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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/10/1992 12:00:00 AM
Black and white photograph of Tony Spink and Barbara Calvert working on the production of Phoebe Lakes Entrance Victoriaentertainment, performing arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/11/1995 12:00:00 AM
Photograph taken during the performance of "Hits of the Blitz"Black and white photograph of Liz Croft, Bob Lucas, Norma Smith, Angela Roadley and Pam Hare with others on stage performing Hits of the Blitz by Music and Drama Group of Lakes Entrance Victoriaentertainment, performing arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/08/1996 12:00:00 AM
Black and white photograph of Adrian Wytkamp member of the Music and Drama Group Lakes Entrance Victoriaentertainment, performing arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/12/1999 12:00:00 AM
Colour photograph of Barbara Anderson and Philip Proctor performiong in No Opera at the Opry Tonight by Music and Drama Group Lakes Entrance Victoriaentertainment, performing arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/12/1999 12:00:00 AM
Colour photograph of Elisabeth Callander de Ross on stage performing in No Opera at the Opry House Tonight by Music and Drama Group Lakes Entrance Victoriaentertainment, performing arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/12/1999 12:00:00 AM
Colour photograph of Philip Proctor and Janis Cray performing in Opera No Opera Tonight by Music and Drama Group Lakes Entrance Victoriaentertainment, performing arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/12/1999 12:00:00 AM
Colour photograph of Angela Roadley and Tony Spinks performing in No Opera at the Opry Tonight by Music and Drama Group Lakes Entrance Victoriaentertainment, performing arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/12/1999 12:00:00 AM
Colour photograph of Barbara Anderson and Annie Anderson performing in No Opera at the Opry House Tonight by Music and Drama Group Lakes Entrance Victoriaentertainment, performing arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/12/1999 12:00:00 AM
Colour photograph of Angela Roadley, Barbara Anderson and Tony Spinks performing in No Opera at the Opry Tonight by Music and Drama Group Lakes Entrance Victoriaentertainment, performing arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1950 c
Black and white photograph of fifteen members and staff of Tambo Shire Council, Cr Glynn Timmins identified third from left front row. Bruthen Victoriaengineering, performing arts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1948
Black and white photograph of eighteen members of Country Roads Board and local Shire Road crew who attended CRB Patrol Conference. Identified are Vic Fish second from right back row Tambo Shire outdoor staff member. Bairnsdale Victoriaentertainment, performing arts -
Robin Boyd Foundation
Newspaper - Clipping, Robin Boyd, Australia has reached a stage of affluence at which she is pleased to find a few dollars spare to use on art after all the plumbing is done, 11.07.1966
Robin Boyd wrote this when he was a Trustee of the National Gallery of Victoria. This article is a critical assessment of Australia's and Australians attitude to art and artists and culture.australian culture, arts, artists, walsh st library -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Print - Gravure Print, Ataturk Commanding Turkish military campaigns 1915, 2015
A gift from the Turkish Consulate for the 100th Anniversary of Gallipoli.A framed gravure print by Erol Yildirim, edition is numbered as 48/100, and dated as 2015. The subject matter is concerned with Turkish military campaigns. On the revers of the print is a label with the following information. 'Biography of the Artist / Colonel Erol YILDIRIM (Ret'd) Born in 1959 in Bolu / Turkey, he completed his secondary education in Izmir, and began his military education at the Army War College in 1977. His career in arts started by attending the art club of the military college. He has organised 9 private exhibitions and taken part in 52 group exhibitions. He has won the following 8 awards. - 2009, 2010, 2011, 2012, 2013, 2014 Artmajeur Silver Awards - 2014 The XV Ex lib's Biennial as 'Selected exlibris' Miata Museum Ostrow Wielkopolski - POLAND - 2014 The 3rd Guangzhou International Exlibirs and Mini Print Biennial as 'selected exlibris guangzhou china' erol yildirim, turkey, print, artworks, war, turkish soldiers -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Book, FRED AIREY et al, The time of the SOLDIER, 1991
940.548194, autobiography, isbn: 0 949206 96 2 -
Ballarat Tramway Museum
Photograph - Colour Negative with a colour print, 1/03/1994 12:00:00 AM
Set of nine colour photographs of trams in Melbourne, c March/1994. Photographer details unknown. Date taken from date stamp on rear of photographs. Printed on Agfa paper. 35mm negatives filed. Two copies of each print except for 1440.7 to 1440.9 1440.1 - N241 - SW6 939 in St. Kilda Rd., inbound on route 15, with destination "Moreland" at the Arts centre. Has ABC 7.30 report ads on side. 1440.2 - N244 - A246, outbound in Victoria Parade on route 109 for Mont Albert. Taken after tram has passed the photographer. Done in "Energy Victoria" all over advertising livery. 1440.3 - N246 - SW6 877? or W6 977? running out of the Lansdowne St. shunt, inbound on route 12, "Sth Melbourne & St. Kilda Beach", run number A31, with driver changing points at crossover in Victoria Parade, East Melbourne. 1440.4 - N247 - SW6 874 and two other W's at Brunswick St. and Victoria Parade, East Melbourne. 874 on route 30, "City via Latrobe St". Photo taken after tram has passed photographer. Tram Has "Bank of Melbourne" advertising on end cab. 1440.5 - N248 - SW6 962 and SW5 840 at the intersection of Brunswick St and Victoria Parade. 962 out bound on route 12, 830 inbound on route 30. Both trams have "Bank of Melbourne" advertising on the end panels. 1440.6 - N249 - SW6 962 in bound on route 12 at same location on route 12. Has an A class in the background. 1440.7 - N243 - W6 995 outbound on Malvern - Burke Road, route 5 in St Kilda Rd at Arts Centre. Photo taken after tram has passed the photographer. Has an all over advertising livery, for "Australian Made" products. 1440.8 - N245 - A 266, in Victoria Parade, East Melbourne nearing Lansdowne St, inbound on route 109, showing destination of Port Melbourne. Has "Bertocchi is Better" advertising on driver's cab panel. 1440.9 - N242 - W7 1010 and W6 976, St Kilda Road, at the Arts Centre. W7 outbound on route 3, East Malvern Burke Road, and W6 inbound, showing route 5, but no destination. W7 appears to be recently painted. W6 has an all over advertising livery for "A Chorus Line".st kilda road, victoria parade, ptc, melbourne, tram 939, tram a 246, tram 874, tram 962, tram 840, tram 995, tram a 266, tram 1010, tram 967 -
Ballarat Tramway Museum
Pamphlet, The Design Group, "Melbourne's Painted Trams", 1986
Pamphlet titled "Melbourne's Painted Trams" with subtitle "Transporting Art", printed on one side of a single sheet of art paper, then folded in half, then folded in concertina style (6 panels), featuring the 15 Melbourne W2 class tramcars that were painted in the years between 1978 and 1982. Provides notes on the artists, their thoughts on the projects and details of the project. Sponsored by the Victorian Ministry for the Arts and Ministry of Transport. Notes that 14 of 15 trams had reached the end of their working lives and were to be auctioned on 7/12/1986, that No. 504, Clifton Pugh was to be donated to Museum of Victoria and that a new series of 20 painted trams were being sponsored. Poster prepared by Malpass and Burrows of the Design group with photographs by Stephen Hall and Regina Grant. Decorated trams, artists. Features trams and artists 525 - Les Kossatz 243 - Mirka Mora 504 - Clifton Pugh 503 - John Nixon 497 - Erica McGilchrist 567 - Peter Corrigan in 1978 and repainted by Paul Mason in 1982. 345 - Gareth Sansom 384 - Howard Arkley 234 - Andrew Southall 336 - Mike Brown 444 - Trevor Nickolls 502 - Rosemary Ryan 340 - Don Laycock 607 - Craig Gough 439 - Stewart Merrett Images 1 of the poster folded out, 2 of the front cover and 3 of trams 504 and 345. 2nd copy added 7-2-2016 from the collection of Ian Stanley. See Reg Item 7017 for a framed image of a poster produced from the first page or cover page of this poster.trams, tramways, decorated trams, transporting art, melbourne -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 3, Ellen Butland, early 1970's?
Set of three black and white prints of MMTB Scrubber No. 8 early 1970's. .1 - Arts Centre area, St Kilda Road .2 - Dandenong Road, about to use the crossover just to the west of Glenferrie Road .3 - using the crossing. Has the Hoyts picture theatre on the corner of Glenferrie and Dandenong Roads in the background. On Agfa paper. Photo by E. G. Butland - Ron Scholten - provided a written note re Ellen Butland - in with worksheet - 5th women driver in Melbourne, worked from Kew, now lives in NZ and drove buses in Auckland. See Donated by Ron Scholten to BTM 11/2005 See Destination City - renumbering of No. 8 to 8W took place during 1975.1 - "E.G. Butland" stamped in black ink on rear. .2 - as above, "Wattletree Road" stamped in public in three places, along with address blacked out and the words "please return to" in pencil and in the top left hand corner "No.8 Victoria Pde" in pencil. .3 - "E.G. Butland" stamped in black ink on rear., "D. Menzies / 237 Wattletree Road, Malvern Vic. 3144."tramways, trams, scrubber tram, dandenong road, st kilda road, tram 8, tram 8w -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: PETER ELLIS ORDER OF AUSTRALIA RECIPIENT, 26th January, 2012
2 page article printer on A4 printer paper. Handwritten in greylead pencil across top of first page reads: Trad + Now Article written by John Williamson. Peter Ellis Order of Australia Recipient 2012 By John Williams. On 26th of January 2012 Peter Ellis was awarded the Order of Australia (OAM) for his services to the Arts through the collection and preservation of Australia's folk history. Peter has been a long time correspondent to this magazine and has provided the most detailed information on social dancing in Australia. There are many more things about Peter that readers should know. Peter has the largest collection of dance related material in the National Library Archives from over thirty years of collecting. His collecting trips have included Victoria, Western Australia and Tasmania. The Western Australia trip was with John Meredith who was a long time mate of Peter's. Peter is a founder, charter member and life member of the Bush Dance and Music Club of Bendigo and received the Graham Squance award from the Folk Song and Dance Society of Victoria. He was also awarded a life membership of the Victorian Folk Music Club. Peter is founder of the Celebrated Emu Creek Bush Band which has been performing for thirty years and has played at the opening of the Melbourne Museum, Victorian State Parliament and Centenaries of the Shamrock Hotel and Post Office in Bendigo among many other gigs. Peter has also produced twenty one CDs with Emu Creek in that time which cover quadrilles, couples dances and the History of the Bendigo over one hundred and fifty years. (Emu Creek are already booked for the Canberra Centenary Ball in 2013!) Peter has also played with the famous Wedderburn Old Timers for thirty years during which time that band has received two platinum and several gold recording awards. Peter has also found the time to write several books including his three well know volumes of dance music, 'Collectors Choice' and the definitive volume on social dance in Australia 'Merry Country Dance'. He has also co-authored 'Two Hundred Dancing Years' with Shirley Andrews and 'Music Makes Me Smile - The music of the Nariel Valley' with Harry Gardner. Peter has also contributed to books compiled by others such as Rob Willis, Graham Seal and Dave Di Santi. Peter has trained many young musicians and conducted continuing Ed classes and Deb sets. He is a gold medal standard ballroom dancer in his own right which many dancers say contributes to his understanding of the correct tempo for all the dances he plays for. Peter has also been instrumental in the Bendigo Field Naturalist's Club of which he is a life member. He has been heavily involved in campaigns that have led to the establishment of two flora reserves and extensions to the Greater Bendigo National Park when housing developments threatened native bushland. He has contributed text and photographs to the publication 'Wildflowers of Bendigo'. Peter's award was really well deserved as you can see. What is really fitting is that he received the award on Australia Day. How fitting for a man who has single handedly saved more of Australia's Social Dance music and history than any other person. Australian dancing, music and the environment really owes Peter a lot. Well done from all your Trad and Now readers.person, individual, peter ellis oam -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: VARIOUS ARTS BENDIGO OUTWARDS CORRESPONDENCE
Various Arts Bendigo Outwards Correspondence - To: Mailout to District Football and other clubs for show ''No Time On''; Steve Gibbons MP re nomination of Merle Hall for a Certificate of Recognition (for outstanding contribution to AB and the community (July 2001); Cr Weston Mayor COGB, re AB support for Council's application for funding for Bendigo Arts Precinct- Art Gallery Project 1997; 1998/199 Report summary of AB activities calendar for 1999; Roman Rudnytsky re confirmation of concert date Aug 1997; David Scheel re performance 1997; Dr I McBean, University College of Northern Victoria, re re Bluthner piano 'Loan arrangement'' and restoration planned (1991); ''Alexandra''?? March 1991 re performance Agreement and directions; -
Bendigo Historical Society Inc.
Document - Dai Gum San Concept Plans - Chinese Tourist Village Bendigo Victoria, 1980s
During the first goldrush of the 1850s, Chinese miners referred to the Bendigo region (then Sandhurst) as Dai Gum San 大金山 - literally 'Big Gold Mountain'. The Golden Dragon Museum is situated in the city of Bendigo, Victoria, Australia. The museum is dedicated to the culture and history of Chinese Australians, particularly in the region. Built on the historical site of one of Bendigo's Chinatowns, the museum's precinct also includes Chinese Gardens and a temple to Kuan Yin. Through the museum accreditation program, it was the first accredited museum in Victoria and opened in 1991. These plans are the original plans before the the Golden Dragon Museum was built on its current site.Dai Gum San Concept Plans - Chinese Tourist Village Bendigo Victoria - 4 Sheets in colour by Stephenson and Turner Victoria Architects and Planners Sheet 1 Concept Plan and Developed Site Plan Sheet 2 Arts and Crafts Buildings Sheet 3 Restaurant, Historical Museum and Temple Complex Sheet 4 Motelhistory, bendigo, eaglehawk, chinese, chinese museum, dai gum san -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: COLLECTION OF VARIOUS NON BENDIGO BASED ACTIVITIES
Collection of various non-Bendigo based activities - Flyer on Council of Adult Education 'Arts Train'; (no date); Flyer on the Community Arts Conference ''The Next ten Years'' July 19-22, 1980; Flyer on ''Summertime at the National Gallery of Victoria'' 1979/80; Information Sheet from the Wycheproof Arts Council , March 1980 (has mention in it of performance in Bendigo of comedian Richard Stillgoe at Kangaroo Flat Tech School Auditorium 9/4/1980. -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: BENDIGO PERFORMANCE OF THE ''CRAFT AND BEYOND''
Bendigo Performance of the ''Craft and Beyond'' - Stapled catalogue of items in the ''Craft and Beyond'' exhibition of 30th July - 6th August 1983. (Arts Bendigo in conjunction with the Crafts Council of Victoria). Convenor; Helen Harrison.Includes thanks to various organizations involved. 211 items listed by name of artist and includes sale price where relevant. -
Bendigo Historical Society Inc.
Photograph - MERLE HALL COLLECTION: PHOTOGRAPH OF REG LIVERMORE IN ''WISH YOU WERE HERE''
... ''. Touring Victoria with the Victorian Arts Council. Livermore... Victoria with the Victorian Arts Council. Livermore is the strident ...B&W photograph of Reg Livermore in ''Wish you were here''. Touring Victoria with the Victorian Arts Council. Livermore is the strident battleaxe Gloria and her derelict ex-husband Leonard Dover and their only child Nola.Photo of artist heavily made up in rough garb. -
Bendigo Historical Society Inc.
Photograph - Glass Slide Photos of Bendigo, Early 1900s
Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Eleven Photos of Bendigo from Glass Plate Negatives, Campaspe River at Axedale, Axe Creek, Lake Weroona, White Hills Botanical Gardens, Conseratory Gardens, Bendigo Fernery. Slides are ex Bartlett Brother Bendigo. history, bendigo, bendigo conservatory gardens, campaspe river axedale, axe creek victoria, lake weroona bendigo, white hills botanical gardens bendigo, bartlett brothers bendigo, rosalind park bendigo -
Bendigo Historical Society Inc.
Audio - The 1930s Depression Tapes - Jean Coulter, 2005
In 2005 Michele Matthews interviewed current and former residents of Bendigo for her thesis on the 1930s Depression as part of her PhD Research, with the University of Melbourne Faculty of Arts, History Department. Michele interviewed fifteen members of prominent Bendigonian families. The thesis was titled: "How Depressing?: The impact of the Great Depression on Bendigo and District 1925-1935". The Michele Matthews Collection contains fourteen audio cassette tape recordings and one written transcript. The tapes are each approximately 1 hour and 45 minutes duration. The questions presented to the interviewees explore everyday experiences they would have lived through at the time of the Depression. The questions covered sixteen relevant subjects: • Introduction and housing • Social activities, swimming, cinemas, school and games played with friends • Organizations such as the RSL, Relief Committees etc. and any effect they had on family life • The life of the single woman • Unemployment and Employment • Government Assistance • Charities Aid • Self-help • People Power, e.g. boycotts or protests • Politics • Trouble or crime • Family Health, Medical and Diet • Education • General memories of, and hardships encountered, during the DepressionNOTE: The interview tape except for the introduction is blank and, as their are no interview notes, it is assumed that the interview was abandoned for some reason. Audio tape interview with Jean Coulter (Nee May). Jean was born in 1915. In 1936 she married Raymond Coulter. Her father, David May was a fencer in Northern Victoria, and her mother worked as general duties in a hotel. She attended school at Quarry Hill State School (1921-1926) and Domestic Arts (1926-1927). The tape has been converted to a sound file. The 90 minute interview can be listened to, and the notes viewed, at the Bendigo Historical Society. By appointment only.history, bendigo, michele matthews collection, the 1930s depression tapes, jean coulter -
Bendigo Historical Society Inc.
Letter - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT LETTERS, 1994
Merle Hall Collection: Rosalind Park Creative Village Bendigo Project Letters Merle Hall Collection: Rosalind Park Creative Village Bendigo Project Letters and agreements listed below from March 1994 to 1996 31 March 1994 To: Vcitorian Arts Council Members From Grant Finck Project Coordinator Content: Intoduces himself as the coordinator for 12 months; to members looking for expression of interest, includes Information Sheet 1994 on what the Creatvie Village is. 27 October 1995 To: Mrs Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Granting access to the Victoria Hill site for small quantities of geological material. 10 January 1996 To: Mrs Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Endorsement of the project by the Council and confirmation that the Council will provide preliminary site wrok to allow the project to be enabled. Also advised the Arts Bendigo Mosaic Projectmakes contact with the Salvation Army (New Work Oppurtunity Project) 27 February 1996 To: Mrs Mearle Hall From: Ken Beasley Manager Project Development The Smith Read Training Group. Content: LEAP Project Proposal - Mining Heritage Mosaic outlining the benefites of using LEAP Trainees to undertake the project. Proposed Scope of work outlining responsibilities of each participant. Bendigo Mining NL Environmental Trust Fund ( Perseverance Exploration and Department of Energy and Minerals Victoria representatives) 27 June 1996 To: Mrs Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Advising that the Council will match dollar for dollar funding for the engaement of an artist to supervise the construction of the Mosaic in Upper Rosaling Park up to $3,500. 22 July 1996 To: Anne Buzza From: Geoff Brown Camp Hill Primary School Content: Thanks for using and manageing the school students to help create tiles. 9 October 1996 To: Mrs Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Enclosed cheque for matching grant of $3500 15 October 1996 To: Mrs Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Agreement to relocate the project facilities to the car park and to maintain a close liaison between the Council and Arts Bendigo. 13 November 1996 To: Mrs Mearle Hall From: The Sidney Myer Fund Helen Morris Research Officer Content: Remittance advice for $1000 22 April 1997 To: Mrs Mearle Hall From: John Little Administrator Victorian Arts Council Content: Remittance advice for $500 towards the project and enclosing 12 VAC Annual reports. 20 October 1998 To: Mrs Mearle Hall From: City of Greater Bendigo, Andrew Hall (Director Community Development) Content: Advising that the Council will make a grant of $1090 for the purpose of printing of Brochures for Bendigo Heritage Mosaic. A service agreement to be signed before the issue of the grant, 21 March 2001 To: Mrs Mearle Hall From: City of Greater Bendigo,Justin Hanney (Director Community Services) Content: A reference from Council supporting the project application to Vic Health for the development of a series of small mosaic pieces along the linear pathway asjacent to the Bendigo Creek. 12 November 1996 To: Mrs Mearle Hall From: Arts Bendigo Inc. Content: Cheque for $2000 being first payment as under contract two for mosaic project. 4 December 1996 To: Mrs Mearle Hall From: Arts Bendigo Inc. Content: Cheque for $2000 being second payment as under contract two for mosaic project. 27 July 1997 To: Maery Gabriel Mosaic Artist From: Arts Bendigo Inc. Content: Cheque for $2000 being final payment as under contract two for mosaic project. 12 June 1997 - Two copies To: Maery Gabriel Mosaic Artist From: Arts Bendigo Inc. Content: Agreement between Maery Gabriel (The artist) and Arts Bendigo Inc. to complete the final two sections of the Bendigo Heritage Mosaic at the base of the Rosalin Park Poppet Head, Bendigo with a design of approvximately two square metre within each section. The work to be completed by the endo of July 1997, unless severe weather conditions make the laying impossible. Agreement for two lots of $2000. 14 June 1996 From: Maery Gabriel Mosaic Artist To: Arts Bendigo Inc. Content: receipt for 50% payment for two weeks and $60 Travelling expenses. 21 May 1996 Agreement between Arts Bendigo of P.O Box 563, Bendigo in the State of Victoria (hereinafter referred to as the ‘AB’ of the first part AND Meary Hall of Morningswood, Petersons Road, Ellinbank, 3821 in the State of Victoria (hereinafter referred to as ‘the artist’) o f the second part. ENGAGEMENT: (a) AB engages the Artist to provide her services as Mosaic Artist for the design and creation of a Mosaic pavement surround to the poppet head lookout in Rosalind Park, Bendigo and matters incidental threrto at such schools, halls and any other places as required from time to time by AB and the Artist accepts the engagement upon the term and condisitons heinafter appearing. (b) Services to be provided by the artist include community consultation and design work in association with AB Co-ordinator and Arts Bendigo, a minimum of six weeks of the artist’s time within the six months of the project. Completion of section one of the whole design with further work on the other sections to depend on available funding. The agreed fee was $5400 and $60 per visit to Bendigo with living away to be provided by Arts Bendigo 1 November 1996 Agreement between Arts Bendigo of P.O Box 563, Bendigo in the State of Victoria (hereinafter referred to as the ‘AB’ of the first part AND Meary Hall of Morningswood, Petersons Road, Ellinbank, 3821 in the State of Victoria (hereinafter referred to as ‘the artist’) o f the second part. ENGAGEMENT: (a) AB engages the Artist to provide her services as Mosaic Artist for the design and creation of a Mosaic pavement surround to the poppet head lookout in Rosalind Park, Bendigo and matters incidental threrto at such schools, halls and any other places as required from time to time by AB and the Artist accepts the engagement upon the term and condisitons heinafter appearing. (b) Services to be provided by the artist include community consultation and design work in association with AB Co-ordinator and Arts Bendigo, a minimum of six weeks of the artist’s time within the six months of the project. Completion of section one of the whole design with further work on the other sections to depend on available funding. The agreed fee was $5000 and $60 per visit to Bendigo with living away to be provided by Arts Bendigo, plus transfer of the diamond saw purchased by AB 28 August 1996 Memorial to Bendigo’s Mining Heritage and Traditions finacial and other support as at August 128th Arts Bendigo Financial contribution: $7000 Local Busine Sponsors: $2800 City of Greater Bendigo Matching Above: $2800 City of Greater Bendigo Site works: Equiv, $12000 Local Businesses and institutions supplying goods and services to total value of: Equiv: $7600 Expenditure: Purchase of equipment, including diamond saw: $2000 Purchase of materials: $800 Artists design fees: $3000 Artists on site work, travel and accomodation: $12000 insurance, administration etc.: $700 31 May 1996 List of possible donors checklist Undated Budget Sheet 21 September 1995 From: the Victorian Arts Council To: City of Greater Bendigo Content: Ivoice for $5000 10 december 1995 From: Maery Gabriel artist To: Arts Bendigo Content: Invoice $1575 for design of Rosalind Park Lookout. 45 hours @ $35/hour 1 October 1996 Historic mining Mosaic Pavement, Rosaling Park Poppet Head Financial Statement as a October 1st 1996 28 October 1996 From: Maery Gabriel To: Ann Buzza (representing Arts Bendigo) Report on project of Rosalind Park Mosaic as at October 1996. The report lists the difficulties faced with the weather, unsuitable facilities on site and problems with the LEAP team labour. -
Ararat Gallery TAMA
Print, Nanette Bourke, The Growth of Tourism, 1988
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Nanette Bourke, Opening up the Land, 1995
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Nanette Bourke, Return of the Grasstrees, 2007
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMA
Print, Nanette Bourke, No, I don't want to live to 100, Thank you, 1992
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.