The Lake Condah Mission site includes bluestone ruins and a reconstructed timber building, as well as the cemetery which were part of the original settlement. With European settlement in the 1830s came conflict. Gunditjmara people fought for their land during the Eumerella wars, which lasted more than 20 years. As this conflict drew to an end in the 1860s, many Aboriginal people were displaced and the Victorian government began to develop reserves to house them. Many Aboriginal people refused to move from their ancestral land and eventually the government agreed to build a mission at Lake Condah, close to some of the eel traps and within sight of Budj Bim (Mt Eccles). The mission opened in 1867. The Mission was formally closed in 1918, and Aboriginal people were forced off the Mission, some moving to Lake Tyers. The Gunditjmara protested against the Mission’s closure and many continued to reside in the buildings until the majority of the reserve land was handed over to the Soldier Settlement Scheme in the 1940s. The mission was destroyed by the government in the 1950s in an effort to force the integration of Gunditjmara people with the general community but the Gunditjmara people continued to live in the area and protect their heritage. The mission lands were returned to the Gunditjmara in 1987. Lake Condah Mission is a place with special meaning to the Gunditjmara community - as a community meeting place, an administrative centre, a symbol of political struggle and a link to family histories. As a result the Gunditjmara community do not want open public access to this site. Key Features of Interest Ruins of stone cottages and plot remains of buildings such as the church Reconstructed dormitory building (https://www.budjbim.com.au/visit/cultural-sites/lake-condah-mission/?gclid=EAIaIQobChMIz6j36ZvF-QIV8ZhmAh2tmA3qEAAYASAAEgLxrvD_BwE, accessed 2022)Colour photographs of the former Lake Condah Aboriginal Missionlake condah, lake condah aboriginal mission, aborigines, aboriginal, gunditjmara, eumerella wars

Four similar but larger brackets were on the facade of Pindar's house. this is on display at the Victoria and Albert Museum, London. This smaller example was most likely part of a chimney piece from a grand room on the first floor. The crouching minter has a man's head, the chest of a woman and the legs of a goat or horse.Wooden carved bracket at Sir Paul Pindar's Housepaul pindar's house, bracket, timber, victoria and albert museum, london, sculpture

"Wuuran" was built for Thomas P. Wilson in 1910. The second photo shows Thomas and his wife, Margaret in 1932. The house had a conservatory, ironstone path and a trellis gate to the backyard and a large timber garage. Along with 1319 Sturt Street, the house was demolished and an Shell Service Station was built in 1962.building, private residence, wuurna, thomas p. wilson, margaret wilson, pleasant street south

Home of Mr & Mrs J.D. Smith. The house has ornamental brickwork, Iron frieze and diagonal timber balustrade posts on the vernada, slate roof and finial windows.building, private residence, house, housing, lake wendouree, wendouree parade, ballarat, j.d. smith

A property illustration by Margret Picken Commissioned by the real estate agency Woodards for the purpose of advertising 15 Satori St., Burwood Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 15 Satori St., Burwood. A single story brick house, with a driveway on the left leading to a connected carport which covers the front door. in the foreground is a horizontal plank timber fence, and a tall gumtree.15 Satori St., Burwood Woodards - B.Burn Margaret Pickenwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Malvan for the purpose of advertising 16 Kalista., Burwood in 1991 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having had unit 10 sell for $145,500 in 1991 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 16 Kalista Court., Burwood East. A driveway run right to left in the foreground, with a single story L shaped brick house in the background. On the right is a front yard with a gumtree, enclosed by low timber fence. There are two hole punch holes along the top edge.16 Kalista Court., Burwood E. Margaret Picken Woodards - Malvanwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden, burwood esat

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 25 Hampshire Rd., Forest Hill. This property is listed as having sold for $104,000 in 1996. Since the time of sale in 1996 the house on the property has been demolished and a new house built on the site. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 25 Hampshire Rd., Forest Hill. Depicting in the foreground a horizontal timber plank fence on the left, and a curving driveway on the right leading to a connected carport. In the background is a small house. There are two hole punch holes just right of centre on the upper edge. There is a 0.5x0.5 mark on the top half of the right edge25 Hampshire Rd., Forest Hill Margaret Picken - 95 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

Please find 5 photographs taken by me & my wife Brenda, at Ballarat, on 14 December 1993. Unfortunately, I did not take photographs of the building that housed the exhibit, probably because I thought just how sad and pathetic the entire memorial display looked. It comprised a reconstructed slab hut and nearby a partly-rebuilt fence that represented the hastily-built Eureka Stockade. The signage that detailed the events surrounding the Eureka Stockade was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day of our visit. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. I remember the whole experience to be short and underwhelming. To get an idea of the scale of the diorama, you can see Brenda’s elbow & part torso to the left of the photograph labeled “diorama- hut exit”. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park. Finally, you walked up the hill, from the hut and outside display, to visit the old Eureka Stockade monument & cannons. This is still in existence today. Digital photographeureka stockade, sign, diorama, jack ford, brenda ford, memorial

Please find 5 photographs taken by me & my wife Brenda, at Ballarat, on 14 December 1993. Unfortunately, I did not take photographs of the building that housed the exhibit, probably because I thought just how sad and pathetic the entire memorial display looked. It comprised a reconstructed slab hut and nearby a partly-rebuilt fence that represented the hastily-built Eureka Stockade. The signage that detailed the events surrounding the Eureka Stockade was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day of our visit. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. I remember the whole experience to be short and underwhelming. To get an idea of the scale of the diorama, you can see Brenda’s elbow & part torso to the left of the photograph labeled “diorama- hut exit”. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park. Finally, you walked up the hill, from the hut and outside display, to visit the old Eureka Stockade monument & cannons. This is still in existence today. digital photographeureka, diorama, 1993, jack ford, brenda ford, eureka monument, memorial, eureka stockade, eureka diorama

Built in 1886, this Victorian classical building was once the site of Reid's New York Bakery. The verandah was added 10 years later. The building boast a grand facade, Edwardian balcony, hand-painted ceiling and grand entrance arch. It features hand painted murals, leadlight windows, and an outstanding timber staircase. The former coffee palace is part of the temperance movement of the 19th century and was one of the last in Victoria. In 2019 the former Reid's Coffee Palace went through restoration.A colour photograph of the entrance to Reid's Guest House, at 128 Lydiard Street South, Ballarat.reid's guest house, ballarat, new york bakery, lydiard street north

House was demolished May 1997 to make way for RSL car park extension. Local information says house built c1900. Internal wall lining was of wall paper covered hessian attached to rough sawn timber.|Also second Photograph taken in Spring.Colour photograph of Ivy Cottage, taken early Autumn. Previously home of Bell Family in Grey Street. Timber dwelling has hipped roof with small gable at ridge, veranda across front supported by white timber veranda posts. Lakes Entrance Victoriahouses

Date made May 1991|Old building demolished c2008. Ostler family arrived at Cunninghame (Lakes Entrance) by boat, walked to the site with their belongings, cleared the land, built a dwelling, farmed dairy herd, grew maize, had beehives.| Also one colour photograph of new dwelling constructed next to the old dwelling taken 29th September 2007|Also two other colour photographs old dwelling.Colour photograph of Ostlers old home, 106 Ostlers Road, showing a timber and corrugated iron structure amongst farm buildings and trees. Lakes Entrance Victoriahouses

Date made May 1991|House demolished 1990's|Also three other colour photographs showing various features such as three-ply timber interior walls, outside washhouse with bricked in copper and timber shed.Colour photograph of the original Capes family home, Capes Road, Lakes Entrance , Victoria,On back, Old Catalogue No 172houses, fences

House built in Roadknight Street, by Ernie Ault, local builderBlack and white photograph of the residence of Rex and Mac Harbeck, seen in garden showing a cement sheet house with gable roof, unusual bay window across N E corner, white timber fence posts and rails with wire netting attached, established garden. Lakes Entrance Victoriahouses, accounting

Built early 1900's for member of the Sutherland family, early residents of Lakes Entrance. Late occupied by Tom Beyer and family 1930's, Jean and Ray Green (baker at Freeman's store) 1950 - 1960's.Colour photograph timber dwelling with hipped roof at 4 Orme Street, the dwelling was demolished. Lakes Entrance Victoriahouses, township, heritage study

Dwelling relocated from New Works area 1919c by Joe Coate, at same time as 'Old Church House'.Colour photograph of a private residence in Church Street, showing a timber cottage with a gable roof, rear extension, veranda across front and west side. Old Church House also in image on adjacent block. Lakes Entrance Victoriahouses, heritage study

Cottage built 1900c, some residents were George Lee, Rudi Kreymbourg and family, Mrs Neal, who took in boarders late 1920's to 1930's. (Recollections of local residents, 1997)|Property on three titles. Demolished for building of five double storey dwellings under construction in 2004.|Also one other colour photograph showig construction of Units.Colour photograph of a private residence in Hunter Street, showing a timber cottage with corrugated iron hip roof. Lakes Entrance Victoriahouses, heritage study

Demolished, replaced with town houses. Occupied by Mrs Vass 1970's - 1980's.Colour photograph of a private residence at 44 Roadknight Street. Dwelling of timber with corrugated iron roof, external chimney. Appears to have been a hip roofed small fisherman's cottage, large gable roofed extension at front. Lakes Entrance Victoriahouses, heritage study

House typical of four roomed fisherman's cottage of early 20th Century , was home of Harry Jemmeson, fisherman, wife Lulu and family. Daughter Edith was music teacher and amateur photographer. Later resident Reynold Redenbach. House demolished, site became yard of East End Hardware / Mitre 10.Colour photograph of a four roomed timber cottage with roof of corrugated iron. Part of front veranda enclosed as extra room. Brick external chimney. Situated at 9 Stock Street, Lakes Entrance, Victoria.houses, construction

Built 1900c, cottage was made available for widow and children of Dougal Egan, lost when fishing boat Orme disappeared in 1909. After Mrs Egan married George South, cottage became known as the South House. Later resident Mrs Edith Rawlinson. Cottage restumped, refurbished 2011 / 2012.|Also Two colour photographs various viewsColour photograph of a timber cottage at 26 Church Street, with both hipped and gable iron roof. Triple sided bay window. Sash windows on west side, with window hoods. Western wall is on boundary of allotment. Lakes Entrance Victoriahouses, heritage study

Some early residents : Pa & Ma Powell, Race Mitchelson. Still occupied 2012.|Also One other colour photograph similar.Colour photograph of a timber residence with hipped roof situated at 30 Church Street. Front door has window lights beside and above door. Sash windows. Lakes Entrance Victoriahouses, heritage study

Cottage locally known as 'Devitts House' home of William Devitt and wife Margaret (nee Todd). Occupied by Dr Tom Kearney 1985c. 'For Lease' September 2004. Now private residence, 2012.Colour photograph of a timber cottage in Church Street, refurbished as offices for H W Baggs Funeral Directors. Colour bond roof, bull nose veranda over front door, cottage garden at front. Lakes Entrance Victoriahouses, heritage study

Some residents : 1942/43 Mining Engineer by name Cook bought house. Nurse Freda Daniel had it as a private hospital named 'Ardlui'. Holiday home of Dahlsen family of Bairnsdale. Mr & Mrs Crea (Snr) 1970's - early 1980's.Colour photograph of a timber and cement sheet dwelling at 37 Myer Street. Built on square plan, hipped roof of corrugated iron extends to deep boxed eaves which cover front verandea. Unusual sash windows contain eight panes top and bottom. Lakes Entrance Victoriafences, houses, heritage study

House built early 1900's by Don Mitchelson, brother of Leo Mitchelson, local builders.Colour photograph of timber dwelling at 11 Orme Street. Has hipped roof of corrugated iron, bull nose veranda across front, trimmed with wrought iron lace. Bait for sale notices at front fence. Lakes Entrance Victoriahouses, heritage study

Built 1909 for George 'Maori' Jemmeson, member of the Salmon CompanyColour photograph of a timber dwelling at 10 Orme Street. Hipped iron roof, single paned sash window each side of front door, which has fan light above. Veranda of concrete, with steel pipe veranda posts. Lakes Entrance Victoriahouses, heritage study

Believed to have been built early 1900'sColour photograph of a timber dwelling at 212 Marine Parade. Hipped roof and bull nose veranda of iron. Slim timber veranda posts with decorative brackets. Metal framed windows each side of central doorway with fan light above. Lakes Entrance Victoriafences, houses, heritage study

Believed to have been built around WW1Colour photograph of a timber dwelling at 216 marine Parade. Hipped roof with bull nose veranda of corrugated iron . Picture window bordered by narrow sash windows each side of front door, which has fan light above. White painted picket fence. Lakes Entrance Victoriahouses, heritage study

Typical of the flat roofed design of the 1950'sColour photograph of a fibro cement, flat roofed dwelling at 240 Marine Parade. Timber framed corner windows. Front patio tiled with natural stone. Lakes Entrance Victoriahouses, fences, heritage study

Originally had corrugated iron roof, additions to house in 1950's, internal alterations, roof tiled.Colour photograph of a Californian Bungalow style dwelling at 15 Barkes Avenue. Outer walls of timber and cement render. Tiled roof has hips and valleys, gables above the veranda. Brick and concrete solid square veranda columns. Upper windows with leaded quarries. Lakes Entrance Victoriahouses, heritage study

Building reputed to be part of Mrs Carstairs Boarding House at New Works, dismantled and transported to present site.Colour photograph of a timber dwelling at 12 Hunter Street. With hip roof across building, gable at right angles at western.front room. Iron roof, bull nose veranda. Simple timber fringe under veranda roof, timber brackets connect fringe to square veranda posts with lathed pattern in centre. Lakes Entrance Victoriahouses, heritage study