Showing 10982 items
matching geelong.
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National Wool Museum
Journal, Dennys, Lascelles Limited Annual 1925, 1925
"Dennys, Lascelles Limited Annual", third issue, August 1925. Annual publication produced by the wool brokers Dennys, Lascelles Limited and containing articles of general interest, as well as on wool related topics.Two copies of the report, 114pp: Small booklet, mushroom soft textured cover, title and date in black ink. "Dennys, Lascelles Limited Annual 1925". Includes information for woolgrowers.Wording: Graham Rees Method: handwritten Location: inside front coverwool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering -
National Wool Museum
Journal, Dennys, Lascelles Limited, Dennys, Lascelles Limited Annual 1929, 1929
"Dennys, Lascelles Annual 1929". Part of the NWM Woolbroker's Office exhibit until late 1990's.Two copies of the report, 104pp: Small booklet, cream, soft textured cover, title and date in black ink. Stapled twice at left. "Dennys, Lascelles Annual 1929". Includes information for woolgrowers.Wording: graham rees; Method: handwritten; Location: on coverwool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering -
National Wool Museum
Artwork, other - Paper Taxidermy, Mary-Jane Walker, Plains Wanderer, 2020
The world’s most ecologically distinct bird lives in the native grasslands of Victoria - but only just. The plains-wanderer is a small bird that was once widespread across the grasslands of south-eastern Australia. Today there are fewer than 1000 mature birds in the wild. The plains-wanderer is under threat due to habitat loss caused by overgrazing, cropping and suburban sprawl. Unlike most other birds, female wanderers are larger and more colourful and the males take care of the chicks. They are only about 15cm tall and weigh between 40-80g for the male and 55-90g for the female. Their intricate plumage mirrors the colours of their grassland home so they blend in perfectly with their surroundings. The plains-wanderer’s origins date back to when Australia was part of the Gondwana supercontinent over 60 million years ago. They are so biologically distinct that their extinction would result in the loss of a branch of the tree of life. A fussy grass dweller, they like neither too much nor too little grass. That is where sheep grazing can help. After years of low numbers in Victoria, plains-wanderer populations have been increasing in Terrick Terrick National Park in north west Victoria, as sheep grazing maintains the grass in the park at a suitable level. With the right management, this ecologically important bird species is continuing to survive in the native grasslands of Victoria. Managing these habitats for the plains-wanderer can also support the conservation of many other threatened plant and animal species. Object: Nest of plains-wanderers by Mary-Jane Walker, 2020. Outer made from upcycled paper, internal structure steel. Nest of plains-wanderers by Mary-Jane Walker, 2020. Outer made from up cycled paper, internal structure steel. native grasslands, plains-wanderer, terrick terrick national park -
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong -
National Wool Museum
Textile - Travel Rug, Godfrey Hirst, 1960s
Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Standard sized fringed plaid blanket in red and blue with black and yellow accentsMothproofed/Godfrey Hirst/100% Pure Wool Rugwool, blanket fever, travel rug, godfrey hirst, geelong -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurrence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.""For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Checked blanket, pink, blue and creamPhysician/Standard Chillproof/Pure Wool Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1959
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets (man asleep in bed) Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros mills, physician, advertisement, australian women's weekly, geelong -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1959
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets -(mother and child)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros, physician, geelong, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1961
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets - (woman on telephone in bed under red blanket)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, physician, collins bros, geelong, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1964
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - the most beautiful blankets (double page)Vibrant colours or muted tones are yours in/Physician/pure lambswool, chillproof, mothproof, odourlessblanket, blanket fever, wool, collins bros mills, physician, geelong, advertisement, australian women's weekly -
National Wool Museum
Photograph - Valley Worsted Mill, 1923
Photographic postcard depicting the newly constructed Valley Worsted Mill, c.1923.Photographic postcard, black and white. Depicts an aerial view of the newly constructed textile mill. A chimney stack and many saw toothed roofs can be seen.POST CARD / CORRESPONDENCE ADDRESS ONLY / KODAK / AUSTRALtextile mills, valley worsted mill foster valley mill pty ltd, aerial photography, factory, wool, industrial building -
National Wool Museum
Photograph - Staff Group Portrait, Excelsior Woollen Mill, c.1905
Photograph depicts the staff of the Excelsior Woollen Mill (owned by Godfrey Hirst Pty Ltd), c.1905. Pictured 4th from left in the front row - Frank Gliddon and 5th from left front row - Arthur Gliddon.Photograph, black and white. Mounted on a white mat with an embossed edge. Photo depicts five rows of mostly women, with some men and boys in the front row. They are pictured in front of a high blue stone wall. Biro inscriptions on back. EXCELSIOR WOOLLEN MILL (HIRSTS) / 4TH FROM LEFT FRONT ROW FRANK GLIDDON / 5TH FROM LEFT FRONT ROW ARTHUR GLIDDON / C1905textile mills staff, godfrey hirst and co. pty ltd, excelsior one mill, excelsior mill no. 2, textile mills - staff -
Whitehorse Historical Society Inc.
Book, Progressive Phonic Primer
Delisted from Blackburn East Library State School c 1970'sProgressive Phonic Primer. Book 2. Blue/red/brown/white cover with illustrations of various stories in book. 60 pages. Card cover, paper inserts with text.State School Blackburn East 4800 Stamp.school, equipment -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, 'Spirit of ANZAC' by Wallace Anderson, 19/03/2016
Photograph of a sculpture of an ANZAC sculpture.anzac, soldier, sculpture, geelong -
Ballarat Heritage Services
Photograph - Photograph - Colour, Lisa Gervasoni, Former Prince Regent Hotel, 2007, 2007
Colour photograph of a brick hotel - the former Prince Regent Hotel - later used as a funeral parlour.hotels, undertakers, prince regent hotel, prince regent house, geelong road, architecture -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Eastern Beach Pre Olypmic Swimming Pool, 2010 - 2017
Colour photograph of the fountain at the Eastern Beach Swimming Pool.swimming, pool, sport, pre olympic, ocean, eastern beach, geelong -
Ballarat Heritage Services
Image, Ham Brothers, Corio Bay, 1850, 1850
Black and white image of the port at Corio Bay in 1850.thomas ham, corio bay, geelong, port, ships -
Otway Districts Historical Society
Book, Neptune Press Pty Ltd, Beacons of Hope, 1981
George Bass and Matthew Flinders made a voyage along the northern coast of Van Diemen's Land in 1798 to prove the existence of Bass Strait. The first vessel to attempt such a passage was the "Lady Nelson" under Lieutenant James Grant. Men sought out Bass Strait without the benefit of a lighthouse for the first half of the 19th Century after which, after several maritime disasters, on 29 August 1848, Cape Otway lighthouse commenced operation. Cape Wickham lighthouse, on King Island, joined its companion at Cape Otway on 1 November 1861.Beacons of hope. An early history of Cape Otway and King Island lighthouses. Donald Walker. 1st ed. Neptune Press; Belmont (Vic); 1981. ii, 154 p.; illus., maps, index. Soft cover. ISBN 0 909131 67 8Signed by author: Donald Walker.cape otway; king island; cape wickham; lighthouse; -
National Wool Museum
Document - Documents, Dennys, Lascelles Limited, 1928
Various bill of lading documents relating to freight and delivery of goods to Dennys Lascelles Ltd per the steamship 'Quiloa' in 1928. Found under stairway (foyer) of Dennys Lascelles 1872 Wool Store.Bundle of documents, large, cream coloured papers, tied up with string.dennys, lascelles limited, shipping, documents -
National Wool Museum
Book, Dennys, Lascelles Limited Annual, 1927, 1927
"Dennys, Lascelles Limited Annual", third issue, August 1927. Annual publication produced by the wool brokers Dennys, Lascelles Limited and containing articles of general interest, as well as on wool related topics. On the front cover is a fine printed reproduction of a 1927 sketch by the artist Victor Cobb depicting the Dennys Lascelles wool store (cnr Moorabool and Brougham Sts; now housing the National Wool Museum).Three copies of the report. Front cover of the third issue of the Dennys, Lascelles Ltd Annual of Aug. 1927. The sketch is the Dennys, Lascelles wool stores (now NWM) and is by Victor Cobb. Detail from the back cover of the third issue of the Dennys, Lascelles Ltd Annual of Aug. 1927.wool brokering, wool growing, agriculture, dennys, lascelles limited -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Wool Report August, 1953, 1953
"Dennys, Lascelles Limited Annual Wool Report August, 1953"2 copies. Cream paperback stapled booklet entitled "Dennys Lascelles Annual Wool Report August, 1953" including advice and information for wool growers.15p.wool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Wool Report August, 1955, 1955
"Dennys, Lascelles Limited Annual Wool Report August, 1955"Three copies. Red paperback stapled booklet entitled "Dennys Lascelles Limited Annual Wool Report August, 1955" including advice and information for wool growers. 19p.Dennys Lascelles Limited Annual Wool Report August, 1955wool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Wool Report August, 1956, 1956
"Dennys, Lascelles Limited Annual Wool Report August, 1956"Four copies. Camel coloured paperback stapled booklet entitled "Denny, Lascelles Limited Annual Wool Report August, 1956" including advice and information for wool growers. 15p.Dennys, Lascelles Limited Annual Wool Report August, 1956wool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Wool Report 1958, 1958
"Dennys, Lascelles Limited Annual Wool Report August 1958"Three copies. Blue paperback stapled booklet entitled "Dennys, Lascelles Limited Annual Wool Report August 1958" including advice and information for wool growers. 20p.Dennys, Lascelles Limited Annual Wool Report August 1958wool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Wool Report 1959, 1959
"Dennys, Lascelles Limited Annual Wool Report August 1959"Three copies. Red paperback stapled booklet entitled "Dennys Lascelles Annual Wool Report August, 1959" including advice and information for wool growers. 20p.390.2 - Wording: E H Searle; Method: handwritten; Location: on coverwool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Wool Report 1960, 1960
"Dennys, Lascelles Limited Annual Wool Report August 1960"Three copies. Orange paperback stapled booklet entitled "Dennys, Lascelles Limited Annual Wool Report August, 1960" including advice and information for wool growers. 22p.wool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Wool Report August, 1961, 1961
"Dennys, Lascelles Limited Annual Wool Report August, 1961"Three copies. Yellow paperback stapled booklet entitled "Dennys, Lascelles Limited Annual Wool Report August, 1961" including advice and information for wool growers. 27p.Dennys, Lascelles Limited Annual Wool Report August, 1961wool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Wool Report August, 1962, 1962
"Dennys, Lascelles Limited Annual Wool Report August, 1962"Two copies. Yellow paperback stapled booklet entitled "Dennys, Lascelles Limited Annual Wool Report August, 1962" including advice and information for wool growers. 22p.Dennys, Lascelles Limited Annual Wool Report August, 1962wool brokering, wool growing, dennys, lascelles limited