Clothing. Women's straight full length white cotton petticoat. Fold over waistband (4.5 cm) with cotton tape drawstring fastening at centre back above 7 cm opening. Decorative geometric pattern stitching above hemline.Tag at centre front waistband, ''Cherry lane by French Connections'', ''100% cotton'' ''Hand wash''.costume, female, women's straight full length petticoat

Clothing. Women's black silk calf length skirt. Skirt has silk lining with a layer of silk fabric stitched to cover lower section of lining (52 cm). An outer layer of silk fabric falls from the waist to overlap the underlayer. The top layer has an irregular curved hem line.The inside waistband of ribbed cotton fabric (7cm) has six boned casings. The centre back opening (28 cm) overlaps at the waistband and is fastened with metal hooks and eyes and press-studs. The silk lining opening is fastened with four metal press-studs. The outer layer of silk fabric is fastened with five metal hooks and cotton loops.costume, female, women's black silk calf length skirt

Clothing. Women's cream coloured cotton vest with fold over collar at front edged with gold coloured cord. Deep V neckline at front. Centre front opening is fastened with six X 1 cm white buttons with gold pattern, and six button holes. On each side of the front opening are three fleur de lys patterns of appliquéd cord in brown, gold and cream. The lower edge of the front sections are edged with gold coloured cord. Back section of light brown cotton fabric. Front is lined with light brown cotton fabric. Satin ribbed ties (40 cm X 4 cm) attached on inside side seams at waist level. Vent (20cm) in centre back from hem.costume, female, women's cream coloured cotton vest

Clothing. Women's cream coloured double thickness silk scarf. Fabric has embossed pattern of diagonal leaf shapes. At each end on one side only are hand painted pictures;. 1. A Chinese girl kneeling below a tree and holding a sword in her right hand. 2. Tree branch with two butterflies and a rectangular Chinese symbol. Both ends have 5 cm fringeing.costume accessories, female, cream coloured silk scarf

Postcard with raised 8.5cm x 8.5cm coloured silk image of Tower Bridge London. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 40' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of 1. two women, one seated sewing and one standing sewing and 2. two women standing examining a cloth, appear either side of the image. On reverse card is addressed to Miss G Dean McKenzie St Golden Square Victoria Australia.W N Sharpe Sole Publisher Bradfordpostcard

Hanro Autumn-Winter 1960 Catalogue - Range of Lovelier women's knitwear. Styled in Switzerland, blue cover, twelve pages.business, retail, hanro catalogue

Black and white photograph of a women operating an electric machine in a workshop (Hanro). The woman is identified as Peg Stewart.Peg Stewart is written in the margin. Reg Brock. R Holland No. 11938photo, person, peg stewart

Buff coloured document, printed on front is a photo of a group of men and women, some wearing ceremonial collars. Printed on bottom ' Jubilee group of adult members and members of Myrtle Junior Tent (Girls) No. 400' On back of document ' Cobden Tent I.O.R. California Gully, Jubilee Celebrations 1865 - 1915, will be conducted from Sunday August 22 to Wed., August 25 in the California Hill, Methodist Church and Schoolroom'. Program of events is then described.bendigo, clubs, rechabites

A Photograph of the women's 15km motor race Victorian Championship event.recreations, sports, awards, cycling, awards.

Bendigo Advertiser ''The way we were'' from Tuesday, May 24, 2005. Horse drawn: taken in the mid 1920s, this photograph shows a group of women from the Huntly Hall Committee. Holding the reins is Polly Fiedler, while Chris Fiedler is holding the horse.newspaper, bendigo advertiser, the way we were

Black and white photograph of people attending the Clan McLeod Ball, held upstairs in the Trades Hall, View Street, Bendigo. Date unknown. 5th. person on left is Doris Purdy, the donor's mother. 6th. on left is Mrs. Kelly from High Street, Ironbark. Some men wearing kilts and women have clan sashes across their chests.

Women of Achievement Award trophy awarded to Val Campbell 2016 by ZONTA Club of Bendigo Inc. Trophy is a glass tear-drop shape with one end sliced diagonally mounted on a silver metal base. Glass is engraved with ZONTA Club of Bendigo Inc Logo and the words ZONTA club of Bendigo Inc Member of ZONTA International Empowering Women through service and advocacy, Women of Achievement Award 2016 Presented to Val Campbell.recreations, sports, swimming

Postcard, WW1, B&W photo of a street in Charleroi, Belgium. Part of a town square. Two platoons of soldiers marching away from camera. Men and women walking about the street. A rotunda at the right. Handwritten in pencil on the back Charleroi (Boche) Musique Boche Copy 10postcard, postcard, ww1, charleroi, belgium

Coloured photograph Two women inspecting the site of Gillies Farm Narrewillock rear of photo notes: Gillies Farm Norm, Allan planted these trees 1944

Long Gully is a suburb of Bendigo, 3 km north-west of the city's centre. The Long Gully Creek signifies the physical location of the suburb, and the Long Gully reefs ran southwards from Eaglehawk. It was particularly rich, realising yields as high as five ounces of gold to the ton.Four black and white photos of a painter's studio in Creeth Street, Long Gully, Bendigo. The photos were of very low quality and have been restored as much as possible. The photos are of: 8679a Three women in long dresses and two men sitting around a table having tea in front of a mantle-piece. Several paintings are on the wall above. 8679b Four female artists (or students) painting pictures. They are supervised by a man and a woman. Various pieces of art are on the wall and floor around them. A painter's pallet is open on the floor in the foreground. 8679c Three women and one man are viewing pictures in the studio. 8679d Paintings on display in the studio history, bendigo, creeth street long gully, artist studio

sporting team 1945Photocopy of a B&W photograph of the Myers' Womens Basketball Team 1945, with nine players (L to R): Top row standing: Joan Roberts, Val Grenfell, Nancy Silvester, Lola Nutall & Joan Shippard Bottom row kneeling: Barbar Thompson, Norma Nuttall & Rita Halladaysocial history

Polishing irons were used for ironing collars and frills. Historical information Sad-irons (the term comes from an old word sald for solid) were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. A solid piece of cast iron, the base is triangular a shape with an eight centimetre base with curved sides coming to a point 13 centimetres from the base and is three and a half centimetres Thick. The bottom of the iron is curved. Two curved pieces two and a half centimetres wide, half a centimetre thick and six centimetres apart rise from rise up seven centimetres, between them is a two centimetre diameter and nine centimetre long hollow handle. Embossed on the iron is - 4 SILVESTERS PATENT SALTER and an arrow with a knotted rope around it. K13polishing iron, silvesters patent, sad iron

Flat irons were used for general ironing. Historical information Sad Irons (the term comes from an old word sald for solid) were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. A solid piece of cast iron, the base is triangular a shape with a ten centimetre base with curved sides coming to a point 15.5 centimetres from the base and is three centimteres thick. The bottom of the iron is flat. Two curved pieces three centimetres wide, half a centimetre thick and seven centimetres apart rise from rise up eight centimetres, between them is a two centimetre diameter and ten centimetre long hollow handle. Embossed on the iron is - 4 SILVESTERS PATENT SALTER and an arrow with a knotted rope around it. K5polishing iron, silvesters patent, sad iron

Index, ill, maps, p.584.non-fictionArmageddon tells the story of the climactic months of the Second World War, the destruction of Hitler's Germany. Max Hastings has researched archives in four countries and interviewed 170 witnesses to piece together a saga that is at once fascinating military history and the greatest human tragedy of the twentieth century." "This book follows Max Hastings's earlier acclaimed studies of the Second World War, including Overlord and Bomber Command, in examining a great sweep of history with massive research and a host of new insights." "Armageddon embraces the fates of more than a hundred million people, men and women, old and very young, from the tragic teenage fanatics who died in the ruins of Hitler's Reich to the British 'Tommies' who simply yearned to finish a painful job and go home. Few books on the Second World War have so vividly brought together the story of the battlefields, east and west, with the decisions of the generals and the impact of great events upon ordinary soldiers and civilians.world war 1939-1945 - battles - germany, world war 1939-1945 - history

Index, bibliography, ill, p.478.non-fictionIn Crisis in the Pacific acclaimed historian Gerald Astor draws on the raw experiences of marines, sailors, soldiers and airmen under fire - from generals and admirals to correspondents, line officers and enlisted men on both sides of the battle lines - to present a view of the critical struggle for the Philippines, the keystone to Japanese domination of the Pacific and to ultimate Allied victory. These accounts, many published here for the first time, are dramatic and graphic, brutal and awe-inspiring. Ranging from the diplomatic and nursing corps' experience of the Japanese conquest and occupation of the islands, to the Bataan death march and first-hand accounts of war crimes inflicted by the Japanese on prisoners of war, to the final push for the hills of Mindanao, Crisis in the Pacific is the first complete history, told in the words of the men and women who were there, of one of the most crucial battlegrounds of World War II.world war 1939 – 1945 – campaigns – phillipines, world war 1939 – 1945 – personal narratives

Index, notes, ill (b/w plates) (maps).non-fictionA tribute to the servicemen and women of the past, and peacekeepers of the present, in the Australian Army, Navy and Air Force. Begins with the Boer War, goes on to cover the Boxers conflict in China, the First and Second World Wars, Malayan emergency, Korean War, Indonesia, Vietnam War, also the Gulf War, and East Timor. australia - armed forces - history, australia - history - military

Index, ill (B/W plates), p.726.non-fictionIn 'Prisoners of War' dozens of interviews with former POWs are used to show the strength and courage of Australians taken prisoner in World War I, World War II and the Korean War. This book was written for those who know little of the experiences of these men and women; their courage, endurance and pain.australia - military history, australia - prisoners of war

Index, bibliography, ill (b/w), p.276.non-fictionThis is a story not only of the War Widows Guild but of the telling of energy, released through grief, of women fighting for their children and their mateswar widows guild of australia - history, vasey jessie mary, 1897-1966

ill, p.60.non-fictionPhotos of Australian service men and women in wars, conflicts and peace operations.australia - history - military, australia - military history

Index, bibliography, notes, ill, maps, p.628.non-fictionThe Australian experience of war in all its complexity - from the homefront as well as the battlefront - as the men and women who experienced it chose to understand and remember it. The Great War is, for many Australians, the event that defined our nation. The larrikin diggers, trench warfare, and the landing at Gallipoli have become the stuff of the Anzac legend. But it was also a war fought by the families at home. Their resilience in the face of hardship, their stoic acceptance of enormous casualty lists and their belief that their cause was just, made the war effort possible. This book brings together all the dimensions of World War I. Combining deep scholarship with powerful storytelling, this book brings the war years to life: from the well-known battles at Gallipoli, Pozieres, Fromelles and Villers-Bretonneux, to the lesser known battles in Europe and the Middle East; from the ferocious debates over conscription to the disillusioning Paris peace conference and the devastating Spanish flu the soldiers brought home. We witness the fear and courage of tens of thousands of soldiers, grapple with the strategic nightmares confronting the commanders, and come to understand the impact on Australians at home and at the front of death on an unprecedented scale. A century after the Great War, this book brings lucid insight into the dramatic events, mass grief and political turmoil that makes the memory of this terrible war central to Australia's history.world war 1914-1918- australia - history, world war 1914-1918 - social conditions

Index, bibliography, notes, ill, p.349.non-fictionSurprisingly, as we near the 100th anniversary of the legendary Gallipoli campaign, this is the first book solely dedicated to one of its key battles - that at Lone Pine, where Australian and Turkish soldiers fought an ultimately futile battle that claimed thousands of lives in incredibly close quarters. Seven Victoria Crosses were earned by Australia's Anzacs in the intense four days of fighting, in pursuit of a flawed strategy to distract Turkish forces from larger incursions, which themselves failed. David W. Cameron has pulled together first-hand accounts from the men and women involved (including from the Turkish army) to detail what transpired and to follow some of their personal stories throughout the ordeal. By including the stories of non-combatants, such as engineers, nurses, sappers, commanders and more, he not only gives due credit to those who labored in support of the troops, but provides a wider understanding of the mammoth undertaking of such warfare. Many Australians travel to the Lone Pine Memorial and Cemetery each year to commemorate Anzac Day and remember the fallen - this work of popular history highlights the fate of those who fought on the very ground where they gather. Most Australian have heard of Lone Pine. Too few know why. Over four days in August 1915, Australians and Turks were thrown into some of the fiercest fighting of the war, on a small plateau in Gallipoli known as Lone Pine. Thousands of lives were lost. Seven of Australia's nine Gallipoli VCs were earned during brutal hand-to-hand combat in dark tunnels and in trenches just metres apart, bombarded by terrifying volleys of grenades. The Battle for Lone Pine is the first book devoted to this cornerstone of the Anzac legend, drawing on unforgettable first-hand accounts scratched into diaries and letters home. The stories of the diggers, as well as the engineers, nurses, sappers, commanders and more, provide an invaluable record of the battle and serve as moving testimony to their courage in appalling conditions. Today, pine trees are planted in remembrance around Australia. In Gallipoli, the Lone Pine Cemetery and Memorial attracts large crowds to commemorate Anzac Day. David W. Cameron's absorbing history reveals the fate of those who fought on the ground where they gather. 'David Cameron not only leads the way for the battalions of books on Australia in World War I to come in the next six years, he sets a standard for authors to emulate'world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - battles - lone pine

Index, p.218.non-fictionThis book unfolds the human side of the American civil war - the flesh and blood drama of men and women to whom the war was an intimate, emotional experience.american civil war 1861-1865, united states - history

Index, bibliography, ill, maps, p.358.non-fictionIn the line of fire' explores the nature of combat from the perspective of the men doing the actual fighting. From the heights of Gallipoli to the trenches of the Western Front, from the deserts of North Africa to the jungle POW camps of the Thai-Burma Railway, from the savage cold of a Korean winter to the steamy heat of Vietnam this book details what it's really like to be in the line of fire. Also it reveals the experiences of Australian women at war and the combat photographers.military participation - australia, sustralia - history - military