Donald Clark Collection. A colour photograph depicting cricket teams at the event for re-opening of restored pavillion at Tarnagulla Recreation Reserve Original photograph.

Donald Clark Collection. A colour photograph depicting a cricket match at the event for re-opening of restored pavillion at Tarnagulla Recreation Reserve Original photograph.

Donald Clark Collection. A colour photograph depicting medal presentation after a cricket match at the event for re-opening of restored pavillion at Tarnagulla Recreation Reserve Original photograph.

Donald Clark Collection. A colour photograph depicting Tarnagulla Recreation Reserve on the day of an event to re-open the restored pavillion. Original photograph.

Donald Clark Collection. A colour photograph depicting the launch of the Bet Bet & Korong Shire Tourism Promotion held at Tarnagulla Recreation Reserve. Held on the same day of re-opening the restored pavillion. Tom Roper at microphone. Original photograph.

Donald Clark Collection. A colour photograph depicting the launch of the Bet Bet & Korong Shire Tourism Promotion held at Tarnagulla Recreation Reserve. Held on the same day of re-opening the restored pavillion. Original photograph.

Donald Clark Collection. A colour photograph depicting the launch of the Bet Bet & Korong Shire Tourism Promotion held at Tarnagulla Recreation Reserve. Held on the same day of re-opening the restored pavillion. Lindsay Holt at microphone. Original photograph.

Donald Clark Collection.Clipping from magazine (possibly Melbourne Cricket Club members newsletter), article titled 'Tiny Town Is Big On History'. About a commemorative cricket match played in Tarnagulla, between local residents and the MCC's XXIX Club, to celebrate the re-opening of the refurbished grandstand at Tarnagulla Recreation Reserve. sport, local history

Like Purple Plain, Mernda and Mernda Heat Haze this painting was a further development from aspects of the Basalt Plains series of the 1990's as seen in Mernda Plains Landscape. This picture has a greater minimalist quality about it, having been painted in the studio during a particularly wet spring when some of the surrounding flats were indented by channels of water. Greens are not a colour harmony I work with often, but here help convey the essence of the seasonal landscape. A much more formal structure has been emphasized in this picture in which atmospheric space has been almost negated in favour of a much shallower field of colour and two dimensional surface rhythm, an actual effect one can sometimes see under certain conditions of nature, particularly in a flat country. I have always had some respect for one or two of the better colour field painters of America in the 1950's and 1960's who actually untilzed expressive broad bands of colour harmonies in their work, but didn't classify them as landscape paintings. My own feelings on the subject are to avoid the clinical precision that such an approach can bring, and thus indicate some actual reference to landscape in a work, a horizon, however subtle, or marks indicating actual forms that give some scale to the work. I suppose the idea first occurred to me when I saw J. M. W. Turner's wonderful painting, Evening Star, in the National Gallery in London many years ago. In this work a few bands of mysterious colour and exquisite harmonies with one or two references to figure, sand, sea and sky, transmogrify everything into a magical unity. It serves as a revelatory example of how all art is dependent on abstract qualities and how great artists like Turner are able to conceal those qualities without lapsing into a forced mannerism.Part of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrack '90mernda

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses