L-R: Sr Magaret Ying, Elizabeth, Mr Sorrell1940s, prendergast, ying, sorrell, elizabeth, ballarat, hospital

People - "Townsend, Annie Elizabeth (Nee Ellis)" Buildings - House

non-fictionMarriage Certificate of August Emil Jackschowsky and Marie Elizabeth Schwerkoltjackschowsky emil, schwerkolt marie, marriage certificates

Charlemont & Co., operated out of the Academy Studio, 114 Elizabeth Street from 1890 to 1898. The sitter’s identity has been established as a Mrs. Merritt. While we know that she is not the Mrs Merritt who was to be the wife of the future Mayor of Kew, there were two Mrs Merritts who were shopkeepers in High Street, Kew. Mrs Lucy Merritt operated a bootmaker’s shop, and subsequently a “boot warehouse” from 1888 until the 1920s. Miss Laura Merritt established a dressmaker’s shop in High Street in 1910. Her business also lasted until the 1920s, albeit changed to that of a bookseller and stationer. Silver albumen cabinet card by Charlemont & Co., who operated out of the Academy Studio, 114 Elizabeth Street from 1890 to 1898. In this portrait of Mrs Merritt, she is posed gazing directly at the lens, thus achieving a potentially more intimate relationship with the viewer. All that is revealed however in this supposedly more direct pose is her face. As with an earlier generation, her hair is centrally parted and flattened to accommodate her bonnet, which is surmounted by feathers. The detail in her coat-dress is sharply revealed by new photographic processes that allowed firms like Charlemont & Co., to capture greater light and shade, as well as the detail of fabrics. The entire garment is beaded with what is probably Parisian jet. The beading is arranged in a ‘paisley’ design. The paisley pattern was to become ubiquitous in the 19th century as a design on everything from carpets, to shawls, to clothing.Mrs Merrittcharlemont & co., mrs merritt

Length of fabric. Royal motifs- Grenadier Guards; Three Lions; Golden Carriage; Beefeaters. Pattern printed onto fabric. Possibly a synthetic or silk mixture. Possibly produced to mark the Coronation of Queen Elizabeth 2. Old Box 85.

Seven 1954 commemorative Florins Queen Elizabeth II Royal visit. Composition: 50% silver, 40% copper, 5%zinc, 5% nickel. There were 2 millions coins issued, mintmark M (Melbourne) All in excellent conditions.numismatics, coins - australian, florins

Blue coupon, dated April 4 1877 asking Mr. Lewis, Treasurer to pay Ths. Warren the sum of 43/4 for Sick Pay. Signed by G. Murray, C.R. and Wm. Rowe, Secretary. Also signed by Elizabeth Warren.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, a.o.f., b.u.d., mr lewis, ths warren, g murray, wm rowe, elizabeth warren

Bendigo Advertiser "The way we were" from Saturday, February 26, 2005. Reunion: William Henry Clee married Elizabeth Henrietta Turpin on March 20, 1872. The couple settled on a farm at Milloo where they raised 11 children.newspaper, bendigo advertiser, the way we were

Framed colour photograph of HRH Queen Elizabeth. Set in maroon card window mount and gold wood frame. The Queen is standing in a formal pose. She is wearing a white gown with a blue sash. Text panel lower right corner.

Edward (Edmund) de Lacy Evans was really Ellen Tremaye; and in 1856 she married her fellow passenger on her voyage to Australia, Mary Delahunty; under the assumed name of EDMUND De Lacy. In 1859 he/she married Sarah Moore. They were married for eight years when in 1867 she died in childbirth. In 1868 after Sarah had died; Ellen, now known as EDWARD de Lacy Evans married Julia Mary Marquand in Ballarat. From the Melbourne Argus Friday 5th Sept 1879, Page 7 THE EXTRAORDINARY PERSONATION CASE. [BY ELECTRIC TELEGRAPH. FROM OUR OWN CORRESPONDENT.) SANDHURST, THURSDAY. The De Lacy Evans case has created great excitement here. The man-woman having resided in the district for about 20 years, was well known amongst the miners, but no one appeared ever to have supposed that she was other than as she represented herself to be, and the discovery of her sex has caused the greatest astonishment. The police have not yet moved in the matter of the discovery of her antecedents, but from the result of inquiries I have made, there seems to be no room to doubt that the woman is identical with the girl Ellen Tremaye, referred to in yesterday's telegram as having arrived at Melbourne by the ship Ocean Monarch in June, 1857. The nurse at the hospital, Mrs. Holt, is positive she is the same, and says the opinion was held amongst those on board the vessel that Tremaye had been well connected, and that she had left home in consequence of some misconduct. The Ocean Monarch was an immigrant vessel, and on the voyage Tremaye and another young woman, named Rose Kelly, were very intimate, but the latter, being seized with a dangerous illness, was left at Rio Janiero. Mrs. Evans, the wife of the supposed man, states that she frequently heard Evans say that she came out by the Ocean Monarch. But the most satisfactory information of Evans' previous history yet received has been obtained from a Mrs. Thompson, a charwoman at Myers' Creek, who was also a shipmate of the girl Tremaye. At the time she made the voyage she was unmarried, and was accompanied by Miss Mary Ann Delahunty, a young lady who was very well connected, and who came from the same village as herself, named Monakine, on the north bank of the river Suir, in Kilkenny. Miss Delahunty was an orphan and brought with her about £900. After Rose Kelly was taken ill, Tremaye resorted to Miss Delahunty's berth, and the passengers appeared to think there was something strange about the manner in which Tremaye conducted herself, and she had been observed to wear a man's under-clothing. Upon the arrival of the ship in Hobson's Bay, Tremaye declared herself to be a man, and told Mrs. Thompson she intended to marry Miss Delahunty. The next Mrs. Thompson saw of Ellen Tremaye was at Peg-leg Gully, Eaglehawk. Tremaye had just established herself in a house there under the name of Edward de Lacy Evans, and Mrs. Thompson went to serve them with milk. When she went to the house, she saw Evans sitting inside dressed in male attire, and immediately recognised him as her fellow passenger, Ellen Tremaye. Evans had, at this time, married his second wife, Miss Moore, who was then present. Evans re-marked to her—"I think I know you." To which Mrs. Thompson replied—"I know you, too," and added something to the effect that Ellen (referring to Tremaye) was a queer girl." Oh, said Evans, evidently anxious that his then wife should not understand Mrs. Thompson's reference, "It's a good job she is gone back to the old country." Mrs. Thompson inquired as to what had become of Miss Delahunty, and Evans replied, "Oh, my poor wife and boy both died of consumption, and are buried in the North Melbourne cemetery. " In reply to an inquiry as to what had been done with her (Delahunty's) money, Evans said she had sent it home to a nunnery. Evans's then wife had been absent during a portion of this conversation, but at this point she returned, and Evans went outside to the milkwoman, and said, "For your life don't mention my dead wife's name ; call me Mr. Evans. This missus of mine is death on the Roman Catholics, and she can't bear to hear my dead wife's name mentioned." This conversation took place about 12 or 14 years ago, and Mrs. Thompson seems to have quite believed that Evans had personated a woman under the name of Ellen Tremaye on the voyage out and was really a man. She lost sight of Evans soon afterwards, and took no further notice of the affair.Certificate (Order) - Admission to Lunacy Ward, Bendigo Hospital 2/7/1879 signed by M Samuel Holdsworth(??) JP. Copy of Order. Other names on these sheets are; Ernst Hayes, Constable Bradley, Elizabeth Marchment, and other names that are unreadable.ellen tremaye, sarah moore, julia mary marquand, mary delahunty, de lacy evans, de lacy, edward de lacy evans, edmund de lacy, bendigo

This photograph is a scanned/modified copy of a photograph already in the LDHS collection (Registration no. 1469). The names of some of the people attending the celebrations are printed on the photograph.Photograph shows a large group of people posed for a photograph outside the hall at St Paul's Church of England, Linton. The original photograph was taken at celebrations for the 50th wedding anniversary of William Todd and Elizabeth Bennett, held on 1st January 1932.william todd, elizabeth todd, elizabeth bennett, arthur (paddy) todd, doris todd, doris mader, lillian todd, lillian henry, russell mcdonagh, lily may bonthorn, albert shearwood, william j. (billy) todd, william j. todd jnr.

Negative copy of an original print and associated print copy of Ethel Osborne photos of the Duchess of York (later Queen Elizabeth the Queen Mother) with Ethel Elizabeth Osborne opening the Emily McPherson College, 27 April 1927. Sir William McPherson behind the DuchessNegative black and white film 120 6x9 format 2 strips Associated B&W printFuji Safety Neopan SSaudrey osborne, ethel osborne, audrey josephine cahn (nee osborne), ethel elizabeth osborne (nee goodson), duchess of york, emily mcpherson college, sir william mcpherson, audrey cahn

Written on backing sheet, "Herry Family at Ringwood. L. Back, Marie, Mrs. K. H., Leo. Front John, Elizabeth"

The Purpose of this manual is to describe the documentary archives of the Department of Crown Lands and Survey (Lands Department) and Explain, how they can be used for historical researchYellow card Cover Black Print and B/W Photo of two wooden buildings The Lands Manual A Finding guide to Victorian Lands Records 1836-1983 Written by Peter Cabena, Heather McRae & Elizabeth Baldinstawell

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This telescope belonged to Louis Haeusler (b.1878) and is one of the many objects in the Haeusler Collection that represent home and social life in early twentieth century Wodonga. It was manufactured by The Union Mfg [manufacturing], & Agency Co. in Melbourne. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Australian made telescope covered with a faux shagreen paper. Extends to three and a half feet long, with a five to ten mile sight range. On front of paper booklet: "TELESCOPE TALK/SOMETHING TO LOOK THROUGH/The Union Mfg, & Agency Co./299 ELIZABETH STREET,/MELBOURNE"telescope, recreation, family, haeusler collection, haeusler, wodonga

Emerald Infant Welfare Centre. Green rectangular book, with gold embossed writing on cover.A Guide to the Health of the Young Child, Department of Health Victoria, 6th edition. Vera Scantlebury Brown, Kate Campbell, A. Elizabeth Wilmotemerald-infant-welfare-centre; department of health victoria; vera-scantlebury-brown, kate-campbell, a. -elizabeth-wilmot.

This photograph shows approx 50 men in suits in a formal pose sitting and standing around tables, all facing the camera.The British flag hangs on one wall. Black and white photograph stuck on cardboard with biro note on rear. Sargents Cafe Elizabeth St City 1923. Send off to M A Browne Line manager Brighton Rd Car Housemen's group

In 1997 Elizabeth and Neil Maxwell retired from their positions at the Victorian Blind Bowls Association. Elizabeth had worked as Transport Officer for the VBA since 1980 and Neil joined the Victorian Blind Bowls Club in 1975, becoming President, Committee Member, Public Officer and Manager.2 letters with Victorian Blind Bowls Association letterheadnon-fictionelizabeth maxwell, neil maxwell, victorian blind bowls association

Rose Series postcard No. P 1936 titled "Elizabeth Street, Melbourne". Photo taken from the tower at Flinders Street Railway station, looking north along Elizabeth Street. Has several W5 class trams in the view with white panels under the driver's windows. Yields information about an aerial view of Melbourne early 1940sPostcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, elizabeth st, world war ii, w5 class

Donor was grand-daughter of Jonathon Cameron of Genoa. Mother was Jane Elizabeth.Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. This bottles have an aesthetic element in that the shape is unusual and visually appealing. It reflect the type of glassware that was as a beverage container in the early 20th century. Small clear oval lemonade bottle. One flat side. A torpedo bottlebottle

Envelope with stamp issued on the occasion of the birthday of HRH Queen Elizabeth 11.National Wool Museum/ 22 Aug 1991/GEELONG/ VICTORIA 3220/ AUSTRALIAroyal visits, national wool museum, hrh queen elizabeth 11

People - "Tyson, Susanna, Russ,J Ohn, Florence, Elizabeth, Pauline"

People - "Crow, William & Elizabeth Bonar & Francis" Buildings - Studio Portrait

Elizabeth Enid Granger (nee Webster) born Eaglehawk (1906-1965).Framed, oval photographic studio portrait. Hand coloured detail. Glass domed, photograph is flat. cl; Mrs E F Granger / Mayoress 1948 - 9. lr: Reg Brockelizabeth webster, mayoress granger, mayor granger, reg brock photographer, city of bendigo, city of greater bendigo portraits