Purchased from Regimental funds in 1910 and presented by HE the Governor of WA Sir Gerald Strickland, KCMG, at a parade held on the Esplanade, Perth, 18 February 1911. Consecrated by the Right Reverend COL. Riley, DD, VD, Senior Chaplain of the Australian Commonwealth Military Forces. This colour was subsequently inherited by successor units to the 11th Australian Infantry Regiment (Perth Regiment), including 88th (Perth) Infantry, 11th Battalion (The Perth Regiment) and 11th/16th Battalion. The colour was handed over to the Perth City Council at a special parade of the 11th/16th Battalion held in Forrest Place on 2 June 1930, and was laid up in the Council Chambers in Murray Street. Together with the other historic colours handed over at the time, this colour later went into storage when Council moved premises in the early 1960's. Perth City Council had some restoration work carried out on these colours in 1975 and later had them on display in their display room at Council House, St Georges Terrace. They were subsequently placed in storage again. Following negotiations by the Army Museum of WA Perth City Council passed on these colours to the Museum in November 1993 Red George Cross on a white background with red and white fringe. In the centre the regimental badge in gold within a wreath of Western Australian kangaroo paw and banksia, surmounted by the Crown. Below the wreath is the Battle Honour "SOUTH AFRICA 1900-02". In the upper canton is the roman numeral "I" (Note:- The official Battle Honour for South Africa granted to 11th Australian Infantry Regiment under Military Order 123/1908 and subsequently published in the Australian Army List, was "South Africa 1899-1902") regimental colour, military heraldry, battle honour

These slides were likely submitted to the Art Director’s Awards. They include an image of "Promotional Use Only" packaging, and slides of screen captures from the multimedia CD. See 29169. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 13 mounted 35mm slide transparencies in yellow box with frosted lid."Art Directors Awards" written in marker on containeruniversity of ballarat, federation university australia, graphic design, multimedia, packaging, higher education, bachelor

Although the slides are unnamed, one design features the name of Travis Price, placing these works around 1997 and the "Silverscreen" graduating year. Digital scans of photographic slide transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.9 mounted 35mm slides of student work.university of ballarat, federation university australia, graphic design, multimedia, packaging, higher education, bachelor

DPCU (Disruptive Pattern Camouflage Uniform) Back pack cover. Desert colours - light to dark purple through to beige and brown. Cotton/ polyester fabric bag shaped with four sides and base. Top closure - elastic drawstring with plastic lock clip. Manufacturers stamp inside top of cover.Manufacturers information - black ink stamp. "^/ TRADE PARTNERS/ 8465-66-148-9923/ NOV 2006". uniform, army, work dress, dpcu

Certificate awarded to "MR K N BANNON" Keith Noel Bannon No. W3081 RAN Enlisted 16/1/45 aged 18 years Discharged 25/12/46 Rank Stoker 11 on HMAS Lachlan.Certificate - heavy paper, original document. Black print with Australian Coat of Arms on top and " AUSTRALIA REMEMBERS/ 1945-1995" emblem below print. Print on beige background with decorative edge and emblem in green and gold colours. Certificate signed by Prime Minister, Minister for Veteran Affairs and Federal member.On certificate "On the 50th Anniversary/ of the end of the Second World War/ a grateful nation expresses its thanks to Mr. K.N. Bannon/for contributing to the war effort/ and the coming of peace.certificate, ww2, framed item, 50th anniversary, k. n. bannon

This is one of a series of eighteen plaques which commemorated some of the winner of the Grand Annual Steeplechase which is held each year in Warrnambool. The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. Galleywood was owned by local people and trained by local trainer Jocka Baillie. Galleywood was a crowd favourite of the 1980's winning two Brierly Steeplechases and the Grand Annual in 1986. This famous local hero died at the age of 30 and is buried at the Warrnambool course and commemorated in the mounting yard. This series of plaques were painted by local artist Leslie Lamey. These items relate to a significant part of Warrnambool's sporting and social history..1 Painted white rectangular tin plaque with rolled edges with painting of jockeys silks and cap. The colours are green front with orange (faded) sleeves with blue band. The cap has pink lines. Six holes are around the edge. .2 Galvanised rectangular brass plate with engraved black text .1 Galleywood written twice on back of plaque. .2 Grand Annual Syndicate GALLEYWOOD. Winner of the Grand Annual Steeplechase 1986warrnambool, grand annual steeplechase, galleywood

small fawn coloured Receipt to David Harris from William Short, Sandhurst Academy of Arts School of painting in oil & water colours conducted by William Short M.V.A. Received Two pounds two shillings from David Harris for quarter ending 9.4.1886 (1886) - quarterly account (for tuition?).person, individual, david harris

Probably original Singer's Sewing Machines Stanford & Co sales advertising poster. Sales in 1875 249,852 machines. Green and red colours , Woman with sewing machine behind large S. 2,000,000 machines in use .150 First Prizes. Printed by Ben George, 47 Hatton Garden, London.commerce, advertising, sewing machines, singer sewing machine sales.

Black and White Photo of Tram No 19, No 19 Tram parked by a Peppercorn Tree, Destination Plate at top of tram reads 'Depot', Markings on back of Photo read 'Bendigo Electric Tramways 1935', '1935 One man- two man cars', 'S.E.C. Colours', stamped with 'Printed by Olivers Bendigo'photograph, tram, no. 19, bendigo tram, bendigo trams, bendigo tramways, trams, bendigo electric tramways

A hand painted paper scroll, which Berthold Irving Meier (Bert. I. Myer, or BIM - a well-known Commercial Artist in Melbourne) had made when a member of the team of set designers and scenery painters, for the 8th Employment Company's production of "Sergeant Snow White", which was performed at the Melbourne University Union Theatre, in April 1943! It was a Sergeant Doc K Sternberg production, the other set designers being L/Corporal Emil Wittenberg, Private Klaus Friedeberger and Private Friedrich (Fritz) Schoenbach. The show incorporated songs and music by Kurt Kohn (pseudonym Ray Martin), with Erich Liffmann cast as Prince Charming. The masks for the ballet "Ghosts of Europe" were designed by Private Erwin Fabian. Others in the cast included Corporal A P Schmitz (ballet soloist), Sergeant Sigismund Lohde, and Sergeant H Mayer. The Production was extremely well-received and was called "a colourful and tuneful revue ......... a fine achievement of writing and direction......scenery and stage décor ingenious and amusing." There were write-ups in both "The Age" and "The Argus" Melbourne newspapers at the time. The scroll was originally housed in a wooden box, with "windows", (since lost) so that when the scroll was wound though, each scene, and the accompanying description from the original programme, could be seen.Two long pieces of paper which originally would have been one and has been rolled into a scroll. The length of paper has been divided into two and then divided into approximately 12 sections. On the left in different colours is bits of information relating to the scene. On the right are different scenes from the play.bert i myer, bim, sergeant snow white, 8th employment company, melbourne university union theatre, doc k sternberg, f schoenbach, kurt kohn, erich liffmann, erwin fabian, a p schmitz, h mayer, kathleen whelan, tatura internment camps, berthold irving meier, klaus friedeberger, emil wittenberg, friedrich (fritz) schoenbach, sigismund lohde

A guide for Aboriginal community collaboration for school-based programs. Supporting the Aboriginal languages K-10 syllabus, this resource assists Aboriginal community participation in the teaching of Aboriginal languages in schools. Technical Details System requirements (PC): 64 Mb RAM; Windows 98; 800x600 screen; thousands of colours.CD-ROMmulticultural education, multilingualism

Framed decorative woollen rug with fringe. Features Chinese design with two birds, flowers and branches. Green, brown and white colours. Green and white border with white fringe. Brown timber frame with red felt backing. Carpet is fixed to backing with five silver pins across top and bottom.

Has a strong association with the BTM volunteers who worked on the repainting of W4 671 and yields information about its appearance.Colour photocopy of a colour photograph of BTM W4 671 in "City of Ballarat" colours at depot on 12/11/1995, just prior to completion of work on that day. Standing by tram are Alastair Reither, Paul Mong, Simon Jenkins, Len Millar and Darren Hutchesson. Record updated 21/9/2013.w4 class, btm, city of ballarat, livery

Photo of Ballarat No. 12 at the intersection of Sturt and Lydiard Sts., 21/3/59. Tram fitted with large reflective triangles and other reflective strips. Has Victoria St. destination. Old Commonwealth Bank building, MLC in background. Tram on opposite of road. Seats for passengers painted various colours'SEC Ballarat No. 12, Sturt St., 21-3-59, W.Jack photo' in blue inktramways, trams, sturt st, lydiard st, tram 12

Item in the collection re: "William Anthony (Bill) Theodore" DSM. Refer Cat No. 7926P for his service record.Painting - black, blue, grey, white, green colours, oil artists paint. Depicting - sea, sky with shimmering cross and two sailors caps floaing on the water. Painted on glass. Painting appears to be signed by artist with two capital letters "WG". Glass sheet used for painting and provides the frame.Artist signature "WG".framed accessories, painting, william theodore

Personal papers - 11 A4 sheets, titled "Melbourne Tram and bus tickets", sub-titled "Collection: Maxwell Hayes", c July 2006, to Richard Peck listing tickets on CD ROMs. Lists the ticket type, notes, sizes, colours and fares. Two copies, one with additional notes.trams, tramways, tickets, reports, melbourne, buses, trams, public transport

The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s hat created by Harbig of Melbourne with a large border of flowers and leaves in shades of green. The crown of the hat is swathed with pale green silk gauze.Label: Harbig. Melbourne, New York, Parismilliners -- harbig, women's clothing -- hats, floral hats

The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Rounded hat covered with ivory coloured silk, simulated flowers attached to a stiffened net. Label: Harbigmilliners -- melbourne (vic.) -- harbig, women's clothing -- hats, headwear

This is one of a series of plaques which commemorated some of the winners of the Grand Annual Steeplechase which is held each year in Warrnambool. It is the longest race at a public course in Australia.The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. This plaque would have accompanied a larger plaque with the winning jockey's colours. These items relate to a significant part of Warrnambool's sporting and social history.Small metal plaque with black text. Mrs O M Kirby. YES SIR Winner of the Grand Annual Steeplechase 1967warrnambool, grand annual steeplechase, horse yes sir

1. & 2. DPCU (Disruptive Pattern Camouflage Uniform) Sewing kit plus an extra cover. Colours - light to dark green through to mid to dark brown. Cotton/Polyester fabric with metal press stud flap closer and black colour woven tape. Rectangular shape with two pockets - rolls up to store. 1. Contents of sewing kit, four reels of cotton/polyester thread, colours white, khaki, dark and lighter green, nine plastic buttons, four dark green, two light brown, three white. Two safety pins and one metal thimble. Eight silver metal sewing needles. 1. & 2. Manufacturers stamp inside top flap.Manufacturers information - black ink stamp. 1. "CLAYTONS/ NSW ^ 2007/ NSN 8315 66 134 9185/ Name/ Service No." 2. "SIRWAY 2011/ NSN 8315-66-184-9185/ NAME/ PM KEYS NO".accessory, army, sewing kit

Items souvenired by Frederick Ernest ADDLEM VX142253. Refer Cat No 432.2 for his service history and 937P..1) Medal, brass, Japanese, ribbon and clasp. Medal is detached from ribbon mount. Medal one side , bird with flags, other mountains and writing. Ribbon colours, 2 blue, yellow, 2 reds .2) Medal, brass, Japanese, Ribbon and clasp. Medal one side, 2 with helmets over scroll and writing. other bird with spread wings. Ribbon colours 4 shades red and yellow. .3) Medal , metal, Japan's, ribbon. Medal one side is tree and flower arrangement, on rear, writing. Ribbon is red and white, .4) Ribbons x2, Japanese fitted with metal clip. 1, Red and white 2, , 2 blues, 2 reds ,yellow.metalcraft, medals japanese

Demonstrates how ESCo managed Weekly tickets during the late 1920's and yields information about the way the system was arranged. The source of the ticket, NSW tramways is significant in that it was obtained by them as a sample.Lunch hour Weekly Ticket, price 1/6, printed for Week 1, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, orange and brown, printed on off white card, numbered 1387 available only between Mt Pleasant and Doveton St. between the hours of 11.50am and 2.30pm. Notes the conditions of use, the time available for which the ticket may be used and where. Printed by J.J. Miller, Melbourne. Ticket has been removed from a block - has staple hole at the top. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on.trams, tramways, tickets, weekly tickets, esco

Items relating to H.V.Rooke VX47141, refer Cat No 4906.2.1) Silk handkerchief square with round corners edged in differant colours. One half has coloured red flowers, green leaves. .2) Silk handkerchief square with pink edges, blue internal shape like a vine all round with blue flowers, each corner has a pink scroll.On .1) “BR”accessory, silk, handkerchiefs

This item was produced by a Melbourne Tea, Coffee and Cocoa Merchant importers(1898-1960). It was a time when local production of, coffee had yet not begun. Imports from India and the Asian region had dominance in the market place. The blending of coffee with chicory was a cheaper method of providing a flavour enriched drink which was marketed as "containing not less than 55 parts per cent by weight of coffee" The coffee weighed heavier than the chicory. This was a time before strict accurate consumer information/content became mandatory and legally enforceable.This empty container of "Sunbeam" Coffee and Chicory finely ground "instant - just add boiling water" beverage was the start of the "fast" breakfast drink. The use of grinding the coffee beans and percolation to obtain the final drink was at the start of the rural sector's decreasing the time for casual drinking. The once casual countryside psyche was now (mid to late 1900's) becoming more "on the go".This cylindrical container (coffee and chicory) is constructed from pressed cardboard with both ends enclosed by tin(pressed) lid and bottom. The outside wrapping is promotional and descriptive in the colours of purple background and information label areas with purple lettering on a white and silver background. The cylinder is made from 2 mm pressed cardboard.Main label " No.1" underneath "Sunbeam" underneath "COFFEE and CHICORY" UNDERNEATH "Containing Not Less than %% Parts Per Cent By Weight of Coffee" underneath in Hand Writing" Griffiths Bros Limited", below this "TEA ,COFFEE & COCOA MERCHANTS" Below this" Mellbourne, Sydney, Adelaide" and lastly "net 1lb weight". Alternate side "The Following Well Known Economical & Flavoury Teas" underneath this "Packed Specially For The Trade" underneath "SUNBEAM & VICTORY SIGNAL COCOA" and in smaller print "Absolutely Pure, Made in Australia" underneath Equal To The Best Imported"breakfast containers, food storage, instant coffee, speed breakfasts, domestic

Oil painting by J.B.Perry of Golden Mile Eaglehawk. Poppett Heads. Mining sheds. Duchess Tribute. G.M.Co. Painted in grey and brown oil colours. Markings on back: Golden Mile Eaglehawk. An original in oils from an early black & white photo by John. B. Perry. DR 277. Num 21.J.B. Perryplace, building, gold mining site

Pamphlet - folded photocopied A4 sheet folded to A5, titled "Invitation - Join us at the Ballarat Tramway Museum to reinvent a "Floral Tram" for the 2019 Begonia Festival", providing project information, materials, criteria, colours, inspirations and workshop dates along with contact details. Use to start the project - June 2018.trams, tramways, btm, floral tram, flowers

Table lamp with tubular wick, paraffin. Cast brass decorative base with four feet, cast brass interior and burner, with glass exterior and covering. Pink and white base colours on glass, with floral pattern printed on both sides of lamp. Cover a semi-circular shape with round neck opening on top.… Success…' (some words unreadable) embossed on burner platelighting, kerosene & oil, table lamp, brass, glass, paraffin, floral

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Image of a king with falling coronet and cockerel on head all set against a background of eastern walled city with sun overhead and caption cloud with words 'EX LIBRIS ALEXANDER MIHAYLOV'. Pencilled beneath image 'The Golden Cockerel' 9/10 L Kotelnikova 2020. Printed in colours of red, black and gold.'The Golden Cockerel' 9/20 L Kotelnikova 2020 pencilled beneath image.keith wingrove memorial trust, 2021 australian bookplate design awards, liudmila kotelnikova, lithography