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Tatura Irrigation & Wartime Camps Museum
Photo
Major William Tackaberry was Commandant in the 17th Army Garrison at Dhurringile and Camp 1Photo of Major William Tackaberry mounted in a brown decorative frame together with a captionphotograph, tackaberry, major w, anderson s, 17 th army garrison, dhurringile, camp 1, tatura, photography, slides, film -
Tatura Irrigation & Wartime Camps Museum
Photograph, Raoul Wallenberg, Nov. 1998
Donated to the Museum in appreciation of the Tatura Historical Society hosting the "Courage to Care" photographic and text exhibition, which featured the courage of Dutch families who secretly hosted German Jewish members during the occupation of Holland during WW2, at great risk to their own lives. Group photo of John Weppner; Lyn Harrison; Lurline & Arthur Knee at Tatura Museum.World War 2|German Jewish refugees.|Dutch families with German occupation of Holland.Colour photo in brown stained wood frame, glass front. Four figures, head & shoulders with enlarger|Raoul Wallenberg U.S 32 stamp in background."With all our thanks to the best historical team in Australia for hosting our "Courage to Care" exhibition. Raoul Wallenberg Unit of Bnai Brith." attached to back of frame.photography, photograph, slides, film -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1940's
Australian army identification photoCopy of photograph. Head and shoulders photograph. Front and side views. Table of measurements at top right hand side of photoAustralian army cinematographer. PWGA42257 Section MGO branch, Inscribed on frame "E Tennant Park St Tatura Croquet Club 19??"photography, photograph, slides, film -
Beechworth Honey Archive
Publication, National Residue Survey Annual Report 2007-2008 (Dept of Agriculture, Fisheries and Forestry), 2008
Soft cover book slightly larger than A5 size, Fawn and brown cover with photos of apples, meat, lab equipment, grain, honeycomb frame and canola crop 239 pages -
Tatura Irrigation & Wartime Camps Museum
Photograph, Jill Martin, 1941
A colour photocopy of a pastel drawing done by Kurt Winkler, an internee in WW2 at Tatura. The child, Jill Martin, is the youngest daughter of William (Soda) and Elizabeth (Bess) Martin. Done in Tatura September 1941A colour photo copy of an original pastel drawing. Features a young child sitting on the ground with a landscape behind. The picture has been laminated. Mounted in a timber frame with gold trim.Kurt Winkler Tatura 1941kurt winkler, jill martin, william (soda) martin, elizabeth (bess) martin, ww2 camp art -
Williamstown High School
Boys of 1921
This photo has been marked as 1917 and 1921. Confirmation of actual year is required.Black and white photograph on mounting card. Copy of original, which is framed and on wall, Admin Block, WHS. Also includes 2 captions on mounting board.williamstown high school, 1921, class photograph -
Australian Racing Museum
Photo finish; Hume Juvenile Handicap
... Framed black and white photo finish of the Hume Juvenile... Photo finish; Hume Juvenile Handicap Framed black and white ...Framed black and white photo finish of the Hume Juvenile Handicap, at Epsom Racecourse on 26 March 1938, won by Swifan. -
Stawell Historical Society Inc
Photograph, Mr Frederick Parkhurst Dodd -- 3 Photos
Three photographs of Frederick Parkhurst Dodd born 1861, in Wickliffe Victoria and the son of Frederick Willian Dodd and Maria Dodd nee Mayes. The photos were emailed to the society on 30.11.2011 showing Frederick P. Dodd as an Entomologist. Photo 1 shows Fredrick as a young man. Photo 2 as an older man with a large net on a long pole obviously netting insects. Photo 3 shows Frederick with a framed collection of large and small butterflies.Three small photo prints of Frederick Parkhurst Dodd as a young man and then at later stages of his life. stawell portrait -
Stawell Historical Society Inc
Photograph, Stawell Fire Brigade 1955, 1955
Group Portrait of Stawell Fire Brigade Members in Dress Uniform 1955 Framed: Back Row: (L to R) E. Walsh, E. Dickens, A. Smith, J. Miatke, A. Oliver, J.Hall, H. Dunn, C. Prosser, A. Parsons. Centre Row: J. Grainger, C. Richardson, F. Crouch, H. Chapman, R. Maddocks, R. Ledgar, A. Dunn, K. Floyd. Front Row: R. Phillips, S. WHelan, F.Court, G. Huse, R.Chapman, P. Fenwick, I. O'Neil, R. Rickard B.Thompson.B/W Photo: Three rows of males in dress uniforms; mix of navy and red uniforms with caps: Backrow standing in front of curtain and end wall, remaining two rows seatedStawell Fire Brigade 1955 Chapman's Studios Stawellstawell -
Stawell Historical Society Inc
Photograph, H.M.A.S. Stawell's Former Crew Members at the Telecom Phone Book Launch 1986 -- 2 Framed Photos
... at the Telecom Phone Book Launch 1986 -- 2 Framed Photos H.M.A.S. Stawell ...H.M.A.S. Stawell Former Members (2 Photos) Attending Telecom Phone Book Launch 1986stawell -
Malmsbury Historical Society
Photograph (Item), "Boundy Family Tree With Photos, Framed", Malmsbury B/W Older Women Portrait, Malmsbury
... -ranges Photograph Photograph "Boundy Family Tree With Photos ...People - Boundy Family Buildings - Birthday Villa Associated with - Boundy Family -
National Wool Museum
Photograph, Geelong Wool Brokers Picnic to Buyers at Barwon Heads, 14 February 1908
Photograph of Geelong Wool Brokers Picnic to Wool Buyers, Barwon Heads, 1908. (Supp. file contains a modern reproduction of this photo which gives the names and companies of all those pictured.)Sepia toned, mounted under glass and framed photograph of Geelong Wool Brokers Picnic to Wool Buyers at Barwon Heads, February 14th 1908. Photo shows a group portrait of buyers, brokers and guests including a small girl. -
Nillumbik Shire Council
Print (etching and photo polymer): Imants TILLERS (b.1967 Syd., AUS) in posthumous collaboration with George BALDESSIN (b.1939 Treviso ITA – d.1978 Melb., AUS), Imants Tillers, 'Unsaid + Nameless' from the 'Baldessin & Friends' commemorative folio, 1976; completed 2016
Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio -
Numurkah & District Historical Society
Photograph - Team of Horses Photo
Black & White photo of Mr W Young with team of 4 horses. Wooden frame with glass -
Numurkah & District Historical Society
Photograph - Photo of Australian Army uniform
Black & White photograph of bust of man, officer's uniform of Australian Army. Plywood frame -
Numurkah & District Historical Society
Photograph - Photo - Woman in ceremonial dress
Black & white photo of woman in ceremonial dress. Wooden Frame -
Numurkah & District Historical Society
Photograph - Wedding photo
Black & White photo of a wedding scene - 2 men & 3 ladies. Gold painted plaster frame -
Nillumbik Shire Council
Photograph: Jessie IMAM, Jessie Imam, Untitled #3 (fox bones - ordered), 2012
This work forms a pair with Untitled #4 (fox bones – pattern) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series. This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an orderly fashion according to size and shape / Beige/neutral in colour / Blonde timber frame.No signatures / no personal markings / no framers identified. digital print / fox / bones / ordered / photograph / laughing waters / birrarung / imam / death -
Nillumbik Shire Council
Photograph: Jessie IMAM, Jessie Imam, Untitled #4 (fox bones - pattern), 2012
This work forms a pair with Untitled #3 (fox bones – ordered) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series.This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - A digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an outward circular pattern. Beige/neutral in colour / Blonde timber frame. No signatures / no personal markings / no framers identified.digital print / fox / bones / pattern / photograph / laughing waters / birrarung / imam / death -
Nillumbik Shire Council
Mixed media: Liz NETTLETON, Liz Nettleton, Respite and Repose, 2010
Nettleton creates an image of peace and tranquility after the violence felt from the 2009 Black Saturday bush fires / At the Arthurs Creek cemetery Nettleton found the grave of Reg Evans and Angela Brunton, friends who had perished in the fires / Nettleton sat on the edge of their joint grave and photographed their view / It was only after examining the photos more closely that she realized Mount Sugarloaf had burnt almost to the valley / Sugarloaf is always in an indigo haze. This work is by a local contemporary artist and encompasses themes dealing with the 2009 Black Saturday bushfires. Mixed media (acrylic paint, acrylic ink and indian ink) on board / Landscape painting of Mount Sugarloaf and green pastures after the 2009 Black Saturday bushfires / Mount Sugarloaf is depicted in an indigo haze in the background / A line of trees bathed in light border the mountain's edge / Lines of trees parallel to each other jut out diagonally in the foreground / Framing this view of the landscape is a pattern (topographical maps of the Nillumbik area), which suggest the vast extent of the devastated area of landscape. In black marker 'LIZ NETTLETON' + artist signature '2011' on back - middle right side nettleton, respite and repose, landscape, painting, mixed media, black saturday, mount sugarloaf -
Ukrainian Historical Society Sunshine
Photo, Dmitro Nosiara. 1st Principle of Ivan Franko school
Mr Dmitro Nosiara was the first principal of Ukrainian Saturday School 'Ivan Franko in Sunshine. Mr. Nosiara was principal from 1953 to 1960, and again from 1963 to 1964.Black and White photo, with dates typed under photo. Photo is attached to cardboard backing,is also framed with a light blue patterned border. Photo has be laminated.dmitro nosiara, principal, ukrainian saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Gregory Vyshnevij. Principle of Ivan Franko school
Mr. Gregory Vyshnevij was principal of Ukrainian Saturday school 'Ivan Franko' in Sunshine from 1961 to 1962.Black and white photo, with dates typed under photo. Photo is attached to cardboard backing,is also framed with light blue patterned border. Photo has been laminated.gregory vyshnevij, principal, ukrainian, saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Ivan Brozntskyy. Principle of Ivan Franko school
Mr. Ivan Brozntskyy was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1965 to 1966.Black and white photo, with date typed under photo. photo is attached to cardboard backing, is also framed with light blue patterned border. photo has been laminated.ivan brozntskyy, principal, ukrainian saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Stephen Lysenko. Principle of Ivan Franko school
Mr. Stephen Lysenko was principal of Ukrainian Saturday School 'Ivan Franko' Sunshine during 1967.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with a light blue patterned border. photo has been laminated.stephen lysenko, principal, ukrainiansaturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Maria Kowszyk. Principle of Ivan Franko school
Mrs. Maria Kowshek was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1968 to 1976.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. Photo has been laminated.maria kowshek, principal, ukrainian saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Vlodymir Muc. Principle of Ivan Franko school
Mr. Vlodymir Muc was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1977 to 1983.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with a light blue patterned border. Photo has been laminatedvlodymir muc, principal, ukrainian saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Olya Jursa. Principle of Ivan Franko school
Mrs Olya Jursa was principal of Ukrainian Saturday school, 'Ivan Franko' Sunshine from 1984 to 1989.Coloured photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. Mrs Jursa is wearing a red top and large framed black glasses.olya jursa, principal, ukrainian saturday school, ivan franko, sunshine -
Ukrainian Historical Society Sunshine
Photo, Maria Tsikoya. Principle of Ivan Franko school
M/s Maria Tsikoya was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1990 to 1998Coloured photo , with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. M/s Tsikoya is wearing a light violet top and is standing in front of a green hedge.maria tsikoya, principal, ukrainian saturday school, ivan franko -
Ukrainian Historical Society Sunshine
Photo, Natalie Sakowskyj. Principle of Ivan Franko school
M/s Natalie Sakowskyj was principal of Ukrainian Saturday school 'Ivan Franko' during 1999.Coloured photo , with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. M/s Sakowskyj is wearing and orange top in the photo. Photo has been laminated. natalie sakowskyj, principal, ukrainian saturday school, ivan franko -
Tatura Irrigation & Wartime Camps Museum
Memorabilia - Framed medals and Photo, Major Andrew William Smith MC
... Tatura the-murray Framed medals and Photo Memorabilia Major ...Major Smith was the Commandant in charge of 'Kormoran' Seamen Camp 13 Prisoner of War Camp Murchison. He was award the Military Cross, British War Medal and Victory Medal in WWI. WWII medals were awarded for his service at Murchison, War Medal 1939-45 and Australia Service Medal 1939-45Wooden frame with glass. Black and white photographic portrait of Major Andrew William Smith in military uniform. Beneath the photo are five miniature medals: MC, BWM, Vic, ASM and WM. To the right of the photo and medals is a description of Major Smith's military accomplishments. Background is buff coloured.pow, camp 13, murchison, military cross, kormoran