Track racing commenced at Canterbury Park in 1936. Prior to this racing was held at Epsom and was Plumpton (open field)style racing. At Canterbury Park racing was held over a 340 yard track and up to 20 bookmakers attended. In 1978 the club moved its operations to Lord's Raceway at Junourton.Greyhound Race Meeting Book: Cream book with blue print and two metal staples at the side for binding. A picture of three greyhound jumping out of the starting gates on the front cover. Printed * Greyhound Racing Second Meeting Canterbury park, Eaglehawk. Friday, March 8, 1957. * Run under Rules and Regulations of the Victorian Greyhound control Board * Bendigo Coursing Association. Official Programme 2/-. Inside with black print are rules regulations, Settling sheet, Bookmaker's Names, Bendigo Coursing Association members. Races 1 to 7 with markings in pencil by the user on each race. Box 625C.W. Seymour Print. Bendigobendigo, sporting clubs, greyhound racing, bendigo coursing association

Black and white photograph. Members of the Canterbury History Group inspecting the cellar, converted to a chapel, in "Shrublands". Edie Prest is second from the right. canterbury, balwyn road, "shrublands", st john's home for boys and girls, canterbury history group, prest> edie, cellars, chapels

Pamphlet on Box Hill Artists Camp and the move to Eaglemont, near Heidelberg when the term Heidelberg School began to be used, in 1988. The Box Hill Camp was made on David Houston's property on Gardiners Creek, south of Canterbury Road, between the present sites of Bowater Scott and Box Hill Golf Club.Pamphlet on Box Hill Artists Camp artists camps, roberts, tom, mccubbin, frederick, streeton, arthur, conder, charles, abrahams, louis, houston, david, gardiners creek

Thomas Sheraton (1751-1806) appears to have been the first to record the written term “Canterbury” music or magazine stand. In his Cabinet Dictionary of 1803 he refers to “a small music stand” with divisions for holding loose sheet or bound volumes of music. The music stand designed to hold sheet music came into fashion in the late 18th Century in England and was often crafted from mahogany, rosewood or walnut. They were seen as status symbols since music was practiced exclusively by the upper classes of society. In a period when printed music was more widely available and disseminated due to more affordable printing techniques, modern sheet music was very popular and therefore storage for such favoured tunes became a luxury and an opportunity for innovative design by cabinet makers. The Classical period of music, from about 1750 to 1820 and the Romantic Period from around 1815-1910 was the golden age of classical music. And it was at this time that The Canterbury often accompanied the piano in the parlour with styles ranging from Georgian simplicity to Victorian exuberance. Social activities of colonial Victoria would have included evening gatherings of family and friends around the piano to enjoy performances or sing along together with from old and up-to-date music sheets. The Canterbury would also be an elegant and practical place to also store newspapers, magazines, posters and drawings from overseas. The news from ‘home’ would be enjoyed by all. THE INSCRIPTION “Jack Morse” Morse. In 2010 Mr Jack Morse was recognised as one of the “people who have contributed to the long term development of Flagstaff Hill Maritime Village”. He was a member of the Flagstaff hill Planning board and a Current Life Member and had been awarded a Certificate of Service and the provision of an Annual Family Membership for life by Flagstaff Hill. The Morse’s family business, Morse’s Engineering, closed in 2010. It was considered “One of Warrnambool’s longest operating businesses with roots dating to 1883 with the design and manufacture of coaches and buggies, progressing to automotive repairs and later specialising in under-vehicle work” The Canterbury appears to have been handmade prior to 1860 as the dovetails are handmade and there are no saw marks on the drawer sides or back as well the sides. Also the back has small nicks indicating a hand plane or drawer knife was used rather than a saw blade to size the material. Additional indications are that the spindles are slightly different in size meaning they were handmade individually not mass produced. From these indicators the writer believes that the item was made before 1860 as machinery was only used after this date to produce furniture. As yet no individual maker can be attributed to this item, however it is a significant piece historically and is quite valuable if a known maker can be associated with the Canterbury. The item highlights a time in our social history when music played an everyday part in people’s lives as the only entertainment families could enjoy together in their own homes. A Canterbury music stand, having three compartments consisting of twenty turned spindles supporting the slat dividers. A drawer, with two turned wooden handles, is fitted below. The music stand has turnip style turned feet. The drawer front and carcass of the stand are veneered rosewood over a mahogany carcass. The underlined words "Jack Morse" are handwritten underneath the drawer bottom.Hand written inscription on underneath the drawer bottom "Jack Morse".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, canterbury, music rack, magazine rack, music stand, magazine stand, 19th century furniture, occasional furniture, frederick cornwallis, jack morse, morse’s undercar, music, thomas sheraton, regency furniture, music canterbury