Letters ( 4 ) from Taylor, Buckland & Gates, 55 William Street, Melbourne, 14 August 1894, dealing with Sloan to the Tragowel Trust. Content deals with transfers to the trust, receipt of monies, compensation money. Connelly, Tatchell & Dunlop were acting for Sloan.business, legal, taylor, buckland & gates, connelly, tatchell & dunlop, sloan, tragowel trust

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991Missions to Seamen, black and white detail of iron gate from Mission grounds; view to southwest showing Swallow Street sign, outer beacon, edge of Beach Street bus stop and distant Willamstown. From album of photos mostly by Alison Kellymissions to seamen, built environment, beacons

Looking towards the Beacon and Beacon Road housing. Shows undeveloped paddocks between Beacon and the railway. Also West Gate Bridge is in the distance James LAURITZ print of Port Melbourne, laminated (one of 18). Copies of slides produced for Port Melbourne Councillocal government - city of port melbourne, built environment, james lauritz, beacon cove, beacons, engineering - bridges, west gate bridge

Red brick Church with large curved top three panelled windows with the blinds three quarters down. A finial is on the top of the roof. A chimney can been seen to the right side of the roof. In the foreground is a white picket fence with a double gate and a tree to the left.buildings, church, red brick, red brick church.

Black and White Photo of the Bendigo Benevolent Asylum, Now known as the Anne Caudle Centre, Photo is taken at the Main Entrance to the A.C.C., The Iron Fence and Gates are across the Centre of the photo. Markings on rear of photo are 'Bendigo Benevolent Asylum', 'Holterman Collection 1876'buildings, hospital, anne caudle centre, bendigo benevolent asylum, anne caudle centre

When this photo was taken "Holly Green" as it was called then was owned by the Webb family. It was originally called "Emu Bottom" when the Evans family owned the property and re-named "Emu Bottom" when Hedly Elliot acquired it in the 1960s.A mounted black and white photograph of "Holly Green". There is a picket fence with a stone wall entrance on either side of a cyclone gate in the foreground. The fountain is on the LHS and a flowerbed on the RHS. The homestead is beyond the lawn. The mount is buff coloured with an inscription underneath the photo in gothic script.HOLLY GREEN / VICTORIA'S OLDEST HOMESTEAD AT THE AGE OF 101 YEARS / SUNBURY, 1937holly green, emu bottom, fences, fountains, sunbury, evans, george, webb, harry, stringer, esme, elliot, hedley, oldest house, house names, 1930s, george evans collection

EARLY MINER'S COTTAGESEPIA PHOTOGRAPH OF WOODEN HOUSE IRON ROOF. BRICK CHIMNEY ON LEFT SIDE. SURROUNDED BY PICKET FENCE - STEPS LEADING UP TO GATE. GENTLEMAN STANDING AT BASE OF STEPS. FOREST ON RIGHT HAND SIDE. PHOTOGRAPH TAKEN BY J F COOMB WALHALLAlocal history, photographs, mining

Family home at 13 Bennett St Stawell of Mabel Annie Richardson. Weatherboard Home with front verandah, four posts two windows and front door with no 13 near it. Concrete path with wire gate and timber fence at front. Various shrubs, clothesline.

The photograph is from the album of Ivy Child. The road featured called the 'Main Road' is what we know know as Mt Dandenong Tourist Road. It has been made but not tarred. The identity of the people is unknown. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing a stretch of road with two young boys and a girl standing in the middle. Behind them, standing on the edge of the road are two women and a man. Behind them is a wire and post fence with wooden gate and a shed. Bush is visible in the background.Handwritten below the photograph in the album: ALONG THE MAIN ROADivy child, main road, mt dandenong tourist road, tourist road, kalorama

Colour photograph of Ballarat No. 40 at the Lydiard St. Nth terminus, with the tram showing destination of Sebastopol. Tram has two roof advertisements, possibly SEC "Electric Cooking". Cemetery gates in background. Photo dated 6/11/1962. On Kodacolour paper."57Ed" in blue ink, date stamp 6 Nov 1962" in red ink.lydiard st. north, tram 40

Yields information about the appearance of tram No. 26 crossing the railway level crossing in Lydiard St Nth and the railway features at this location.Black and white photograph of Ballarat tram No. 26 crossing the Railway level crossing in Lydiard St Nth. The tram has the destination of Grey St Sebastopol. In the background is the railway level crossing gates, the goods shed and the signal gantry. Two copies held.On rear in ink (Lloyd's hand writing) - "Ballarat, Lydiard St railway crossing, 27-2-1954, ARHS neg."trams, tramways, lydiard st nth, railway crossing, grey st, tram 26

Black & white photograph, Bert Graham Collection, Mr. & Mrs. Tully at the Offical Opening of the Eastern Park Gates in May 1957.on the plaque reads; Erected to Honour the Services Rendered by Mr. & Mrs. J.P.Tully, May 1957. as mentioned on back, 9.6.1957 AHG..bendigo, clubs, eastern park

Court House Patrick Street with photo taken on angle Flanked by metal fence with stone base. Slate roof with ventilators chimneys. Parapet round roof on the single story. Arched windows and entrance. Three children sitting in Gateway.B/W Photgraph of a Substrantional Stone Building - Flanked by a metal Fence on a stoone base - Slate roof, with ventalators, Chimneys - Parapets on the single story Arhed windos and enterance. three young boys sitting in front of the gate, the one to the left is wearing a cap.stawell building, court house

A property illustration by Margaret Picken Commissioned by the real estate agency Hocking Stuart Blackburn for the purpose of advertising 63 Vicki St., Forest Hill This property has be subdivided into two house since being sold in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 63 Vicki St., Forest Hill depicting a single story brick house with steps up the concealed doorway. On the left a driveway leads to a gated garage, on the right in the foreground is a front garden.63 Vicki St., Forest Hill Margaret Picken © 2002 Hocking Stuart B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill, real estate

A property illustration by Margaret Picken Commissioned by the real estate agency Woodards Camberwell for the purpose of advertising 15 Donald St., Burwood in 1995. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for $190,00 in 1995 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 15 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway. There are two hole punches near the upper edge.15 Donald St., Burwood Margaret Picken - 95 Woodards - c'well whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

Details the instructions for moving trams within depots, speed must not exceed 4 mph, safety, danger signs, wash bay gates, and shunting over points. Signed H J Smith, Running Sheds Engineer. Yields information about the instructions about driving trams within depots.Foolscap duplicated sheet detailing instructions about driving trams in depots. Dated 7-12-1960tramcars, tramways, mmtb, depots, safety, speed, running sheds

Statement of Significance Last updated on - January 5, 2010 REVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 What is significant? The c1950s Jelbart residence and the c1945 barn, the garden and the gate posts and the surrounding site to the extent of the title boundaries. How is it significant? The Jelbart house and barn are historically and architecturally significant to the Shire of Nillumbik. The garden and the gate posts are historically and aesthetically significant to the Shire of Nillumbik. Why is it significant? The Jelbart house and barn are historically significant because they are unusually large and because together they comprise one of the oldest groups of substantial mud brick buildings erected during the 20th century in the Shire of Eltham and foreshadow the large mud brick residences of the 1960s and 1970s for which the area is well known (Criteria A & B). The buildings are architecturally significant because their construction (using timber post framing and mud brick walling) is a characteristic feature of what became known as the 'Eltham style'- which was prevalent in the area during the mid and latter parts of the 20th century (Criteria D & A). The garden and the gate posts - The garden is historically significant because it is a remainder of a large holding of 200 acres associated with the house (Criterion A).The gate posts are historically and aesthetically significant because they were taken from a 19th-century Toorak mansion and because their removal and re-use illustrates the practice of recycling material from demolished buildings that was one of the characteristic features of 'Eltham-style' architecture (Criteria A, D & E).Roll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5arthur street, eltham, jelbart barn

Images from possibly two award ceremonies, both held at the Association for the Blind offices in Kooyong. In one, celebrity chef Gabriel Gate presents some awards from a stage, whilst in the other awards are presented from a podium.27 negativesassociation for the blind, jennifer gibson, gabriel gate

This trough was one of many provided all over Australia by philanthropists Annis and George Bills. It is located inside the old Box Hill Cemetery gates in Whitehorse Road, Box Hill. See page 34 "The days we remember" B&w photohorse troughs, bills> annis, bills> george, box hill cemetery, the days we remember, cemeteries

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of unpainted variegated brown brick house with an arched porch, tiled roof, striped awnings, sash windows and low unpainted matching brick fence in the foreground with "33" on the brick pillar beside the driveway next to a low black cast iron gate. murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, striped awnings, sash windows, brick walls, metal letterboxes, cast iron work

A small book titled ' Hints and Helps for Home Nursing and Hygiene.' By E. MacDowel Cosgrave. Revised 1908. London : The St. John Ambulance Association, St. John's Gate, Clerkenwell, E.C. 177 pgs. (ill). Nursing notes written in grey lead in book.E. MacDowell Cosgrovemedical, the st. john ambulance association, medicine, health, care, hygiene, medical, sciences, nursing, biology, book, books

Fragmented Bendigo Timber Co Cnr Williamson And Mollison Tph 218 Statement No 704 dated 1st April 1952. Various hardware items including cyclone gates amounting to £35/8/0 issued to Mr R Mitchell Kennewell St Bendigo.organisation, industry, sale of equipment, bendigo timber co cnr williamson st and mollison st. mr r mitchell. 1952 cost of hardware.

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched, rendered widows with later additions such as exterior drain pipe and gate.villa alba museum, conservation photographs, victorian architecture, cement render, windows

Yields information about Ballarat's trams in Lydiard St North and the railway level crossing.Agfa blue/white mount, colour slide of a bogie tram 36 crossing the Lydiard St North level crossing northbound. Has the railway gates in the view. Moody's Provincial Hotel, Hoyts and Reid's Coffee Palace are in the view. Shows the track arrangement at this location."5-4-69" in ink.tramways, trams, lydiard st north, railway station, level crossings, tram 36

Yields information about trams at the Lydiard St North terminus and the cemetery gates.Agfa blue/white mount, colour slide of tram 33? at the Lydiard St North, terminus, taken through the cemetery gates with a number of passengers, mostly women having alighted or waiting to board. Appears to be two other trams as well given the trolley poles. "11-4-71" in ink.tramways, trams, lydiard st north, cemetery, tram 26, tram 33

Colour print of Ballarat No. 17, at the TMSV's Bylands gate with Len Millar observing the trolley pole. Tram has the destination of Sebastopol and touch up red paint on the drivers front dash panel. Photo early 1990's? Photographer unknown. On Kodak paper.tmsv, bylands, tram 17

Colour photograph. Taken at BRIT Small piece of paper attached to bottom of photo reads: Analytical Lab. 1968 Lois Fenton almost standing on the secret cellar where the flour bombs were hidden, Gary Gately far right. Photo by John Adeney.John Adeneybendigo, institutions, brit

Colour photograph of front entrance gate, with 2 column stone like pillars either side, and driveway to Fortuna Villa property, a sign to the right hand side of entrance reads ' Army Headquarers Survey Regiment' along with 2 smaller lines of writing underneath.