Colour print 10 x 15 cmmudbrick, st andrews, houses

Colour print 10 x 15 cmmudbrick, st andrews, houses

Colour print 10 x 15 cmmudbrick, st andrews, houses

Colour print 10 x 15 cmmudbrick, st andrews, houses

Colour print 10 x 15 cmmudbrick, st andrews, houses

Colour print 10 x 15 cmmudbrick, st andrews, houses

Colour print 10 x 15 cmmudbrick, st andrews, houses

Colour print 10 x 15 cmmudbrick, st andrews, houses, gayle blackwood collection

Colour print 10 x 15 cmmudbrick, st andrews, houses, gayle blackwood collection

Colour print 10 x 15 cmmudbrick, st andrews, houses, gayle blackwood collection

Colour print 10 x 15 cmmudbrick, st andrews, houses, gayle blackwood collection

Colour print 10 x 15 cmmudbrick, st andrews, houses, gayle blackwood collection

Sarah Ann Shillinglaw was the first child of Phillip Shillinglaw and Sarah Ann (nee Kidd). She was born February 14, 1873 at Bundoora and died June 3, 1878 at Bundoora and was buried in McLeans Cemetery at Preston. In Memory of Sarah Ann Shillinglaw Who died 3rd June 1878 Aged 5 years and 4 months Interred at McLean's Cemetery Also written in brown ink above main inscription in document held by the bird "I'm going to Heaven to see little Janie" Janie was Sarah's younger sister, Phillp and Sarah's second child born January 14, 1875 at Bundoora who died May 4, 1876 Memorial card manufactured in delicate embossed paper lace, printed in black and completed in (faded) brown ink; loosely placed on a black painted wooden mount inside a wooden frame 19 x 15 x 2 cm fitted with glass pane. Inserted loosely behind this lace card is a second half size embossed paper lace which states Sarah was interred at Melbourne Cemetery on 5th June 1878. G.W. Apps, Undertaker, 165 Fitzroy Street, Fitzroymarg ball collection, memorial card, sarah ann shillinglaw (1873-1878), jane shillinglaw (1875-1876), mcleans cemetery preston

Round edge stone with X ridges perhaps used by local Aboriginal people as a tool.X shaped ridge across stone.stone, aboriginal, rock

hardback, 21 x 15 x 2 mm, dull red cloth binding.Himmer Bequest ; formerly Cowes Municipal Public Library

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; an unpainted, rectangular wooden frame with a top and sides, similar to a small rectangular stool. A solid half-cylinder shape was added under the horizontal 'seat' with another smaller half-cylinder attached to it, end-to-end. A string is tied between two metal loops attached to the back. There are two X marks stamped into the back. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.Stamped: "X" "X"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

A razor strop (or razor strap) is a flexible strip of leather or canvas used to straighten and polish the blade of a straight razor, a knife, or a woodworking tool like a chisel. Unlike honing or sharpening a blade, in which a whetstone removes metal bent out of alignment from the blade's edge, stropping the blade re-aligns the indentations without removing any material. The strop may be a hanging strop or a hand-held paddle. Various abrasive compounds may be applied to the strop to aid in polishing the blade while stropping to obtain a mirror-like finish. The properties of the compound applied will alter the polishing result. Jeweller's rouge is a very fine abrasive compound. The green Chromium(III) oxide compound is most often used as an abrasive compound. Sprays containing diamond particles are another option. Stropping is primarily done with straight razors, used for shaving, as these are the thinnest blades in everyday use, and require stropping at each use, due to the thinness of the blade Two points are key to stropping: Draw the blade spine-first along the strop. By contrast, honing is done edge-first. When you turn the blade at the end of a stroke, turn it over the spine, so the edge moves away from the strop and faces you, and the spine rests on the strop. This preserves the edge – if the blade is turned over with the edge against the strop, this will roll the blade edge, defeating the purpose of stropping As the use of safety razors increased in popularity this 'Jason' strop prolonged the life of each razor blade thus making them economical.A leather 'Jason' strop, for sharpening safety shaving razor blades, with box. Top of Box: J / The JASON / STROP/ Reg. Trade Mark / for SAFETY RAZOR BLADES / Reg. Patent No. 25435/35 ; Back : How to operate the JASON STROP ( instructions) Side: JASON / Razor Strop Dressing / A keen smooth blade will always be assured by the / occasional use of JASON RAZOR STROP DRESSING/ Side: FIFTY SHAVES WITH ONE BLADE ! / by using - JASON and JASON / Razor Blade Strop Razor Blade Dressing. End: JASON / Made by MEIK BROS. Pty. Ltd. / 15-17 Bedford St., Collingwood, and / 287 Flinders Lane, Melbourne, Vic. End: JASON / SAFETY RAZOR BLADE STROP.safety razors, the jason strop, shaving equipment, personal effects, strops, meik bros pty ltd, gillette, collingwood melbourne

Copy photograph of a newspaper photograph at the time of the entry into service of the X class tramcar 217. Photographed at Malvern Depot by The Argus newspaper. The tram is on display at the Melbourne Tram Museum's Hawthorn Depot.Yields information about X class tram at the time of its introduction into service.Copy photograph Birney X class 217, copy by Keith Kings.In ink on the rear " MMTB X217, "Pay as you enter tramcar imported complete from USA as an experiment" Copy from "Argus" 22/9/23 in C. Craig Collection. 1sec f16, 15-7-71, and K S Kings stamp with number 95-28trams, tramways, x class, new trams, tram 217

.1) The medallion is believed to be for Rifle shooting. .2) Commonly called Dead Mans Penny. Issued to next of kin of a soldier who never returned. Walter Peake 6/1688 N.Z.E.F. Refer Cat No’s 1794, 1791.3, 1792P..1) Gold coloured commemorative medallion for W. Peake Jr dated 15/11/15, centre disc, target with rifle on maltese cross. .2) Memorial plaque, bronze with Brittania, lions and seals. A space is provided for individual names..1) " W Peake jr /Epsom/15/11/15" .2) "WALTER PEAKE " HE DIED FOR FREEDOM AND HONOUR.numismatics - medals - commemorative, military history, memorial plaque

greensborough, main street, shopping centre, tom lane chemist

greensborough, main street, shopping centre

greensborough, main street, shopping centre

The obelisk was originally dedicate to those that fell in the First World War and was dedicated in 1919. It was located on the corner of Bridge Street and Main Road. With road works undertaken in the 1950s, the obelisk was relocated to the front Garden of Remembrance at the Eltham RSL Sub-Branch diagonally across Main Road from its original location. When the Eltham RSL collapsed due to financial problems, the property was sold in 2010 and arrangements were made to relocate the obelisk again, this time in front of the Memorial Garden at the Eltham War Memorial opposite Arthur Street.Colour photo print 15 x 10 cmeltham rsl sub branch, eltham rsl sub-branch, garden of remembrance, honour roll, main road, obelisk

Colour photo print 15 x 10 cmeltham, eltham cemetery, metery road, mount pleasant road

Refurbishment of Police precinct at Eltham. Lock-up of 1880s. Facsimile of 1900s Police Station. Brick wall of residence built 1859.Colour photo print 15 x 10 cmeltham, 728 main road, activities, brougham street, eltham district historical society, local history centre, lockup

courthouse, Eltham, Eltham Courthouse, Eltham Justice Precinct, local history centre, Main Road, police residence, Police Station Four colour photographs 10 x 15 cm

Possible involvement with architect John Pizzey.Four colour prints 10 x 15 cmhouses, mudbrick, alistair knox, bible street, brougham street, gayle blackwood collection

Home and garden at 23 Stanley Avenue; Charles Hanlin, builder; Landscape by Gordon Ford.11 colour prints 10 x 15 cmhouses, mudbrick, gayle blackwood collection, charles hanlin, gordon ford, stanley avenue, eltham

Ten colour prints 10 x 15 cmhouses, mudbrick, warrandyte-research road, north warrandyte, gayle blackwood collection, robert marshall