-black in colouring while the female are brown-grey with a distinct orange band on the chin, neck and breast. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Satin Flycatcher is stylised on a wooden platform with a paper tag attached to its leg. This specimen has small glass eyes, wings positioned to its sides and a long straight tail. The colouring on this bird is a brown-grey and cream colour. It has patch of orange feathers on the neck and chin which identify the gender of this specimen. The male has glossy blue-black colouring and lack the orange plumage.33A. / Shining Flycatcher - See Catalogue, Page 13. / 50 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, satin flycatcher, small bird, flycatcher

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions)

The two girls in the photo are Jenny Reid (left) and Christiana Baulch (right). The photo was taken at the parade held on 29 September 1985, in conjunction with the flower show, commemorating the 150th anniversary of Major Mitchell's visit There was also the unveiling of a plaque commemorating the Wildflower Show and its many volunteers.The photo shows two girls dressed in old-time costumes holding baskets of thryptomene. A crowd of people can be seen in the background.events, parades, events, wildflower show

Slovenian waited a long time to have the opportunity to purchase a building for their Slovenski Dom. Many hours of asking, collecting donations, organising fundraising paid off, and they could not be more proud of their achievement.A very important dayLadies singing at the cultural program celebrating the opening of the Slovenski Dom in Carlton in 1960. The performers were dressed in Slovenian national costumesThe opening of the Slovenian centre in Carlton 1960slovenski dom opening, slovenian centre in carlton, slovenian songs, slovenian national costumes

On 18 June 1853 the 839 ton ship 'Earl of Charlemont' was wrecked near Barwon Heads. Her 450 passengers and crew struggled ashore without loss of life. Among them were John and Anne Morton, their 3 sons and 5 daughters. Before leaving Ireland, their eldest son George Pickering Morton had married Anne Eliza Burrowes. Their son, Thomas Richard Burrowes Morton, born in Melbourne 12 March 1854 was usually known as 'T.R.B.' Aged 26, he married Louisa Mary Esther Morgan. In 1909 Louisa Morton had a cottage built at Point Lonsdale and named it Dorrington, surname of her Welsh Grandmother. During previous holidays the family had stayed at the 'Terminus'. They travelled by train from Blackburn to Port Melbourne, paddle-steamer to Queenscliff and horse-bus to Point Lonsdale.Black and white copy , No 3 of set of 27 - Mary Violet Holder nee Morton (Doll, Dolly) in bathing costume at beachholder, mary violet, also known as 'doll', 'dolly'.

All pictured were residents of Rutherglen; in 1885 only Nell Burch is alive. Ella Thompson was mother-in-law to Aileen Terrill, member of Rutherglen Historical Society and Museum Cataloguing Committee.Black and white photograph of eight young people in stage costume in line under a small banner, mounted on stiff cardboard, unframedUnder photo, typewritten and on reverse hand written: "L to R, Billy Cottingham, Doris Judd, Syd Gregory, Elsie Scott, Cliff Thompson, Nell Burch, George Judd, Ella Thompson". On Banner in photo "Magpie".billy cottingham, doris judd, syd gregory, elsie scott, cliff thompson, nell burch, george judd, ella thompson, magpie

The River Yarra was a traditional place of recreation for children and adults in Kew. Often swimming in the Yarra was made from platforms attached to the bank such as this one.Original black and white photograph. Group of five children in bathing costumes on a rudimentary diving board attached to the bank of the River Yarra.Reverse: "M Holmes"river yarra, recreation --- swimming

At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of six Trinity Grammar students, dressed in costume as members of the Charles Grimes survey of the Yarra of 1803.Annotated on reverse: "TRINITY GRAMMAR BOYS DRESSED AS GRIMES' PARTY DURING RE-ENACTMENT / K.H. SOCIETY'S CONTRIBUTION TO 1978 FESTIVAL / DONATED BY M. ROLLEY"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival