Clothing. Blue linen dress, with a black and white floral design, possibly home stitched. V neckline at front, high rounded neckline at back. Curved yoke at front bodice. Centre opening, fastened with press-studs. Three decorative buttons are sewn diagonally, side by side on the outside of the opening (X2). Side fronts are gathered to the yoke, and have two darts on either side front, at the waistline. Short set in sleeves. Six panels form the A-line skirt. Some hand stitching on facings and hems. A home stitched dress. Two decorative, curved decorative panels, 5 cm wide and 22 cm long, straddle the waistline at front and back.costume, female, blue linen floral dress

Donated to Sub Branch to provide historical and formal elements to Meetings.It is significant to members in as much as it provides a standard of protocol, authority and respect to formal meetings eg the Annual General Meeting.Model in polished wood of a Gavel and Plate. Plate has inscription plate "To The DViets From Mackay Vietnam vets."; gavel has on the side a badge of the Rising Sun and on the top face an insignia of TBA; the handle of the gavel has a decorative snake entwined thereon.diamond valley vietnam veterans sub branch, mackay vietnam veterans qld

This lady’s long, decorative nightgown was worn c1920 by Mrs Alice Maude Haynes, nee Slew, (1890 – 1978), a member of a Moorabbin Shire early settler family.Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A long cotton lady's nightgown with pin-tucking, lace and embroidery.clothing, moorabbin, dressmaking, cheltenham, market gardeners, early settlers, craftwork, slew alice, haynes alice

Clothing. Black and white two piece bikini, size 10. Strapless top of nylon fabric - black with white spots. Two cups separated at centre with a decorative metal zipper (6cm). Each cup has a shaped foam insert. Bikini bottom of nylon fabric, black and white horizontal stripes (1.5cm). Hi cut leg. Two decorative black and white ties stitched on side seams (16 cm).Metal tag ''RIP CURL'' on LHS of bikini topcostume, female, black and white two piece bikini

Clothing. Half slip petticoat - elastic waist, peach coloured nylon. Embroidered with sprays of flowers on a band of sheer nylon inserted into the skirt of the petticoat, and a deeper band of the embroidered flowers on the hem. Main part of petticoat in 3 panels. Insert of decorative nylon.Strip of main fabric, then finish with a 12 cms deep panel at decorative nylon. Appears to have home made elastic casing, maybe modified from another garment.Label at waist band - Hanro 100% nylon - 40.costume, female, undergarments

Cheque with cheque butt attached and date line ending 192-. A. Meurers Pty. Ltd. Bendigo. Hardware Merchants. Sewerage Contractors printed at the top of cheque. Decorative background and an illustration of Meurers Patented Hygienic Glass Washer. The Bank of New South Wales, Bendigo printed in the centre. Decorative work along the left edge with Cambridge Press Print beside it. Printed in grey and black with red Not Negotiable across the centre.business, printers, cambridge press, cambridge press collection, a meurers pty ltd, the bank of new south wales bendigo, cambridge press, meurers patented hygenic glass washer

Hilda was born in Wandin Yallock in 1899 and was the eldest daughter of William and Frances sebire.. She died on 14th August 2906. aged seven years in Wandin Yallock. She is buried at the Lilydale Cemetery.A framed photograph of Hilda Rihoy Sebire 1899 - 1906, taken standing next to a decorative stand with a pot plant fern on top of it. Hilda is wearing a frilly long sleeved white dress with a large collar and tie at the neck. She wears a very large frilled hat with ribbon ties. The decorative gold painted wooden frame has a cream cloth mount with a gold edge around the black and white photograph. Attached to the bottom of the frame is' Hilda Rihoy Sebire 1899 - 1906'. The framer has a sticker on the back, 'TW REF. 3006' portrait photographs, pictures, frames, photograph frames, photograph accessories, family life

Vestas are the historical name for what are now known as matches. They were named for the Roman goddess Vesta whose domain was the hearth and home. The Swan company began production of short matches, mostly useful for lighting pipes and cigarettes due to their deliberately short length. Due to their small size it became convenient to carry these Vestas within a Vesta Case kept somewhere on the person, large enough to contain enough matches for a days use. The cases prevented their contents from becoming damaged and damp while also stopping them from accidentally striking if held loose in a pocket. This is a simple example of a Vesta Case.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A decorative silver coloured vesta or match book. It has a raised crosshatch pattern in a circular pattern on the obverse side. The vesta has a hinged top and side loop to allow for attachment.A01199/burke museum, vesta case, vesta, matches, silver, social history

These were the first honour boards created by Ballarat College to honour the top academic student of each year. The first award was given in 1868 four years after the school opened. The boards were one display in the Assembly Hall (Sturt Street building north wing). Two of the boards are featured in 1918 photographs of the Assembly Hall. The three boards cover the following years: 1868 - 1895 (partially defaced), 1896 - 1921 (completely defaced) and 1922 - 1952 (complete). New boards replacing these boards were created prior to the centenary celebration in 1964 and hung in the Memorial Hall. At amalgamation (1974) and because the Senior students moved to the Mair Street campus) these boards were co-opted to honour Middle School Dux and Junior Captains. In 2012 the school undertook a major project and created three new boards. One board honours Ballarat College Dux (1868 - 1973) and School Captains (1914 - 1973); another board honours Clarendon Presbyterian Ladies' College Dux and Head Prefect (1919 - 1973). These boards resemble the 1950 re-creation. A third board was instituted in 2012 to honour Ballarat Clarendon College Dux and School Captains (1974 - )Academic excellence and leadership are significant values for the current school and its two predecessors. These boards emphasize the great honour that is afforded to students who excell individually in these areas. Three wooden boards with decorative wood framing and arched or curved top edges and white lettering. Two boards are painted black. One board has mahogany timber stain. ballarat-college, clarendon-presbyterian-ladies-college, ballarat-and-clarendon-college, school-captain, prefect, honour-board, 1968, 1964, 1974, 1973, leadership, dux

Coloured slide transparency. Image is of a house. The building is of brick with an iron roof. A verandah along the front has decorative iron lacework. Discarded household items sit under the verandah.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Clothing. Women's wrist length white cotton gloves. Two rows of decorative stitching around the wrist in scalloped pattern plus one vertical row of stitching on the back of the glove.Tag inside left glove, ''Cotton Simplex Size 7'' ''EMPIRE MADE''costume accessories, female, women's wrist length white cotton gloves

The jug depicts the original Catholic Church in TaturaSmall white china jug with a painted coloured picture of the Tatura Catholic Church. Decorative handle and lip with the remain of gold trimmings. Lip of jug damaged and there is a crack on the side of the jug.RC Catholic Church Taturataura, sacred heart church tatura, local history, jug

Isobel Clement has been practising since the 1980's. She completed her post graduate diploma at Phillip Institute (RMIT) in 1990. She paints, draws and uses installation for creative discourse. She has had more than ten solo exhibitions. Her work is included in collections such as National Gallery of Australia, the Australian Print Workshop Archive, Art Bank Australia and The Bundanon Trust. She has been shortlisted for the contemporary painting prize, the Bayside Art Award, on three occasions in recent years and was the winner of the Nillumbik Prize in 2009.Isobel Clement is a local artist who won the 2008 Nillumbik Prize. Painted in monochrome the artwork depicts two vases (with decorative edges) and two cups on a table in a row. Each of the four objects are slightly different in scale and shape and parallel to the picture plane. N/Astill life, nillumbik prize, painting, monochrome, vases, cups

Pair of Cuff Links - rectangular metal with blunted corners. Decorative edge and incised design of stripes with white enamel stripes. Five link chain between cuff link faces.costume accessories, male

20.2 is another print of samePhotograph of men, both seated & standing, with musical instruments, against weatherboard wall, mounted, sepia, probably a band. Sepia photo, mounted on card, brown, ruled, decorative borderUnder photo: "Hugen & Co / Photo". On back of photo: "Edna"

All three certificates won by J G Scott. 32.4 First Prize - Three Head of Lettuce, Blue.Prize certificate for 1921, Rutherglen Agricultural Society. Blue certificate with black printing, decorative printed edging. First Prize certificate won by J.G. Scott, for Three Head of Lettuce.On front of card: "1921 / Rutherglen Agricultural Society / Thirty Eighth Annual Exhibition / Wednesday, October 19th, 1921"rutherglen show, rutherglen agricultural society, j g scott

Black and white photograph, mounted on decorative paper, with a separate paper caption, both mounted on light cardboard. Photograph is of a group of women, one seated beside a piano, the remainder standing.Caption: "Rutherglen CWA Choir | Aylene Baker, Jenny Neal, Mrs Schlink, Beryl Pollock, ?, Margaret Florence | Peggy Chambers, Thelma Dart, Marie Terrill, Nell Jasper, Joan Killeen, | ?, Mavis Boyd, Flo Iggsten, | Pianist - Florrie Parlett""rutherglen cwa choir | aylene baker, jenny neal, mrs schlink, beryl pollock, ?, margaret florence | peggy chambers, thelma dart, marie terrill, nell jasper, joan killeen, | ?, mavis boyd, flo iggsten, | pianist - florrie parlett", cwa choir, choirs, aylene baker, jenny neal, schlink, beryl pollock, margaret florence, peggy chambers, thelma dart, marie terrill, nell jasper, joan killeen, mavis boyd, florence iggsten, florrie parlett

Black and white postcard with two oval photographs with "Greetings from Rutherglen" on a decorative panel between them. The left photograph is of a church. The right one is of pine trees in Rutherglen Park.At bottom of left photograph: "St Stephen's Church. High Street." At bottom of right photograph: "Pine Avenue. Rutherglen Park."st stephens church, rutherglen park, high street, pine avenue

Framed oil painting featuring a bush scene painted by Irene Cox. The scene includes trees, a wooden hut. Gold decorative frame. Artist's signature lower right corner.

3 Large orange paperback booklets with black decorative borders and text. Edition 4, 7 and 13 of John L. Stoddard's portfolio of Photographs of famous cities, scenes and paintings.

Brown wooden honour board with gold writing and decorative border. Hugging the border at the top is a curved title reading PREFECTS. In the top left corner of the honour board is a WHS logo.PREFECTS 1994 A. RADNOR: E. ASHMEAD, N. BLANCHARD, E. FURS, N. IMRIE, K. KNEEBONE, E. MALE, N. ROSSER, M. STANIMROACH, A. STANVER, J. STEPHENS, K. WELCH. JUSTIN NASH,: P. FLYNN, G. JACKSON, B. HILDEBRAND, B. MORRIS, JEREMY NASH, J. PIZZINI, M. PORTER, T. PORTER, S. WELCH 1995 K. KNEEBONE: E. ACHMEAD, D. BIGGER, R. BARROW, S. DOBSON, S. HEYWOOD, L. NASH, D. SMITH, H. STANIMIROVITCH, A. STANYER, R. STEFANIARK, K. WELCH. G. JACKSON: P. FLYNN, M. GOODSEY, R. GRAHAM, J. NASH, C. PIZZINI, T. PORTER, N. QUARTERMAIN, M. SCHOLES, L. SPILLER, A. WISE 1996 L. NASH: R. BARROW, S. DIKE, S. DOBSON, R. EVANS, J. GREENE, L. HILDEBRAND, K. KAY, S. KNOX, E. RADNOR, D. SMITH, R. STEFANIAK. L. SPILLER: A. BAXTER, T. BENNE, S. FLYNN, P. GOODEY, T. LEWIS, J. NASH, N. QUARTERMAIN, M. SCHOLES, R. WOODWARD 1997 L. HILDEBRAND: H. BEVAN, S. DIKE, T. TOBSON, E. GEPHART, J. HARRISON, K. KAY, M. KNEEBONE, S. KNOX, K. LEARY, E. RADNOR, B. SPASOJEVIC. r. WOODWARD: C. BLANCHARD, A. BREW, S. CONSTANTINO, P. GOODEY, M. HORNE, A. LAMB, J. RADNOR, S. SEMPLE, J. TILSON 1998 J. HARRISON, C. CAMBROSIO, H. BEVAN, J. CUNNINGHAM, T. DOBSON, E. GEPHART, K. GRAHAM, A. HEARD, M. McKENZIE, R. SHEARER, K. SPILLER, R. WINGATE. S. SEMPLE: S. CHALLMAN, S. CONSTANTINI, K. GADSDEN, M. HORNE, A. LAMB, A. MURRAY, J. RADNOR, J. TILSON, B. TAVARE. 1999 K. GRAHAM: E. AMBROSO, A. COSTER, A. CUNNINGHAM, A. GREENE, K. HEARD, C. JONES, S. JONES, M. McKENZIE, R. SHEARER, R. WINGATE. S. CHALLMAN: M. ASHMEAD, M. CAMERON, G. HANCOCK, A. HORNE, J. MCCORMICK, J. MULLINS, S. O'KEEFE, J. WESTON 2000 M. ANDISON: N. BAYTALA, S. BEILBY, A. COSTER, A. CUNNINGHAM, B. DYKES, A. GREEN, C. JONES, S. JONES, A. MINNS. A. HORNE: M. ASHMEAD, D. HATSWELL, J. HUNTER, T. LAMBERT, S. O'KEEFE, S. SALATHIEL, C. SAMPLE, B. SIMPSON, R. WELLARD 2001 N. BAYTALA: E. AMBROSIO, S. BEILBY, R. CONLEY, B. DYKES, R. GILBERT, K. GOODEY, E. JANAS, C. RIDGEWAY-FAYE, B. STEEL. S. SALATHIEL: M. CAROLANE, C. GAMBOLD, R. GLOVER, T. LAMBERT, B. MONTGOMERY, C. SAMPLE, B. SOLIMO, T. VONARX, R. WELLARD 2002 R. GILBERT: R. BURKE, H. BRIGGS, K. GOODEY, E. JANAS, M. JONES, T. PETTS, C. POTTER, K. SESSIONS, J. USSHER. R. GLOVER: M. CAROLANE, J. FREEMAN, C. GAMBOLD, A. GRAHAM, R. MINNS, B. MONTGOMERY, M. O'BRIEN, S. PRICE, S. SOLIMO 2003 T. PETTS: J. BARRY, H. BRIGGS, R. BROWN, K. NIKLAUS, C. POTTER, G. ROSE, A. SCALZO, K. SESSIONS, R. SMITH, M. VELJANOSKA. R. MINNS: M. COOK, M. COURTS, J. FERGUSON, J. FREEMAN, S. HORNE, J. PATRICK, B. PORKER, M. SCOTT, K. TEMBY 2004 R. BROWN: K. CRAMMOND, S. GREEN, A. HOLLAND, M. ISKOV, S. McCONACHY, S. REES, G. ROSE, K. SCOTT, R. SMITH, M. SULLIVAN, M. VELJANOSKA, K. WALDER. J. PATRICK: M. COUTTS, C. CURCIO, M. DAVIDSON, S. FINDLAY, M. GRAHAM, R. KRAKE, M. TATULASCHWILI

See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983 The date is approximate. Tavistock was built c1890. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister.Colour photo of the roof and chimneys of 'Tavistock' at 192 Union Road, Surrey Hills. The house is Victorian in style, of red brick construction with a patterned slate tile roof and decorative chimneys.tavistock, milverton girls school, victorian style, houses, matron joyce walker, miss marjorie vahland

John Butler Maling, retired farmer, built his home on the corner of his property which extended from Weybridge Street to Whitehorse Road and from James to Ross Street. From 1853 he lived in a simple farmhouse located near the present Ross Street until he had 'Ancyra' built in c.1889 from bricks made from clay dug from a quarry on the property. This was located in the now-park in James Street. John Butler Maling Snr was born in Shepreth, Cambridgeshire. He married Kate Conlan in 1882 and they had 3 children - Silas, Alick and Zillah. He died in 1912 and is buried in Box Hill Cemetery. Often referred to as John Butler Maling Senior as he had a nephew by the same name. He also lived on a similar sized property known as 'The Willows', located to the west. He became the first Mayor of Camberwell. From c1936 til c1960 the property was used as a rest home (Ancyra Rest Home) and then a nursery (Pied Piper Nursery).This property is important as one of few remaining extant links to pre-urban Surrey Hills, and built from local material.A black and white photograph of a brick house with a slate roof and corrugated iron over the verandah and portico. A picket fence painted a dark colour features decorative finals on the tops of the posts.ancyra, house names, weybridge street, surrey hills, whitehorse road, james street, ross street, john butler maling (snr), mrs kate maling, silas maling, alick maling, zillah maling, miss kate conlan, box hill cemetery, ancyra rest home, pied piper nursery

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Straw hat by brand ‘Akubra’ in the style ‘Olympian’, size 56. Sides of crown woven with decorative pattern and hatband printed with native Australian flora. Retains original swing tag.Labels: Akubra / 56 / Olympian / MADE IN AUSTRALIA1992 barcelona olympics, uniform, australian wool corporation, hat

Twenty page book with black and white printed text and graphics. The front cover features a colour image of two men wearing knitwear, with an illustrated burnt orange decorative frame. front: [printed] PATONS CLASSICS / Men’s Set-in Jumpers / and Cardigans. / Sizes from 33 to 48. / Patons / BOOK 107 / Totem/Double/Baroness.Jet/Skol. / Bluebell. Patonyle/Easycare. / 45 cfashion, women, knitting, crochet, home life, patterns

English periodical published 1883 - 1905.Green/brown cloth-covered hardcover book. Decorative border in black & red depicting a swan at the top and sailing boat at the bottom. 694 pp. plus index. Good condition.p. 1 '0050'/'R 78'. 2 X Kilmore Mechanics' Institute stamps.british magazine, kilmore mechanics institute library.

This vase is part of collection donated by Mrs. Jean Raper. It belonged to her grandmother, Mrs. Alice Dinsmore.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small ruby glass vase. Although this vase has no markings, decorative items made from ruby glass were popular during the Victorian era and the early 20th century.vase, glassware, decorative items