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National Wool Museum
Book, Looms and Preparatory Machinery
"Looms and Preparatory Machinery" - Harling and Todd Ltd, c.1930.Book / catalogue of looms and preparatory machinery from Harling and Todd Ltd, Burnley, c.1930.textile machinery, harling and todd ltd, weaving looms, winding machinery, warping machinery, folding machinery -
National Wool Museum
Clothing - Suit Jacket, c.1970
Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. This Suit Jacket was tailored from fabric designed by Nino while he was working at the Foster Valley Mill. Nino developed a Mastercard such as w8043, which was sent to a mill in order to produce bolts of the desired fabrics w8044. These fabrics were then given to tailors where the final product was produced, such as this Suit Jacket.Single breasted suit jack with two buttons and notched lapel. Jacket is predominantly grey with black buttons and a silver silk interior lining. Four darker grey vertical and horizontal lines make up the design of the fabric on the exterior of the suit jacket. suit jacket, weaved, tailored -
The Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.1. The Foundations, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
The Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.2. The Sea Stories, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
The Mrs Aeneas Gunn Memorial Library
Book - The light of Asia, or, The great renunciation, Trubner and Co, Author, 1884
The Light of Asia, subtitled The Great Renunciation, weaves through its poetic verses the life and philosophy of Prince Siddhartha Gautama who attained enlightenment under the bodhi tree and became the Buddha. Receiving high acclaim since its publication in 1879, Edwin Arnold's work was adapted from the Lalitavistara Sutra (The Unfolding of the Play.) In the time before this work came out, little was known about Buddhism or the Buddha outside of Asia.p.238.non-fictionThe Light of Asia, subtitled The Great Renunciation, weaves through its poetic verses the life and philosophy of Prince Siddhartha Gautama who attained enlightenment under the bodhi tree and became the Buddha. Receiving high acclaim since its publication in 1879, Edwin Arnold's work was adapted from the Lalitavistara Sutra (The Unfolding of the Play.) In the time before this work came out, little was known about Buddhism or the Buddha outside of Asia.religion - buddhism, philosophy -
Bendigo Military Museum
Uniform - MESS JACKET AND VEST, CGCF, 1966
1. A scarlet woollen jacket with blue collar. It has blue cuffs. On the collars are badges of the RAASC. On the epaulettes are a Captain's set of pips (3). 2. Vest. Blue woollen outer, polyester inner. Two small pockets on front with four small buttons. 3. Shirt, cream/white colour. 7 pearl buttons. It has lighter vertical stripes every 20mm. 4. Bow Tie - black,1. Written in jacket is: 392063 Butterworth. 2. Written in the vest is: 392063 Butterworth and .........Jardine 11119.post ww2, officers mess dress, passchendaele barracks trust -
National Vietnam Veterans Museum (NVVM)
Book, Mansford, George, The Mad Galahs. (Copy 1)
The Mad Galahs weaves historical fact into a stirring tale of Australian Infantrymen at war.fictionThe Mad Galahs weaves historical fact into a stirring tale of Australian Infantrymen at war.vietnam war, 1961-1975 - fiction, infantrymen