View of East side of Warrandyte Road approaching Maroondah Highway intersection. Rear view of Maroondah Highway businesses.Written on back of photograph: "2.9.92. Warrandyte Road.Was the Caltex garage.etheridge ford, lawfords furniture, treeby real estate, wright brothers electrics

Slide. Bendigo Views. View of a granite grave of Joseph David Kennedy, John Kevin Kennedy and Margaret Kennedy.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. Side front view of the Bendigo High School. Now the Bendigo Senior Secondary College.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. Scenic view of Bendigo with Ordinance Factory (also known as ADI now known as THALES).slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. View of the Municipal Baths and the Swimming Pool with the high diving tower in Barnard Street Bendigo.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Streets & Fortuna. A view of View Point with trams, cars, City Family Hotel & other buildings.slide, bendigo, bendigo streets & fortuna., bendigo streets & fortuna.

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.29 / ‘View of a Victorian Sheep Station’ / Albumen silver photograph mounted on boardOn Reverse: ‘The present illustration is characteristic of a Squatter’s Station in Victoria, and is situated near Elphinstone. In the centre of the picture may be seen the Squatter’s residence or head-quarters surrounded by sheds and out-houses, and in the foreground is a flock of sheep in charge of a lad. Of late years it has become the practice to erect fences around the Australian Sheep Stations, which necessitates only the services of a boundary rider, and dispenses with those of a number of shepherds.’nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.32 / 'View of Sailor’s Creek Falls’ / Albumen silver photograph mounted on boardOn Reverse: ‘The Sailor’s Creek Falls are situated near Daylesford, in one of the valleys of the Jim Crow Ranges. The Creek at this particular juncture is naturally adapted for the formation of a large reservoir. The stream of water is small during summer months, but a great body of water may sometimes be seen during the winter or wet seasons.’nicholas caire (1837-1918), sailor's creek (vic), jim crow ranges, daylesford, sailor's falls, photography - landscapes - victoria

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 24 leaving Charing Cross in View St with the destination of Eaglehawk, photo by Wal Jack 10-4-1950. Has the Beehive in the background, a single trucker at Charing Cross, and other buildings. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On the rear in blue ink "SEC Bendigo No 24 bogie in View St Bendigo 10-4-50" with Wal Jack copyright stamp in the top right hand corner and the number "T216" written in.trams, tramways, bendigo, charing cross, view st, tram 24

Oval photo, landscape view. Mountjoy on hill. Side view of the Post Office with residence showing the fence and a sign. Two children on Ridge Road and two girls outside the Methodist Church, which is not in view.post office, pretty corner, mountjoy, ridge road, fiveways

At an altitude of 340m, the picturesque village of Exogh in northern Ithaca, lies on the Homeric mountain of Neion. The village overlooks Aphales Bay and across the water the neighbouring island of Lefkada. During the Middle Ages and at the beginning of the Venetian rule, it was one of the most populated villages of the island, offering safety from the pirates, and an excellent view of the channel, the sea and the bays around the northern Ithaca.Some of the earliest Ithacan settlers in Melbourne were from the mountain village of Exoghi, including the founding president AJ.J. Lekatsas (Lucas). The village now has very few permanent residents with most having migrated or moved to the cities of Greece. A coloured photograph of a view overlooking the village of Exoghi and Aphales Bay on the island of Ithaca. The photograph was taken from the bell tower of the church of Panagias (the Virgin/Our Lady) sta Pernarakia located at the top of the mountain. The mountains which are visible across the skyline are the neighbouring island of Lefkada. mountain villages, ithaca

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975View of beach and foreshore at Coweslocal history, documents, postcards, jetties, phillip island, sepia postcard, bernard grayden

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of view of Churchill Island.local history, photography, photographs, churchill island, coastline, islands, phillip island, john jenner, bryant west

View over Discovery Bay.Back: Top left: Bridgewater Portland (grey lead) Top centre: B1 (grey lead)portland, bridgewater bay, discovery bay

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/20 Neg. No ..../ Date taken 27-7-53/ SUBJECT./ Workshop No. 1. (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/25 Neg. No 199/ Date taken 2-11-53/ SUBJECT./ Office Extension (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: WORKSHOP NO. 1. 27.3.53. (lower centre) Back: P.H.T./ Print No. 3/17 Neg. No 148/ Date taken 27.3.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: WORKS AREA AT SAND-SPIT. 6/8/52/ SHOWING WORKSHOPS' SITE & STORES BUILDING UNDER CONSTRUCTION (lower centre) Back: P.H.T./ Print No. 3/3 Neg. No // Date taken 6-8-52./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Port of Portland Authority archivesFront: Workshop No. 1 under construction and New Store Building. 27.3.53. (lower centre) Back: P.H.T./ Print No. 3/16 Neg. No 149/ Date taken 27.3.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre) Partial fingerprint in purple ink, lower centre.port of portland archives

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

Glenelg Shire Council RecordsAerial view of Portland foreshore.Front: (no inscriptions) Back: Portland Studios/11 Julia St., Portland 3305. Tel. 232224 (black stamp centre top). Portland Development Committee Archive Material (black pen, upper centre). Portland Development Committee Inc. (blue ink stamp, centre).portland foreshore

View of PErcy Street, Portlandlandscape photography, percy street, portland