In 1886 the Wesleyan Methodist Church celebrated the fiftieth jubilee of the establishment of the Wesleyan Methodist Association in Britain. The Association was one of several off-shoots of the Methodist Church, which had been established by John Wesley from the 1730s. Methodism stressed evangelism and a closer association with God. The focus on fiftieth anniversaries by the church originated in Leviticus 25:10: ‘And ye shall hallow the fiftieth year, and proclaim liberty throughout all the land unto all the inhabitants thereof: it shall be a jubilee unto you...’. In 1902 the various off-shoots of Methodism in Australia united to form the Methodist Church of Australasia. In 1977 the church became part of the Uniting Church. The Wesleyan Methodist Church which exists in Australia today is actually a branch of the Wesleyan Methodist Church of America, introduced to Australia during World War II. In 2003 it had almost 100 churches in Australia.Many of the early pioneers in the City of Moorabbin were Methodists.Silver Medal Side one: legend within trefoil; JUBILEE / OF THE / WESLEYAN / METHODIST / CHURCH / IN / VICTORIA / 1886 small floral decorations at each point of trefoil. Side two: Bust of John Wesleycity of moorabbin, wesleyan methodist church, religion, jubilee

A ticket issued by the Easter Fair Bazaar, for a Complimentary Ball for the lady stall holders and their assistants to be held in the Bazaar Buildings on Monday 15th May 1876. Cream coloured ticket with an ornate floral border.Printed by J. Brockleyorganization, club/society, easter fair, easter fair bazaar, complimentary ball, bazaar buildings, j. brockley

Single row diatonic button accordion, black with floral decoration. 10 white keys on player's right, 4 on left. Speaker box on right. Maker: Hohner (Marcia Registrada), made in Germany.

Tablecloth of brown, gold (yellow) and green (fringe). First two colours are of a velvet look fabric, the bottom is fringed in green tassels. The gold section has a floral design sewn onto fabric.

B&W mounted photograph of floral tributes at gravesite - B Watson (presumably). ''AFC'' on two tributes and one showing ''CFS' (AFC = Australian Flying Corps; CFS = Commonwealth Flying Service?)Portrait Studio (Regtd) 131 Chapel Street, Balaclava. Ring up Geo. Wall., Phone, Windsor 3573person, individual, basil watson

Made for Elfrieda Kaltenbach by her Father and decorated by Frau Rippert at Camp 3Child's tea set , handmade. Tin. 6 articles decorated. 1 Coffee pot, milk jug, 2 cups and saucers, 2 bowls. Painted exteriors blue with simple floral decoration. teaset, child, faig e, camp 3, tinware, elfrieda kaltenbach, frau rippert

Half Length Evening Slip in Cream Pure Silk. Spoke stitched hem machine stitched. Floral pattern above hem line. Button closed opening at waist. McClure Family Collection.stawell clothing material

This dress belonged to Katherine Blair, a longtime resident of Brighton. Katherine Fennell Blair was born in April 1929 in Benalla to magistrate Douglas Granville Blair (1893-1976) and his wife Isabell Nora (“Billie”) Blair, nee McNamara (1895-1989). Katherine was a child when the family moved to Brighton, where she attended St Joan of Arc Catholic Primary School and Star of the Sea College. After school, Katherine worked as a secretary and PA for various companies in the Melbourne CBD. Following a working holiday in the UK in 1959-61, she returned to Brighton, living first with her parents at 14 Kilrush Street and later in Burrows Street. An active part of the local community, Katherine was a member of the Brighton Red Cross, Brighton Probus Club and the St Joan of Arc Catholic parish and choir.Long-sleeved black velvet dress with shallow v-neck and self-covered belt. Smocked at shoulders and either side of waist. Floral embroidery around neck, cuffs and above smocking at waist.katherine fennell blair, 1940s, 1950s

Apron was used during 1950's by donor's aunt, Myrtle BennettCirca 1950 floral cotton button through coverall. Has 2 pockets trimmed with purple braid. Sleeveless, trimmed at arm holes and neck edge with purple braid. Six white buttonscostume, female working

The MV Duntroon was a 10,346 ton passenger liner built for the Melbourne Steam Ship Co. by Swan, Hunter & Wigham Richardson's yard, Newcastle-upon-Tyne, in 1935. One of the last purpose-built passenger & general cargo ships for the Australian coastal trade, the Duntroon was also known for its role as a troopship (1942-1949) and for the tragic incident on 20 November 1940 when she hit and sank the small auxiliary minesweeper HMAS Goorangai off Queenscliff with the loss of all 24 of Goorangai's crew. This was the first RAN ship to be lost during the Second World War.Crockery; 7 pieces from the Melbourne Steamship Co. off the MV Duntroon; 2 tea cups with saucers, 2 side plates, 1 small milk jug, floral border pattern Crest on front: Melbourne Steamship Co. Ltd. On base: C McD Mann and Co. Ltd. Hanley Staff, 101 Leadenhall St. London. Made in Englandmv duntroon, goorangai, melbourne steamship co ltd

Grindley trio of cup saucer & plate, brightly coloured floral design with black bands, a note included reads this cup, saucer and plate belonged to Lydia Chancellor ''Taraxville'' Golden Square Vic.W.H.Grindley & Co Ltd Ivory England Reg No 714550domestic equipment, table setting, cups, lydia chancellor collection, collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. When this summer dress was donated by Elaine Chenoweth, a resident of Kew, it was identified as a dress purchased from the Misses Mooney Shop at 189 Collins Street (active 1932-1972) and dated to the 1930s. The consensus is that the dress was made from a 1930s fabric in the mid to later 1930s and shows the characteristic sleeves, waistline and flared skirt of the period.Pink floral voile day dress, reputedly purchased from the Misses Mooney's Shop in Collins Street, Melbourne. The dress has a tie at the waist in the same fabric ending in small wooden clogs. women's clothing, day dresses, misses mooney, 189 collins street -- melbourne (vic.), fashion -- 1930s

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three-piece pink chiffon outfit, the outer sections of a different floral weave. The two outer sections are attached with buttons at the waist. The plain pink shift with a zip at the neck was created to wear underneathgrace james, women's clothing, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

A Newport Challenger tennis racquet, with ribbon whipping around shoulders and a vinyl handle grip with floral perforations. Materials: Wood, Ink, Glue, Lacquer, Metal, Nylon, Enamel, String, Vinyl, Plastictennis

Three generations of women are represented in this apron. The linen used was woven by Olga's great-grandmother Efstathia in the late nineteenth century with flax grown on the island of Ithaca. Olga's mother Toula Raftopoulos added the whitework around 1908 at age 16 - the first piece of lacework she made on her own - and embroidered her initials on the front. Olga embellished the apron with coloured embroidery around 1950 at age 20. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Cream linen embroidered half apron. White lace along hem, along with white embroidered initials, "T.P." Coloured floral and abstract embroidery along sides in red, black, blue and green.olga black, toula raftopoulos, migration, embroidery

One cream linen tablecloth with drawn thread and hand-embroidered, floral design and 6 matching linen serviettes with a cream, hand-embroidered in satin stitch flower in one corner of each serviette.table linen., table ware.

See picture of family history.Wooden wash stand on castors, with marble top, two wooden drawers, and decorative floral tiles. Inlaid decorative design on the wood, and brass handles on the drawers. Part of a 4 piece bedroom suite.bedroom suites, washstands

Murray Comrie Collection.A sepia photograph depicting a woman in wedding attire (high-necked white dress, floral hairpiece and veil, holding a bouquet) and man seated beside her, wearing a dark three piece suit. Studio portrait taken at Richards & Co, 19 Sturt Street Ballarat.tarnagulla, weddings, bock

Patrol emblem for Linton guides embroidered by Dorothy Commons, patrol leader, and worn by Esther Cluff in the 1930sWoven circular badge, black felt background with an embroidered floral emblem in green and red. Patrol emblem for Linton guides embroidered by Dorothy Commons, patrol leader, and worn by Esther Cluff in the 1930s.girl guides, esther cluff, dorothy commons

Black and white photograph. (Photo by Peter Paynes, Ringwood Studios.)Written on back of photograph, "J. Kirby, President, H. & A. Society showing Charles Howitt the Your Garden Shield to be competed for by the shopkeepers for the best window during the Floral Festival in March. 'Mail' 20 February 1958."

The 3 cards are to Leo Harris & all written by Gladys Nokman from Bank Street, Avenal, Victoria. Leo Harris No 3132, KIA 9.8.16. Refer 2478 for service history also 2476, 2477P, 2479.3..1) Postcard written in ink dated 13 Dec 15. Front has 'Hands Across the Sea', view of horses drinking in oval shape with flags. .2) Postcard written in ink dated 13 Jan 1916. Front has 'Overseas Greetings inset of HMH5 Australia' floral arrangement around. .3) Postcard written in ink dated 12 Mar 1916. Front has 'Overseas Greetings' inset photo of 2 ships, floral arrangement around.documents - postcards, military history

sepia studio study with some hand tinting shows upper body of young female adult. Plaid skirt, leather gloves, purse ? Floral spray, tinted. Pale buttoned blouse, hip length fur. Collared long sleeved jacket, floral decorated stgraw hat atop curled hair. Image is mounted on stiff card with commercial details theron. In gold lettering on lower front, coat of arms, ' Charlemont, Sydney, by appointment to his excellency, Lord Carrington.Charlemont & Co., Grosvenor Studioes, Royal Arcade, Sydneyperson, individual, female portrait

Clothing. Very fine cream net, embroidered around outer edges, in a semi-abstract, floral design - 4 cm deep, and finished at the top with a small 3 mm diameter ''spot''. Overall the embroidered design is 5 cm deep. A second layer, ruched at the centre back neckline, folds down over the lower layer, giving a double embroidered effect. The top layer is embroidered in a '' flowing floral design '' design at the top edge. The shawl is shaped to a peak at the centre front.costume, female, cream shoulder shawl

The donor Margaret was born in 1944 and grew up at 31 Drummond Street Blackburn. The doll was a gift at 5 years old.A walking doll A child's doll resembling a small child dressed in summer clothes and a straw hat, She has blonde hair plaited and tied with blue ribbons. The dress is floral cotton with white collar and two press studs in centre back. Floral pants match the dress. Cream net socks and cream plastic shoes.|The hat is straw with blue frill around the brim and five blue bows around the crown tied with blue ribbon. Eight items including the doll.Pedigree E#Englandtoys, dolls

Richard Hartley Smith Abbott and Mary Hannah Gibbs had eight children. This family album contained photos of them and two of their children - Harold Athelstane Abbott (Born 1889. Died 1979) and Kenneth Cyril Abbott (Born 1890). Photos catalogued individually.A dark brown leather-bound photograph album belonging to the family of Richard Hartley Smith Abbott. The covers have decorative embossed geometric and floral patterns. Inside the covers is a brown floral-patterned paper lining. Fourteen heavy card double sided pages have cut out sections with openings for insertion of photographs. Seven of the pages have decorative borders of painted flowers. The pages have gold covered edges. The album has a silver metal clasp to secure the album. photo album, r h s abbott family

Clothing. Woman's cream coloured long sleeved linen smock blouse. Front opening with V shaped front neckline. RHS of front opening edged with 3 cm floral lace that continues around neckline to crossover point. Blouse is yoked front and back with floral lace inserts and vertical pin tucks. Below the yoke is a horizontal band of ribbon insert lace (3cm). Lower sections of the blouse are gathered into the lace insert. The front sections have vertical strips of inserted lace alternating with vertical pin tucks. The front opening is fastened with five press-studs covered by a placket. Long sleeves are gathered into the arm holes and gathered at the wrist into two bands of lace - one floral and one ribbon insert lace. At the wrist the hem has a 5 cm lace frill.costume, female, woman's cream coloured blouse

This book was awarded to Florence Groves for first prize in arithmetic in 1885. Florence enrolled at Clarendon Ladies' College with her sister Blanche on 30/07/1884 at the age of 14. Father's Christian name listed in the original register as Daniel Barton residing at 18 Mc Carthur street, Ballarat. It also lists his employment as Commercial traveller.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown and green cloth with gilt lettering and floral decorations on front cover and spine. Detached spine and pages, black and white illustrations throughout. 144 pages (several pages missing at the end of book.)Book plate inside front cover: CLARENDON LADIES' COLLEGE./ BALLARAT./ First PRIZE,/ VI Arithmetic Div II./ AWARDED TO/ Florence Groves./ 19th December, 1885. Handwritten on fly leaf "V. Gay/ 1935"florence-groves, book-prize, 1885, clarendon-ladies'-college, blanche-groves, daniel-barton.

Book was awarded to Stephen John Holgate in 1891 for first prize in bookkeeping. Stephen (D.O.B. 09/07/1877) entered the college on 27/01/1890. The original registry notes parent as Stephen Holgate from Miners Rest and Stephen's previously school is noted as 'Home Tuition'. Other family members noted as attending the college are Harold, George, Edward, Robert and Thomas. Archives also hold war memorabilia for Edward and George Holgate.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936. Connection to college war memorabilia and war heroes.Bound in soft red calf with gilt lettering and college crest embossed on front cover and gilt lettering on spine. Floral end papers, foxing on pages, black and white illustrations throughout. 595 p.Book plate inside front cover: College crest/ Bookkeeping/ V Form./ First Prize. Awarded to/ S. Holgate/ Christmas, 1891.stephen-john-holgate, 1891, book-prize, miners-rest, harold-holgate, george-holgate, edward-holgate, robert-holgate, thomas-holgate.

Two Black & White photographs of the originals. Two photographs of St Philips Anglican Church, Cowes, Phillip Island. 249-01. The outside with Rev G Stirling Home standing near the church. 249-02. Interior of the church with floral arrangements.st philips anglican church cowes phillip island, churches cowes phillip island, rev g stirling home, dorothy hurst

History of the Loch Ard: The Loch Ard got it’s name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and to the east of Loch Lomond. It means "high lake" in Scottish Gaelic.The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we are able to interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Jug, white glazed, ornately designed china cream jug, blue floral embossed around girth. Jug features a circular pedestal foot with six small feet attached around the circumference of the pedestal. Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, jug, china jug